When Branford Marsalis decided to stir up a little trouble in 1994 by juxtaposing and fusing mainstream jazz with hip-hop rhythms, rap, R&B, rock, reggae, and half a dozen other idioms, he chose to present his new music under the group name Buckshot LeFonque. This fanciful moniker is actually a resurrection of a pseudonym Cannonball Adderley used in the 1950s when moonlighting on a record label other than his own. The group's eponymous first album, a brilliant, playful, musically rich realization of this anything-goes fusion unfortunately drew a lot of fire from critics in eve...