Inspired by classic film composers such as Lalo Schifrin, John Barry, and Ennio Morricone -- as well as dancefloor innovators and a large cast of jazz/soul pioneers -- David Holmes' music moved from spacious, theatrical, yet club-ready productions to award-winning movie scores. His first album, hotly tipped in England, raised the stakes significantly for his second. Let's Get Killed hardly disappointed, gaining critical and artistic success given the constraints of instrumental dance music. The increased exposure helped him hire in on Hollywood's bankroll to provide the score ...