The solo moniker of New York-based artist Alexandra Drewchin, Eartheater makes challenging, dreamlike music that combines acoustic instrumentation with intense digital manipulation, as well as her own multi-tracked, three-octave vocals. The project's first two albums, Metalepsis and RIP Chrysalis, both appeared in 2015, to much critical acclaim. She moved in a more confrontational, club music-influenced direction with releases like 2018's IRISIRI before making the lusher, more acoustic Phoenix: Flames Are Dew Upon My Skin, which arrived in 2020. She incorporated more pop and m...