One of the earliest and finest jazz-rock flutists, Jeremy Steig was an outstanding soloist. He mastered the entire flute family, including bass, and also played piccolo well. He had a similarly rich, classically pure tone and timbre as James Newton or Hubert Laws, and used almost as many devices, such as tongue fluttering, humming, and swirling lines. But he wasn't as blues- or swing-oriented, and his associations included working in the early '60s with Richie Havens and heading Jeremy & the Satyrs in 1967. Steig's father is the famous artist William Steig; he began playing re...