Jonathan Harvey could be thought of as an English Stockhausen: he was perhaps best known for integrating electronically generated sound with live music in the service of a mystical outlook with many (especially non-Western) philosophical influences. However, Harvey's large output also contains many accessible choral pieces and acoustic avant-garde works for orchestra or chamber ensemble.
While a student at Cambridge, Harvey studied composition privately with Erwin Stein and Hans Keller (following the advice of Benjamin Britten), from whom he learned the basics of serial techn...