Jonathan King is the sort of figure who is unique to British pop music of the 1960s and 1970s. He could have no equivalent in America because of the sheer breadth of his talent and its relative superficiality. His music intersects commercial pop and comedy at several points, like a cross between Herman's Hermits, the Bee Gees, and Randy Newman, without ever getting more profound or complex than the first people on that list. He'd last about ten weeks in the American consciousness before being forgotten, which he mostly has been since his one thrust at fame in the States in 196...