Skilled at crafting pop songs under his own name, excellent at producing albums for others, and with enough session chops to play with legends like Echo & the Bunnymen and Robyn Hitchcock, Kelley Stoltz has carved out an interesting career for himself on the fringes of the indie rock scene. A series of homemade albums released on small labels in the late '90s led to him being signed to Sub Pop, where he delivered a trio of strong garage psych-meets-power pop albums in the mid-2000s that established him as both an artist and a producer. Stoltz spent the 2010s jumping from label...