Hailed by some as the third primary figure among great Russian pianists of the twentieth century's second half, Lazar Berman has occasionally lived up to that reputation, but frequently has not. Emil Gilels, the first genius-level Soviet pianist to become well-known in the West, insisted that there was one artist, yet unheard in the West, who was the greater artist. Later, after Sviatoslav Richter's arrival in Europe and America, most felt Gilels had been correct. Still later, however, Gilels maintained that yet another pianist, Lazar Berman, was the finest of the three. After...