Part Impressionist and part neo-Classicist, Manuel de Falla is difficult to peg, but he is widely regarded as the most distinguished Spanish composer of the early 20th century. His output is small but choice and revolves largely around music for the stage. Falla's reputation is based primarily on two lavishly Iberian ballet scores: El amor brujo ("Love, the Magician"), from which is drawn the Ritual Fire Dance (a pops favorite, often heard in piano or guitar transcriptions), and the splashy El sombrero de tres picos ("The Three-Cornered Hat"). He also gained a permanent place ...