Combining classical discipline with the inventive spirit of electronic music, Max Richter speaks to -- and frequently critiques -- 21st century life with evocative elegance. On early masterworks such as 2002's Memoryhouse and 2003's The Blue Notebooks, the composer and producer united his childhood memories and commentary on war's devastating aftermath into gorgeous, aching music; with 2015's eight-hour Sleep, he challenged the increasing disposability of art and music as well as audiences' ever-decreasing attention spans. Richter's fascination with the growing role of technol...