Naná Vasconcelos was one of the cluster of endlessly inventive Brazilian percussionists who changed the direction and sounds of Brazilian jazz in the post-bossa nova 1970s. Vasconcelos was an especially inventive virtuoso of the berimbau, the expressive instrument shaped like an archer's bow, and he is also adept at the odd-numbered meters (5/4, 7/4) that were used frequently in the north but not the south of Brazil.
As the son of a guitarist, Vasconcelos got his start in his father's band at age 12 playing bongos and maracas. Taking on a drum kit as part of his arsenal, he m...