Orlando was the most successful and visible band to emerge from the extremely brief romo movement of the mid-'90s. Led by songwriter/keyboardist Dickon Edwards, Orlando combined the stylish, synthesized dance-pop of the early '80s with Pulp's sense of purpose, the Manic Street Preachers' sense of outrage, Morrissey's sense of humor, and a lyrical stance that bordered on the explictly gay. Thanks to journalist Simon Price, the duo became a sensation on the pages of Melody Maker, who grouped Orlando with bands like Plastic Fantastic, DexDexter, and Hollywood as romo bands -- i.e...