In the mid-'60s, Frenchman Jean-Jacques Perrey -- an electronic musician who had helped popularize the Ondioline, a keyboard which produced sounds similar to the violin and the flute -- teamed up with American composer and arranger Gershon Kingsley for a couple albums of then-futuristic electronic pop. Using tape recorders, scissors, and splicing tape, they recorded variations on pop motifs that, while kitschy from a latter-day perspective, represented the state-of-the-art in electronic sounds at the time. Two LPs, The In Sound from Way Out! and Kaleidoscopic Vibrations, were ...