Drummer Ronald Shannon Jackson, and his Decoding Society of the 1980s, learned from the example of Ornette Coleman's Prime Time and were a logical extension of the group. They featured colorful and noisy ensembles; were not afraid of the influence of rock; and their rhythms were funky, loud, and unpredictable. Jackson played professionally in Texas with James Clay when he was 15. He moved to New York in 1966, where he worked with Byard Lancaster, Charles Mingus, Betty Carter, Stanley Turrentine, Jackie McLean, McCoy Tyner, Kenny Dorham, and most significantly Albert Ayler (196...