A pupil of Alfred Cortot, but standing apart from others who also studied with the French master, Samson François was a pianist of exceptional persuasiveness in live performance, but only intermittently as arresting in the recording studio. Nonetheless, he left on disc several samples of work approaching his best concert form, albeit with some evidence of the eccentricities critics complained about. His interests were wider than his recorded legacy might suggest; even at his most idiosyncratic, he offered moments of wry humor and rare magic. His life was recalled in some detai...