The drummer Tim Barnes was important in three ways: as an expansive experimental percussionist (and producer/engineer on the side) who had one foot in the downtown New York avant-jazz community while contributing to more traditional indie rock projects; as the owner of the Quakebasket label, distributors of limited-edition and broader releases of work by contemporary experimenters as well as careful reissues; and, finally, via his day job, where he helped bridge the worlds of indie rock and music licensing for advertising.
Barnes emerged in the late 1990s, contributing to in...