There were few punk-era, major-label performers as intensely creative and controversial as Tom Robinson. Cutting his teeth with folk-rockers Café Society (who released a Ray Davies-produced record on the head Kink's Konk label in 1975), Robinson roared into the spotlight in 1978 with a great single ("2-4-6-8 Motorway") and a much-ballyhooed contract with EMI. What was remarkable about this was that Robinson was the kind of politically conscious, confrontational performer that major labels generally ignored -- he was openly gay and sang about it ("Glad to Be Gay"); he was vocif...