Ultrasound

Exalted by their own operatic prog-glam ambitions, Ultrasound appeared in the late '90s as a violent reworking of the idiosyncratic compositions of Captain Beefheart and the staged ambisexual pop idioms of the likes of Gary Glitter and David Bowie. Andrew "Tiny" Wood (voice, guitar), Richard Green (bass), Pete Haslem (keyboards), and Andy Peace (drums) had splintered away from Newcastle's Sleepy People in February of 1994 in hopes to break the pulsing London circuit, starting off with the inauspicious moniker of Pop-A-Cat-A-Petal. After a self-titled debut EP on Org Records, t...