The most remarkable thing about the Velvet Underground isn't how many bands have patterned themselves in some way on their music, but how varied and different those bands sound in relation to each other. Women & Children start not from the noisy proto-punk side of the Velvets, but from the echoing, reverb-heavy, primitivist take on New York urban folk of songs like "Sunday Morning" and most of the self-titled third album. The group's music is sparse and folk-based, but unlike the loose conglomeration of new folkies around Devendra Banhart, there's less of a sense of childlike ...