Episode Transcript
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Speaker 1 (00:00):
Start up, dot up, start up, Brooklyn Boy, start Up,
Brooklyn Buddy, start up, dodd up. They making noise dot up,
start up, Dada, dot up.
Speaker 2 (00:16):
Brody says, it's episode three three one. It's the Brooklyn
Boys Podcast. I really thought we were up to thirty
thirty two. Maybe I'm getting ahead of myself. Brody, you're
getting behind yourself.
Speaker 3 (00:28):
I don't know what you're doing, but asking me what
episode it is as this song is playing, Well, that's
what we do here.
Speaker 2 (00:33):
It's not foolish. I don't we're episode three thirty one.
Speaker 3 (00:38):
But we've been talking for twenty minutes before we started
the podcast. You think that would have come up in conversation.
Speaker 2 (00:41):
You think it would have I don't know. How are
we up to three thirty one? Ors it's three thirty two? No,
it's three thirty one. I see you wearing your no
Sleep Till Iowa. Uh, Brooklyn, Iowa. I love my no
Sleep Till Brooklyn iowas as I as do I because
there is a Brooklyn, Iowa. But yeah, the picture, it's
a visual. It's the state of Iowa and the little
(01:03):
dot and it says Brooklyn because that's where Brooklyn is
in Iowa. That says no sleep till Brooklyn, the state
of Iowa. I love it. Everyone gets well, some people don't.
You'd have to know. But anyway, Uh, if you don't know,
now you know, now you know. But people, someone bought
me this. It was actually a slice slice at our
(01:25):
brook our meat market when we had our our meet up,
the Brooklyn Boys meet Up m e a t where
we took everyone out to a steakhouse. That was a
good time. I'm still waiting for a follow up if
we're going to do a something else. We're trying to
get something else going.
Speaker 3 (01:41):
And that's up for the sales department and locations that
want to house us and.
Speaker 2 (01:46):
Us who wants to host us. Yeah, you know it's funny.
A friend of mine she uh, She's like, hey, so
my friend's got a Greek restaurant and wants you to
come to dinner with me and we want to you know,
have a nice meal or so, and you know, maybe
(02:08):
you can say something on the radio about it. I'm like, oh,
well maybe maybe not. I said, I don't know, I
can't really promise that. So I left it right there
and I didn't go to dinner. So today we were
advertising for a client, David Busters, because I'm going to
be going up there to Rockland County shortly after this podcast.
You hit the jingle sponsor, they're a sponsor, Yeah, so
(02:31):
you don't have to have me hit the jingle. But anyway,
so I was, I was Elvis and I were talking
about it on the radio, and then my friend's friend
who owns the restaurant, says, Hey, I just heart Scary
on the air talking about how he's going up to
David Busters and Zee one hundred and the whole thing
in this afternoon, and hey, how can we get that
(02:51):
for our restaurant. How can we have him come and
broadcast live and we could do that. Yeah, that would
be great. That would really help the restaurant's progress, and
it could make the restaurant like you know, it would
fill our seats and people would know all about us.
So it got me to think it, Dear David Brody,
(03:12):
people don't realize how it works. They think we run it.
They think that we're running a charity here or something.
I don't know. I mean, we do charities, we take
part in them, but if you think about it, I mean,
maybe people don't know. And I'm assuming because we're too
close to the situation that radio stations are. Indeed, business
(03:32):
is for profit, like right, I mean, the whole idea
is to is to sell advertising, make money, earn revenue,
pay the people that work there, and and make money
for the company. That's pretty much what radio is, unless
you're talking about PBS and publicly funded broadcast that's excluded.
(03:53):
That is for profit, I mean for a nonprofit. But
it's amazing how the person didn't understand that Dave and
Busters are they're actually partners of ours. There's obviously money exchanged.
And then they they advertise on the radio, they buy
radio campaigns. They want to advertise their product and get
(04:13):
access to our followers, our listeners, if you may, and
that there's a whole there's a business model. There's a
business model going on. But when I told how to
explain that to him through my friend, he went back
and he came back he was, oh, I didn't know that.
(04:34):
So obviously there are people out there that think that
that we exist to randomly go on a Friday afternoon
to just go hang out at a place. Now it
is fun at the same time, we're getting paid to
have fun. But no, but you know my initials are dB.
You're a dB. You're a dB fan, But you know
(04:55):
it's it's crazy. But maybe some slight slices know that
does everybody? Is everybody on board that radio is actually
a business for profit? I don't know, because this guy
who owns this restaurant had no no clue, no clue.
He thought that we just oh, yeah, I'm gonna call
up a radio station and then you're gonna bring the
van down and they're gonna they're gonna broadcat. They're gonna
go live from my restaurant and they're gonna fill it up,
(05:18):
and they're gonna fill the restaurant and people are gonna
hang out. And I don't know. I just maybe I'm
thinking too much of some people. I don't know. You're
very preoccupied, Brody, very preoccupied. Something's going on. Something's up,
something's up with you right now. I'm all right, you're
staring blankly at the screen. What's going on? Okay, So
hold on. So I'm completely listening to you. I know
(05:40):
you are. I heard everything you said.
Speaker 3 (05:42):
But in the background, which I mentioned you before, my
camera software has decided to do a complete update and
it crashes ninety percent through the update.
Speaker 2 (05:52):
Okay, so you're not seeing me having a I'm having
a problem with the camera, So okay, but you don't.
You don't need the camera because luckily this is an
audio podcast. It was your idea to not do video.
I get I get I get that.
Speaker 3 (06:03):
I get that, I get that, But we like to
see each other during the podcast, and I'm having a problem.
Speaker 2 (06:08):
I don't said.
Speaker 3 (06:10):
If David Buster would like to sponsor the brook thank
you very much. If David Buster would like to sponsor
the The Brooklyn Boys podcast and have us broadcast live
or do a meet and greet at David Busters.
Speaker 2 (06:20):
Well, we're gonna do for free.
Speaker 3 (06:21):
According to this restaurant owner, we just show up, you
give me game tokens and some some appetizers.
Speaker 2 (06:26):
I would I would consider it. Oh is that all
it takes? Yeah, I'm easy. It's like I used to
play comedy clubs for like free nachos. Is that right?
Speaker 3 (06:36):
Oh yeah, back in the day, like when we were
first thoughting out, they wouldn't really pay you. They would
they were like, oh, we'll give you free food, right.
Speaker 2 (06:44):
iHeart Radio is not exactly just starting out though, so
we really can't offer those services for free. No, No,
that's correct. I just love it. Yeah, just stop, bring
the radio equipment, bring the van. Everybody, just show up,
come to the restaurant.
Speaker 3 (06:58):
Spend five thousand dollars of time and energy and labor
and energy and people power.
Speaker 2 (07:03):
Yeah, and just and uh talk to the three million
people and tell them to come to my restaurant. Tell
them to come to my restaurant. Right, I don't know,
give us one hundred thousand dollars in radio advertising. Where
do people come off?
Speaker 3 (07:19):
I think I don't know if everyone understands the business
model of television and radio.
Speaker 2 (07:23):
That's well, that's why I'm asked. That's why I'm throwing
it out there. That's why this is interesting to me,
because because I told this to my girlfriend already and
she goes, you know, you're very close to the situation.
Not everybody realizes that, you know, there's a there's a
business model behind it. Because because I was like, this
is a preposterous thing that was asked of me. Yeah,
(07:44):
I'm just gonna bring the radio station down there. We're
gonna we're gonna go live from your from your restaurant.
I don't know, I have to give you free food.
I guess then, is that right? Okay, just I don't know.
But that's why I threw it out there, because I
really wanted to know am I crazy? Because I gave
people too much credit in thinking that.
Speaker 3 (08:04):
Oh, you're definitely crazy. Well there's that anyway, there's that, Okay,
So i'll uh, by the way, so later on in
the in the podcast, I know you hate when I
tease stuff, but we're talking about restaurants, and uh, I
had a great lunch at aunt Butchi's in Staten Island.
Speaker 2 (08:22):
There's not a sponsor, not a sponsor. They have like
four or five locations. Uh.
Speaker 3 (08:27):
But aunt Butcher's the guy Pete who one of the
owners of ant Puchies. And by the way, ant Butchi
was the nickname of their aunt.
Speaker 2 (08:32):
To a woman. Oh uh.
Speaker 3 (08:35):
He brought up food many years ago to the morning
show and gave his gift cards. So I went and
used his gift card.
Speaker 2 (08:44):
Yeah. And the food, the food's terrific. So I had.
Speaker 3 (08:47):
I had my lunch with the Brooklyn boys, my Brooklyn
boys at ant Butchi's. It's that out which I'll tell
you about later. But I I did want to talk
to you real quick to if I have time here. Sure,
I want to talk to you about about pickleball, because
at a pickleball incident.
Speaker 2 (09:02):
So incident, you know, incident. Yeah.
Speaker 3 (09:04):
So I'm currently rated by by the pickleball people, the
gods pickleball gods at a at A A three point zero,
which is like intermediate. It goes up to I think
five or six. But I'm a three and I need
to get reevaluated. I'm probably more of a three two five.
But you know, when you are three, you can only
(09:26):
register to play up against people who are three two
five or two seven five. You can go a little up,
a little down, but you can't play against three five
and up. Okay, yeah, Well, on Monday nights they do
this thing called live ball. You don't play pick a ball.
You don't know what I'm talking About's fine, I'll explain
it real quick. There's a coach or like a guy
who works there, and you don't serve. You have two
(09:49):
people who play at the baseline in other words, the
furthest part from the net, and the other people another
team play up at the kitchen so close to the net,
and the guy who works there throws the ball in
like it's a serve and you have to beat the
two people at the kitchen two points in a row,
and then you rotate around and you become the kitchen
and you score points if you keep people from taking over.
Speaker 2 (10:10):
It's like war.
Speaker 3 (10:11):
It's just a different type of pickle ball that somebody
came up with, and it's very fast, very fat, and
wears you out. Well, only three five and above can
register to play this, so I can't play with those guys.
But a couple of the people I play with at
three two five are three fives. They can play, so
there's some people doing it that I know. Okay, anyway,
I'm playing with the people on my level. I regised
(10:31):
in six to seven thirty on Monday night and I'm
start in the middle of a game with the people
at my level.
Speaker 2 (10:36):
We're having a good time and I'm winning because I'm
I'm happy to be winning.
Speaker 3 (10:40):
And this guy and the coach guy walk on to
my court where I'm playing and say, hey, we're short
a guy because they have to have an even number.
Do you want to come play with us? Andy said,
Andy's my friend. He goes, Andy says, you're good enough
to hang with us. Wow, So they want to advance
you past. What you think you can perform it?
Speaker 2 (11:01):
Oh?
Speaker 3 (11:01):
What I'm allowed to compete? I haven't been I haven't
taken the time to have them re rate me. So
but he goes, Andy thinks you're good enough to hang
and h we need somebody desperately. We can't play without
an eating gotcha. I understand that.
Speaker 2 (11:13):
Okay.
Speaker 3 (11:13):
So I'm like, oh, oh, okay, you got the call.
I got the call. So there's there's seven people, and
i'd be the eighth person.
Speaker 2 (11:22):
I made it to. Well, yeah, okay.
Speaker 3 (11:24):
So the coach has the clipboard and he says, all right,
we're gonna start up with two teams. Uh David and
the bald guy. I don't I don't know his name,
and for the sake of the story, wouldn't ca him.
Speaker 2 (11:35):
The ball guy.
Speaker 3 (11:35):
Uh Andy with this guy, and Rob with that guy.
And they team everybody up. And so the first the
first round is me and and this balld guy. So
all right, so I'm on the right, he's on the left. Now,
if you know how how you swing your paddle, if
you're on the right, that means your backhand is on
(11:56):
the left.
Speaker 2 (11:57):
Hand, right paddle right. I'm a leftist, so I want
to be on the right because that's my forehand. Yeah.
Speaker 3 (12:03):
So the space between you is better for the other
guy because it's his forehand. Yep, his right hand, all right, Matthews,
thank you space between Sorry.
Speaker 2 (12:15):
Anyway, that being.
Speaker 3 (12:16):
Said, when the ball is directly up the middle, you
can I can use my backhand and whack the ball.
Speaker 2 (12:22):
I don't have to show to him. Okay, yep, okay.
So we had a good rally, like three fourth back
and forth, back and forth. They're slamming.
Speaker 3 (12:30):
I'm hitting back and then a ball comes right up
the middle. Now I'm up by the net and he's
a little further back. So as the ball's coming, it's
getting to me first. So I whack the ball and
I hit it out whatever. He says, hey to me.
He looks at me and he goes forehand, and he
(12:51):
stares at me with an angry look. So I stare
at him like, what the fuck are you staring at me?
He goes, that's my forehand, bro, I go, your backhand
is his forehand, right.
Speaker 2 (13:03):
In other words, I shouldn't hit the right He should
have taken it and hit it with his forehand, right.
Speaker 3 (13:10):
But I but I took it because I was close
enough to it, and I had a shot, right, But
that's the way.
Speaker 2 (13:16):
He speaks to me.
Speaker 3 (13:16):
I'm there doing them a favor, and he goes bro forehand.
Speaker 2 (13:22):
Oh wow, I don't like this guy already. I don't
like this guy ready.
Speaker 3 (13:26):
So we continue to point whatever we lose, and we
get off the court, and then the other the next
team gets on and they try to beat the guys
at the kitchen. Yeah, and you rotated, So I go
with and and go, what the fuck is what that guy?
He goes, Oh, he's a dick. Everyone knows he's a deck.
He's a fucking asshole. He just thoughts with everybody. He's
Joe competition. He thinks it's for real. Yeah, yeah, he's hardcore.
I hate people like that. Take it way too seriously.
(13:47):
Should have gone pro. Never did stuck in the miners.
Now he's playing street pickleball with the community after After
each fifteen minutes, you rotate who your teammate is. So
eventually I get off his team and I'm on somebody
else's team. Right, So I'm watching and at some point
he's on the right side, right, and he jumps the
ball for his partner. He jumps in with the backhand
(14:11):
and hits the ball and he doesn't get it over.
Speaker 2 (14:13):
You screamed, forehand. You damn fucking right, I did. I
went forehand. What did he say to that?
Speaker 4 (14:21):
Oh?
Speaker 3 (14:21):
He gave me a look like, who the fuck is
this guy yelling forehand. I'm like, I'm the guy you
yelled at a little while ago, and now you did
the same fucking thing. So afterwards, everyone came up with me, like, listen,
we really appreciate by the way I hung with them. Good,
I kept I kept up. Okay, are they a little
bit better than me? Absolutely? I kept up, and good
for you. Everyone came up to me afterwards, like, listen,
(14:43):
we're so sorry, thank you so much for filling in.
We would have been fucked if you didn't fill in.
I don't know what that guy's problem is. Instead of
being appreciative, he's giving you the fucking forehand comment.
Speaker 2 (14:52):
I'm like, yeah, I'm here doing you guys a favor.
Speaker 3 (14:54):
Yeah, and you're like forehand Yeah, I said to her,
go I was ready to give him the backhand, really
was you know what, I'll give him the middle finger.
Speaker 2 (15:07):
I feel better now, good? See we both well. I
I have to get something off my chest you I mean, no,
I just this is an observation, and if you're one
of these people, do better. Okay, I'm not even gonna apologize.
If you want, it's gotten out of control. If you
(15:28):
live in a big city or near one, or even
been to a big city. It doesn't have to be
New York. You know where I'm talking. You know what
I'm talking about. I'm talking about e bikers, people on
e bikes. No, but it's an observation that I've had
now that it's bothering the hell out of me if
you think about it. Brody and I and I talked
(15:50):
about this on the Big Show, and I got a
standing ovation by Elvis and everybody. Okay, I'm not gonna
go do what I did there, all right, I'm gonna
I'm gonna repeat my statement, my prepared statement, so I
don't get myself in trouble. But I want you to.
I want your thoughts on it, all right. I personally
think that e bikers happen to be the most ruthless,
(16:10):
the most ruthless and lawless vigilantes out there, if you
think about it, Okay, they do not should explain what
he bikes all one more time. E bikes are electronic
bikes that can go up to the speed, if not
more faster than a motorized vehicle in the city. You know,
when you're going twenty miles an hour, twenty five miles
(16:30):
an hour, or thirty miles an hour as a car
you could go, you can fucking go forty miles an
hour on this fucking thing. You can go faster. You
can get through the city streets faster on a nee
bike than you can a car. So they're fucking they
should be treated as such, but we don't do that
for whatever reason. They they feel like they're above the law.
They don't yield to cars or pedestrians. Both times it's
(16:56):
it's the car's fault or it's the pedestrian's fault, but
it's never the e biker's fault. They have the they
made these dedicated like green lanes for them to you know,
to ride in, but right oftentimes they're not even using
their own fucking lane that was built for them, usually
resulting in taking away a lane of real traffic to
(17:16):
accommodate these fucking e bikes. So now cars are going
are slowed down and they're in less lanes. Okay, because
of the creation of these e bike lanes for those people,
so they should live in that little e bike lane,
green little lane world. But they don't. They still go.
They still go up on up on sidewalks, down on
(17:38):
side the upside, walks down the wrong way, down a
one way street, the wrong side of the road. They speed,
they go above the speed limit. They blow red lights
like they don't. They don't sit there like a car
in a red light. They'll just fucking keep going. And
they'll make them they they'll just look both ways and
keep going. Things that are road and all this, and
(18:01):
they never ever get reprimanded for their behavior. They never
get tickets for their actions because these e bikers are
out there and they don't have license plates, they not try,
they're not trackable. I've never seen a cop car pull
over an e biker and give them a ticket or anyone.
So they pretty much running running a muck. They pretty
(18:24):
much own their ship, own the whole place. Okay, they're
like teflon, you know, and and and and they and
I was gonna say, you know, I said this on
the air. They're useless to me because chances are they're
on their bike they're not listening to the radio. They're
not listening to this podcast. E bikers are usually don't
(18:44):
have their air pods in whatever the case, and listening
to podcasts. But anyway, that's why I feel like I
can shit on them. But anyway, they're no use to that.
But but it's getting out of control, Brody. It's something
needs to be done. They need to be They need
to get license plates or something they need because they're
motorized vehicles in a way, you know, just because they
(19:06):
don't run on gas and they run on electric motors.
Speaker 3 (19:09):
They should have license plates, and they should be a
record of who's renting them.
Speaker 2 (19:12):
Or not even renting them, but owning them. People own them.
They're the ones on the food delivery bikes, like all
the bikers. Well no, well, I mean the uber eats guys.
They go zipping down the you know, listen, I don't
I appreciate how fast you get to my apartment with
the salad. But I'm not at what risk? At what risk?
(19:33):
Oh it's it's Q two. I'm eating salads. Oh right, right, wait,
but at what risk? Are you know? Are you are
you doing that? I'd rather follow and obey all traffic laws,
but there's no way to do it. They're unstoppable and
since the last time we spoke about them, we're worse off.
It's only getting worse and worse every day less, especially
with congestion, pricing and people not coming into the city
(19:55):
as much. They don't want to pay the nine dollars more.
Speaker 3 (19:58):
People need we need we need them Mayor of New
York to step up or get a new mayor, crack
down the crackdown.
Speaker 2 (20:05):
But not just New York City. I'm sure this is
going on in Philly. I'm sure in Miami and all
these other places.
Speaker 3 (20:09):
I'm saying, we we you is in New Yorker. That's
how it's gonna get solved. The mayor needs to step
up and do something about it. I don't know what
the answer is, but why are they tough problem? The
city loves the e bikes because it keeps people out
of cars. Usually that's what the but they're menace to society.
They are definitely a men their threat. I mean they're
too fast, as the bikes are dangerous enough in Manhattan.
Speaker 2 (20:30):
Right. So when I talked about this on the air
this morning, not only did everybody agree with me, I
thought I was going to get some uh wow, some
gree with Oh no, somebody, somebody. I was gonna get
get burned by my own flame. But but people started
texting in. Yeah, my my aunt was in the city
walking across the street and some biker put her in
the hospital three three months ago and it was badly if.
(20:54):
She was in the hospital for for a couple of weeks. Yeah,
they hit the the biker hit her. She was in
the laid up in the hig hospital and couldn't she
couldn't sue anybody. She couldn't. Like it's like no repercussions.
Like the guy got up back on his bike and
kept fucking going. They don't. They don't get charged for
hitting runs like they're not held to the same standard
(21:16):
as a motorist. How is that possible? How do you
think they need to change the designation of them? Then?
How do you how do you? How do you?
Speaker 3 (21:26):
I don't by the way, between the e bikes, uh,
and and the and the and the bike lanes that
bother you.
Speaker 2 (21:34):
You're a mess. Yeah, no, it's it's not. It's like
not to have a lawn. Well you can't. People get
off your lawn, Get off my pavement, get out of
my pathway. I mean, you know it's rough, they're annoying,
but you are losing sleep. I am. It's the one
thing that I really detest potholes in the city, destroying
your car. Potholes are one thing, but these but these
(21:57):
e bikers, man, they are in another let. But they
are also they've been empowered because there are no there's
no rules for them. They don't there hasn't been a
precedent that's been set, so nothing's enforceable. And uh yeah,
so there's that. So just wanted to throw that out there. Brody.
Speaker 3 (22:16):
All right, hey, speaking of your flat tire damaged rim, Yeah,
enough of this, please can we move past this plice desbomb? Yeah,
she said she were sending me a DM Brody, the
fucking universe paid me back for talking shit about scary
she said, look what look what I ran over and
it's a picture of her tire with a big hole
in it. Uh, she said, however, I have triple A
(22:39):
and a spare and I'm I'm under under twenty five
minutes I was back on the road. So she did
get a flat and feels like she deserved it for
talking shit about you.
Speaker 2 (22:48):
But for twenty five bucks.
Speaker 3 (22:49):
She was back on the road or tire was fixed,
and she wasn't without a car for four days.
Speaker 2 (22:52):
So yeah, suck it, scary basic. Exactly who else has
been checking in with us? Uh?
Speaker 3 (23:00):
A lot of people. I'm not prepared to discuss that yet.
I have to open up my folder.
Speaker 2 (23:03):
And oh, okay, okay, okay, okay, I'll tell you. I'll
tell you what. Let me tellt me.
Speaker 3 (23:06):
Let me give a shout out to AKA Underscore Dolomel.
Her name is Melissa. She sent me a video she
said made me think of you. I think I sent
it to you.
Speaker 2 (23:19):
Scary. You know, people go, oh, I thought of you
when I saw this.
Speaker 3 (23:22):
And it's usually like Facebook and it's live Facebook people
acting out Facebook conversations. That's what I get a lot
But this one was one of the characters from this
season of White Lotus staring in bewilderment. And the caption
is me waiting for the waiter to finish the specials
so I can order my chicken palm.
Speaker 2 (23:41):
And that's exactly me.
Speaker 3 (23:43):
Oh, let me tell you about the specials today, delicious, scary?
Speaker 2 (23:49):
Are you paying attention? Yeah? The specials today? Go ahead,
I'm waiting.
Speaker 3 (23:52):
Oh yeah, we have a delicious Chilean sea bass over
a bed of rice with shallots and garlic. We also
have a a bronzeno broiled with a lemon butter sauce.
Speaker 2 (24:10):
You have me a lemon butter. Yeah. Also, we have
a chicken prepared three ways on a bed of pasta.
That is the chef's favorite. More solid wine sauce. Talk dirty.
Speaker 3 (24:23):
This is my is my porn language. Hey, I get
to the end of this. I'm ordering the chicken pond.
I mean that's that's the specials are like YadA YadA, YadA,
YadA YadA.
Speaker 2 (24:32):
No, I like to hear. I don't normally order specials.
Number one, I don't know the price. Number two.
Speaker 3 (24:37):
If I like it, it won't be there the next time.
I like to order the same thing when I go
to the restaurant. But I like it, I order it again.
Speaker 2 (24:44):
Wow, you're not like that. You order special sometimes. I
love the special sometimes because if it's especially if it's
a fish dish. Usually well, it could go two ways.
It could be either a fresh catch because they have that,
because they can never put that on a menu and
print out on the menu. Because you don't know what
you're gonna get in that day, so that she could
be the freshest thing on the menu, or as Brody
(25:06):
knows from being in the food service industry all these years,
it could be it could be in the ship they're
trying to move. It could be the worst thing on
the menu. And the way they get you is they
put it in a box. It's like it's like listed
on a in a square, so your your eye eyes
go right to that rectangle of like what's inside the rectangle? Oh,
this special? But that's usually when it's on a menu
(25:28):
and it's permanent. But if it's an addendum to the menu,
did I say that word? Right? Addendum? In addition? Uh,
it's on a separate sheet of paper that was typed
out that day. You know, they could be moving that
shit too. You don't know. They might have had order
too much, too much beef the night before or a
couple of days before, and they it's gonna go bad.
(25:49):
And if before it goes rantid, Hey, let's make a
special out of this, right, Yeah, you already know? Yeah?
Thanks so honest Marsett. Uh anyway, no, I said you
already know. You want to know? Oh, okay, right, very
close enough. I'll give you a half point. I speaking of.
Speaker 3 (26:04):
Specials, so uh, I've been going to uh with my
buddy to watch sporting events at a different sports bars.
So one of them, you know which one it is,
it's it's my it's one of my favorites.
Speaker 2 (26:16):
It's Tommy's.
Speaker 3 (26:16):
I don't want to get into the whole thing, but anyway,
so I go there and they have seasonal menus. So
seasonal is okay because if you like the food, you
can get it for like three months. So I went,
I don't know, it's two weeks ago now, whenever, the
end of spring was happening, so the the winter menu
was wrapping up. So on the winter menu about a
(26:37):
month ago, I got the meat loaf and and my
appetizer was the duck wings. The duck wings were fantastic.
They were a a an Asian sauce. It was terrific.
So mean a while, let's go back to Tommy's. I
really want to get the meat loaf again and the
duck wings, but I more than anything on to do,
I won't even get the meat loaf. I just gotta
(26:57):
have those duck wings. They were fantastic. They were like butter.
They just melt it off the boat.
Speaker 2 (27:00):
Terrific. Okay, terrific, we go. We okay, terrific we go.
Speaker 3 (27:04):
When we sit at the bar and I ordered from
the bartender, I said, hey, give me the duck wings
and whatever else I order.
Speaker 2 (27:10):
He says, oh, all right, great.
Speaker 3 (27:13):
So I'm waiting fifteen minutes for my appetizer and the
manager comes over to me at the bar just hey,
I'm terribly sorry. We only had one order of duck
wings left and we burnt it. The kitchen burnt you,
but your duck Oh shit, she said. Because it's the
end of the season. This was the last day we're
having this menu and that was the last one.
Speaker 2 (27:31):
Last one. They burned them. So you know you should
have said, because I know that, I know you, David Brody. Yeah,
like you know what. All right, I'll take something else.
But since you cooked them already, bring them out. Let
me see how burned. No, no, they didn't, they didn't know.
I will tell you that happened to me. Dunkin Donuts.
That isn't that is a Brodie move though. I'll take
how they really are.
Speaker 3 (27:52):
Hold on, I will transition into the du Dunkin donut
store or the dunkin story. Okay, anyway, So I said, well,
I came here just for the duck wings, which was legitimate.
Speaker 2 (28:00):
Okay, just yeah, I'm sorry.
Speaker 3 (28:02):
I said, all right, well, I guess I'll take the
Asian ribs because that's like a third cousin. Like it's
similar sauce.
Speaker 2 (28:10):
It's okay. So I'm like, all right.
Speaker 3 (28:13):
So then the bill comes and she charged me for
the for the for the ribs. Now, if you're a
good manager, what do you like caught me the appetizer
because you fucked up the one I ordered? Shouldn't I
at least think like that would be a nice thing
to do. Listen, we fucked up your duck wings. You
made it a point to say you came here specifically
for the duck wings, and we're never going to have
(28:34):
them again. Let me take care of your appetizer. No,
they don't owe you anything in that case. They burnt
my order and I can't get it. Therefore I didn't
get equal.
Speaker 2 (28:46):
Yeah, but you ordered, but you ordered what you ordered,
came there for the duck wings. You're not listening. I
did know.
Speaker 3 (28:54):
I know you came for the duck wings, and I
didn't get the duck wings because their kitchen staff burnt them.
Speaker 2 (29:02):
Hey, so you think so you think that you're entitled
to a free a free ribs because they burnt your
duck wings. Hold on, is this is this the even
is not even equation and in effect, hold on a second,
let me think this is true.
Speaker 3 (29:17):
You burned my duck wings. I didn't get to have
my duck wings. I waited fifteen minutes before you told me.
Now I have to wait another fifteen minutes for you
to make the ribs. I waited a half hour to
get my food, just the appetizer.
Speaker 2 (29:30):
Yeah, but the even is not even thing is when
they burn a steak and then they bring you another steak.
Speaker 3 (29:35):
Okay, this is worse. I didn't get the steak. Imagine
they burned my steak and go, we're out of steak.
You gotta have chicken. Now, I didn't even get the
steak in that in that equation. So this, this is
even below even.
Speaker 2 (29:47):
This is so Now you want a twenty five dollars
gift card to add to this? Is that what you're
trying to.
Speaker 3 (29:53):
Say that I wanted I wanted to waitress the manager.
You want to say you know what, what appetizer do
you want? We'll take care of it's on off. We're
sorry for the inconvenience, actually fucked up. Yeah no, uh
all right, yeah, I'm on board.
Speaker 2 (30:05):
I'm on board. I'm on board with free dessert Day.
Speaker 3 (30:07):
Yeah yeah, yeah, alright, very good, very good. Now, scary slices.
Feel free to leave a talk back.
Speaker 2 (30:13):
Now. It's the scariest point. Whenever I go.
Speaker 3 (30:17):
See my daughter, this is the same day that I
got the double parking incident that happened last week.
Speaker 2 (30:23):
You were on a roll that day.
Speaker 3 (30:25):
Yeah, Whenever, whenever I go to see my daughter, I
stop at Dunkin Donuts and pick her up her drink
for her, because she lives like three blocks from Duncan,
doesn't have a car, And I'm like, oh, you know
what the least I can do when I come see you,
I'll bring you a duncan. I'll stop at the Duncan,
the duncan that I go to all the time for her,
and I get her drink. Now, she she has a
very specific drink. She likes oat milk and on sweetened
(30:49):
vanilla in her iced coffee. Okay, so in fact, I
have it on my phone. So I can always get
it right, so I just read it off my phone. Sure,
So I go in like I always do when I say,
like an iced coffee with oat milk and an unsweetened
shot of vanilla medium size.
Speaker 2 (31:06):
Right, I'm medium iceed coffee.
Speaker 3 (31:07):
I always start with medium iceed coffee, so I don't
have a lot sweetened vanilla. Isn't vanilla sweet to begin with?
I think it's unsweetened? And then a shot of an milk,
a shot of an ill okay, don't put me don't
put any sugar in iced coffee, and a shot of
got you right?
Speaker 2 (31:21):
Right? Okay?
Speaker 3 (31:23):
So the woman wrings me up, and because it's not busy,
she's also the person that goes over and makes my order.
As opposed to like reading it off the screen. She
goes and makes it, and she makes it and she
hands it to me, and it's a hot version of
the drink I ordered. So it's a hot coffee with
oat milk and a shot of Yep, wrong order. So
(31:43):
I said, I'm terribly sorry I ordered an iced coffee
with that stuff in it. Oh, I'm so sorry, And
she takes it back off the counter. So I said
from afar, I said listen, are you gonna throw that out? Yeah,
they have to. They're not gonna sell it to anyone else, right,
So I said, well, I'll take it, don't throw it out. No, no,
(32:05):
I'll make you a new one. No, I get that,
make me the new one. But I'll take that one. No,
it's not what you wanted. I'll throw it out.
Speaker 2 (32:12):
No.
Speaker 3 (32:12):
No, there was a language barrier. There was a slight
language barrier in the neighborhood I was in. So it's fine.
Speaker 2 (32:18):
I was trying.
Speaker 3 (32:18):
I was trying to explain to her, you're gonna throw
it out, I'll bring my daughter the hot coffee and
the ice coffee.
Speaker 2 (32:24):
It's a pus and then later on she can make
ice coffee out of the hot coffee. No, I don't
throw it out.
Speaker 3 (32:31):
She's like, no, I'm gonna make you a fresh one.
I'm like, I'm trying to explain. I go, yes, make
me an ice one. This is but just but one.
So what ended up to order it? It's not what
you want it. You want to take that you give me.
I could not get She threw it in the garbage.
She didn't understand what I'm saying.
Speaker 2 (32:47):
I'm like, well, no, the other you know, you know
what you would have done. She would have given it
to you, and then she would have charged you for
it too, right, because so, so what's this is similar
to the time that this is what they may get
two sandwiches? Right, they would have thrown it out. Listen,
I was a manager at Starbucks for a while. I
would have just given the coffee, like, hey, you know what, here,
take it.
Speaker 3 (33:07):
It's all a mistake. And because now I'm waiting for
the second coffee. So while I'm waiting to go, you know,
take the hot one. I'll make you the car.
Speaker 2 (33:12):
Don't throw it out. What are you wasting it for?
You want to ask for? You wouldn't have asked for it.
You wouldn't said I'll take the hot one. Yeah, I
wouldn't have bothered with it. I'm like, yeah, fuck it.
But then I'm a different I'm a different guy, Brody.
You know that by now three thirty one episodes in,
you should know that I would be like, yeah, fuck
you don't it's the Boys podcast.
Speaker 3 (33:37):
Oh man, hey, uh, I got a quickie for you.
And then and then then, of course, if you have
anything scary, you don't go to the movies very often.
But they spoofed it on Saturday Night Live and I'm
gonna play audio off my phone and if you can't
hear it, I'm sorry.
Speaker 2 (33:49):
Scary. Okay, oh god again, Really.
Speaker 3 (33:52):
More about about what I'm gonna more than what I'm
gonna play, but I want.
Speaker 2 (33:55):
To talk about it. Okay.
Speaker 3 (33:55):
So, if you've ever been to an AMC movie theater
for like five years now, I don't know why they
have and updated it. They have a very plastic surgery
looking Nicole Kidman walk into a movie theater and give
a speech about the beauty of movies.
Speaker 2 (34:10):
I'm gonna play a clup of it and let's see
if you can hear it. Hold on, can you hear?
Speaker 4 (34:15):
We come to this place a magic. We come to
AMC theaters to love, to cry, to care because we
need that.
Speaker 2 (34:26):
Ok So it's annoying. It's five years.
Speaker 3 (34:29):
Every time you go to AMC theater you have to
hear talk about It's it's the seat on the big screen.
Speaker 2 (34:34):
They love the emotion. Well, they're trying to make an
emotional connection. So you always show up at an AMC
and you always spend your money there. I mean right,
it's genius marketing.
Speaker 3 (34:43):
It's still bad Christian Wig. I think it was Kristen Wig.
They spoofed it and they did a parody and it
was hilarious.
Speaker 2 (34:48):
Okay.
Speaker 3 (34:49):
So I go to see a movie a couple of
weeks ago with Michael Fassbender and Clay Blanchette, a spy
thriller called Black Bag. And we go to the theater.
The theater, the theater. We go to the AMC, and
I'm like, I forgot because I usually I usually go.
Speaker 2 (35:08):
To cinema, which is much nicer theaters. AMC is fine,
but cinema is even nicer. Did we go out of business?
By the way, they still us fine, it's my knowledge.
Speaker 3 (35:18):
So all of a sudden, I see Nicole Kidman on
the screen and you know, the music's thoughts, but this
is what I.
Speaker 2 (35:24):
Hear along audio problems.
Speaker 3 (35:30):
Nope, this movie theater must have re recorded the audio
or or and and it's just.
Speaker 2 (35:40):
On purpose to make fun of it. Yeah, I think they.
I think they made fun of it totally. Yeah, these
are corporate theaters. Didn't they can't get away with that.
I don't know what they did, man, but they're showing
it and it's like dahn and they totally made Now
did you demand your money back because you couldn't understand
what you was saying?
Speaker 3 (35:59):
Oh, I wanted to give them more money for doing it.
It was fantastic. I hate that Nicole Kidman video.
Speaker 2 (36:04):
Really, I don't know. I can't. I can't imagine they
did that on purpose. They did. This isn't like Frankie's
movie theater. This is a corporate theater. You know. They
have hundreds of screens across the country.
Speaker 3 (36:17):
If this happened to you, I think it was the
AMC near Bridgewater, somewhere near Bridgewater.
Speaker 2 (36:22):
Maybe it was the town they could be having audio problems.
Speaker 3 (36:26):
It was only during the Nicole Kidman clip and I
I was laughing my ass off and the other people
in the theater were clapping.
Speaker 2 (36:33):
People were clapping it will wah wah wa wah wah
wah that.
Speaker 3 (36:37):
It was like that, But it was like blatantly, like
a guy gone, that's so funny. I don't know if
the projectionist lowered the volume and was doing it live
or what.
Speaker 2 (36:49):
Because they usually have microphones too, they don't know. It
was like the projectionist, Is that really what it sounded like.
I wish you would have gotten audio. That's hysterical.
Speaker 3 (37:04):
I was laughing too hard to whip my phone out.
I was like, I should have I should have recorded it.
I may have to go back to see if it's
still that way. How great is that?
Speaker 2 (37:13):
I love?
Speaker 3 (37:13):
Somebody was like, I know people hate this. I'm gonna
destroy it. So hey, thank you for that.
Speaker 2 (37:19):
I'm going to a christening tomorrow with my girlfriend Robin. Yeah. Oh,
joy is right, But okay, I've never I've never been.
I'm not a godfather on this one. You know, I
was a godfather from my beautiful Endzo he's a en
it's not that beautiful. Yeah. So so so this is
(37:40):
now a friend of Robin's who also is a friend
of mine. And it's all the way out on Long Island,
and the church is at eleven thirty.
Speaker 3 (37:54):
Again, I reminded of people Long Island has called that
for a reason. It's it's three hours long. Yeah, and
so this is about an hour and change out.
Speaker 2 (38:04):
It's like if you're looking at a penis, it's about
a third of the way across the penis. Yeah, and
Scary lives an hour away from Long Island from the
ex first to get to Long Island, it's gonna take
me forty five minutes whatever. So this is you're talking
a nice little trip. Eleven thirty. They're doing the christening
in the church and then lunch to follow at a
(38:25):
restaurant afterwards, which is great. So my girlfriend wants to
go to the church four eleven thirty and then following
it with the restaurant right after. I'm gonta leave it
at nine thirty ish. I gotta get up at like
eight o'clock eight thirty to go pick her up and
(38:46):
then go to Long Island. I mean, it's a disaster,
it's a Saturday morning, but you gotta come to either way.
Let me underscore, these are friends of ours. They're not family,
best friends, not my cousin, not best friends. No very
good friends, second tier bet second tier, very good friends.
All right, So I said, I said to Robin, like,
(39:12):
why do we have to do this? Why can't we
just get up save ourselves about an hour in time?
Still get up at like ten ten thirty, roll out
there for like twelve thirty, one o'clock whatever the time
the lunch is. Stroll in, have some lunch, Say hi,
catch up hand the kid in the card. You know
(39:33):
what I'm saying. You get hit the family of the car.
Hold how the kid at the crest, it's like eight months,
so you bring eight months, so you bring me aware
that you're not there. I'm not gonna kid's not gonna
have any knowledge of this, right of course. And and
you know, hand the family the card. That's the important
thing is you know the cash with the card. That's
that's big. And that's it. Oh, this is what Robin says.
(39:55):
That's that's disrespectful. What are we doing. We're just gonna
show up for lunch and not gonna go to the
christening part and the mask. I'm like, I'm not the godfather,
you're not the godmother, we're not immediate family. Do we
really have to be there? I don't think we have
to And and she's like, I think we could skip
that part and go right to go right to lunch
(40:16):
at the restaurant and hang out with our friends and
the family and everybody, and you know, you know, break
them off with the cash. That's how we that's how
we roll. What's wrong with that? Nothing for me?
Speaker 3 (40:29):
Listen, it's again, I've never been to a christening, but
if it's like a briss it's your immediate family. Maybe
your best friend shows up, but the ceremony.
Speaker 2 (40:42):
That's what I'm saying. You know, no disrespect to the
Catholic church.
Speaker 3 (40:46):
Hand you shake hands, you know what they know you
live an hour and a half away, two hours away.
Speaker 2 (40:51):
Yeah, it's at eleven thirty in the morning. Yeah that's uh.
I mean, I'm great. I get to work. Granted, you
get to work at five thirty in the morning on
most days. Here's the words to David Brody, were good? Right,
We're good. We're good? Are we good or not? Really? Yeah?
Speaker 3 (41:07):
Listen, it's not like a wedding where like you want
to you want to see your friends get married, take pictures,
be there to witness what's going on.
Speaker 2 (41:13):
They're gonna listen, you're gonna pour over babies.
Speaker 3 (41:16):
They're gonna put water on the kid. Maybe they dunk them.
I think the kid's gonna they pour water over and
then the kids starts crying.
Speaker 2 (41:22):
They give they give him, they give him three names whatever, right,
and then then you move on. Okay, So I'm good.
It's not disrespectful.
Speaker 3 (41:30):
I mean, if you're a big religious person and you're
not there for all the Christian christening stuff, then I
you know, I mean you're not You're not here one
friend or family, And I don't think you need I
don't think you need to be there. And I think
that they're late, like no one's gonna be like, oh god,
the fucking guy came late.
Speaker 2 (41:48):
Come on, I've missed. I've missed wedding ceremonies before. I
think that's more offensive, and I've missed those.
Speaker 3 (41:54):
I missed the wedding ceremony once and I walked into
the back as they were like, you know, like as
they were coming back down the aisle, So I stepped
right in. I stood in the back. Yeah, so the
people who are getting married thought I was there the
whole time.
Speaker 2 (42:06):
That happened last summer with with Vinie and Amanda, we
were we couldn't make it out to the site for
the for the wedding because once you walk in barefoot
on a beach, it was it was a mile and
a half of walking on rocks and sand and beach
to get to like the the location broken eye and
Robin had had her heels on, if you remember, and
I mean that I said that was far worse. I
(42:28):
think that we missed that. But even then, it's like, okay,
so you miss it. So a lot of people just
show up to the reception at weddings anyway, and they
just skipped the church part. Right.
Speaker 3 (42:38):
If you got to a church wedding late and you
got there right at the end and didn't see the wedding, Nope,
I got away with it. Would you ever tell the
couple that you missed it?
Speaker 2 (42:45):
Nope? Had about face see you later, peace out?
Speaker 3 (42:49):
Because I missed the church ceremony of a mutual friend
of ours.
Speaker 2 (42:53):
Oh really mhm? And to this day does that person know? No.
Speaker 3 (42:58):
I ran up the steps of the church, and as
I got to the top of the steps, the couple
was walking back like they just finished. Were you seen
by the couple as they were know? As they were
waving to their friends and family. I stepped in like
I was in the last row and nobody, nobody knows.
Speaker 2 (43:12):
Did you ever tell Sam? No? It wasn't Sam.
Speaker 3 (43:16):
Okay, but you can you can guess all you want.
I mean, you know how many weddings I've been to
that you and I both were there, so maybe four?
So you all figured out okay, okay.
Speaker 2 (43:31):
Oh you put your glasses on. I see something something coming. No, no, no, no,
Brodie that's serious. That's serious, Brody, No, no, but he
just reminded me. Speaking of serious, do you know the
name of one of the two New York Mets center
fielders used to play for the Tampa Bay Rays until
this year. What does that have to do with serious? Well,
(43:54):
his his name is Jose Now you're a big Mets fan,
you know he's one of his last His name is
s I R I. Oh, that's gonna cast problems throughout
the serie they're at the season. He announced the same
way you do on your phone, s I R I.
And she just woke up because I said it.
Speaker 3 (44:17):
That's the problem. Hey, sirih stopop. You're doing it to everybody.
Now you're making anybody else's phones go off stops having
Android stop stop.
Speaker 2 (44:26):
Oh my god, that's gonna oh my god. I feel
it's the game of the season, during the first game
of the season. Let me see. I don't think I
got the audio. Do you know what's gonna happen? Though
I already could tell when the announcers like yell his
name out, people's devices are going to go go ballistic.
Well that's the that's the problem.
Speaker 3 (44:43):
So Howie Rose on the radio the Mets announcer was like, oh,
we got a real problem here. I just said he
got a base hit, and my phone went off. He said,
now for the rest of the game, we're just gonna
refer to him as Jose. Jose's taking a lead off first, Oh, Jose.
Speaker 2 (44:56):
Goes down to second on the field destroy And they
referred to him as Jose the rest of most of
the game because saying his last name in baseball you
normally say you know Alonso and and Linda Soto.
Speaker 3 (45:09):
Every time they said his name, their own phones went off.
Oh no, this is a this is a major issue.
List Tampa Bay. I'm sure if you've ever watched the
game slices, have you ever watched a game where he
played and your phone went off because the announcers said
his last name, It's it's it's Jose.
Speaker 2 (45:25):
That's wow, that's actually very fun.
Speaker 3 (45:31):
That's actually you're at the game, and the and the
and the stadium announcer. Uh, by the way, our friend
Colin Cosell, the state announcer, what what if He's like,
ladies and gentlemen are now abouting for the New York
Mets hal is and then the whole ballpark everybody's phones go.
Speaker 2 (45:45):
Off, and with the last part of Jose like hey,
it sounds like hey. It's like hey, Hey, Blake, Hey,
Blank Hey, and so yeah, so everyone's phone's gonna wake
up every time. That's right, right, that's right. So that's
a problem.
Speaker 3 (46:02):
I just want to let you know, if you're a
Mets fan or you watch a Mets game and you
have an iPhone, beat there.
Speaker 2 (46:07):
What a great prank that would be. If I ever
got hold of of a rate of a stadium microphone
like that, I would call it out. I would call
out the name Hey and wake up everybody's phones and
then and then ask like what the weather is or something?
Can you recite for me, uh, the Preamble to the
Constitution of the United States of America. Yeah, way to
(46:30):
make friends? Oh man, I like that. I like that
a lot. So there you go. Hey, have you seen
the movie an Aura? No? I have not one best actress.
I mean I know about it. She's on my radar.
It was. It was filmed in Brighton Beach, Brooklyn, not
far from where we grew up.
Speaker 3 (46:46):
Yeah, not far. I googled the house whereas I know
exactly where the house is. Training in the background.
Speaker 2 (46:51):
Yeah, there's a lot of Cody, a lot of Coney
Island shots there too, right, Yeah, And I had friends
on Facebook saying, it's the movie the year, It's a sleeperhead.
It's amazing. So what are your thoughts?
Speaker 3 (47:01):
Maybe it's because that's where we grew up. But to me,
when I see somebody doing a great accent of the
people that we lived, I don't not impressed by that.
You're not, Like, she sounds like she's from Benson Hrst.
She talks like this and somethinking does she really talk
like that in real life? Like is that a hard
accent to do? Like she got an oscar for speaking
(47:22):
like that? And being naked a lot. I didn't love
the movie.
Speaker 2 (47:25):
She was naked.
Speaker 3 (47:26):
A lot of drug use and hookering and she was
naked in there. She naked a lot, yeah.
Speaker 2 (47:30):
Like full frontal. Yeah really yeah.
Speaker 3 (47:35):
Like all like all all like all like all naked,
like yeah, a lot of topless really to be honest
and a little ass but.
Speaker 2 (47:41):
Wow, Okay, now I want to see a Nora. She
was she was great on SNL. She was. Yeah.
Speaker 3 (47:48):
I don't know if Glenn like first of all women
playing prostitutes, hookers, Ladies of the Night have won like
a dozen Academy.
Speaker 2 (48:00):
Yeah, okay, they've moved on.
Speaker 3 (48:02):
Not when they played them in the thirties, forties, fifty, sixty, seventies, eighties, nineties,
two thousands, they were hookers. When when Jane Founded played
a hooker. People have played hookers in movies and they'll
tend to win Oscars. So that's why a lot of
people are like, oh, she can win Oscar's played a hooker.
Well google how many women have won Actress Best Actress
awards for playing hookers? Oh, Julia Roberts, Yeah exactly. I
(48:22):
don't know if she won the Oscar, but she was
great and pretty woman?
Speaker 2 (48:24):
Did she want to ask? I don't remember. It doesn't matter.
Don't tweet me so.
Speaker 3 (48:27):
Anyway, Mikey Madison, I mean it wasn't a stretch. I mean,
I I don't know.
Speaker 2 (48:33):
So you're saying that, even though it was a great film,
that you don't know if she rows above enough out
of the pack to be considered the best lead female
in it. Don't know. I think it was a week
year for Roles. I guess. I don't know. I wasn't impressed,
and I have to be honest, with you. Like I
watched the movie.
Speaker 3 (48:53):
I'm like, oh, wow, she's smoking and she's got tattoos
all over, and I look, I'm like, oh, those actually
her tattoos. She actually does smoke like a lot of
It wasn't like even like acting.
Speaker 2 (49:03):
It was just hard. So it wasn't even a stretch.
She basically leans.
Speaker 3 (49:07):
Having tattoos on the back of your legs has nothing new,
been hooker. I wasn't implying that, right, just like, no,
I think they know what you're talking about.
Speaker 2 (49:13):
Yeah, and I got you. Yeah. Yeah.
Speaker 3 (49:15):
So anyway, I thought it was fine. The movie was fine.
The guy the other guy, that was fine.
Speaker 2 (49:21):
Fine. Yeah.
Speaker 3 (49:21):
If I had like two and a half stars, wow,
maybe listen slices. If you if you're from a place
with an accent, right, if you're from Alabama and you
speak like you I can't do an Alabama accent, but
you're from Alabama and you you see a movie where
the actresses playing an actress from Alabama, She's like, that's
not impressive. My mother sounds like that. Like to me,
it was like everybody I know sounds like that. So
(49:44):
it wasn't as impressive. Like if she put on like
a Scottish accent, I'd be like, Wow, that's a good
Scottish act. But she's talking like the people we grew
up with. She's like, yeah, I'm working at the club tonight.
I'm like, how hard is it? The dumbest people we
knew sound like that?
Speaker 2 (50:00):
Oh my god, no, but everybody sounded like that, So
to me, it wasn't impressive. Slices, you know what I'm
talking about.
Speaker 3 (50:08):
If you're from a place again in the country, like
where you're like, oh, if you sound like you're from
Florida in a movie, like I sound like I'm from Florida.
So does she get a penalty because of the role
she's playing. It sounds to me like you're giving her
a major strike because I'm thinking about it because now
it's like, Okay, what if she did the same type
of acting, but she was someone from the I don't know,
(50:32):
she was a thespian from the Shakespeare Shakespeare era or
something she played and she was in some like crazy
assue costume from the sixteen hundreds, and she was doing
the same type of same type of quality of acting,
but the character was different.
Speaker 2 (50:48):
You would guarantee say that she would be Oscar worthy
for that because it's the role you are biased. It's
a bias, a personal bias on the role she played. Maybe. Okay,
did you see the movie? Didn't see the movie? I'm
sure you did.
Speaker 3 (51:01):
The theory of everything with Eddie Redmins ever, where he plays,
he plays Stephen Hawking.
Speaker 2 (51:05):
Won't you remember Stephen? I remember Stephen Hawking? Yes, the
guy in the wheelchair? Right.
Speaker 3 (51:12):
So Eddie Redmain starts off healthy in the movie and
progressively gets worse as as the illness gets worse. At
the end of the movie, his hands are morphed and
distorted and his body and I mean it was an
unbelievable transformation into Stephen Hawking. Okay, in this movie, Mikey
(51:33):
Madison transformed into Rosalie from Brooklyn. It wasn't that big
of a deal to me. She went from hey a
Mikey Madison to hey a Mikey Madison. It wasn't that
much of a stretch to me. That's all I'm saying.
But is that What makes is this is that Tom Hanks.
Tom Hanks lost like fifty pounds to play Forrest Gump,
(51:55):
and he became a Forrest Gump, lock Walkers and dog
Lands and he's he became a whole new person. He
became a mentally damaged person. Okay, in Philadelphia he'd lost.
Speaker 2 (52:06):
Like one hundred So you're trying to say the cast
the cast of The Godfather, because the cast of The
Godfather who were Italian Americans, they don't. So you're saying
that because they don't have to stretch or change an
accent or body form, and they don't have to morph
(52:26):
into anything, that they're less worthy of an oscar and
has nothing to do with the performance and the delivery
of the dialogue.
Speaker 3 (52:33):
And no, Okay, if you're an Italian mobster watching The Godfather,
you might be like, these are my friends. I'm not
saying me al Pacino was amazing in The Godfather.
Speaker 2 (52:43):
What made him amazing? It sounds to me like that
that Mikey Madison did the same thing as.
Speaker 3 (52:48):
Anura because al Pacino became a gangster, he became the
way he carried himself. It was more I'm saying, I'm
not a gangster, So to me, I'm like, wow, he
really pulled off the vibe of a gangster vibe. Mikey
Madison was pulled off the vibe of people we grew
up with, so to me it was like, yeah, okay,
that's to you.
Speaker 2 (53:07):
So it's Maria, but being Maria, that's who we grew
up with. But there are people a whole world than
seeing this through a different lens because in their world.
Speaker 3 (53:16):
But I'm the one talking giving my opinion, and I'm
saying if you watched, but you're almost questioning how it
got the oscar. I'm telling you how it got the oscar.
The rest of the world doesn't talk or act like us.
I want you to spend two hours and fifteen minutes
and go watch. I'm gonna watch weekend, I'm gonna watch
after after your christening, go watch the movie. And then
I want to I want a legitimate review of what
(53:36):
you thought of the movie. And again I'm talking okay,
I'm talking about and no. Look, if you're from Alabama, Oklahoma, Nebraska, Wyoming, right, California,
and you watched Anora, you might be like, wow, she
transformed herself into a girl from Brooklyn. That's amazing because
to you that's a foreign accent. But to me that's
like everyone. Now, look if she was like if if
(54:00):
Glenn Close or you know, or a British actress came
here if a British actress like any I'm from, you know,
a posh and then all of a sudden she was like.
Speaker 2 (54:12):
Wow, Wow, that's impressive. So there needs to be a
change of accent. There needs to be a change of demeanor.
And it can't just be what it is just because
she fits into the role naturally. She can't. She's less
Oscar worthy than the next person. All Right, I just
(54:32):
I'm just saying for me. I'm not saying she should. Okay,
all right, all right, I'm not coming down on you.
All right, all right, you know what I'm saying. Take
another break and then Brodie's got something really big boys podcast.
We will be right back. I hyped it up. Is
this our last break? Yeah?
Speaker 3 (54:52):
Okay, So I want to talk to you about don't
you hate that?
Speaker 2 (54:56):
You're like great? Now now I have to uh now
actually make everything is you want to you want to
live up to the moment, No, kiddy.
Speaker 3 (55:04):
I do want to tell a quick story and I
want to see how you would have handle this real
quick because it's timely. So today is Friday, April fourth,
correct as we record this, Yes, as of yesterday, the
stock market went in the toilet. The global economy is
falling apart.
Speaker 2 (55:21):
It'll be bad. Yesterday, yeah, eventually.
Speaker 3 (55:24):
Yesterday the stock market fell seventeen hundred points. Today it's
already down close to that, and people are losing fortunes,
their retirement funds. Everything, okay, all right, So yesterday, coincidentally,
I needed to move some money around. My CD expired.
You know, you get a c D a three month
CD at four month CD. Yes, And so I go
to my bank and I go in and I'm talking
(55:46):
about the rates and the whole thing, and I said, hey, listen,
the bank up the block has a higher interest rate.
Speaker 2 (55:52):
Can you guys match that? We really can't.
Speaker 3 (55:54):
I said, all right, well, I'm not going to roll
my money over into another three months if you're not
going to get that rate. I said, especially with what's
going on with the with the with the market today,
I want to lock in a good rate because the
interest rates are going to drop and the value is
going to be shit.
Speaker 2 (56:11):
I got to lock it in today. Sure.
Speaker 3 (56:13):
So he says, yeah, I saw the markets, I'm watching it.
I got it on on my phone and blah blah blah.
We start talking about the thing. I said, listen, I'll
be back let me go off the block and see
what I can do. But I, you know, they got
a better rate. I gotta go with a better rate. So
I walk into the other bank with the better rate,
and they say, go speak to the woman in the back.
And I go to the woman and uh, I said, yeah,
let me know the rates. I said, a three month
or six months, and the and the and the year.
(56:35):
And I said, well, can you believe what's going on
with the market today? She said, Now, keep in mind, scared,
it's four thirty in the afternoon. Yeah, okay, the market
opened down a thousand, so it's already been opened for
eight hours. Yeah, she says, why what happened? You know,
the global collapse? No, I'm not aware of that. Yeah,
I could see that. I can tell you see that.
So I said, I said, what do you mean you
(56:56):
don't know? I said, it's the biggest story on the planet.
Speaker 2 (56:58):
That market. No it's not. It's the biggest story to you.
Speaker 3 (57:01):
No, no, no, no, no, it is the biggest story
in the world. Every country is making effected, right. But
the thing is, but it doesn't sum for some people.
It does not play a bank she works, Okay, it does.
Speaker 2 (57:14):
It might not play a role in her life, though
scary it affects banking Devil's advocate. She may not be
up on it. She may not have notifications on her phone.
See now me, I've got I got eleven ways till
Sunday knowing about anything that goes on or pops off
in this world because I got seventeen different notifications coming in.
(57:34):
She may be quote old school. She may not have
gone home and seen the nightly news. This is this
is why I'm defending her rightly news. Jesus Christ. You
have a smartphone in your pocket. She may not use
it for anything other than making phone calls. Dude, and
not one coworker walked over and was like, can you
believe I'd lose this woman on an average ballpark?
Speaker 3 (57:54):
Ah, probably our age. I don't think she was that
much older. I would have said she was seven. In
the eighty five one hundred, I would have said.
Speaker 2 (58:01):
I guarantee you there are people that are not plugged
in the way we're plugged in. Most people are just
going about there. They imagine that, and they hear it.
They hear it when they hear it, they see it
when they see it.
Speaker 3 (58:10):
All Right, Well, guess what I did, thank you very
much for your time, walked out and went back to
the bank at the lower interest rate. And I felt like,
I know what they're talking about. I'm not putting my
money in a bank that doesn't know there's a global Collis.
Speaker 2 (58:21):
She's not in charge of your money. That's the bank
that's in charge. She's just processing this ship. She was
in charge of my money the way things like oh
you're you are something else. Dude, let me tell you
who cares If she knows that she doesn't know, that's
gonna make or break you. If you're gonna ask.
Speaker 3 (58:35):
I can't because in three months when I need to
renew my CD, I don't want to deal with her.
Speaker 2 (58:39):
Oh my god, let's go prody. She's a worker out
of an institution, a financial institution, institution. And then when
I told her what was going you're taking it.
Speaker 3 (58:47):
You're making it personal, I said to her, I said,
after I told her what was going on, she goes, oh, well,
I guess I'll I'll check it out when I get home.
She was on interest, no curiosity in her life. I'm sorry.
Speaker 2 (59:00):
There are people, hey, newsflash, there are people out there
like that. A lot of people I'm not trying to defend.
I'm playing devil's advocate. I'm playing devil's advocate, yes, because
I go through my life every single day, and I
see things at whatever it is that people should be
aware of or not, and and just people. There's so
(59:20):
many fucking people on this goddamn planet that some people
have their eye on the prize, other people don't. So
it's not so when I come across somebody who doesn't
know that the market fell two thousand points, I don't
hold them accountable and I don't I don't blame them
for it because I know their shit, and they're important,
what they consider important, and their sphere is different. I'm
(59:41):
not trying to make light of the situation. I'm just
letting them know.
Speaker 3 (59:44):
Into the bank, she was sitting there doing nothing, but
she wasn't dealing with a customize.
Speaker 2 (59:48):
She's gonna it's not in her vocabulary. She doesn't know
what to do. There are people know many people have
their fucking smartphone sitting in there. There's a computer in
their pocket and they don't even know, they don't even
They won't do anything other than make a phone call
on it or maybe send the text right I'm not
giving you my money. That's all You're entitled to do that. Okay,
That's where I had to take exception to this.
Speaker 3 (01:00:09):
That's where I live the question if you're if you're
a Manhattan and there's a major blackout, the power is gone,
and you walk up to a police officer and you go, hey, man,
are the trains running? And he goes, why would you
ask that you go because it's a blackout? And he's like,
what blackout? You'd be like, oh my god, how does
this cop not known as a black Now I wouldn't.
I wouldn't assume.
Speaker 2 (01:00:27):
I wouldn't. I would actually take it at face value.
And what you did there was you're holding it against
this woman and taking it personally because she's not aware
of what's going on in the world. And then now
that is grounds for you to walk out of a
bank that she By the way, if she's got no
control or she doesn't know, your money is your money.
It's going into it an account, it's not it gives
(01:00:50):
us shit if she if she knows about it or not.
Speaker 3 (01:00:53):
You listen, if I worked into a bakery and the
person behind the counter doesn't know that the stock market collapsed,
an economic global collapse, you would not be.
Speaker 2 (01:01:00):
Okay, no problem, no problem. The banking that you don't.
They don't know. The woman works in a bank. It's
her job to know what's going on. No, it's not.
Her job is to press buttons and say this is
it's not Brodie and I don't want to pay. I'm
just listen. I'm not trying to patter on the back
for being ignorant in my because that's my opinion that
(01:01:22):
she She may be ignorant, but but I don't hold
it against her because in her world, again, she may
find out from another source later on when she's talking
to her friends when she gets home from work, when
she's at work, she may be only at work, and
she may have blinders on.
Speaker 3 (01:01:37):
Blinder Again, I can't fathom sitting at my desk at
work doing nothing and not looking at my phone.
Speaker 2 (01:01:43):
Now, she should take an interest because she's in the
banking industry.
Speaker 3 (01:01:47):
Let me see what's going on in the world. How
does your how does your How do you not have
alert set on your phone? They're like, breaking news is
a massive.
Speaker 2 (01:01:53):
Some people don't I do you do? We do the slices.
A lot of them do but I don't dip, you dip.
We did this. But there's definitely people out there listening
right now that don't have a little bit on their phone.
Speaker 3 (01:02:05):
They don't have If you work in a bank and
you don't know what's going on with the biggest collapse
in one hundred years, I don't tell you.
Speaker 2 (01:02:11):
It's a correction. It's a correct. I got a bad taste.
It's act. It's not a collapse. It collapses. What happened
in the in the nineteen thirties when we went into
the Great Depression. Scary, this is very close. Look it's
not I don't know, let's move on. Scary. It's down three.
They've lost four trillion dollars in value today. It's all
short term I have. I'm a positive. You're so the
(01:02:33):
glasses is negative and glass is half empty. I'm a glasses.
I'm a glasses.
Speaker 3 (01:02:38):
Economist on the planet is fucking good.
Speaker 2 (01:02:43):
Give me a couple of years of breathing space.
Speaker 3 (01:02:45):
Now.
Speaker 2 (01:02:45):
I feel bad for people that have to take out
money today. I really I feel shitty that there's people
going through a lot of shit. Fucked. If you live
before I would like, okay, But there are most a
lot of people, a lot of people that are listening.
They they're not gonna hope God for hopefully they don't
have to go after this. I'm not even looking, Brodie,
I'm not even looking at my four one K or
(01:03:06):
my stock right. It's a blood bath. Anyway, let's move. Okay.
So I went to dinner at am Butcher's with my friends.
You are something else. Boys. You really know how to
make my day cloudier than it is. It's bad enough
the sun's not shining right now. I gotta have you.
You are shitting all over me today, Brody. I'm trying
to talk. I'm about penguins, I'm about I'm about to
(01:03:27):
go to David Busters. I'm about to dive headfirst into
my weekend.
Speaker 3 (01:03:31):
And you should. And let's you know what I have
a question for. Oh my god, the fucking jingle that
time you did it?
Speaker 2 (01:03:37):
What the jingle? What are you talking about? Hit the jingle?
Be at Jack? All right, lunch with my boys? Okay, now,
just your reset. Uh.
Speaker 3 (01:03:51):
These are guys I worked with from age seventeen to
age twenty roughly in my life. Yeah, and that's those friendships.
Those guys from Brooklyn, we all worked together at Chuck
e Cheese. We were supervisors and managers together.
Speaker 2 (01:04:06):
Yep.
Speaker 3 (01:04:07):
We went to Action Park. We went everywhere together. We
hung out every night after work. We went out to eat,
went to diners. We were inseparable, right, We sat in
cars and talked to hours and so we all get together.
And I told you that original The original plan was
we had to buy a going away gift for one
of the guys moving to Florida.
Speaker 2 (01:04:27):
But that was supposed to be in May, and they
moved it up to last week. I got an email.
Speaker 3 (01:04:31):
I got an email from one of the guy's wives
and he's like, hey, listen, they're moving it up. It's
this weekend. It's Sunday. So I changed my plans. I'm like,
I got to do this for go on Sunday. So
there's nine guys and a woman. This is very important.
Nine guys and a woman, one of the women that
worked with us. So the waiter comes around and gives
everyone at the table tablets. He's like, here hear the menus.
(01:04:53):
We're at a round table, tablets in nine leather binders,
very fancy. And one of my guys is like, oh,
I don't like technology.
Speaker 2 (01:05:02):
I want a paper menu. Like, what are you doing.
Speaker 3 (01:05:06):
He's like, I want a paper old school menu. I'm like, yeah,
but the menu is wrong.
Speaker 2 (01:05:10):
By the way, that guy had no clue about the
stock market drop that guy, yes, yes he did. It's
that kind of guy right there. Paper menu guy. A
guy who listens and watches his newspaper. Admittedly he's he
does not like technology. Okay, perfect, okay, all right, So.
Speaker 3 (01:05:33):
He gets the paper menu. Everyone orders a drink, and
thankfully none of my friends are big drinkers. They all
ordered like a beer a glass of wine. So I
was like, I'll get a glass of wine. I'll make
I'll be even. I keep the glass okay, because I
see it's coming. You know the problem. But everyone ordered
one drink. So then one of the guys he says,
let's order appetizers, and then he does. It's scary, I
(01:05:55):
swear to God's scary. He goes for the table for
the table. Of course the boys, but.
Speaker 2 (01:06:02):
It's my guy's in Brooklyn. So I go. You got
to do the hand thing where you were like, do
like a magagine, you know you you you do the
the circular motion with your your finger, your index finger.
Speaker 3 (01:06:12):
Point to the table for the table all fingers down,
you do for the table, for the table?
Speaker 2 (01:06:16):
Right for the table? So I laugh and I go.
Speaker 3 (01:06:19):
Now none of the guys listen to this podcast at
the time, but they I told them, like, what do
you what do you do?
Speaker 2 (01:06:23):
Oh do book boys podcast? Whatever? Okay, so you go.
Speaker 3 (01:06:27):
So then one of the guys is, well, they have
a family meal where you can order three of the
five appetizers and uh and and like three of the
five entrees for the table. Put the table if you want,
like a family plan. It's like eighty bucks a person
and like that. Right. So I'm like, I go, and
that doesn't work for me. It doesn't work for me because.
Speaker 2 (01:06:47):
You wonder why I don't invite you might? This is
it right here? Go ahead, continue, hold on, go ahead.
Speaker 3 (01:06:54):
I was like, listen, guys, I'd like to order the
appetisers I'd like and I don't like three appetize.
Speaker 2 (01:06:59):
You guys say, I don't. I go? Can we just
order what we want? But hold on? So everyone's like, yeah,
fuck that. Everybody order what they want.
Speaker 3 (01:07:05):
So the one guy whose great idea was to order
the family style everyone get out out voted, yeah, out
voted no.
Speaker 2 (01:07:11):
Must have been shooting you fucking death stairs a little bit,
because that would have been me, like, you fucking motherfucker.
What did you open your mouth for?
Speaker 3 (01:07:18):
So I say, so, I say, I got guys having
a gain. Everybody, you and the person to your left
each pick an appetizer. All right, there's ten of us.
That will be five appetizers. Everybody pick an appetizer. Whatever.
So I was like, I want the spadini. One guy
got big clams. What we got, okay, a lot of appetizers.
Speaker 2 (01:07:35):
Okay.
Speaker 3 (01:07:36):
At this point, we're the only people in the restaurant.
We got the big room with the big table. It's
three o'clock. We dinner reservations for no one else is there.
All right, So we're telling six sex stories and who
who did walk back in the day and who who
had sex at Chuck E Cheese while they were opened?
Crazy stories, crazy stories. And then a family of like
(01:07:58):
thirty comes in, and now we can no longer tell stories, can't.
Speaker 2 (01:08:03):
Tell any stories. That's it.
Speaker 3 (01:08:06):
No more debauchery, no more like because we're allowed, you know,
we're all like me of course, of course, all right,
so uh, this is where it gets interesting.
Speaker 2 (01:08:17):
This is where it gets interesting.
Speaker 3 (01:08:19):
The check comes and one of our guys who tends
to be like the ring leader.
Speaker 2 (01:08:25):
He gets to check.
Speaker 3 (01:08:26):
He looks at it, and he goes, all right, it's
one hundred dollars to everybody's one hundred dollars.
Speaker 2 (01:08:33):
One hundred dollars each tip. It's one hundred dollars. Yep.
Speaker 3 (01:08:36):
Now I know the way he tips. In my mind,
it's probably seventy dollars everybody with the tip. Okay, but
he's like one hundred dollars everybody.
Speaker 2 (01:08:46):
I like it, nice round number. You get a great time.
What is the cost of a good time with great friends? Brody?
Speaker 3 (01:08:51):
All right, So in my mind, I'm like five appetites.
I figured I I think I was like, we're tip
seventy five bucks. So I'm like, you know what, twenty
five dollars in my pocket. I had a great time.
Speaker 2 (01:09:01):
Fuck it. Don't say, well, oh look at you okay, Okay,
all right.
Speaker 3 (01:09:05):
I go to get my credit card, and my nine
friends all whip out one hundred dollars like twenties fifties.
Speaker 2 (01:09:10):
They all got cash. You're the asshole with the credit card.
I forgot that all my boys, Brooklyn. It's cash business,
cash businesses.
Speaker 3 (01:09:19):
Right when you go with your boys from Brooklyn. It's
cash cash I forgot so I don't.
Speaker 2 (01:09:23):
Have one hundred bucks. Okay, Here's where it gets interesting.
Speaker 3 (01:09:27):
When the woman, our friend, the woman takes some money
out the leader I'm gonna call him Ed for the
sake of the ocacation. Ed says to Mary, not her name, Mary,
Your money's no good, don't be ridiculous.
Speaker 2 (01:09:41):
We got you.
Speaker 3 (01:09:41):
Ah, yes, don't let the woman pay right. So I'm like,
so he's like, he's like, I got you. So I'm like,
what does that mean? No?
Speaker 2 (01:09:54):
Hold on here, hold on finished, I know it's going
hold on.
Speaker 3 (01:09:59):
So I'm like, well, well, what's going on? So I
lean over to my boy pay the menu and I go,
what's what do you mean? Why are we what's he doing?
He goes, oh, he's not gonna let her pay right.
So I'm thinking, So I'm thinking to myself, uh huh.
Speaker 2 (01:10:13):
Go one of two go one of two ways?
Speaker 3 (01:10:15):
Right, he's putting right, I go, he's putting down two hundred.
Speaker 2 (01:10:18):
Yeah, what a gentleman. He's not. I don't know he
decided for the table. You're all paying for her, but
you know what, that's an extra ten dollars. So that cost.
She eats ten bucks because you're whacking up amongst the guys.
Oh no, no, it's eleven dollars. Eleven dollars. Home on.
(01:10:40):
I didn't fucking volunteer to pay for her. He volunteered
for you because she has a vagina. This shit happens,
This shit happens at all my fucking group dinners, this
exact scenario. We don't let the women pay, and it's
not like what it's going to be incumbent on one
person to take the whole thing. Why is she paying?
She I don't have a job. She thinks more than me.
(01:11:04):
I don't have a fucking job.
Speaker 1 (01:11:05):
But you go out for lunch that.
Speaker 3 (01:11:07):
Day, so I said, I said to paper menu, I
go payper menu.
Speaker 2 (01:11:16):
Did he just spend two hundred dollars and goes? I
don't know, I'll find out. I go, what the fuck
like if you want to be a big shot? He goes,
He goes. But truthfully, when we go out, the women
never pay. That's why I go. Why not when nobody's
banging her? Oh so you need to be able to
You need to be able to bang somebody in order
to pay for them.
Speaker 3 (01:11:35):
If it's your girlfriend, that's your business. But she's just
somebody they would have vagina. Why does she get to
not pay?
Speaker 2 (01:11:43):
This happens all the time. She says to Ed, oh, Ed,
thank you very much. So Ed got the credit and
gets the credit and you all split it eleven dollars each. Yes,
and guess what. You couldn't say shit because you were
in a group of people that all agreed with Ed
and you were outnumbered. I love it slices this right.
(01:12:07):
Here is why Brody does not hang out with my
groups of friends and go out to dinner because.
Speaker 3 (01:12:13):
You very rarely have women there. But if you were, okay,
let me ask you a question. You went out to
dinner a few weeks ago with Amy Freeze and some
other people.
Speaker 2 (01:12:20):
It was Astra, Astra, Sorry was three women that I know? Three? Yeah?
Are you telling me that if you went out with
six guys women one?
Speaker 1 (01:12:29):
Two?
Speaker 2 (01:12:29):
It was it was Will hold On, it was Will,
it was me, it was his buddy, and it was
Astra and Uh Astra. We told Astra, don't worry, don't
don't pay wests two jobs. She's on the radio, she's
on television, and she's got and so the three of
us split it evenly. Oh, that's the crock of ship.
And it wasn't my idea, and it wasn't my idea.
(01:12:52):
It was Will's friends idea, and it it was Will's idea,
and I was okay with it.
Speaker 3 (01:12:57):
What if it's five guys, two women don't pay. Yeah,
well there's three women.
Speaker 2 (01:13:02):
Welcome to my world. Brodie, you know you're not dating this?
Why what the fuck? Hence you will never come out
to dinner. See, this is because you would cause bullshit
at my table and I don't want it. We'll ask
you a question. Do the women know this role? Are
they going to dinner knowing they're not paying? No, But
it's kind of like it's a nice chest. It's a
nice gesture, gesture. We rarely let the woman vaginas, We
rarely let them pay. We rarely do you're.
Speaker 3 (01:13:23):
Just having a vagina, have to do it paying for
your dinner when you go out to test.
Speaker 2 (01:13:26):
It's a nice thing to do. That's why it's a
good thing. Well did they ever do that for men?
Do they ever go the men don't pay? It's not never? No, right,
So what the fuck? First of all, fuck you for
fucking up the appetizer situation. Because that guy had it right.
Everybody was happy.
Speaker 3 (01:13:38):
Nobody wanted appetizer for the table, everybody and from the
family menu, God, family menu.
Speaker 2 (01:13:43):
My ask it was bushit. Nobody wants to go with you.
Broccoli Rob, fucked broccoli Rob. It's ship. I don't want that.
I want baked clams. I want Yeah. Then so then
you don't. You don't eat the broccoli Rob, but eat
the other things at the table. I'm not shipping in equally.
Speaker 3 (01:13:57):
To get fucking one appetized out of three, you get
the fuck out of here.
Speaker 2 (01:14:00):
And no one else wanted that either. Only Ed thought
it was a good idea family meal because Ed looked
at you know whatcause Ed looked at the menu was
like like, I like that shit, I'm gonna order it.
That's great. Ed.
Speaker 3 (01:14:10):
That's like if the family meal was chicken, palm and lasagna,
and I was like, oh, we should do that because
that's what I like.
Speaker 2 (01:14:17):
Anyway, nothing against Ed. I love Ed.
Speaker 3 (01:14:19):
I'm just saying, uh, you know, it didn't work. My
point is this woman don't pay thing that. That's like,
if you go okay, let me miss your question. If
you go out with co workers, let's see you go
out it's you, it's Garrett, it's Uh, it's Nate, it's Uh,
it's Scottie b. And it's Gandhi. Gandhi who's a host
of the show and makes more than.
Speaker 2 (01:14:40):
All of you. Yeah, we would probably tell Gandhi to
forget about it. But if it was, if it was,
if it was all of us and my girlfriend, I
would then say, you know what, split it between all
of us, and I'll pay double because I'll pay for
my girlfriend.
Speaker 3 (01:14:54):
Outright, Yes, you absolutely to pay for your girlfriend. But
that's bullshit. No way, Gandhi shouldn't pay.
Speaker 2 (01:14:59):
No way we wack it up amongst us. What's an
extra ten dollars? Why are you paying for us?
Speaker 3 (01:15:04):
She's a woman who has a career and she makes
more than all of you.
Speaker 2 (01:15:08):
She makes more than all of you, I know. But
it's a nice gesture. It's what we do. Why is
that nice? Why is it nice? And by the way,
we've been fought on it before by the women at
the table, and then okay, so if you fight back
and then you want to throw your car, then you
fuk out of here.
Speaker 3 (01:15:23):
Any of you guys take me out to lunch and
go and we should pay for Brody doesn't have a job. No,
you got a dick. A nice you are a dick,
and you have a dick.
Speaker 2 (01:15:29):
So I gotta go do my ticket and tell you
the credit card stand that these guys have going on. Boys,