October 30, 2023 • 21 mins
Error 5016fbcccf92f0f63cd4b04b9ada09e4 Entry Not Found
The entry you are looking for does not exist.
–––
Written by Robert Lamb and Alexander Williams. Starring Natalie Morales, Miguel Perez, Wayne Bastrup, Alex Boling, Steve B. Green, Chris Jai Alex, and Raphael Corkhill.
–––
See omnystudio.com/listener for privacy information.
Mark as Played
Transcript
Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:00):
M Thirteen Days of Halloween Penance, a co production of
iHeart three D Audio Blumhouse Television and Grim and Mild
from Aaron Mankey Headphones recommended. Listener discretion advised.
Speaker 2 (00:26):
Tell me, tell me it's real. Then I'm not hallucinating?
Speaker 3 (00:33):
Is it?
Speaker 4 (00:34):
Could it really be?
Speaker 5 (00:40):
I made it? I'm out.
Speaker 6 (00:44):
But outwear.
Speaker 4 (00:48):
Lily fresh water whack no pretty, damn salty.
Speaker 6 (00:58):
Ugh, I got filthy crawling through that damn drain pipe.
Time to put distance between me in this fucking prison.
Things I will remember to pack for my next daring escape.
Speaker 7 (01:21):
Shoes, water preferably chilled, bunk spray.
Speaker 6 (01:31):
Deep one thousand, five and sixty.
Speaker 5 (01:34):
You know, a map.
Speaker 6 (01:36):
Or maybe a satellite phone with GPS.
Speaker 4 (01:41):
Hell, why not a helicopter?
Speaker 7 (01:44):
And what did you pack?
Speaker 6 (01:46):
Daisy scalp, A heavy ass book and pillowcase full of trinkets.
Perfect if we find some kind of satanic bomb shelter
in need of decorating.
Speaker 4 (01:58):
Not so much in the way of survival.
Speaker 6 (01:59):
Here, but damn if that's not the prettiest sunrise I
ever saw. Every stream has to lead somewhere. I hope
that this one leads out of side of this goddamn prison.
(02:21):
You know, from the outside, you would never know what
happens on the inside. Well, that stone makes it look
like an.
Speaker 8 (02:26):
Old fort or castle.
Speaker 3 (02:30):
Huh.
Speaker 4 (02:31):
I'm sure they're looking for me. I wonder if they
got her.
Speaker 6 (02:37):
Okay, okay, you stop talking to yourself, starting right.
Speaker 7 (02:42):
Ah, motherfucker, Lily, Lily.
Speaker 4 (02:50):
Lily, is that you.
Speaker 9 (02:53):
Jack war.
Speaker 8 (02:57):
Easy girl, easy girl.
Speaker 6 (03:00):
We're just two strangers crossing paths. I'm just at it
this way.
Speaker 5 (03:07):
I'm good for here.
Speaker 6 (03:08):
Oh hurry you you take your time.
Speaker 4 (03:14):
How can you drink that stuff?
Speaker 6 (03:19):
You don't happen to know the way out of here?
Do you or a good hotel in the area?
Speaker 9 (03:26):
Shut up?
Speaker 6 (03:26):
Say hurry? Oh Jesus, Mary and Joseph.
Speaker 8 (03:38):
Wait where in the world do they have jaguars?
Speaker 6 (03:44):
Don't get me wrong, I'm happy to see the outside again,
practically thrilled that this fucking brush is so thick it's
like a jungle. I bet just for good measure, they've
clear cut the rainforest to build this cursed gargantuan free
in castlefort walk all damn day, and still I can't
(04:06):
get away from it. I wonder what part I'm looking
at right now? Could that be the muscle?
Speaker 9 (04:13):
Now?
Speaker 6 (04:13):
Maybe the infirmary. I wonder where the panopticon is in
all this.
Speaker 4 (04:18):
No, there it is.
Speaker 6 (04:21):
Well, if you can see them, they can see you.
Add to the packing list. You're an escape partner. I
guess you didn't make it out. You're still in there.
Somewhere is that.
Speaker 10 (04:36):
Shit? Shit?
Speaker 7 (04:39):
Shit the ocean.
Speaker 4 (04:53):
I knew it would be the ocean. Nothing on the horizon,
but now, well you can really see the pen.
Speaker 6 (05:03):
Okay, maybe this is a peninsula.
Speaker 4 (05:08):
Yeah, yeah, I just gotta.
Speaker 6 (05:10):
Follow it around and then find a road inland.
Speaker 4 (05:15):
Just keep going.
Speaker 8 (05:17):
Until that tower.
Speaker 3 (05:19):
Is that a sight?
Speaker 6 (05:28):
How is it exactly the same size?
Speaker 4 (05:32):
And why does it get so hot? What are we
on the equator?
Speaker 6 (05:37):
All of the shit looks exactly the same, because of
course it does. It's the Pendleton Prison, on Pendleton Isle.
Speaker 7 (05:46):
No peninsula, it's there.
Speaker 4 (05:53):
You see that X again.
Speaker 6 (05:54):
You know you've made a circle, which won't happen because
you are staying positive.
Speaker 7 (06:00):
Just gotta keep moving. Tower exactly the same size, body failing.
Speaker 4 (06:18):
X in sand.
Speaker 7 (06:20):
Conclusion, this is a fucking island.
Speaker 4 (06:24):
There is no way off. I will die here unmust
they catch me first? Just a few minutes out of
the sun. Not to sleep, Just to rest.
Speaker 5 (06:46):
Just a few minutes.
Speaker 8 (06:49):
And we will dry again.
Speaker 4 (07:07):
Huh, who's there?
Speaker 9 (07:10):
Really?
Speaker 3 (07:12):
Is that?
Speaker 4 (07:14):
Is that smoke? Fire?
Speaker 5 (07:20):
Fire? Fire? No?
Speaker 6 (07:27):
No, no, no, no, no no no no no.
Speaker 9 (07:33):
Please don't one, I mean no harm.
Speaker 6 (07:36):
Then what are you doing here?
Speaker 9 (07:38):
You just passing through?
Speaker 4 (07:40):
Are you a guard?
Speaker 9 (07:42):
No?
Speaker 4 (07:43):
An inmate?
Speaker 9 (07:44):
No?
Speaker 4 (07:45):
Then who are you?
Speaker 9 (07:47):
Days? And you?
Speaker 4 (07:49):
Sorry?
Speaker 9 (07:50):
Do you have water? Say?
Speaker 6 (07:53):
I wish it's all contaminated?
Speaker 9 (07:55):
M wackish? You might have to track up to the headwater.
Speaker 4 (08:01):
Is that far for you?
Speaker 9 (08:03):
Atturney may be difficult, or you could wait to live
any season.
Speaker 6 (08:08):
I'm not sure I'll make it that long. Do you
live here for now?
Speaker 9 (08:15):
And you came from inside the pen the citadel on
the hill?
Speaker 4 (08:21):
Has it always been there?
Speaker 9 (08:23):
Always? No, but a long time?
Speaker 4 (08:27):
Do you know where we are?
Speaker 9 (08:30):
On the island?
Speaker 4 (08:32):
Of course, an island.
Speaker 6 (08:36):
I'm just gonna rest for a minute, But then you're
moving on right.
Speaker 4 (08:43):
I just have to figure out where to go. What's
wrong with your foot?
Speaker 9 (08:49):
It was lost long ago and replaced with black bone
and smoking mirror?
Speaker 3 (08:57):
This this is a dream.
Speaker 9 (09:01):
Yes, but what do you see is only how I
appear to you now. Earlier I was a jaguar by
the water, tomorrow, oh nose.
Speaker 6 (09:12):
But if this is a dream, why am I under
the same tree, the same distance from that goddamn prison?
Speaker 4 (09:18):
Why can I dream what I want?
Speaker 9 (09:20):
What do you want?
Speaker 5 (09:22):
Off this island?
Speaker 11 (09:25):
Why didn't I realize it was an island? It's always
a fucking island.
Speaker 9 (09:30):
Look out there at me on the horizon, where right there?
Speaker 6 (09:37):
What?
Speaker 12 (09:39):
I don't look out through the east towards the moon
and follow the horizon back the other way.
Speaker 8 (09:47):
There is something there?
Speaker 6 (09:49):
But is it really there outside the dream?
Speaker 3 (09:51):
Or are you?
Speaker 4 (09:52):
Are you showing me what I want to see?
Speaker 12 (09:54):
Dream and reality are closely as you think, and nightmare too.
But yes, yes it's there, it's far, but sitting still
it's what you want.
Speaker 9 (10:05):
Answer.
Speaker 4 (10:07):
I don't know how I'd ever get out there. M.
Speaker 9 (10:10):
Then maybe it's the right inclination but the wrong directions.
Speaker 3 (10:15):
What do you mean?
Speaker 9 (10:17):
People tend to look outward when they should look inward?
Speaker 6 (10:22):
Really, M I escaped with someone else, but I lost her.
Speaker 4 (10:29):
Or she lost me.
Speaker 9 (10:31):
I don't see anyone else here.
Speaker 4 (10:33):
She might still be inside.
Speaker 9 (10:34):
That may be so, But in the end I can
only help.
Speaker 8 (10:38):
You, no, Christ, I'll be damned.
Speaker 6 (10:54):
It is a ship just up past the breakers.
Speaker 4 (11:01):
But I can't swim that. But I could build a raft.
Speaker 6 (11:08):
Okay, yeah, a raft out of what gilligan sticks and
vines and your own intuition. If it's really an island,
the pendleton has to have its own dock. I just
need to follow the shore again and look for it.
Speaker 4 (11:20):
But then what steal a boat? No? No, the guy
with the smoking foot's right. This is the only way
you can do this, Martinez.
Speaker 5 (11:33):
You have to.
Speaker 7 (11:36):
Why did it have to be water, lily last chats.
Speaker 5 (11:46):
One two, Yes, that's.
Speaker 11 (12:02):
So cold, you, darling, are like a cat, hates water,
(12:28):
but a natural swimmer.
Speaker 6 (12:33):
They must have dropped anchor red and white? Is that
a dive flag? Hello?
Speaker 2 (12:45):
Anyone on board?
Speaker 4 (12:48):
Don't shoot me?
Speaker 8 (12:51):
Hello?
Speaker 6 (12:52):
Anybody looks like you were diving for something.
Speaker 4 (13:03):
Anyone in there?
Speaker 9 (13:04):
Help me?
Speaker 7 (13:07):
Jesus? Your leg?
Speaker 13 (13:08):
Is it still there?
Speaker 9 (13:09):
Is?
Speaker 4 (13:10):
What's still there?
Speaker 13 (13:11):
The island?
Speaker 4 (13:12):
We're just offshore. I swim up.
Speaker 9 (13:15):
We can't be here.
Speaker 6 (13:17):
Oh you've lost a lot of blood. I'm gonna try
and bandage you up. Where's the rest of.
Speaker 13 (13:24):
The crew down in the hold?
Speaker 4 (13:27):
What happened?
Speaker 13 (13:29):
We found an old Spanish galleon off the reef, remarkably
intact undisturbed like that fort up there. No one ever
comes out here, No maps speak of it. We pulled
up four crates of gold of gold.
Speaker 6 (13:45):
Did they do this to you the other crew members?
Speaker 13 (13:47):
No, we pulled up a fifth crate. How were we
to know what it was?
Speaker 4 (13:53):
We should get them. Let me help you out.
Speaker 13 (13:55):
No, we have to get out of here. There's a
dinghy on the roof. There's a crank system.
Speaker 4 (14:00):
What's a dinghy?
Speaker 13 (14:01):
God help me. It's a lifeboat, a little boat?
Speaker 9 (14:06):
Oh god?
Speaker 4 (14:07):
What was that?
Speaker 13 (14:08):
Oh God? Here it comes here?
Speaker 2 (14:10):
Who comes?
Speaker 13 (14:11):
There wasn't anything left of him in there, just an
old scalloped armor green from the sea. And that morion helm.
Speaker 5 (14:19):
What the hell does that mean?
Speaker 13 (14:21):
That crested? Because he's doing her a helmet with nothing underneath.
Speaker 10 (14:29):
Take her stance? See what lunder?
Speaker 5 (14:44):
No? No, let's go now, stop, get off.
Speaker 10 (14:50):
Stop My Christoph.
Speaker 13 (15:10):
Worship with hair, and he will spare you as.
Speaker 9 (15:18):
So little. And I gave warn you.
Speaker 4 (15:36):
What is that thing?
Speaker 9 (15:38):
Another who cannot ass on? Cocked in the island's currents.
It is the wraith of a conqueror, a butcher and warlord.
Everything inside the armor has rotted away to less than nothing.
A collapsing void. And these people he's making them his saints,
(15:58):
twisting them into the martyr of his religion. You cannot
save them. This one he has made into Saint Sebastian,
pierced with knives and tools instead of arrows. This one
there's half flayed into Bartholomew. And here a cephalaforte nasca
and a sodium. Why because in death is in life?
(16:21):
He refuses to look inward. He lashes out at the world.
He bloodies it. He cobbles his victims into the likenesses
of the noble dead, as if to absorb himself, all
while his soul crumbles beyond nothingness within.
Speaker 5 (16:37):
Wake me up. I have to fight.
Speaker 9 (16:39):
He is too strong for you and too fast on mass.
What you trick him into self reflection? How the visor
of his helm is exposed. Thrust your head into the void.
Become his inner voice, you.
Speaker 3 (16:59):
Mean, put on his helmet.
Speaker 10 (17:09):
Stop?
Speaker 9 (17:10):
What is anything?
Speaker 5 (17:12):
But have riches?
Speaker 9 (17:14):
Go?
Speaker 5 (17:24):
Hey? What are you doing? Hey? You?
Speaker 9 (17:30):
What are you doing?
Speaker 5 (17:31):
Yeah, I'm talking to you.
Speaker 9 (17:33):
It's not Chilvin anymore.
Speaker 5 (17:35):
You want me, You're gonna have to come here. Don't resist.
He will make you your cat a.
Speaker 14 (18:00):
God forsake you you are powerless, drop her, free them
and go to hell.
Speaker 4 (18:28):
Cursed. This place is literally curse.
Speaker 7 (18:33):
The lifeboat.
Speaker 2 (18:37):
Come on, come on, come on, come on, Jackpot, you
better start to come on please.
Speaker 15 (18:57):
Please yes, yes, yeah, oh yeah yasuah o ga.
Speaker 1 (19:28):
Thirteen Days of Halloween Pennance starring Natalie Morales, Episode twelve
Exploration written by Robert Lamb and Alexander Williams. Editing and
sound design by Trevor Young and Chandler Mays, featuring the
voices of Miguel Perez, Wayne Bastrup, Alex Bowling, Steve B. Greene,
Chris Ji, Alex and Raphael Corkil. Directed by Alexander Williams.
(19:53):
Executive producers Aaron Mankey, Noah Feinberg, Chris Dickey, Matt Frederick
and Alexander Williams. Super Revising producers Trevor Young and Josh Thain.
Producers Jesse funk Rima Ilkali, Noami Griffin, Chandler Mays and
Casby Bias. Script editing by Lauren Vogelbaum, story consultants Ben
Bolan and Matthew Riddle. Casting by Sunday Bowling CSA and
(20:16):
Meg Mormon CSA. Production coordinator Wayna Calderon production assistants Jenna
Johnson and Went On a low theme. Music by Rose
Azerti with vocals by Anna Hummler, recorded at This Is
Sound Design Studios in Burbank, California. Engineered by Ross aeronaut
special thanks to Romelia Osorio, Nathan Rule, Glen Nishida, and
(20:39):
Rob Mosca. Thirteen Days of Halloween was created by Matt
Frederick and Alexander Williams and is a production of iHeart Podcasts,
Blumhouse Television, and Grimm and Mild from Aaron Maky. Learn
more about the show at Grimandmild dot com slash thirteen
Days and find more podcasts from iHeartRadio by visiting the
iHeartRadio app, Apple Podcasts, or wherever you listen to your
(21:02):
favorite shows. Happy Halloween.
M Thirteen Days of Halloween Penance, a co production of
iHeart three D Audio Blumhouse Television and Grim and Mild
from Aaron Mankey Headphones recommended. Listener discretion advised.
Speaker 2 (00:26):
Tell me, tell me it's real. Then I'm not hallucinating?
Speaker 3 (00:33):
Is it?
Speaker 4 (00:34):
Could it really be?
Speaker 5 (00:40):
I made it? I'm out.
Speaker 6 (00:44):
But outwear.
Speaker 4 (00:48):
Lily fresh water whack no pretty, damn salty.
Speaker 6 (00:58):
Ugh, I got filthy crawling through that damn drain pipe.
Time to put distance between me in this fucking prison.
Things I will remember to pack for my next daring escape.
Speaker 7 (01:21):
Shoes, water preferably chilled, bunk spray.
Speaker 6 (01:31):
Deep one thousand, five and sixty.
Speaker 5 (01:34):
You know, a map.
Speaker 6 (01:36):
Or maybe a satellite phone with GPS.
Speaker 4 (01:41):
Hell, why not a helicopter?
Speaker 7 (01:44):
And what did you pack?
Speaker 6 (01:46):
Daisy scalp, A heavy ass book and pillowcase full of trinkets.
Perfect if we find some kind of satanic bomb shelter
in need of decorating.
Speaker 4 (01:58):
Not so much in the way of survival.
Speaker 6 (01:59):
Here, but damn if that's not the prettiest sunrise I
ever saw. Every stream has to lead somewhere. I hope
that this one leads out of side of this goddamn prison.
(02:21):
You know, from the outside, you would never know what
happens on the inside. Well, that stone makes it look
like an.
Speaker 8 (02:26):
Old fort or castle.
Speaker 3 (02:30):
Huh.
Speaker 4 (02:31):
I'm sure they're looking for me. I wonder if they
got her.
Speaker 6 (02:37):
Okay, okay, you stop talking to yourself, starting right.
Speaker 7 (02:42):
Ah, motherfucker, Lily, Lily.
Speaker 4 (02:50):
Lily, is that you.
Speaker 9 (02:53):
Jack war.
Speaker 8 (02:57):
Easy girl, easy girl.
Speaker 6 (03:00):
We're just two strangers crossing paths. I'm just at it
this way.
Speaker 5 (03:07):
I'm good for here.
Speaker 6 (03:08):
Oh hurry you you take your time.
Speaker 4 (03:14):
How can you drink that stuff?
Speaker 6 (03:19):
You don't happen to know the way out of here?
Do you or a good hotel in the area?
Speaker 9 (03:26):
Shut up?
Speaker 6 (03:26):
Say hurry? Oh Jesus, Mary and Joseph.
Speaker 8 (03:38):
Wait where in the world do they have jaguars?
Speaker 6 (03:44):
Don't get me wrong, I'm happy to see the outside again,
practically thrilled that this fucking brush is so thick it's
like a jungle. I bet just for good measure, they've
clear cut the rainforest to build this cursed gargantuan free
in castlefort walk all damn day, and still I can't
(04:06):
get away from it. I wonder what part I'm looking
at right now? Could that be the muscle?
Speaker 9 (04:13):
Now?
Speaker 6 (04:13):
Maybe the infirmary. I wonder where the panopticon is in
all this.
Speaker 4 (04:18):
No, there it is.
Speaker 6 (04:21):
Well, if you can see them, they can see you.
Add to the packing list. You're an escape partner. I
guess you didn't make it out. You're still in there.
Somewhere is that.
Speaker 10 (04:36):
Shit? Shit?
Speaker 7 (04:39):
Shit the ocean.
Speaker 4 (04:53):
I knew it would be the ocean. Nothing on the horizon,
but now, well you can really see the pen.
Speaker 6 (05:03):
Okay, maybe this is a peninsula.
Speaker 4 (05:08):
Yeah, yeah, I just gotta.
Speaker 6 (05:10):
Follow it around and then find a road inland.
Speaker 4 (05:15):
Just keep going.
Speaker 8 (05:17):
Until that tower.
Speaker 3 (05:19):
Is that a sight?
Speaker 6 (05:28):
How is it exactly the same size?
Speaker 4 (05:32):
And why does it get so hot? What are we
on the equator?
Speaker 6 (05:37):
All of the shit looks exactly the same, because of
course it does. It's the Pendleton Prison, on Pendleton Isle.
Speaker 7 (05:46):
No peninsula, it's there.
Speaker 4 (05:53):
You see that X again.
Speaker 6 (05:54):
You know you've made a circle, which won't happen because
you are staying positive.
Speaker 7 (06:00):
Just gotta keep moving. Tower exactly the same size, body failing.
Speaker 4 (06:18):
X in sand.
Speaker 7 (06:20):
Conclusion, this is a fucking island.
Speaker 4 (06:24):
There is no way off. I will die here unmust
they catch me first? Just a few minutes out of
the sun. Not to sleep, Just to rest.
Speaker 5 (06:46):
Just a few minutes.
Speaker 8 (06:49):
And we will dry again.
Speaker 4 (07:07):
Huh, who's there?
Speaker 9 (07:10):
Really?
Speaker 3 (07:12):
Is that?
Speaker 4 (07:14):
Is that smoke? Fire?
Speaker 5 (07:20):
Fire? Fire? No?
Speaker 6 (07:27):
No, no, no, no, no no no no no.
Speaker 9 (07:33):
Please don't one, I mean no harm.
Speaker 6 (07:36):
Then what are you doing here?
Speaker 9 (07:38):
You just passing through?
Speaker 4 (07:40):
Are you a guard?
Speaker 9 (07:42):
No?
Speaker 4 (07:43):
An inmate?
Speaker 9 (07:44):
No?
Speaker 4 (07:45):
Then who are you?
Speaker 9 (07:47):
Days? And you?
Speaker 4 (07:49):
Sorry?
Speaker 9 (07:50):
Do you have water? Say?
Speaker 6 (07:53):
I wish it's all contaminated?
Speaker 9 (07:55):
M wackish? You might have to track up to the headwater.
Speaker 4 (08:01):
Is that far for you?
Speaker 9 (08:03):
Atturney may be difficult, or you could wait to live
any season.
Speaker 6 (08:08):
I'm not sure I'll make it that long. Do you
live here for now?
Speaker 9 (08:15):
And you came from inside the pen the citadel on
the hill?
Speaker 4 (08:21):
Has it always been there?
Speaker 9 (08:23):
Always? No, but a long time?
Speaker 4 (08:27):
Do you know where we are?
Speaker 9 (08:30):
On the island?
Speaker 4 (08:32):
Of course, an island.
Speaker 6 (08:36):
I'm just gonna rest for a minute, But then you're
moving on right.
Speaker 4 (08:43):
I just have to figure out where to go. What's
wrong with your foot?
Speaker 9 (08:49):
It was lost long ago and replaced with black bone
and smoking mirror?
Speaker 3 (08:57):
This this is a dream.
Speaker 9 (09:01):
Yes, but what do you see is only how I
appear to you now. Earlier I was a jaguar by
the water, tomorrow, oh nose.
Speaker 6 (09:12):
But if this is a dream, why am I under
the same tree, the same distance from that goddamn prison?
Speaker 4 (09:18):
Why can I dream what I want?
Speaker 9 (09:20):
What do you want?
Speaker 5 (09:22):
Off this island?
Speaker 11 (09:25):
Why didn't I realize it was an island? It's always
a fucking island.
Speaker 9 (09:30):
Look out there at me on the horizon, where right there?
Speaker 6 (09:37):
What?
Speaker 12 (09:39):
I don't look out through the east towards the moon
and follow the horizon back the other way.
Speaker 8 (09:47):
There is something there?
Speaker 6 (09:49):
But is it really there outside the dream?
Speaker 3 (09:51):
Or are you?
Speaker 4 (09:52):
Are you showing me what I want to see?
Speaker 12 (09:54):
Dream and reality are closely as you think, and nightmare too.
But yes, yes it's there, it's far, but sitting still
it's what you want.
Speaker 9 (10:05):
Answer.
Speaker 4 (10:07):
I don't know how I'd ever get out there. M.
Speaker 9 (10:10):
Then maybe it's the right inclination but the wrong directions.
Speaker 3 (10:15):
What do you mean?
Speaker 9 (10:17):
People tend to look outward when they should look inward?
Speaker 6 (10:22):
Really, M I escaped with someone else, but I lost her.
Speaker 4 (10:29):
Or she lost me.
Speaker 9 (10:31):
I don't see anyone else here.
Speaker 4 (10:33):
She might still be inside.
Speaker 9 (10:34):
That may be so, But in the end I can
only help.
Speaker 8 (10:38):
You, no, Christ, I'll be damned.
Speaker 6 (10:54):
It is a ship just up past the breakers.
Speaker 4 (11:01):
But I can't swim that. But I could build a raft.
Speaker 6 (11:08):
Okay, yeah, a raft out of what gilligan sticks and
vines and your own intuition. If it's really an island,
the pendleton has to have its own dock. I just
need to follow the shore again and look for it.
Speaker 4 (11:20):
But then what steal a boat? No? No, the guy
with the smoking foot's right. This is the only way
you can do this, Martinez.
Speaker 5 (11:33):
You have to.
Speaker 7 (11:36):
Why did it have to be water, lily last chats.
Speaker 5 (11:46):
One two, Yes, that's.
Speaker 11 (12:02):
So cold, you, darling, are like a cat, hates water,
(12:28):
but a natural swimmer.
Speaker 6 (12:33):
They must have dropped anchor red and white? Is that
a dive flag? Hello?
Speaker 2 (12:45):
Anyone on board?
Speaker 4 (12:48):
Don't shoot me?
Speaker 8 (12:51):
Hello?
Speaker 6 (12:52):
Anybody looks like you were diving for something.
Speaker 4 (13:03):
Anyone in there?
Speaker 9 (13:04):
Help me?
Speaker 7 (13:07):
Jesus? Your leg?
Speaker 13 (13:08):
Is it still there?
Speaker 9 (13:09):
Is?
Speaker 4 (13:10):
What's still there?
Speaker 13 (13:11):
The island?
Speaker 4 (13:12):
We're just offshore. I swim up.
Speaker 9 (13:15):
We can't be here.
Speaker 6 (13:17):
Oh you've lost a lot of blood. I'm gonna try
and bandage you up. Where's the rest of.
Speaker 13 (13:24):
The crew down in the hold?
Speaker 4 (13:27):
What happened?
Speaker 13 (13:29):
We found an old Spanish galleon off the reef, remarkably
intact undisturbed like that fort up there. No one ever
comes out here, No maps speak of it. We pulled
up four crates of gold of gold.
Speaker 6 (13:45):
Did they do this to you the other crew members?
Speaker 13 (13:47):
No, we pulled up a fifth crate. How were we
to know what it was?
Speaker 4 (13:53):
We should get them. Let me help you out.
Speaker 13 (13:55):
No, we have to get out of here. There's a
dinghy on the roof. There's a crank system.
Speaker 4 (14:00):
What's a dinghy?
Speaker 13 (14:01):
God help me. It's a lifeboat, a little boat?
Speaker 9 (14:06):
Oh god?
Speaker 4 (14:07):
What was that?
Speaker 13 (14:08):
Oh God? Here it comes here?
Speaker 2 (14:10):
Who comes?
Speaker 13 (14:11):
There wasn't anything left of him in there, just an
old scalloped armor green from the sea. And that morion helm.
Speaker 5 (14:19):
What the hell does that mean?
Speaker 13 (14:21):
That crested? Because he's doing her a helmet with nothing underneath.
Speaker 10 (14:29):
Take her stance? See what lunder?
Speaker 5 (14:44):
No? No, let's go now, stop, get off.
Speaker 10 (14:50):
Stop My Christoph.
Speaker 13 (15:10):
Worship with hair, and he will spare you as.
Speaker 9 (15:18):
So little. And I gave warn you.
Speaker 4 (15:36):
What is that thing?
Speaker 9 (15:38):
Another who cannot ass on? Cocked in the island's currents.
It is the wraith of a conqueror, a butcher and warlord.
Everything inside the armor has rotted away to less than nothing.
A collapsing void. And these people he's making them his saints,
(15:58):
twisting them into the martyr of his religion. You cannot
save them. This one he has made into Saint Sebastian,
pierced with knives and tools instead of arrows. This one
there's half flayed into Bartholomew. And here a cephalaforte nasca
and a sodium. Why because in death is in life?
(16:21):
He refuses to look inward. He lashes out at the world.
He bloodies it. He cobbles his victims into the likenesses
of the noble dead, as if to absorb himself, all
while his soul crumbles beyond nothingness within.
Speaker 5 (16:37):
Wake me up. I have to fight.
Speaker 9 (16:39):
He is too strong for you and too fast on mass.
What you trick him into self reflection? How the visor
of his helm is exposed. Thrust your head into the void.
Become his inner voice, you.
Speaker 3 (16:59):
Mean, put on his helmet.
Speaker 10 (17:09):
Stop?
Speaker 9 (17:10):
What is anything?
Speaker 5 (17:12):
But have riches?
Speaker 9 (17:14):
Go?
Speaker 5 (17:24):
Hey? What are you doing? Hey? You?
Speaker 9 (17:30):
What are you doing?
Speaker 5 (17:31):
Yeah, I'm talking to you.
Speaker 9 (17:33):
It's not Chilvin anymore.
Speaker 5 (17:35):
You want me, You're gonna have to come here. Don't resist.
He will make you your cat a.
Speaker 14 (18:00):
God forsake you you are powerless, drop her, free them
and go to hell.
Speaker 4 (18:28):
Cursed. This place is literally curse.
Speaker 7 (18:33):
The lifeboat.
Speaker 2 (18:37):
Come on, come on, come on, come on, Jackpot, you
better start to come on please.
Speaker 15 (18:57):
Please yes, yes, yeah, oh yeah yasuah o ga.
Speaker 1 (19:28):
Thirteen Days of Halloween Pennance starring Natalie Morales, Episode twelve
Exploration written by Robert Lamb and Alexander Williams. Editing and
sound design by Trevor Young and Chandler Mays, featuring the
voices of Miguel Perez, Wayne Bastrup, Alex Bowling, Steve B. Greene,
Chris Ji, Alex and Raphael Corkil. Directed by Alexander Williams.
(19:53):
Executive producers Aaron Mankey, Noah Feinberg, Chris Dickey, Matt Frederick
and Alexander Williams. Super Revising producers Trevor Young and Josh Thain.
Producers Jesse funk Rima Ilkali, Noami Griffin, Chandler Mays and
Casby Bias. Script editing by Lauren Vogelbaum, story consultants Ben
Bolan and Matthew Riddle. Casting by Sunday Bowling CSA and
(20:16):
Meg Mormon CSA. Production coordinator Wayna Calderon production assistants Jenna
Johnson and Went On a low theme. Music by Rose
Azerti with vocals by Anna Hummler, recorded at This Is
Sound Design Studios in Burbank, California. Engineered by Ross aeronaut
special thanks to Romelia Osorio, Nathan Rule, Glen Nishida, and
(20:39):
Rob Mosca. Thirteen Days of Halloween was created by Matt
Frederick and Alexander Williams and is a production of iHeart Podcasts,
Blumhouse Television, and Grimm and Mild from Aaron Maky. Learn
more about the show at Grimandmild dot com slash thirteen
Days and find more podcasts from iHeartRadio by visiting the
iHeartRadio app, Apple Podcasts, or wherever you listen to your
(21:02):
favorite shows. Happy Halloween.
Popular Podcasts
The Breakfast Club
The World's Most Dangerous Morning Show, The Breakfast Club, With DJ Envy And Charlamagne Tha God!
Dateline NBC
Current and classic episodes, featuring compelling true-crime mysteries, powerful documentaries and in-depth investigations. Follow now to get the latest episodes of Dateline NBC completely free, or subscribe to Dateline Premium for ad-free listening and exclusive bonus content: DatelinePremium.com
Decisions, Decisions
Welcome to "Decisions, Decisions," the podcast where boundaries are pushed, and conversations get candid! Join your favorite hosts, Mandii B and WeezyWTF, as they dive deep into the world of non-traditional relationships and explore the often-taboo topics surrounding dating, sex, and love. Every Monday, Mandii and Weezy invite you to unlearn the outdated narratives dictated by traditional patriarchal norms. With a blend of humor, vulnerability, and authenticity, they share their personal journeys navigating their 30s, tackling the complexities of modern relationships, and engaging in thought-provoking discussions that challenge societal expectations. From groundbreaking interviews with diverse guests to relatable stories that resonate with your experiences, "Decisions, Decisions" is your go-to source for open dialogue about what it truly means to love and connect in today's world. Get ready to reshape your understanding of relationships and embrace the freedom of authentic connections—tune in and join the conversation!