May 12, 2025 • 56 mins
The Drama Queens dive into a Valentine’s-themed episode of One Tree Hill. Joy texts Gavin DeGraw to find out how he really feels about performing the OTH theme song, while Rob shares his dislike for both the song and Valentine’s Day. Sophia opens up about filming her character’s bold scenes, and Joy reveals her favorite candy—and why she needed a spit bucket. Plus, the group debates Clay’s big romantic gesture. Too sweet or too much?
See omnystudio.com/listener for privacy information.
Mark as Played
Transcript
Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:00):
First of all, you don't know me.
Speaker 2 (00:02):
We all about that high school drama. Girl drama girl,
all about them high school queens. We'll take you for
a ride, and our comic.
Speaker 3 (00:10):
Girl shared for the right drama Queens of girl fashion,
but your tough girl, you.
Speaker 2 (00:16):
Could sit with us.
Speaker 1 (00:17):
Girl Drama, Queens, Drama, queise drama, Queens Drama Drama, Queens
Drama Queens.
Speaker 4 (00:26):
We're talking about the theme song of our show and
wondering whether or not Gavin loves performing it out or
if he's just like totally burnt out on it.
Speaker 5 (00:36):
I desperately need the YouTube audience. I just need everyone
to tune into YouTube so they can catch Joy doing
her makeup while we're like, you are bringing Multita my.
Speaker 4 (00:46):
Nasty paint covered nails. It's like, this is so gross.
All week long, I've been like reaching for things and
I have my nails are covered in house paints from
painting sets. I keep reaching for things and people, or
like eating at restaurants and people are just looking at
and staring at me, my dinner companion.
Speaker 5 (01:04):
Anyone who's going to turn their nose up at you
having paint on your nails.
Speaker 2 (01:09):
It's a second glance. I don't know.
Speaker 4 (01:10):
I think it's worth the second glance. They look pretty nasty.
Speaker 5 (01:13):
I don't know about that.
Speaker 2 (01:16):
Maybe it's just internal.
Speaker 5 (01:18):
Let's go back to the thing about does a musician
just get tired of singing the same song over and over?
I mean, think if every day when you showed up
to work as an actor, you had to perform the
same scene, yeah, or the same monologue.
Speaker 4 (01:35):
Yeah, greatest hits like Laurence Olivier always had to do
poor Horatio, like you know, like the greatest hits of
every actor. If they did concerts, they would just have
to run through their repertoire every time.
Speaker 5 (01:53):
I think it would be especially tough if you really
only had one big hit, because I think it would
be this thing where you would come to resent it.
I think if you had a catalog it would be different.
But I think if you had one thing, and as
soon as you started playing anything else, everyone's like, play
the bether one, right, you probably wish you weren't. Yeah.
Speaker 2 (02:14):
It's like if you're the Rolling Stones and every song's
a hit, you're having a great time. Yeah.
Speaker 6 (02:19):
Yeah, But if.
Speaker 2 (02:20):
Everyone only knows one, I don't know. I mean, I
really wonder how Gavin feels about it because even what
we were talking about, I think before we started recording,
so for our friends at home, we were discussing like
what our experiences when we're out in public and the
song comes on. Essentially we all feel like we're getting punked.
(02:41):
It's like, there's nothing like walking down an aisle in
the grocery store and being like, wait a second, oh god,
oh no, oh no, everyone's looking at me. There's nowhere
to hide, there's no corner, and you're like, oh, where
do I go? This is so awkward And it is
really you know, because people kind of look and they're
like eh, and you're like, I know, I don't know
what to say. You're just like, you don't know what
(03:02):
to do with my body right now. And I wonder,
I don't know. I wonder what the experience is like
for him. Do you think he loves twenty years of
TV royalties or do you think he's like, god, damn it,
they ruined my best song. I don't know.
Speaker 4 (03:20):
I'm going to text him right now. This is a
voice text for Gavin. Okay, Hey, what's up. We're podcasting
right now, and we me, Sophia and Rob all want
to know if you love performing I don't want to be,
or if you are so tired of it after twenty
years and you sort of present it.
Speaker 5 (03:42):
Is.
Speaker 4 (03:43):
This is.
Speaker 2 (03:45):
This is our question. Okay, coming back, I hope you're great.
Speaker 5 (03:48):
This is this is peak podcasting. Incredible listening to Joyce
and voice notes, just to fully pull back the curtain
to the audience. Yes, what we were talking about. Right
before I started recording, I opened this conversation with saying
that I cannot stand our show's theme song. Now let
me say this. Please don't hear what I'm not saying.
(04:09):
I love our show, and that is not me coming
for Gavin. I have just heard it so many times,
and I have had such a weird relationship with the
show itself that the theme song, I think, kind of
took the brunt of that. So it's yeah, it's a trick. Unfortunately,
it has been stuck in my head for like the
last day and a half. So I found myself walking
(04:31):
around this morning being like, I can't If I never
hear that song again, I will be so grateful because
it's just.
Speaker 2 (04:37):
Been hanging around in your brain.
Speaker 5 (04:40):
Oh my gosh, and I don't even know all the words.
I know like two lines and then the rest I know,
just like a bits and pieces, which makes it even worse.
Speaker 2 (04:47):
You have the guitar riff, yes, yeah, and you're like.
Speaker 5 (04:51):
And I'm like, anything but.
Speaker 2 (04:54):
This that is so funny. Do you know the happy
Birthday trick? What's fa something about the I don't know
if it's the melody or the notes or whatever about
Happy Birthday. That supposedly, if you have a song stuck
in your head and then you sing Happy Birthday to yourself,
it'll be gone. But Happy Birthday doesn't stick.
Speaker 4 (05:13):
It's the backup song that is Hotel California also works
for that.
Speaker 2 (05:18):
Really, yes, oh, I feel like that would get stuck
in my head.
Speaker 4 (05:21):
I loved the really Now it's like it's not catchy
enough because all the notes are sort of a lot
of the chords are more dissonant and more sharps and flats.
I mean, I'm I'm not a composer. I don't know
how to read music, but I know the tone and
it always it always works.
Speaker 2 (05:42):
You do write music, No, I do. I just don't.
Speaker 4 (05:45):
I can't read music, so I don't know how I
to write chords or like speak the music language of chords.
Speaker 2 (05:50):
But I can tell you that it does work. Interesting.
Speaker 5 (05:54):
I was also in a way, I deserve this because
I have had shares. Do you Believe in? Life after Love?
Stuck in my head for about a week and a
half now, and I was, I was complaining, we have
a rule in our house where if Jenny or I
have a song stuck in our head, we're not allowed
to sing it or tell the other person because they
are highly contagious, so you just have to suffer in silence.
(06:16):
And so for the last week and a half, I've
just been do you believe? In my head? And I'm
just like, what did I do to deserve this? And
then I got our theme song stuck in my head
and I was like, I could diggle a deeper hole.
It turns out that was my rock body. Well, welcome
to the show, everybody.
Speaker 2 (06:35):
Now you're here to talk about it. And it's Valentine's
Day everyone, Yeah.
Speaker 5 (06:41):
All right, what do we have today? Season eight, episode fifteen.
Valentine's Day is over, or as I like to call it,
mid season. Male Wishful film, February fifteenth, twenty eleven. Synopsis, Sex, games, secrets,
and shoelaces all come into play as the couples of
Tree Hills, so the breat Valentine's Day directed by Paul Johansson.
Speaker 2 (07:03):
He did such a great job with this episode.
Speaker 4 (07:06):
I knew the second that I saw the Nathan and
Haley bathroom scene of us brushing our teeth and like
talking and all the choreography of that. I knew that
Paul had directed this episode because I had forgotten about that.
But that scene we worked. We worked really hard on
that because it was just one shot, so we had
extra rehearsal time. And he had a lot of fun
(07:28):
with this episode. I think he really brought a lot
of fun ideas.
Speaker 2 (07:33):
Yeah, it was very sweet, and the shooting over you too,
but getting your coverage in the mirror, and the choreography
of longtime married couple swapping mouthwash and talking about is
it a blackhead? Is it a rash? I was like,
oh my god, it just was so I don't know,
(07:54):
it was fun and really charming, and I felt like
so much much of the episode managed to be charming,
which felt really nice given Rob's point about the amount
of wish fulfillment. You know, like when you have grown
ups writing sex game scripts, you're like, but it was charming,
(08:19):
and I really cherished that, at least for myself and Austin.
We had Paul directing this with us because he knew
how to. Instead of leaning in and making things gratuitous
and kind of gross, we really ramped up on the
wardrobe the comedy. But then we went so comedic and
(08:42):
it got to be so goofy and so physical, and
I just remember how much fun we had with it,
and yeah, it felt it sort of felt like the
best outcome, and I felt incredibly protected with those two
and it all really did mean most of it anyway,
really did make me laugh. I enjoyed watching this one.
Speaker 5 (09:04):
Yeah, that must you for sure win MVP by MVP,
I mean most valuable and most vulnerable player. Here's what
I will say. As soon as the episode opened, I
remembered this. I was just like, oh, buddy, okay, so
soar in her paycheck this week. But I will say
I also noticed that it was just you and Austin
(09:25):
in the same location, and I went, Okay, listen the
work this week. But she was done in like two days. Yeah,
so you had a nice break. So at least I
feel like you got a reward for going through this.
Speaker 2 (09:40):
Yeah, totally. I remember getting this U when we get
the script and you go, oh my god, am I
about to win the schedule lottery? And then I remember
when the day out of days came out and I
was like, I'm going home and I want to go
home for like a whole week. And it was so nice.
That's so great.
Speaker 4 (09:58):
It was so Actually I wondered, when you got the script,
how do you handle how did you handle that? Because
obviously that would have been really kind of upsetting to
read all that At first, I'm assuming, but then knowing
Paul was directing, is it just like did you have
a panic or were you just like, I'm just going
to go talk to Paul and we'll figure this out.
(10:18):
It's fine.
Speaker 2 (10:20):
I don't totally remember, to be honest, what I remember.
I always felt better when Paul was directing. Of course,
I I remember honestly being like, aw cool, Robin Chantell
get to watch City and Color in their clothes and
I have to do this. And I was like also
(10:42):
because I was bummed because I knew I was going
to go home with my you know, five days off,
and so I couldn't like sneak to set and hang
for the show. But yeah, I know that I was excited,
not excited. I know that I was what's the word
I'm looking for, comforted? I guess knowing Paul was going
(11:02):
to be directing. And what I love about Paul, you
know when he does the this and he like gives
you the look and he has his he has his
little close mouth laugh where he goes it's all right.
I remember going to find him and he goes, did
you read it?
Speaker 4 (11:20):
You know?
Speaker 2 (11:21):
And what I loved about it is I knew he
already had thoughts. And we really talked about the you know,
our great favorite comedic women, and he was like, we'll
figure out all your all your moments. You know, you'll
have Sophia La Ren moments, you'll have Lucille ball moments.
And I was like, that sounds amazing. And then the
(11:45):
thing that I knew I needed to figure out was
wardrobe because everything was written like lingerie, lingerie, lingerie, and
so Carol and I were like, okay, well, if we
have to do, you know, the French made thing will
really make it feel beautiful and like Bridget BARDOI and
sixties and we'll put you in tights and then you know,
(12:08):
for the pizza thing. It was like, Okay, well let's
do this full body suit moment, so I didn't have
to feel like I was supposed to be completely exposed.
Speaker 4 (12:20):
Yeah, you know, Yeah, it was a lot of underwear,
but like got more costume me than yeah, than underwear.
Speaker 2 (12:27):
Yeah, it felt more costume and I didn't have to
prance around with like my ass cheeks out. You know.
I was essentially wearing like a red one piece bathing
suit and then like had a robe off and then
right back on, and the robe served for comedy, and
so much of it actually was so funny. Even the
French made costume. We like tripled up the little petticoats,
(12:51):
so when Austin spun me around, it did like a
full twirl and like that stuff felt really fun, And
I think those things are cool when you're when you
have a team that's going to support you to make
you as comfortable as possible. Because our boss made so
many of us, I mean all of us uncomfortable in
our own ways and in our own moments, and so
(13:14):
knowing what was written on the page and then knowing
what we got to do, I was like, Paul's a G,
Carol's a G. Our team is great.
Speaker 4 (13:22):
It actually served a great purpose too, because once the
audience gets the information mentally, oh, this is not going
to be a t and as show for me, they
could just focus on you guys and your performances. And
that's really what shone through, shown shined was shining.
Speaker 2 (13:40):
I don't know.
Speaker 4 (13:40):
That's what was shining through was the two of you
because you had so much fun with it and it
wasn't just the same thing over and over again. You
really got to experiment and play and yeah, it was great.
Speaker 2 (13:51):
It's really fun. Yeah we did. It was really fun.
Speaker 5 (13:53):
Sometimes the beauty pageant hijacks the scene, right and in
this case, and I should say like the skin show,
not just like the but like so it never happened
though with you guys, it was like you were wearing
something beautiful, but the comedy and the story was still
the focal point. For example, a scene where that wasn't
(14:14):
successful was the opener when you're in the kitchen and
Austin walks out with his pants so low I know,
standards and practices, was like, oh my god, to the
point that I called Jenny and through him and I
was like, excuse me, have you ever seen a lower
pair of pants in your life. And she was like
(14:37):
and she was like, excuse me, yeah, you every time
you've been shirts, Cameron. I was like, oh my bad.
But it was just like, for example, so that when
that happened, like I stopped hearing dialogue and was just like,
my lord, did I just get pregnant? What happened? And
that never happened with any of the sex game stuff,
(14:59):
but in an opening scene, I was like, this is
what it's become. All I'm doing is just staring at
Austin's Bear Tor.
Speaker 2 (15:04):
Yeah. Yeah, he was a good sport. He was. He
was really he was. He was doing an ab show
for everybody for much of the episode.
Speaker 5 (15:13):
Also fair considering that every role playing it was him
and like Bear like him dressed basically every single time
in normal clothes in you So it was it's it
was a good team play that he was like, I
will gladly do this one wildly gratuitous, dangerously low pants
scene in exchange for your eight different fantasy Totally.
Speaker 2 (15:38):
I also, I remember I remembered a lot of them.
When it started, I was like, oh right, I know
what we're doing. This is the you know, Valentine's day
at home, whole role play day, and then we got
to the babysitter one and I was like, I hate this,
I hate this, this is so it yuck. And then
(16:02):
I literally wrote down, thank god we were the same age.
Thank god we called it creepy. And then I go,
oh oh, but then we switch it. Now I'm a
creep Okay, yeah, I was like, this is the one
that just I was like, maybe we could have thrown
in the towel on that and been like never mind,
never mind and left it there instead of putting him
in the schoolboy position. But whatever, he looked cute in
(16:26):
his letterman jacket.
Speaker 5 (16:27):
I moved on, Does anyone actually eat those heart candies? No?
Speaker 4 (16:46):
I love them what. I love the purple ones, I
love the orange ones. Sometimes I like the pink ones.
They're a little pepto bismally, but I like.
Speaker 5 (16:56):
Them so they actually have different flavors. Yeah, they're not
just different colors.
Speaker 2 (17:00):
I love them. Learn something, you guys don't eat those,
absolutely not.
Speaker 5 (17:07):
It's the same reason I don't eat the packing peanuts.
When I open up there you go.
Speaker 2 (17:11):
I was gonna say they're chalky, but Rob really illustrated
the point.
Speaker 5 (17:16):
I'm shocked. I'm shocked joy you know what. That also
makes sense, so because in the scene Haley reaches across
and takes a handful and slugs about half of it
in one So that was clearly that was a joy
choice that just happened to work for Haley being Oh.
Speaker 4 (17:33):
Yeah, I was so excited about eating those. You have
to be careful when you eat ho hose I do
not like, and so that was definitely something we had
to have a little spit bucket on the side for me.
Speaker 5 (17:42):
Okay, let's talk about that because I have a question,
So we're gonna let's just jump to that end scene
of Quick. You and James are laying in a bed.
You take a bite of the ho ho. I was
very aware of this. I was waiting for where's the
cut for the spit take or the spit bucket. But
you take good bite, you chew, you talk, and then
you start kissing me. So my question is, if there
(18:07):
was a spit bucket, how did that work?
Speaker 2 (18:10):
I don't know.
Speaker 4 (18:11):
I mean, they shoot from different angles. That wasn't the
only I don't think that was the only shot.
Speaker 5 (18:16):
Go back and watch it, sister. They live in that
shot from the bite the chew, the talk, and the kiss.
You were giving a kiss with some ho ho in
your mouth.
Speaker 2 (18:24):
That's weird. I was maybe you took a dany diny bite.
Speaker 4 (18:29):
Maybe I just am remembering a pitbucket and there wasn't one.
But I don't like ho hosts, so I don't know.
Sorry if I'm speaking out of turn. I thought I
thought there was one, but maybe not. Maybe I just
had to stomach it. Maybe we only shot it like
twice because I don't like ho hose.
Speaker 2 (18:46):
Yeah, yeah, well, by the way, I wouldn't surprise me
if Paul was like, I think I might want this
in one shot? Can you do? Can you do a
take without this bit bucket? And you were like, h oh, well,
it would have.
Speaker 4 (18:57):
Been there for after for after the when when they
because they ended. He ended the episode by slowing the
kiss down and then went to black, So that would
have been what it was that I would have spit
it out after he said cut six.
Speaker 5 (19:10):
Yeah, were just the logistics of having a chewed up
ho ho in your mouth while you kiss memes and
then cut and then I cut my.
Speaker 4 (19:18):
Lips closed, you know, I mean, yeah, yep.
Speaker 5 (19:22):
Listen, you you go all in on your craft. Okay,
that's what I love. You're brave, you're fearless. You eat
the ho ho, you chew it up and then you
open mouths.
Speaker 2 (19:31):
God gross, can you imagine what you're doing?
Speaker 4 (19:34):
And how about Haley in her house in lubatons or
that's the implication anyway, with the painted bottom of the shoe, she's.
Speaker 2 (19:41):
In high heels climbing on ladders. I wrote this.
Speaker 4 (19:44):
Down and talking about how everything is swollen, including your.
Speaker 2 (19:48):
Like she's so uncomfortable, but she's in stilettos. Yeah, that
was weird. That was a weird, uh situation. I wonder why?
And on the step stool and like running around the house.
Speaker 5 (19:59):
It was.
Speaker 2 (20:00):
It's so interesting to me that they always wanted us
in such high heels. Yeah, I don't know.
Speaker 5 (20:07):
It felt for a moment like I was watching a
cautionary take. Yes, like a pregnant woman on a step
ladder in high heels, Like what are we how many
hats on a heath do we need?
Speaker 2 (20:17):
Yeah, well they did it to you in this episode,
and then they do it to me at the end
of the season exactly that. Oh yeah, yeah, And I
remember being I remember when it was my turn being like,
who would do this?
Speaker 4 (20:33):
And I was why pregnant, Yes, climbing on these step
stools in high heel.
Speaker 5 (20:41):
Again, fearless, joy, what you do for your own It was.
Speaker 2 (20:44):
All those little sweethearts you got hopped up on sugar.
That's what I want and you felt like a superhero.
Give me the high heels.
Speaker 5 (20:52):
I did love the sort of opening juxtaposition of the
three couples I guess four couples, but I noticed specifically
the transition from Claying Quinn having hot shower whoopee, to
then going to Haley and Nathan brushing teeth. What's this
spot on my back gargling I love you, love you too,
(21:13):
pat on the back. I was like, great depiction.
Speaker 4 (21:18):
Yeah, I loved the and it was the line was
Valentine's Day is hot, and then they cut to Nathan
with the nose clippers and his nose trise.
Speaker 5 (21:26):
I enjoyed watching Julian attempt accents with the different characters,
like he he definitely put one on for Thor and
then for the next one the French made one. It
seemed like it was just kind of dip in his
toe in the accent pool here and there, Which was
which was so perfectly Julian. It felt very right. You
(21:47):
know that he wouldn't have like an accent down. He
would just sort of be like, I'm going to give
it a shot.
Speaker 2 (21:52):
You know, he's a director, he's not an actor. I
liked his you know, Jersey Boys adjacent vibe as the handyman.
It was very cute. And then my god, when he
walks in in the suit and the glasses, I was like,
he looks like Clark kt oh, totally, Like why did
Austin never audition for Superman?
Speaker 5 (22:14):
Maybe he did? Maybe maybe they saw this episode and
they thought just it's too much sex.
Speaker 2 (22:20):
Too much.
Speaker 5 (22:21):
Yeah, sex Pylon. Do you remember that name?
Speaker 2 (22:25):
What I told you?
Speaker 5 (22:26):
I worked with a director who did an episode of
our show, and I guess it was one of the
ones introducing Austin's character, and he was like, yeah, he was.
It was when he was the new sex Pylon on
the show. And I was like, I have never heard a.
Speaker 2 (22:38):
Funnier n sex pylon.
Speaker 5 (22:41):
Sex Pilon Incredibly, you'll come in wearing pants that low.
Speaker 2 (22:45):
You've earned it, shoe fits, you've earned it. Listen we
we oh.
Speaker 5 (22:51):
Yeah. I loved the uh Haley finding this necklace, which yeah,
bless it. It looks like it purchased at a drug store.
And she opens it. She's like oh, And then Quinn goes, oh,
I wanted that.
Speaker 2 (23:07):
I was like, neither of you wanted that.
Speaker 5 (23:09):
No, you liars. You actually have good taste. You dress
well on the show. No one wants a giant heart
necklace unless it's coming from like Jamie. Yeah, sure, wonderful,
But come on, gang, could we not find a little
smaller something?
Speaker 2 (23:26):
It just really needed to read on camera, but the
full palm size was too big. This tells me Rob
that you are probably an excellent Valentine's Day gift giver.
No ooh, I like where this is going?
Speaker 5 (23:42):
Right?
Speaker 2 (23:43):
Well ooh the answer is yes. Look how browd he is.
Speaker 5 (23:47):
No, it's yes and no, right, not anymore because I
have always had it much like Clay, I have a
beef with Valentine's Day.
Speaker 2 (23:56):
Okay, why like I?
Speaker 5 (23:58):
Because I don't need one holiday to be designated for
like this is when you should be a romantic. Valentine's
Day to me is as unromantic as when you're at
a restaurant and the person walks by with a basket
of roses and goes would you like a rose for
the lady. It's like there has never been a lazier
expression of romance than when a guy goes, yeah, here's
(24:19):
a ten spot. Here you go.
Speaker 2 (24:22):
No, it's very weird.
Speaker 5 (24:23):
So the same thing. It just feels contrived and so no,
like I don't we don't even like really acknowledge it anymore.
But when I was dating, yeah, then I would put
on a show. But I always resented the fact that
I felt like it's pressure.
Speaker 4 (24:38):
It's like there's some sort of arbitrary pressure created by
everything around you, and you're like, why is this, why
does this exist?
Speaker 2 (24:45):
There's no reason for it? Well, it's it's literally the
death gargle of late stage capitalism. They're like, hey, if
you're not a T shirt, as if we didn't get
you to spend enough money just before New Year's now
you need a whole other holiday and it's about jewelry.
Speaker 4 (25:06):
Like, come on, death, I'm writing this down death gargle.
Speaker 2 (25:12):
It's the death gargle.
Speaker 5 (25:14):
Stay is it the death rattle?
Speaker 2 (25:15):
It is a rattle.
Speaker 5 (25:16):
Thank you, rob death rattle.
Speaker 2 (25:18):
A death rattle is what it actually is.
Speaker 5 (25:20):
That's an actual sound the body makes.
Speaker 4 (25:22):
I know the phrase, but like the gargle is just
it's just what came out.
Speaker 2 (25:26):
It's so brilliant. See, sometimes my dyslexi is cute. I'm like,
what's the word? Close enough?
Speaker 5 (25:33):
I agree though, because to me, it's like I hopefully
in the other three hundred and sixty four days I
do a good job of letting you know how I
feel about it. Yeah, and all of that, and so
if I suddenly need one day to then like do
what I've already been told it, it's just yeah.
Speaker 4 (25:52):
Yeah, it's immediate. It's like somebody telling you to sit
down when you were about to sit down anyway. You're like, oh,
I'm not doing this for you.
Speaker 2 (26:04):
You know what I like, here's my Valentine's highlight. It's
actually Chuck's storyline. I mean the sadness of you know,
his mother dealing with addiction. Aside, I think Valentine's Day
the way I like to do it, and I agree
with you, Rob. Maybe it's like when you actually are
happy or settled or whatever word you want to use,
(26:27):
you're not in the weird courting phase. You're not trying
to keep up with anything like Valentine's Day. For me,
I want a handmade card, like I just want a letter. Yeah,
that's how I want to acknowledge the day, is to
acknowledge something real and like sweet and special. You know,
I think Valentine's Day is so cute for kids, How
(26:48):
sweet to get Valentine's from you know, your little nuggets,
help them make cards and whatever. But it's like, yeah,
the the big show out there. I bugs me too, man,
We're all okay, we're all Clay.
Speaker 5 (27:02):
This is one I think Clay got very.
Speaker 2 (27:04):
Right, except that Clay covers trick. Yes, apparently a full
event might be exploded Trickso.
Speaker 5 (27:13):
That time cut is the amount of work that Chase
and Chuck apparently did in like ninety minutes.
Speaker 2 (27:20):
Yes, by the way, two days we shot all those
Brook and Julian scenes on stage. Set deck was dressing
trick the two days, the full two full days of loading,
and supposedly next minutes, we just decorated a school a
venue for a school dance, an eighth grade school dance.
Speaker 4 (27:39):
And it required sheets of you know tinsel that like
hangs with all the ribbony strips and uh, you know,
other random sort of little decorations. But that stuff takes
a really long time to hang and we had a
whole like a whole team of moms.
Speaker 2 (27:56):
You know, Listen does not just get put up by
Chuck and Chase. Chase and an eight year old did
that in ninety minutes flat. Absolutely not. No.
Speaker 5 (28:06):
Also, it's so funny that you you managed to get
your person's favorite band to do a private show and
then you go, but you know what, it's not quite enough.
What if I got four hundred dollars of decorations from
my goals and hung it up everywhere?
Speaker 2 (28:24):
Yep, that'll do it. Yeah, yeah, not just the candelabras,
but make sure you have this spinning multi cutout hearts
hanging from the ceiling like.
Speaker 5 (28:34):
The shot on that.
Speaker 2 (28:35):
I was like, why do we need this? He's up
there singing, it's so beautiful. Leave it.
Speaker 5 (28:41):
Yeah, it's just missing one thing. Oh you know what? Yeah,
a creepy nine year old waiter. Yeah, that's really going
to hammer him.
Speaker 2 (28:50):
But she doesn't know. Has she ever met Chuck?
Speaker 5 (28:52):
No, she doesn't meet Chuck. I don't think I know Chuck.
Speaker 2 (28:55):
Or here's my question, what is the what's the Scrooge
character for Valentine's Day? Is there one? It's us? What's
(29:19):
it called like scrooge. Hat's Christmas? Bahambug? What's the what's
the scrooge of I see through you Valentine's Day?
Speaker 5 (29:32):
I don't know, but that's a great idea for him.
Speaker 2 (29:33):
We got to come up with actually.
Speaker 5 (29:36):
Add this to our listen to writing it down projects.
Speaker 2 (29:40):
She's literally writing it down. I'm typing it.
Speaker 5 (29:44):
I remember City and Color performing for us, and that
was special. That was one of those memories that I
just and I didn't know who they were or who
he was prior, and Chantelle did, and I remember her
saying like, dude, this is a big deal, and he's
so he's so yeah, and then sitting there and being
(30:04):
like this is It's really made sure.
Speaker 4 (30:08):
Our show did that so well, Like we would have
these moments where you could just tell, I mean, they
set it up so well with the cameras in the
stages and you could just tell somebody is such a star.
They just step up there with their instrument and start singing,
and everything else falls away. All the ridiculousness, all the
other things that we joke about and you know, make
(30:29):
fun of lovingly about our show falls away, and you're
watching a very real talent do what they do it's wonderful,
and even.
Speaker 5 (30:40):
Though he had no lines, there was a wonderful moment
that grounded the whole thing, where in between songs, I
think there's a moment of Clay and Quinn kissing and
the camera kind of pans up and you see him
just standing there. Because the truth is, that would be
so awkward performing for two people, and I'm so glad
that we took a moment to acknowledge, Yeah, that is
(31:02):
a very weird dynamic, and he kind of gives that
look like I guess I'll keep It was.
Speaker 2 (31:08):
Very funny, especially because he has no band. You know,
it's an acoustic performance, so it's like he doesn't have
anyone he can look at while you two are making
out to have He's just kind of like, so do
I go or more of this? I love them?
Speaker 4 (31:27):
Paul noticed and put that in because it easily could
have just been skipped over, but he was like, no,
you're in the scene. What would you how would you
be reacting exactly? Thank you for being an actor and
knowing what's going on in the scene.
Speaker 5 (31:38):
I will say I loved I agree with you. So
the heart of this episode was Chuck and Chase. Yes,
their stuff was great, and Mouth.
Speaker 2 (31:45):
And Millie both both those storylines were like real highlights
for me. They were so fun to watch.
Speaker 5 (31:54):
Yeah, yeah, give me all the Lisa go. She's just
so lovable and likable and fun to watch, and her
and Lee are so great together. But the Chuck and
Chase of it I really liked because I thought Michael
did such a wonderful job with how he played the
(32:16):
disappointment about his dad. Yeah, Like when he has that
line when I think Chase says like, when was the
last time you saw your dad? And he says he
kind of throws it away like two years not that long.
I was like, oh, he didn't lean into it, you know.
And then the fact that he circles back at the
very end of the day in Chase's car and goes,
two years is a long time. Huh. It's like he knows.
(32:42):
He's just trying to tell himself a different story about it,
you know. But their whole dynamic was was so great.
And then the reveal of I mean behind the scenes
Michael made does love show too, Yeah, and he does music.
Speaker 4 (32:54):
And she writes songs. I mean that that song was
a song that he was singing and showing like not
showing off, but like he was always wandering around singing,
and our creator and other writers on the show noticed
and he was like, oh, yeah, I got a new song.
And he started singing that one and was working on it,
and they were.
Speaker 2 (33:11):
Like, let's put it in the show.
Speaker 5 (33:13):
Wait, that's an original.
Speaker 2 (33:14):
Yeah yeah, he wrote that.
Speaker 5 (33:17):
Oh, I already had my notes. I love that Michael
is part of the music of One Tree Hill, but
now knowing I assumed it was from a play of
some sort. Now, so knowing that it's his, though, makes
it so much better. I will say it did make
I had one strong feeling, which is, I this is
a personal bugaboo of mine. I can't stand being sung too,
(33:38):
like when someone sings and makes eye contact with me.
I think it's because I think it's because like in
dating when I was younger, like a lot the girls
would like try to like sing, and I just hated
the position it put me in, Like I felt like
I was a prisoner. Because now I have to be like,
oh yeah, wow, so good that I just came to
resent it. So watching Chase sit there and not know
(34:00):
how to react and respond was so funny and also
so triggering for me because I'm like that that is
my nightmare. Oh just someone looking at me.
Speaker 4 (34:12):
His face was so brilliant. So sincere, I'm so glad
they didn't do this this Chase Chuck as a one off.
You know that they really kept this mentorship love story.
I'm just I'm so here for it. I love their dynamic.
But yes, Chuck on stage jumping around and what.
Speaker 2 (34:32):
Is he Oh that's what he says.
Speaker 4 (34:33):
Chase goes, you know that punch in the stomach thing
actually is kind of cool.
Speaker 2 (34:40):
Chuck's like he like show tunes. Actually, that punch of
the stummy thing is kind of cool. Will you make
that your thing? Yeah? I just want to protect your kid.
Speaker 5 (34:48):
One thing I was confused about, though, is that two
episodes ago, Chasing Mia had sex in the wedding limo.
One episode ago, Mia comes to the bar and like, hey,
you see him off. Are we good? And he's like, yeah,
we're good. I just have some stuff going on. Then
this episode is Valentine's Day and there's not a mention.
Speaker 2 (35:10):
Well, but he says to her, which I and it
bumped for me too. When she says are we good?
He said, yeah, you said the slutty wedding sex didn't
mean anything, and I was like, oh.
Speaker 5 (35:25):
No, no, no, no. He said to her, uh no,
we said that we sex didn't mean anything, and then
she goes, no, you said that, and I just went
with it.
Speaker 2 (35:34):
Oh oh, I didn't take detailed enough notes. Yeah, it's
funny because I scrolled down on Today's and I'm like, no,
I see it, and I'm like, oh, you actually, you're
very right. I yeah, I wonder what that what that
is because we're not getting any explanation, like it could
have been one line if Chuck just asked him.
Speaker 5 (35:54):
That's exactly it. Yeah, I'm I'm okay that all we
saw was Chase and Chuck because it's an awesome storyline
for both of these guys, and it's so cool to
see them do different things than they usually do. It
was just odd that, like you said, Joy, it's one line, yeah,
and you can address it and move on. So I
thought that, Yeah, it.
Speaker 2 (36:13):
Is really weird, especially if Chase is circling back to
the sort of headspace he was in when Julian shows
the girls the video at Thanksgiving and he's like, I'm
just going to focus on me, you know, I need
to figure out my own life whatever. Why not talk
(36:35):
about it? Why not actually show the audience that that
is continuing to run for him? It's weird. It feels
like a ball drop.
Speaker 5 (36:43):
Yeah, and if we're trying to make him likeaboy, you know,
it's just like that's not a cool thing to do.
Then you know, to be like, I don't want it.
Let's have sex. I don't want it. Yeah, there was
one more thing I wanted to do address about the
reveal of the whole surprise. Clay set up right so
he somehow gets her favorite band, It gets trick all
(37:03):
to himself. He has Michael's explode all over them. Obviously
a lot of time and work went into this. They
walk up to the table and he doesn't pull out
Quinn's why didn't you do that? Buddy? I don't know,
like as as as the as me who like I'm
big on chivalry and me he was like, I don't.
(37:25):
And then also, just if you're going to track what
the characters doing what, I don't know how both me
and Clay drop the ball so hard, but I was shocked.
Now we walk up to the table, I don't even
make an effort. I immediately go for mine, and nine
year old waiter Michael May pulls out Quinn's chair.
Speaker 4 (37:43):
Oh that's why, because because they had set you guys
had set it up that Michael was going to pull
out the chair. That as like an intro that has
to be it.
Speaker 5 (37:50):
But I don't. I don't even do the empty gesture.
It's just it, really all.
Speaker 4 (37:55):
You were spaced out for a minute when you guys
were walking up, you know, like you know how it goes.
You're chatting about something right before they say action, and
then you just walk into it and kind of I mean,
I think that happens to all of us.
Speaker 2 (38:06):
I also wonder if as a director, I would imagine
Paul said, I want Michael May to pull the chair
out for Chantelle. So I wonder if by the third
time you did it, and that was actually the best
tracking shot to get you guys to the table, you
weren't even gesturing for it anymore.
Speaker 5 (38:25):
Also to Joy's point, I do have a very specific
memory of trying my hardest to distract and break Steven
while he was talking to the two of us. So
you were right. I was probably focusing all of my
energy on how I could make Steven laugh and distract
him or make Shantelle laugh. Then I was actually which
(38:48):
is on brand?
Speaker 2 (38:48):
Yeah sounds about right, so feels right. I love it.
You know what I thought was very sweet too in
their storyline, and you brought up part of it, the
conversation they have in the car. You know, when when
Chase drives Chuck home and they have that beat and
he acknowledges that two years is a long time, you
start to kind of see underneath. I like that when
(39:12):
he starts to, you know, be kind of a little
shit again. There's just a pause and then he's self
correct and says, thank you so great, and you're already
starting to see just a little bit of a positive
presence have an influence on a kid. I thought it
(39:32):
was such a nice reminder and it was nice to
have that acknowledgment, even though it was wordless between Chuck's
mom and Chase, because it's a pretty big reveal, right,
you know, you assume he's been working all day, and
then you realize he's been checking on Chuck's mom. Yeah,
you know, it's a big woe for the audience and
(39:54):
to sort of see how that registered for her.
Speaker 5 (39:57):
I don't know.
Speaker 2 (39:57):
I thought it was a I thought the whole the
whole bit of it, despite it not actually being in
terms of the verbiage, you know, really long or really
wordy scenes, I thought the impact was really excellently driven home.
Speaker 5 (40:16):
Yeah, and it was a great way of getting a
new insight into Chase's character. Yes, because the amount of
class and grace that he had for her. Yeah, Like
when she even tried to blame it on him and
she was like, I think you're better than me, I
was like, there's a version of which he says, yeah,
this version of you way better. But he never once
(40:40):
shamed her. The look he gave her at the end
wasn't like hmmm, yeah, you know he was. He was
sweet about the whole thing. The one one thing I
kind of bumped on though, is that when Chuck says
two years is a long time, I wanted Chase to
say yes. I wanted Chase to kind of validate as
opposed I see what he's doing. He's trying to be like, nah, buddy,
(41:00):
it's not that bad like he's But I also wanted
him to go, yeah, you're right, because what did he
say he is saying in that moment?
Speaker 2 (41:08):
Did he say anything he said no, oh really, he.
Speaker 5 (41:12):
Goes, Oh yeah, no, he goes. She says, two years
is a long time, huh, And Chase says it's not
that long. And I wish Chase had said yeah, because
Chuck knows in his heart it's a long time. So
it's like, yeah, this is your chance to like establish
that with the kid, validate what he's saying. Yeah, man,
it's a super long time. Yeah, that's wild. Whatever you're
(41:34):
feeling is right.
Speaker 2 (41:37):
He didn't.
Speaker 4 (41:38):
He just doesn't have the maturity and experience to know
how to handle that. Like that's kind of what we
do often in life. And somebody's struggling, you just want
to make him feel better, you know. Yeah, it's like,
oh no, it's okay, it's okay. It takes I think
it takes a wild life experience to learn that that's
actually not comforting. It's actually better to just acknowledge the
(42:00):
hard thing.
Speaker 2 (42:00):
Well, and by the way, we're worry able to see
that now. But when you were saying that, Joy, I
was like, oh my god, I always forget that. At
this point in the show, our characters are like twenty five.
Speaker 5 (42:14):
Yeah. Yeah, when you think about that, Chase is actually
doing an extraordinarily good job. Totally. Yeah, it's not fair
for like forty three year old parent me to be like,
there was a better day. Yeah, I wouldn't have known better. Yeah.
So no, he did a fantastic job.
Speaker 4 (42:37):
This.
Speaker 5 (42:38):
What's so great about not remembering what happens in the
show is that I was genuinely caught off guard with
the station calling mouth at the end of the episode
it's for Millie, and I was like, wait, a second,
does she does she becomes some news person?
Speaker 2 (42:55):
Isn't that crazy?
Speaker 5 (42:57):
Oh my god?
Speaker 4 (42:58):
Yeah?
Speaker 2 (43:00):
Oh man.
Speaker 5 (43:01):
Wow.
Speaker 2 (43:01):
It's such a nice cliffhanger too, because their whole storyline
in the episode is so sweet and so thoughtful, even
the detail that when he gives her the gift, he says, well,
I talked to Brooke and she says, you like this.
You know that that mouth went to figure out what
(43:22):
she'd really want instead of you know, giving her some
random something because it's Valentine's Day. I just think their
relationship is so sweet, you know, him giving us a
little peak behind the curtain about how they used to
eat Chinese food together in New York and you know,
now they're eating that meal by candlelight and talking about
how far they've come, and she says, it's nice to
(43:44):
be here, and she means, you know, so much more
than just in Tree Hill. It's like in this place
and time with him, and the whole build up is
just so sweet to have.
Speaker 4 (43:57):
Been through so much in their relationship and she's through
so much in her personal life and growth.
Speaker 2 (44:03):
And then and then that moment at the end. It's
such a good cliffhanger because you go, h oh, like
are they still going to like to be here? Or
is this going to cause a problem?
Speaker 4 (44:13):
Yeah, because you know Mouf, he's so supportive and kind
and generous, and you know he's what else is he
going to do but say that's great, congratulations, But you
know that's going to kill him inside.
Speaker 5 (44:25):
Maybe maybe his dramatic weight gain that is coming up
is from all the humble pie. He's being forced because
this guy has taken one hit out, Like.
Speaker 2 (44:36):
When does mouth get to win? Dang it, it's a lot.
Speaker 5 (44:41):
He deserves a w poor guy.
Speaker 2 (44:44):
Yeah, well it's not coming soon. Oh boy, I just
looked up. I have to tell you guys what I
wrote down. When you and UH and James are going
you know, playing Nathan are scouting Kellerman's kid.
Speaker 5 (45:01):
Oh yeah, oh yeah, that's so good.
Speaker 2 (45:03):
And he walks off the field saying, my dad's a douche.
I wrote down because when you guys get to the
dugout and he's drinking beer, he goes, are you going
to sign me or lecture me? And you say, depends
on what you're looking for in an agent, And I go,
he called his dad a douche. He's a douche. It's
like literally the notes I wrote down, like like I'm
(45:23):
the eight year old being like this guy, Yeah, rude,
who do you think you are? It's a good little twist.
Was that a real athlete that guy? Or is he
an actor?
Speaker 5 (45:32):
No? So that is Eric McIntyre and he is not
a real baseball player. He had to learn kind of
the mechanics.
Speaker 2 (45:42):
Of throwing for really, So he's an actor.
Speaker 5 (45:45):
He's an actor. Yeah, no, yeah, he's much more of
a D and D guy than he is. How fun's
that's that's kind of how I knew know of him
afterwards since then he's a big, big into the D
and D scenes. So, yeah, baseball, note his strike zone,
but he played it well and listened to play. He
played the hell out of that douchebag. I mean, because
(46:07):
he was instantly punchable completely there. His walk even I
don't know if his walk was a choice, but he
didn't even open his mouth that walk alone. Yeah, that
guy needs to get punched.
Speaker 2 (46:18):
Yeah he really he had. He had such an air
of ego, like the way he moved his shoulders, everything,
he really physicalized that. Well, yes, it's kind of cool
to know that he's not actually that type of athlete
at all.
Speaker 5 (46:38):
No, those were just good choices and it was also
such a heightened version of that type of person in
fact he has, like because I love thinking about like
how did how did he get there? So like he
went and he got like a little igloo container he
filled it full of ice, and some beers like him
walking to Its just it was so funny, man. But
(46:59):
I love that at the end of it, Clay is
just like he called us all.
Speaker 2 (47:03):
Yeah, well that's the fun part of it. I think
it's a good twist that it's Kellerman's kid. And also
it's fun to have him essentially be a foil to
you and Nathan as buddy cops. It's fun to see
you two in that role, the you know, moving around
together and figuring it out. And yes, we get a
(47:27):
little bit of perspective from this younger kid and you
guys sitting having a conversation and him having to essentially
be like I used to be that guy. It's it's cool,
you know. The the passage of time that it shows
is a really interesting device.
Speaker 5 (47:47):
Yes, and it was a clever way to show Nathan's value,
his value added as an agent, that he was able
to go. Yeah. I was like this, and you know,
like it was great because as a viewer, I was like,
this kid, he's a toll, Like no way. And then
it was and that was sort of where Clay was leaning.
(48:07):
And I liked that it was Nathan the counter bounce
to go I don't know, Bud.
Speaker 2 (48:12):
I was like that had to break it to ye,
he might be the next me. Yeah, room to grow.
Speaker 6 (48:17):
Yeah, it's cool.
Speaker 5 (48:30):
Honorable mentions.
Speaker 4 (48:32):
Oh, by the way, the pizza box fight between Austin
and the pizza guy at the door, it was so good.
Speaker 2 (48:41):
And and and when Austin goes to the door, the
guy's like, I don't mind, great, love that so great. Honestly,
he was a scene stealer. I'm gonna I'm gonna give
him my honorable mention pizza man. Yeah, it's so good.
Killed it Michael Mays for me.
Speaker 5 (48:59):
M yeah, I'm going to give mine to uh to
Michael May. Yeah he did great. That whole storyline was
so fun to watch, and I love what it's setting up.
I do remember a bit of where this one goes. Yeah,
it goes there.
Speaker 4 (49:13):
So Bean Jeans is asking us, with so many of
the characters not having siblings on the show, who do
you wish had a sibling and got to be a
part of the show. And would that sibling have a
love interest in a friend group?
Speaker 2 (49:27):
WHOA.
Speaker 5 (49:28):
I really wish Dan had had a sibling. I think
that would have been good for well he did, he did.
Speaker 2 (49:36):
I was like, you got oh boy, guys, listen, I
know there's a lot that's true. Well, it's interesting because
Dan had a sibling. Obviously, you've got Nathan and Lucas.
Haley's one of a bunch. I don't think Brooke or
(49:56):
Peyton could have had siblings because they became each other's
siblings because they were lonely only.
Speaker 4 (50:01):
Yeah, but maybe if Haley had a brother, that would
have been nice because we only ever saw sisters.
Speaker 2 (50:07):
I mean who else could.
Speaker 5 (50:08):
Have I would have liked to see Clay have a sibling.
Speaker 2 (50:12):
Yeah, Yeah, that would have been fun.
Speaker 5 (50:14):
Because it would have been nice to see a baseline,
because Clay has endured like immense trauma though especially we're
going to find out how deep it goes, so it
would have been interesting to see what that gene pool
looks like without like what that what that person looks
like without going through Yeah.
Speaker 4 (50:32):
It's always unsettling when you meet a character and then
you never when you watch a show for this long
and you never meet their parents, you never know anything
about the life before. It just it makes it harder
for you to see them as a fully realized person
like you do so much to embody Clay, and then
there's still all this empty backstory that we don't know
other than what you tell us. I actually agree with you.
(50:55):
I really would have loved to see a parent, or
a sibling or just some one to give us a
little more context.
Speaker 2 (51:02):
Well, and I think especially knowing where things go with
you and how extreme that storyline yeah felt, and what
you had to commit to, I think it would have
probably been really special and grounding if we'd gotten to
see that, Like I would have actually loved it.
Speaker 4 (51:21):
If Clay had a sister, Yeah, who could have said,
you know, who was like taking care of the kid?
Speaker 2 (51:28):
Yeah, and also who could have been like a great
friend to Quinn's character to be like, listen, I know
it feels crazy. This is my experience, this is you know. Yeah,
I think I think you could have That would have
been nice for you.
Speaker 4 (51:43):
Yeah. There would have been room for like a like
a cool sist, just like kind of stage bouncing around,
getting to know anybody, just being like, hey, you're acting.
You're acting a fool, and hey, like stop dating two
girls at the same time, dude, and hey like, don't
worry about your girlfriend getting this job. You're something great's
coming your way, and you know, like bouncing around.
Speaker 5 (52:05):
It wouldn't have been a wild if Clay had a sister.
And then you realize this season in she was a
ghost too because she had Oh my.
Speaker 4 (52:12):
God, the whole it's the line of the witch in
the Wardrobe. The whole town is actually just dead and
we're all.
Speaker 5 (52:23):
Here's my question.
Speaker 2 (52:23):
Incredible.
Speaker 5 (52:24):
I think so Bean Jeans, I think I'm correctly assuming
is a nickname. What what does it come from? What
is this listener's real name.
Speaker 4 (52:36):
Yeah, bean jeans, Oh genes Okay, it's g E n
E s not jeans like blue jeans, because bean blue
jeans actually sounds like really terrible, like you just had
a gene ate a really bad Bullivan Dan and it
did not turn out.
Speaker 2 (52:49):
Well for you. Oh God.
Speaker 4 (52:51):
But being jeans but with the ge Oh so, maybe
it's maybe it's like a Boston thing. Maybe this person is,
you know, genetics, their families from Boston, like Boston baked beans.
Speaker 5 (53:02):
Is that why?
Speaker 2 (53:04):
No bean town? Okay, could be I don't know, would
be petite, could be a oh yeah, little person.
Speaker 5 (53:12):
Or it's just some type of legume that has become
sentient and figured out how to use a computer.
Speaker 4 (53:20):
Perhaps we like your commitment, We like your commitment to
the bit.
Speaker 2 (53:25):
Thank you. Indeed, should we spend a wheel, let's do it?
Speaker 6 (53:36):
Oh boy?
Speaker 2 (53:39):
Who is most likely to accidentally go viral for something embarrassing?
Shan tell.
Speaker 5 (53:50):
She's a strong candidate.
Speaker 2 (53:52):
Not no, think she's so regal. She is. She's also
clumsy and good. I just could totally see. I could
totally see that. Amazing, amazing.
Speaker 5 (54:06):
I think I'm a strong front runner for that as well.
Speaker 2 (54:09):
I was gonna say you Rob, and I mean that
as a compliment.
Speaker 5 (54:11):
Yeah, well listen, it's.
Speaker 2 (54:13):
Because you commit to the bed.
Speaker 5 (54:15):
Yeah, there's a there's a I don't know why. There's
a video of all of us. We're at some event.
I don't think it's not a con, but we're like
all there is a cast. It was that thing where
they had uh Jackson. He came out in his green
man suit and danced on stage for like four minutes straight,
and then like we all came out and we sat
(54:36):
on two couches and then for some reason, we're talking
to an audience, like in an auditorium or something. For
some reason.
Speaker 2 (54:44):
Oh yeah, it was sashed me.
Speaker 5 (54:46):
To like, let's be honest. You probably just mentioned dancing,
and we're like Rob does stupid dancing and I stand
up and I like I danced and like I drop
it like it's hot. And I don't know why, but
that video still lives to this day. So, oh my god.
Speaker 2 (55:02):
It was at a theater in Wilmington.
Speaker 4 (55:04):
It was some kind of panel about this wasn't one
hundredth episode maybe hundred.
Speaker 5 (55:11):
I wasn't there for.
Speaker 2 (55:12):
Oh fine, would have been the finale? I guess I
think it must have been the finale.
Speaker 4 (55:19):
Yeah, some kind of panel. I do remember that though.
That's funny. That video is still alive.
Speaker 5 (55:25):
Thanks Internet.
Speaker 2 (55:29):
Oh every poor fashion choice and silly little thing we've
ever done immortalized.
Speaker 6 (55:36):
It's so sad.
Speaker 4 (55:38):
Well next episode, Season eight, episode sixteen.
Speaker 2 (55:42):
I think I'm gone. I like it here.
Speaker 4 (55:45):
That's from Annie and also the name of our next episode.
Stay tuned, folks. Bye, Hey, thanks for listening.
Speaker 2 (55:54):
Don't forget to leave us a review. You can also
follow us on Instagram at Drama Queen's Ota.
Speaker 4 (56:00):
Or email us at Drama Queens at iHeartRadio dot com.
Speaker 2 (56:04):
See you next time.
Speaker 3 (56:07):
We all about that high school drama Girl Drama Girl,
all about them high school queens. We'll take you for
a ride, and our comic girl cheering for the right teams.
Drama Queenslease my girl, rough girl fashion, but your tough girl.
Speaker 2 (56:21):
You could sit with us.
Speaker 1 (56:22):
Girl Drama Queens, Drama Queise Drama Queens, Drama Drama Queens,
Drama Queens
First of all, you don't know me.
Speaker 2 (00:02):
We all about that high school drama. Girl drama girl,
all about them high school queens. We'll take you for
a ride, and our comic.
Speaker 3 (00:10):
Girl shared for the right drama Queens of girl fashion,
but your tough girl, you.
Speaker 2 (00:16):
Could sit with us.
Speaker 1 (00:17):
Girl Drama, Queens, Drama, queise drama, Queens Drama Drama, Queens
Drama Queens.
Speaker 4 (00:26):
We're talking about the theme song of our show and
wondering whether or not Gavin loves performing it out or
if he's just like totally burnt out on it.
Speaker 5 (00:36):
I desperately need the YouTube audience. I just need everyone
to tune into YouTube so they can catch Joy doing
her makeup while we're like, you are bringing Multita my.
Speaker 4 (00:46):
Nasty paint covered nails. It's like, this is so gross.
All week long, I've been like reaching for things and
I have my nails are covered in house paints from
painting sets. I keep reaching for things and people, or
like eating at restaurants and people are just looking at
and staring at me, my dinner companion.
Speaker 5 (01:04):
Anyone who's going to turn their nose up at you
having paint on your nails.
Speaker 2 (01:09):
It's a second glance. I don't know.
Speaker 4 (01:10):
I think it's worth the second glance. They look pretty nasty.
Speaker 5 (01:13):
I don't know about that.
Speaker 2 (01:16):
Maybe it's just internal.
Speaker 5 (01:18):
Let's go back to the thing about does a musician
just get tired of singing the same song over and over?
I mean, think if every day when you showed up
to work as an actor, you had to perform the
same scene, yeah, or the same monologue.
Speaker 4 (01:35):
Yeah, greatest hits like Laurence Olivier always had to do
poor Horatio, like you know, like the greatest hits of
every actor. If they did concerts, they would just have
to run through their repertoire every time.
Speaker 5 (01:53):
I think it would be especially tough if you really
only had one big hit, because I think it would
be this thing where you would come to resent it.
I think if you had a catalog it would be different.
But I think if you had one thing, and as
soon as you started playing anything else, everyone's like, play
the bether one, right, you probably wish you weren't. Yeah.
Speaker 2 (02:14):
It's like if you're the Rolling Stones and every song's
a hit, you're having a great time. Yeah.
Speaker 6 (02:19):
Yeah, But if.
Speaker 2 (02:20):
Everyone only knows one, I don't know. I mean, I
really wonder how Gavin feels about it because even what
we were talking about, I think before we started recording,
so for our friends at home, we were discussing like
what our experiences when we're out in public and the
song comes on. Essentially we all feel like we're getting punked.
(02:41):
It's like, there's nothing like walking down an aisle in
the grocery store and being like, wait a second, oh god,
oh no, oh no, everyone's looking at me. There's nowhere
to hide, there's no corner, and you're like, oh, where
do I go? This is so awkward And it is
really you know, because people kind of look and they're
like eh, and you're like, I know, I don't know
what to say. You're just like, you don't know what
(03:02):
to do with my body right now. And I wonder,
I don't know. I wonder what the experience is like
for him. Do you think he loves twenty years of
TV royalties or do you think he's like, god, damn it,
they ruined my best song. I don't know.
Speaker 4 (03:20):
I'm going to text him right now. This is a
voice text for Gavin. Okay, Hey, what's up. We're podcasting
right now, and we me, Sophia and Rob all want
to know if you love performing I don't want to be,
or if you are so tired of it after twenty
years and you sort of present it.
Speaker 5 (03:42):
Is.
Speaker 4 (03:43):
This is.
Speaker 2 (03:45):
This is our question. Okay, coming back, I hope you're great.
Speaker 5 (03:48):
This is this is peak podcasting. Incredible listening to Joyce
and voice notes, just to fully pull back the curtain
to the audience. Yes, what we were talking about. Right
before I started recording, I opened this conversation with saying
that I cannot stand our show's theme song. Now let
me say this. Please don't hear what I'm not saying.
(04:09):
I love our show, and that is not me coming
for Gavin. I have just heard it so many times,
and I have had such a weird relationship with the
show itself that the theme song, I think, kind of
took the brunt of that. So it's yeah, it's a trick. Unfortunately,
it has been stuck in my head for like the
last day and a half. So I found myself walking
(04:31):
around this morning being like, I can't If I never
hear that song again, I will be so grateful because
it's just.
Speaker 2 (04:37):
Been hanging around in your brain.
Speaker 5 (04:40):
Oh my gosh, and I don't even know all the words.
I know like two lines and then the rest I know,
just like a bits and pieces, which makes it even worse.
Speaker 2 (04:47):
You have the guitar riff, yes, yeah, and you're like.
Speaker 5 (04:51):
And I'm like, anything but.
Speaker 2 (04:54):
This that is so funny. Do you know the happy
Birthday trick? What's fa something about the I don't know
if it's the melody or the notes or whatever about
Happy Birthday. That supposedly, if you have a song stuck
in your head and then you sing Happy Birthday to yourself,
it'll be gone. But Happy Birthday doesn't stick.
Speaker 4 (05:13):
It's the backup song that is Hotel California also works
for that.
Speaker 2 (05:18):
Really, yes, oh, I feel like that would get stuck
in my head.
Speaker 4 (05:21):
I loved the really Now it's like it's not catchy
enough because all the notes are sort of a lot
of the chords are more dissonant and more sharps and flats.
I mean, I'm I'm not a composer. I don't know
how to read music, but I know the tone and
it always it always works.
Speaker 2 (05:42):
You do write music, No, I do. I just don't.
Speaker 4 (05:45):
I can't read music, so I don't know how I
to write chords or like speak the music language of chords.
Speaker 2 (05:50):
But I can tell you that it does work. Interesting.
Speaker 5 (05:54):
I was also in a way, I deserve this because
I have had shares. Do you Believe in? Life after Love?
Stuck in my head for about a week and a
half now, and I was, I was complaining, we have
a rule in our house where if Jenny or I
have a song stuck in our head, we're not allowed
to sing it or tell the other person because they
are highly contagious, so you just have to suffer in silence.
(06:16):
And so for the last week and a half, I've
just been do you believe? In my head? And I'm
just like, what did I do to deserve this? And
then I got our theme song stuck in my head
and I was like, I could diggle a deeper hole.
It turns out that was my rock body. Well, welcome
to the show, everybody.
Speaker 2 (06:35):
Now you're here to talk about it. And it's Valentine's
Day everyone, Yeah.
Speaker 5 (06:41):
All right, what do we have today? Season eight, episode fifteen.
Valentine's Day is over, or as I like to call it,
mid season. Male Wishful film, February fifteenth, twenty eleven. Synopsis, Sex, games, secrets,
and shoelaces all come into play as the couples of
Tree Hills, so the breat Valentine's Day directed by Paul Johansson.
Speaker 2 (07:03):
He did such a great job with this episode.
Speaker 4 (07:06):
I knew the second that I saw the Nathan and
Haley bathroom scene of us brushing our teeth and like
talking and all the choreography of that. I knew that
Paul had directed this episode because I had forgotten about that.
But that scene we worked. We worked really hard on
that because it was just one shot, so we had
extra rehearsal time. And he had a lot of fun
(07:28):
with this episode. I think he really brought a lot
of fun ideas.
Speaker 2 (07:33):
Yeah, it was very sweet, and the shooting over you too,
but getting your coverage in the mirror, and the choreography
of longtime married couple swapping mouthwash and talking about is
it a blackhead? Is it a rash? I was like,
oh my god, it just was so I don't know,
(07:54):
it was fun and really charming, and I felt like
so much much of the episode managed to be charming,
which felt really nice given Rob's point about the amount
of wish fulfillment. You know, like when you have grown
ups writing sex game scripts, you're like, but it was charming,
(08:19):
and I really cherished that, at least for myself and Austin.
We had Paul directing this with us because he knew
how to. Instead of leaning in and making things gratuitous
and kind of gross, we really ramped up on the
wardrobe the comedy. But then we went so comedic and
(08:42):
it got to be so goofy and so physical, and
I just remember how much fun we had with it,
and yeah, it felt it sort of felt like the
best outcome, and I felt incredibly protected with those two
and it all really did mean most of it anyway,
really did make me laugh. I enjoyed watching this one.
Speaker 5 (09:04):
Yeah, that must you for sure win MVP by MVP,
I mean most valuable and most vulnerable player. Here's what
I will say. As soon as the episode opened, I
remembered this. I was just like, oh, buddy, okay, so
soar in her paycheck this week. But I will say
I also noticed that it was just you and Austin
(09:25):
in the same location, and I went, Okay, listen the
work this week. But she was done in like two days. Yeah,
so you had a nice break. So at least I
feel like you got a reward for going through this.
Speaker 2 (09:40):
Yeah, totally. I remember getting this U when we get
the script and you go, oh my god, am I
about to win the schedule lottery? And then I remember
when the day out of days came out and I
was like, I'm going home and I want to go
home for like a whole week. And it was so nice.
That's so great.
Speaker 4 (09:58):
It was so Actually I wondered, when you got the script,
how do you handle how did you handle that? Because
obviously that would have been really kind of upsetting to
read all that At first, I'm assuming, but then knowing
Paul was directing, is it just like did you have
a panic or were you just like, I'm just going
to go talk to Paul and we'll figure this out.
(10:18):
It's fine.
Speaker 2 (10:20):
I don't totally remember, to be honest, what I remember.
I always felt better when Paul was directing. Of course,
I I remember honestly being like, aw cool, Robin Chantell
get to watch City and Color in their clothes and
I have to do this. And I was like also
(10:42):
because I was bummed because I knew I was going
to go home with my you know, five days off,
and so I couldn't like sneak to set and hang
for the show. But yeah, I know that I was excited,
not excited. I know that I was what's the word
I'm looking for, comforted? I guess knowing Paul was going
(11:02):
to be directing. And what I love about Paul, you
know when he does the this and he like gives
you the look and he has his he has his
little close mouth laugh where he goes it's all right.
I remember going to find him and he goes, did
you read it?
Speaker 4 (11:20):
You know?
Speaker 2 (11:21):
And what I loved about it is I knew he
already had thoughts. And we really talked about the you know,
our great favorite comedic women, and he was like, we'll
figure out all your all your moments. You know, you'll
have Sophia La Ren moments, you'll have Lucille ball moments.
And I was like, that sounds amazing. And then the
(11:45):
thing that I knew I needed to figure out was
wardrobe because everything was written like lingerie, lingerie, lingerie, and
so Carol and I were like, okay, well, if we
have to do, you know, the French made thing will
really make it feel beautiful and like Bridget BARDOI and
sixties and we'll put you in tights and then you know,
(12:08):
for the pizza thing. It was like, Okay, well let's
do this full body suit moment, so I didn't have
to feel like I was supposed to be completely exposed.
Speaker 4 (12:20):
Yeah, you know, Yeah, it was a lot of underwear,
but like got more costume me than yeah, than underwear.
Speaker 2 (12:27):
Yeah, it felt more costume and I didn't have to
prance around with like my ass cheeks out. You know.
I was essentially wearing like a red one piece bathing
suit and then like had a robe off and then
right back on, and the robe served for comedy, and
so much of it actually was so funny. Even the
French made costume. We like tripled up the little petticoats,
(12:51):
so when Austin spun me around, it did like a
full twirl and like that stuff felt really fun, And
I think those things are cool when you're when you
have a team that's going to support you to make
you as comfortable as possible. Because our boss made so
many of us, I mean all of us uncomfortable in
our own ways and in our own moments, and so
(13:14):
knowing what was written on the page and then knowing
what we got to do, I was like, Paul's a G,
Carol's a G. Our team is great.
Speaker 4 (13:22):
It actually served a great purpose too, because once the
audience gets the information mentally, oh, this is not going
to be a t and as show for me, they
could just focus on you guys and your performances. And
that's really what shone through, shown shined was shining.
Speaker 2 (13:40):
I don't know.
Speaker 4 (13:40):
That's what was shining through was the two of you
because you had so much fun with it and it
wasn't just the same thing over and over again. You
really got to experiment and play and yeah, it was great.
Speaker 2 (13:51):
It's really fun. Yeah we did. It was really fun.
Speaker 5 (13:53):
Sometimes the beauty pageant hijacks the scene, right and in
this case, and I should say like the skin show,
not just like the but like so it never happened
though with you guys, it was like you were wearing
something beautiful, but the comedy and the story was still
the focal point. For example, a scene where that wasn't
(14:14):
successful was the opener when you're in the kitchen and
Austin walks out with his pants so low I know,
standards and practices, was like, oh my god, to the
point that I called Jenny and through him and I
was like, excuse me, have you ever seen a lower
pair of pants in your life. And she was like
(14:37):
and she was like, excuse me, yeah, you every time
you've been shirts, Cameron. I was like, oh my bad.
But it was just like, for example, so that when
that happened, like I stopped hearing dialogue and was just like,
my lord, did I just get pregnant? What happened? And
that never happened with any of the sex game stuff,
(14:59):
but in an opening scene, I was like, this is
what it's become. All I'm doing is just staring at
Austin's Bear Tor.
Speaker 2 (15:04):
Yeah. Yeah, he was a good sport. He was. He
was really he was. He was doing an ab show
for everybody for much of the episode.
Speaker 5 (15:13):
Also fair considering that every role playing it was him
and like Bear like him dressed basically every single time
in normal clothes in you So it was it's it
was a good team play that he was like, I
will gladly do this one wildly gratuitous, dangerously low pants
scene in exchange for your eight different fantasy Totally.
Speaker 2 (15:38):
I also, I remember I remembered a lot of them.
When it started, I was like, oh right, I know
what we're doing. This is the you know, Valentine's day
at home, whole role play day, and then we got
to the babysitter one and I was like, I hate this,
I hate this, this is so it yuck. And then
(16:02):
I literally wrote down, thank god we were the same age.
Thank god we called it creepy. And then I go,
oh oh, but then we switch it. Now I'm a
creep Okay, yeah, I was like, this is the one
that just I was like, maybe we could have thrown
in the towel on that and been like never mind,
never mind and left it there instead of putting him
in the schoolboy position. But whatever, he looked cute in
(16:26):
his letterman jacket.
Speaker 5 (16:27):
I moved on, Does anyone actually eat those heart candies? No?
Speaker 4 (16:46):
I love them what. I love the purple ones, I
love the orange ones. Sometimes I like the pink ones.
They're a little pepto bismally, but I like.
Speaker 5 (16:56):
Them so they actually have different flavors. Yeah, they're not
just different colors.
Speaker 2 (17:00):
I love them. Learn something, you guys don't eat those,
absolutely not.
Speaker 5 (17:07):
It's the same reason I don't eat the packing peanuts.
When I open up there you go.
Speaker 2 (17:11):
I was gonna say they're chalky, but Rob really illustrated
the point.
Speaker 5 (17:16):
I'm shocked. I'm shocked joy you know what. That also
makes sense, so because in the scene Haley reaches across
and takes a handful and slugs about half of it
in one So that was clearly that was a joy
choice that just happened to work for Haley being Oh.
Speaker 4 (17:33):
Yeah, I was so excited about eating those. You have
to be careful when you eat ho hose I do
not like, and so that was definitely something we had
to have a little spit bucket on the side for me.
Speaker 5 (17:42):
Okay, let's talk about that because I have a question,
So we're gonna let's just jump to that end scene
of Quick. You and James are laying in a bed.
You take a bite of the ho ho. I was
very aware of this. I was waiting for where's the
cut for the spit take or the spit bucket. But
you take good bite, you chew, you talk, and then
you start kissing me. So my question is, if there
(18:07):
was a spit bucket, how did that work?
Speaker 2 (18:10):
I don't know.
Speaker 4 (18:11):
I mean, they shoot from different angles. That wasn't the
only I don't think that was the only shot.
Speaker 5 (18:16):
Go back and watch it, sister. They live in that
shot from the bite the chew, the talk, and the kiss.
You were giving a kiss with some ho ho in
your mouth.
Speaker 2 (18:24):
That's weird. I was maybe you took a dany diny bite.
Speaker 4 (18:29):
Maybe I just am remembering a pitbucket and there wasn't one.
But I don't like ho hosts, so I don't know.
Sorry if I'm speaking out of turn. I thought I
thought there was one, but maybe not. Maybe I just
had to stomach it. Maybe we only shot it like
twice because I don't like ho hose.
Speaker 2 (18:46):
Yeah, yeah, well, by the way, I wouldn't surprise me
if Paul was like, I think I might want this
in one shot? Can you do? Can you do a
take without this bit bucket? And you were like, h oh, well,
it would have.
Speaker 4 (18:57):
Been there for after for after the when when they
because they ended. He ended the episode by slowing the
kiss down and then went to black, So that would
have been what it was that I would have spit
it out after he said cut six.
Speaker 5 (19:10):
Yeah, were just the logistics of having a chewed up
ho ho in your mouth while you kiss memes and
then cut and then I cut my.
Speaker 4 (19:18):
Lips closed, you know, I mean, yeah, yep.
Speaker 5 (19:22):
Listen, you you go all in on your craft. Okay,
that's what I love. You're brave, you're fearless. You eat
the ho ho, you chew it up and then you
open mouths.
Speaker 2 (19:31):
God gross, can you imagine what you're doing?
Speaker 4 (19:34):
And how about Haley in her house in lubatons or
that's the implication anyway, with the painted bottom of the shoe, she's.
Speaker 2 (19:41):
In high heels climbing on ladders. I wrote this.
Speaker 4 (19:44):
Down and talking about how everything is swollen, including your.
Speaker 2 (19:48):
Like she's so uncomfortable, but she's in stilettos. Yeah, that
was weird. That was a weird, uh situation. I wonder why?
And on the step stool and like running around the house.
Speaker 5 (19:59):
It was.
Speaker 2 (20:00):
It's so interesting to me that they always wanted us
in such high heels. Yeah, I don't know.
Speaker 5 (20:07):
It felt for a moment like I was watching a
cautionary take. Yes, like a pregnant woman on a step
ladder in high heels, Like what are we how many
hats on a heath do we need?
Speaker 2 (20:17):
Yeah, well they did it to you in this episode,
and then they do it to me at the end
of the season exactly that. Oh yeah, yeah, And I
remember being I remember when it was my turn being like,
who would do this?
Speaker 4 (20:33):
And I was why pregnant, Yes, climbing on these step
stools in high heel.
Speaker 5 (20:41):
Again, fearless, joy, what you do for your own It was.
Speaker 2 (20:44):
All those little sweethearts you got hopped up on sugar.
That's what I want and you felt like a superhero.
Give me the high heels.
Speaker 5 (20:52):
I did love the sort of opening juxtaposition of the
three couples I guess four couples, but I noticed specifically
the transition from Claying Quinn having hot shower whoopee, to
then going to Haley and Nathan brushing teeth. What's this
spot on my back gargling I love you, love you too,
(21:13):
pat on the back. I was like, great depiction.
Speaker 4 (21:18):
Yeah, I loved the and it was the line was
Valentine's Day is hot, and then they cut to Nathan
with the nose clippers and his nose trise.
Speaker 5 (21:26):
I enjoyed watching Julian attempt accents with the different characters,
like he he definitely put one on for Thor and
then for the next one the French made one. It
seemed like it was just kind of dip in his
toe in the accent pool here and there, Which was
which was so perfectly Julian. It felt very right. You
(21:47):
know that he wouldn't have like an accent down. He
would just sort of be like, I'm going to give
it a shot.
Speaker 2 (21:52):
You know, he's a director, he's not an actor. I
liked his you know, Jersey Boys adjacent vibe as the handyman.
It was very cute. And then my god, when he
walks in in the suit and the glasses, I was like,
he looks like Clark kt oh, totally, Like why did
Austin never audition for Superman?
Speaker 5 (22:14):
Maybe he did? Maybe maybe they saw this episode and
they thought just it's too much sex.
Speaker 2 (22:20):
Too much.
Speaker 5 (22:21):
Yeah, sex Pylon. Do you remember that name?
Speaker 2 (22:25):
What I told you?
Speaker 5 (22:26):
I worked with a director who did an episode of
our show, and I guess it was one of the
ones introducing Austin's character, and he was like, yeah, he was.
It was when he was the new sex Pylon on
the show. And I was like, I have never heard a.
Speaker 2 (22:38):
Funnier n sex pylon.
Speaker 5 (22:41):
Sex Pilon Incredibly, you'll come in wearing pants that low.
Speaker 2 (22:45):
You've earned it, shoe fits, you've earned it. Listen we
we oh.
Speaker 5 (22:51):
Yeah. I loved the uh Haley finding this necklace, which yeah,
bless it. It looks like it purchased at a drug store.
And she opens it. She's like oh, And then Quinn goes, oh,
I wanted that.
Speaker 2 (23:07):
I was like, neither of you wanted that.
Speaker 5 (23:09):
No, you liars. You actually have good taste. You dress
well on the show. No one wants a giant heart
necklace unless it's coming from like Jamie. Yeah, sure, wonderful,
But come on, gang, could we not find a little
smaller something?
Speaker 2 (23:26):
It just really needed to read on camera, but the
full palm size was too big. This tells me Rob
that you are probably an excellent Valentine's Day gift giver.
No ooh, I like where this is going?
Speaker 5 (23:42):
Right?
Speaker 2 (23:43):
Well ooh the answer is yes. Look how browd he is.
Speaker 5 (23:47):
No, it's yes and no, right, not anymore because I
have always had it much like Clay, I have a
beef with Valentine's Day.
Speaker 2 (23:56):
Okay, why like I?
Speaker 5 (23:58):
Because I don't need one holiday to be designated for
like this is when you should be a romantic. Valentine's
Day to me is as unromantic as when you're at
a restaurant and the person walks by with a basket
of roses and goes would you like a rose for
the lady. It's like there has never been a lazier
expression of romance than when a guy goes, yeah, here's
(24:19):
a ten spot. Here you go.
Speaker 2 (24:22):
No, it's very weird.
Speaker 5 (24:23):
So the same thing. It just feels contrived and so no,
like I don't we don't even like really acknowledge it anymore.
But when I was dating, yeah, then I would put
on a show. But I always resented the fact that
I felt like it's pressure.
Speaker 4 (24:38):
It's like there's some sort of arbitrary pressure created by
everything around you, and you're like, why is this, why
does this exist?
Speaker 2 (24:45):
There's no reason for it? Well, it's it's literally the
death gargle of late stage capitalism. They're like, hey, if
you're not a T shirt, as if we didn't get
you to spend enough money just before New Year's now
you need a whole other holiday and it's about jewelry.
Speaker 4 (25:06):
Like, come on, death, I'm writing this down death gargle.
Speaker 2 (25:12):
It's the death gargle.
Speaker 5 (25:14):
Stay is it the death rattle?
Speaker 2 (25:15):
It is a rattle.
Speaker 5 (25:16):
Thank you, rob death rattle.
Speaker 2 (25:18):
A death rattle is what it actually is.
Speaker 5 (25:20):
That's an actual sound the body makes.
Speaker 4 (25:22):
I know the phrase, but like the gargle is just
it's just what came out.
Speaker 2 (25:26):
It's so brilliant. See, sometimes my dyslexi is cute. I'm like,
what's the word? Close enough?
Speaker 5 (25:33):
I agree though, because to me, it's like I hopefully
in the other three hundred and sixty four days I
do a good job of letting you know how I
feel about it. Yeah, and all of that, and so
if I suddenly need one day to then like do
what I've already been told it, it's just yeah.
Speaker 4 (25:52):
Yeah, it's immediate. It's like somebody telling you to sit
down when you were about to sit down anyway. You're like, oh,
I'm not doing this for you.
Speaker 2 (26:04):
You know what I like, here's my Valentine's highlight. It's
actually Chuck's storyline. I mean the sadness of you know,
his mother dealing with addiction. Aside, I think Valentine's Day
the way I like to do it, and I agree
with you, Rob. Maybe it's like when you actually are
happy or settled or whatever word you want to use,
(26:27):
you're not in the weird courting phase. You're not trying
to keep up with anything like Valentine's Day. For me,
I want a handmade card, like I just want a letter. Yeah,
that's how I want to acknowledge the day, is to
acknowledge something real and like sweet and special. You know,
I think Valentine's Day is so cute for kids, How
(26:48):
sweet to get Valentine's from you know, your little nuggets,
help them make cards and whatever. But it's like, yeah,
the the big show out there. I bugs me too, man,
We're all okay, we're all Clay.
Speaker 5 (27:02):
This is one I think Clay got very.
Speaker 2 (27:04):
Right, except that Clay covers trick. Yes, apparently a full
event might be exploded Trickso.
Speaker 5 (27:13):
That time cut is the amount of work that Chase
and Chuck apparently did in like ninety minutes.
Speaker 2 (27:20):
Yes, by the way, two days we shot all those
Brook and Julian scenes on stage. Set deck was dressing
trick the two days, the full two full days of loading,
and supposedly next minutes, we just decorated a school a
venue for a school dance, an eighth grade school dance.
Speaker 4 (27:39):
And it required sheets of you know tinsel that like
hangs with all the ribbony strips and uh, you know,
other random sort of little decorations. But that stuff takes
a really long time to hang and we had a
whole like a whole team of moms.
Speaker 2 (27:56):
You know, Listen does not just get put up by
Chuck and Chase. Chase and an eight year old did
that in ninety minutes flat. Absolutely not. No.
Speaker 5 (28:06):
Also, it's so funny that you you managed to get
your person's favorite band to do a private show and
then you go, but you know what, it's not quite enough.
What if I got four hundred dollars of decorations from
my goals and hung it up everywhere?
Speaker 2 (28:24):
Yep, that'll do it. Yeah, yeah, not just the candelabras,
but make sure you have this spinning multi cutout hearts
hanging from the ceiling like.
Speaker 5 (28:34):
The shot on that.
Speaker 2 (28:35):
I was like, why do we need this? He's up
there singing, it's so beautiful. Leave it.
Speaker 5 (28:41):
Yeah, it's just missing one thing. Oh you know what? Yeah,
a creepy nine year old waiter. Yeah, that's really going
to hammer him.
Speaker 2 (28:50):
But she doesn't know. Has she ever met Chuck?
Speaker 5 (28:52):
No, she doesn't meet Chuck. I don't think I know Chuck.
Speaker 2 (28:55):
Or here's my question, what is the what's the Scrooge
character for Valentine's Day? Is there one? It's us? What's
(29:19):
it called like scrooge. Hat's Christmas? Bahambug? What's the what's
the scrooge of I see through you Valentine's Day?
Speaker 5 (29:32):
I don't know, but that's a great idea for him.
Speaker 2 (29:33):
We got to come up with actually.
Speaker 5 (29:36):
Add this to our listen to writing it down projects.
Speaker 2 (29:40):
She's literally writing it down. I'm typing it.
Speaker 5 (29:44):
I remember City and Color performing for us, and that
was special. That was one of those memories that I
just and I didn't know who they were or who
he was prior, and Chantelle did, and I remember her
saying like, dude, this is a big deal, and he's
so he's so yeah, and then sitting there and being
(30:04):
like this is It's really made sure.
Speaker 4 (30:08):
Our show did that so well, Like we would have
these moments where you could just tell, I mean, they
set it up so well with the cameras in the
stages and you could just tell somebody is such a star.
They just step up there with their instrument and start singing,
and everything else falls away. All the ridiculousness, all the
other things that we joke about and you know, make
(30:29):
fun of lovingly about our show falls away, and you're
watching a very real talent do what they do it's wonderful,
and even.
Speaker 5 (30:40):
Though he had no lines, there was a wonderful moment
that grounded the whole thing, where in between songs, I
think there's a moment of Clay and Quinn kissing and
the camera kind of pans up and you see him
just standing there. Because the truth is, that would be
so awkward performing for two people, and I'm so glad
that we took a moment to acknowledge, Yeah, that is
(31:02):
a very weird dynamic, and he kind of gives that
look like I guess I'll keep It was.
Speaker 2 (31:08):
Very funny, especially because he has no band. You know,
it's an acoustic performance, so it's like he doesn't have
anyone he can look at while you two are making
out to have He's just kind of like, so do
I go or more of this? I love them?
Speaker 4 (31:27):
Paul noticed and put that in because it easily could
have just been skipped over, but he was like, no,
you're in the scene. What would you how would you
be reacting exactly? Thank you for being an actor and
knowing what's going on in the scene.
Speaker 5 (31:38):
I will say I loved I agree with you. So
the heart of this episode was Chuck and Chase. Yes,
their stuff was great, and Mouth.
Speaker 2 (31:45):
And Millie both both those storylines were like real highlights
for me. They were so fun to watch.
Speaker 5 (31:54):
Yeah, yeah, give me all the Lisa go. She's just
so lovable and likable and fun to watch, and her
and Lee are so great together. But the Chuck and
Chase of it I really liked because I thought Michael
did such a wonderful job with how he played the
(32:16):
disappointment about his dad. Yeah, Like when he has that
line when I think Chase says like, when was the
last time you saw your dad? And he says he
kind of throws it away like two years not that long.
I was like, oh, he didn't lean into it, you know.
And then the fact that he circles back at the
very end of the day in Chase's car and goes,
two years is a long time. Huh. It's like he knows.
(32:42):
He's just trying to tell himself a different story about it,
you know. But their whole dynamic was was so great.
And then the reveal of I mean behind the scenes
Michael made does love show too, Yeah, and he does music.
Speaker 4 (32:54):
And she writes songs. I mean that that song was
a song that he was singing and showing like not
showing off, but like he was always wandering around singing,
and our creator and other writers on the show noticed
and he was like, oh, yeah, I got a new song.
And he started singing that one and was working on it,
and they were.
Speaker 2 (33:11):
Like, let's put it in the show.
Speaker 5 (33:13):
Wait, that's an original.
Speaker 2 (33:14):
Yeah yeah, he wrote that.
Speaker 5 (33:17):
Oh, I already had my notes. I love that Michael
is part of the music of One Tree Hill, but
now knowing I assumed it was from a play of
some sort. Now, so knowing that it's his, though, makes
it so much better. I will say it did make
I had one strong feeling, which is, I this is
a personal bugaboo of mine. I can't stand being sung too,
(33:38):
like when someone sings and makes eye contact with me.
I think it's because I think it's because like in
dating when I was younger, like a lot the girls
would like try to like sing, and I just hated
the position it put me in, Like I felt like
I was a prisoner. Because now I have to be like,
oh yeah, wow, so good that I just came to
resent it. So watching Chase sit there and not know
(34:00):
how to react and respond was so funny and also
so triggering for me because I'm like that that is
my nightmare. Oh just someone looking at me.
Speaker 4 (34:12):
His face was so brilliant. So sincere, I'm so glad
they didn't do this this Chase Chuck as a one off.
You know that they really kept this mentorship love story.
I'm just I'm so here for it. I love their dynamic.
But yes, Chuck on stage jumping around and what.
Speaker 2 (34:32):
Is he Oh that's what he says.
Speaker 4 (34:33):
Chase goes, you know that punch in the stomach thing
actually is kind of cool.
Speaker 2 (34:40):
Chuck's like he like show tunes. Actually, that punch of
the stummy thing is kind of cool. Will you make
that your thing? Yeah? I just want to protect your kid.
Speaker 5 (34:48):
One thing I was confused about, though, is that two
episodes ago, Chasing Mia had sex in the wedding limo.
One episode ago, Mia comes to the bar and like, hey,
you see him off. Are we good? And he's like, yeah,
we're good. I just have some stuff going on. Then
this episode is Valentine's Day and there's not a mention.
Speaker 2 (35:10):
Well, but he says to her, which I and it
bumped for me too. When she says are we good?
He said, yeah, you said the slutty wedding sex didn't
mean anything, and I was like, oh.
Speaker 5 (35:25):
No, no, no, no. He said to her, uh no,
we said that we sex didn't mean anything, and then
she goes, no, you said that, and I just went
with it.
Speaker 2 (35:34):
Oh oh, I didn't take detailed enough notes. Yeah, it's
funny because I scrolled down on Today's and I'm like, no,
I see it, and I'm like, oh, you actually, you're
very right. I yeah, I wonder what that what that
is because we're not getting any explanation, like it could
have been one line if Chuck just asked him.
Speaker 5 (35:54):
That's exactly it. Yeah, I'm I'm okay that all we
saw was Chase and Chuck because it's an awesome storyline
for both of these guys, and it's so cool to
see them do different things than they usually do. It
was just odd that, like you said, Joy, it's one line, yeah,
and you can address it and move on. So I
thought that, Yeah, it.
Speaker 2 (36:13):
Is really weird, especially if Chase is circling back to
the sort of headspace he was in when Julian shows
the girls the video at Thanksgiving and he's like, I'm
just going to focus on me, you know, I need
to figure out my own life whatever. Why not talk
(36:35):
about it? Why not actually show the audience that that
is continuing to run for him? It's weird. It feels
like a ball drop.
Speaker 5 (36:43):
Yeah, and if we're trying to make him likeaboy, you know,
it's just like that's not a cool thing to do.
Then you know, to be like, I don't want it.
Let's have sex. I don't want it. Yeah, there was
one more thing I wanted to do address about the
reveal of the whole surprise. Clay set up right so
he somehow gets her favorite band, It gets trick all
(37:03):
to himself. He has Michael's explode all over them. Obviously
a lot of time and work went into this. They
walk up to the table and he doesn't pull out
Quinn's why didn't you do that? Buddy? I don't know,
like as as as the as me who like I'm
big on chivalry and me he was like, I don't.
(37:25):
And then also, just if you're going to track what
the characters doing what, I don't know how both me
and Clay drop the ball so hard, but I was shocked.
Now we walk up to the table, I don't even
make an effort. I immediately go for mine, and nine
year old waiter Michael May pulls out Quinn's chair.
Speaker 4 (37:43):
Oh that's why, because because they had set you guys
had set it up that Michael was going to pull
out the chair. That as like an intro that has
to be it.
Speaker 5 (37:50):
But I don't. I don't even do the empty gesture.
It's just it, really all.
Speaker 4 (37:55):
You were spaced out for a minute when you guys
were walking up, you know, like you know how it goes.
You're chatting about something right before they say action, and
then you just walk into it and kind of I mean,
I think that happens to all of us.
Speaker 2 (38:06):
I also wonder if as a director, I would imagine
Paul said, I want Michael May to pull the chair
out for Chantelle. So I wonder if by the third
time you did it, and that was actually the best
tracking shot to get you guys to the table, you
weren't even gesturing for it anymore.
Speaker 5 (38:25):
Also to Joy's point, I do have a very specific
memory of trying my hardest to distract and break Steven
while he was talking to the two of us. So
you were right. I was probably focusing all of my
energy on how I could make Steven laugh and distract
him or make Shantelle laugh. Then I was actually which
(38:48):
is on brand?
Speaker 2 (38:48):
Yeah sounds about right, so feels right. I love it.
You know what I thought was very sweet too in
their storyline, and you brought up part of it, the
conversation they have in the car. You know, when when
Chase drives Chuck home and they have that beat and
he acknowledges that two years is a long time, you
start to kind of see underneath. I like that when
(39:12):
he starts to, you know, be kind of a little
shit again. There's just a pause and then he's self
correct and says, thank you so great, and you're already
starting to see just a little bit of a positive
presence have an influence on a kid. I thought it
(39:32):
was such a nice reminder and it was nice to
have that acknowledgment, even though it was wordless between Chuck's
mom and Chase, because it's a pretty big reveal, right,
you know, you assume he's been working all day, and
then you realize he's been checking on Chuck's mom. Yeah,
you know, it's a big woe for the audience and
(39:54):
to sort of see how that registered for her.
Speaker 5 (39:57):
I don't know.
Speaker 2 (39:57):
I thought it was a I thought the whole the
whole bit of it, despite it not actually being in
terms of the verbiage, you know, really long or really
wordy scenes, I thought the impact was really excellently driven home.
Speaker 5 (40:16):
Yeah, and it was a great way of getting a
new insight into Chase's character. Yes, because the amount of
class and grace that he had for her. Yeah, Like
when she even tried to blame it on him and
she was like, I think you're better than me, I
was like, there's a version of which he says, yeah,
this version of you way better. But he never once
(40:40):
shamed her. The look he gave her at the end
wasn't like hmmm, yeah, you know he was. He was
sweet about the whole thing. The one one thing I
kind of bumped on though, is that when Chuck says
two years is a long time, I wanted Chase to
say yes. I wanted Chase to kind of validate as
opposed I see what he's doing. He's trying to be like, nah, buddy,
(41:00):
it's not that bad like he's But I also wanted
him to go, yeah, you're right, because what did he
say he is saying in that moment?
Speaker 2 (41:08):
Did he say anything he said no, oh really, he.
Speaker 5 (41:12):
Goes, Oh yeah, no, he goes. She says, two years
is a long time, huh, And Chase says it's not
that long. And I wish Chase had said yeah, because
Chuck knows in his heart it's a long time. So
it's like, yeah, this is your chance to like establish
that with the kid, validate what he's saying. Yeah, man,
it's a super long time. Yeah, that's wild. Whatever you're
(41:34):
feeling is right.
Speaker 2 (41:37):
He didn't.
Speaker 4 (41:38):
He just doesn't have the maturity and experience to know
how to handle that. Like that's kind of what we
do often in life. And somebody's struggling, you just want
to make him feel better, you know. Yeah, it's like,
oh no, it's okay, it's okay. It takes I think
it takes a wild life experience to learn that that's
actually not comforting. It's actually better to just acknowledge the
(42:00):
hard thing.
Speaker 2 (42:00):
Well, and by the way, we're worry able to see
that now. But when you were saying that, Joy, I
was like, oh my god, I always forget that. At
this point in the show, our characters are like twenty five.
Speaker 5 (42:14):
Yeah. Yeah, when you think about that, Chase is actually
doing an extraordinarily good job. Totally. Yeah, it's not fair
for like forty three year old parent me to be like,
there was a better day. Yeah, I wouldn't have known better. Yeah.
So no, he did a fantastic job.
Speaker 4 (42:37):
This.
Speaker 5 (42:38):
What's so great about not remembering what happens in the
show is that I was genuinely caught off guard with
the station calling mouth at the end of the episode
it's for Millie, and I was like, wait, a second,
does she does she becomes some news person?
Speaker 2 (42:55):
Isn't that crazy?
Speaker 5 (42:57):
Oh my god?
Speaker 4 (42:58):
Yeah?
Speaker 2 (43:00):
Oh man.
Speaker 5 (43:01):
Wow.
Speaker 2 (43:01):
It's such a nice cliffhanger too, because their whole storyline
in the episode is so sweet and so thoughtful, even
the detail that when he gives her the gift, he says, well,
I talked to Brooke and she says, you like this.
You know that that mouth went to figure out what
(43:22):
she'd really want instead of you know, giving her some
random something because it's Valentine's Day. I just think their
relationship is so sweet, you know, him giving us a
little peak behind the curtain about how they used to
eat Chinese food together in New York and you know,
now they're eating that meal by candlelight and talking about
how far they've come, and she says, it's nice to
(43:44):
be here, and she means, you know, so much more
than just in Tree Hill. It's like in this place
and time with him, and the whole build up is
just so sweet to have.
Speaker 4 (43:57):
Been through so much in their relationship and she's through
so much in her personal life and growth.
Speaker 2 (44:03):
And then and then that moment at the end. It's
such a good cliffhanger because you go, h oh, like
are they still going to like to be here? Or
is this going to cause a problem?
Speaker 4 (44:13):
Yeah, because you know Mouf, he's so supportive and kind
and generous, and you know he's what else is he
going to do but say that's great, congratulations, But you
know that's going to kill him inside.
Speaker 5 (44:25):
Maybe maybe his dramatic weight gain that is coming up
is from all the humble pie. He's being forced because
this guy has taken one hit out, Like.
Speaker 2 (44:36):
When does mouth get to win? Dang it, it's a lot.
Speaker 5 (44:41):
He deserves a w poor guy.
Speaker 2 (44:44):
Yeah, well it's not coming soon. Oh boy, I just
looked up. I have to tell you guys what I
wrote down. When you and UH and James are going
you know, playing Nathan are scouting Kellerman's kid.
Speaker 5 (45:01):
Oh yeah, oh yeah, that's so good.
Speaker 2 (45:03):
And he walks off the field saying, my dad's a douche.
I wrote down because when you guys get to the
dugout and he's drinking beer, he goes, are you going
to sign me or lecture me? And you say, depends
on what you're looking for in an agent, And I go,
he called his dad a douche. He's a douche. It's
like literally the notes I wrote down, like like I'm
(45:23):
the eight year old being like this guy, Yeah, rude,
who do you think you are? It's a good little twist.
Was that a real athlete that guy? Or is he
an actor?
Speaker 5 (45:32):
No? So that is Eric McIntyre and he is not
a real baseball player. He had to learn kind of
the mechanics.
Speaker 2 (45:42):
Of throwing for really, So he's an actor.
Speaker 5 (45:45):
He's an actor. Yeah, no, yeah, he's much more of
a D and D guy than he is. How fun's
that's that's kind of how I knew know of him
afterwards since then he's a big, big into the D
and D scenes. So, yeah, baseball, note his strike zone,
but he played it well and listened to play. He
played the hell out of that douchebag. I mean, because
(46:07):
he was instantly punchable completely there. His walk even I
don't know if his walk was a choice, but he
didn't even open his mouth that walk alone. Yeah, that
guy needs to get punched.
Speaker 2 (46:18):
Yeah he really he had. He had such an air
of ego, like the way he moved his shoulders, everything,
he really physicalized that. Well, yes, it's kind of cool
to know that he's not actually that type of athlete
at all.
Speaker 5 (46:38):
No, those were just good choices and it was also
such a heightened version of that type of person in
fact he has, like because I love thinking about like
how did how did he get there? So like he
went and he got like a little igloo container he
filled it full of ice, and some beers like him
walking to Its just it was so funny, man. But
(46:59):
I love that at the end of it, Clay is
just like he called us all.
Speaker 2 (47:03):
Yeah, well that's the fun part of it. I think
it's a good twist that it's Kellerman's kid. And also
it's fun to have him essentially be a foil to
you and Nathan as buddy cops. It's fun to see
you two in that role, the you know, moving around
together and figuring it out. And yes, we get a
(47:27):
little bit of perspective from this younger kid and you
guys sitting having a conversation and him having to essentially
be like I used to be that guy. It's it's cool,
you know. The the passage of time that it shows
is a really interesting device.
Speaker 5 (47:47):
Yes, and it was a clever way to show Nathan's value,
his value added as an agent, that he was able
to go. Yeah. I was like this, and you know,
like it was great because as a viewer, I was like,
this kid, he's a toll, Like no way. And then
it was and that was sort of where Clay was leaning.
(48:07):
And I liked that it was Nathan the counter bounce
to go I don't know, Bud.
Speaker 2 (48:12):
I was like that had to break it to ye,
he might be the next me. Yeah, room to grow.
Speaker 6 (48:17):
Yeah, it's cool.
Speaker 5 (48:30):
Honorable mentions.
Speaker 4 (48:32):
Oh, by the way, the pizza box fight between Austin
and the pizza guy at the door, it was so good.
Speaker 2 (48:41):
And and and when Austin goes to the door, the
guy's like, I don't mind, great, love that so great. Honestly,
he was a scene stealer. I'm gonna I'm gonna give
him my honorable mention pizza man. Yeah, it's so good.
Killed it Michael Mays for me.
Speaker 5 (48:59):
M yeah, I'm going to give mine to uh to
Michael May. Yeah he did great. That whole storyline was
so fun to watch, and I love what it's setting up.
I do remember a bit of where this one goes. Yeah,
it goes there.
Speaker 4 (49:13):
So Bean Jeans is asking us, with so many of
the characters not having siblings on the show, who do
you wish had a sibling and got to be a
part of the show. And would that sibling have a
love interest in a friend group?
Speaker 2 (49:27):
WHOA.
Speaker 5 (49:28):
I really wish Dan had had a sibling. I think
that would have been good for well he did, he did.
Speaker 2 (49:36):
I was like, you got oh boy, guys, listen, I
know there's a lot that's true. Well, it's interesting because
Dan had a sibling. Obviously, you've got Nathan and Lucas.
Haley's one of a bunch. I don't think Brooke or
(49:56):
Peyton could have had siblings because they became each other's
siblings because they were lonely only.
Speaker 4 (50:01):
Yeah, but maybe if Haley had a brother, that would
have been nice because we only ever saw sisters.
Speaker 2 (50:07):
I mean who else could.
Speaker 5 (50:08):
Have I would have liked to see Clay have a sibling.
Speaker 2 (50:12):
Yeah, Yeah, that would have been fun.
Speaker 5 (50:14):
Because it would have been nice to see a baseline,
because Clay has endured like immense trauma though especially we're
going to find out how deep it goes, so it
would have been interesting to see what that gene pool
looks like without like what that what that person looks
like without going through Yeah.
Speaker 4 (50:32):
It's always unsettling when you meet a character and then
you never when you watch a show for this long
and you never meet their parents, you never know anything
about the life before. It just it makes it harder
for you to see them as a fully realized person
like you do so much to embody Clay, and then
there's still all this empty backstory that we don't know
other than what you tell us. I actually agree with you.
(50:55):
I really would have loved to see a parent, or
a sibling or just some one to give us a
little more context.
Speaker 2 (51:02):
Well, and I think especially knowing where things go with
you and how extreme that storyline yeah felt, and what
you had to commit to, I think it would have
probably been really special and grounding if we'd gotten to
see that, Like I would have actually loved it.
Speaker 4 (51:21):
If Clay had a sister, Yeah, who could have said,
you know, who was like taking care of the kid?
Speaker 2 (51:28):
Yeah, and also who could have been like a great
friend to Quinn's character to be like, listen, I know
it feels crazy. This is my experience, this is you know. Yeah,
I think I think you could have That would have
been nice for you.
Speaker 4 (51:43):
Yeah. There would have been room for like a like
a cool sist, just like kind of stage bouncing around,
getting to know anybody, just being like, hey, you're acting.
You're acting a fool, and hey, like stop dating two
girls at the same time, dude, and hey like, don't
worry about your girlfriend getting this job. You're something great's
coming your way, and you know, like bouncing around.
Speaker 5 (52:05):
It wouldn't have been a wild if Clay had a sister.
And then you realize this season in she was a
ghost too because she had Oh my.
Speaker 4 (52:12):
God, the whole it's the line of the witch in
the Wardrobe. The whole town is actually just dead and
we're all.
Speaker 5 (52:23):
Here's my question.
Speaker 2 (52:23):
Incredible.
Speaker 5 (52:24):
I think so Bean Jeans, I think I'm correctly assuming
is a nickname. What what does it come from? What
is this listener's real name.
Speaker 4 (52:36):
Yeah, bean jeans, Oh genes Okay, it's g E n
E s not jeans like blue jeans, because bean blue
jeans actually sounds like really terrible, like you just had
a gene ate a really bad Bullivan Dan and it
did not turn out.
Speaker 2 (52:49):
Well for you. Oh God.
Speaker 4 (52:51):
But being jeans but with the ge Oh so, maybe
it's maybe it's like a Boston thing. Maybe this person is,
you know, genetics, their families from Boston, like Boston baked beans.
Speaker 5 (53:02):
Is that why?
Speaker 2 (53:04):
No bean town? Okay, could be I don't know, would
be petite, could be a oh yeah, little person.
Speaker 5 (53:12):
Or it's just some type of legume that has become
sentient and figured out how to use a computer.
Speaker 4 (53:20):
Perhaps we like your commitment, We like your commitment to
the bit.
Speaker 2 (53:25):
Thank you. Indeed, should we spend a wheel, let's do it?
Speaker 6 (53:36):
Oh boy?
Speaker 2 (53:39):
Who is most likely to accidentally go viral for something embarrassing?
Shan tell.
Speaker 5 (53:50):
She's a strong candidate.
Speaker 2 (53:52):
Not no, think she's so regal. She is. She's also
clumsy and good. I just could totally see. I could
totally see that. Amazing, amazing.
Speaker 5 (54:06):
I think I'm a strong front runner for that as well.
Speaker 2 (54:09):
I was gonna say you Rob, and I mean that
as a compliment.
Speaker 5 (54:11):
Yeah, well listen, it's.
Speaker 2 (54:13):
Because you commit to the bed.
Speaker 5 (54:15):
Yeah, there's a there's a I don't know why. There's
a video of all of us. We're at some event.
I don't think it's not a con, but we're like
all there is a cast. It was that thing where
they had uh Jackson. He came out in his green
man suit and danced on stage for like four minutes straight,
and then like we all came out and we sat
(54:36):
on two couches and then for some reason, we're talking
to an audience, like in an auditorium or something. For
some reason.
Speaker 2 (54:44):
Oh yeah, it was sashed me.
Speaker 5 (54:46):
To like, let's be honest. You probably just mentioned dancing,
and we're like Rob does stupid dancing and I stand
up and I like I danced and like I drop
it like it's hot. And I don't know why, but
that video still lives to this day. So, oh my god.
Speaker 2 (55:02):
It was at a theater in Wilmington.
Speaker 4 (55:04):
It was some kind of panel about this wasn't one
hundredth episode maybe hundred.
Speaker 5 (55:11):
I wasn't there for.
Speaker 2 (55:12):
Oh fine, would have been the finale? I guess I
think it must have been the finale.
Speaker 4 (55:19):
Yeah, some kind of panel. I do remember that though.
That's funny. That video is still alive.
Speaker 5 (55:25):
Thanks Internet.
Speaker 2 (55:29):
Oh every poor fashion choice and silly little thing we've
ever done immortalized.
Speaker 6 (55:36):
It's so sad.
Speaker 4 (55:38):
Well next episode, Season eight, episode sixteen.
Speaker 2 (55:42):
I think I'm gone. I like it here.
Speaker 4 (55:45):
That's from Annie and also the name of our next episode.
Stay tuned, folks. Bye, Hey, thanks for listening.
Speaker 2 (55:54):
Don't forget to leave us a review. You can also
follow us on Instagram at Drama Queen's Ota.
Speaker 4 (56:00):
Or email us at Drama Queens at iHeartRadio dot com.
Speaker 2 (56:04):
See you next time.
Speaker 3 (56:07):
We all about that high school drama Girl Drama Girl,
all about them high school queens. We'll take you for
a ride, and our comic girl cheering for the right teams.
Drama Queenslease my girl, rough girl fashion, but your tough girl.
Speaker 2 (56:21):
You could sit with us.
Speaker 1 (56:22):
Girl Drama Queens, Drama Queise Drama Queens, Drama Drama Queens,
Drama Queens
Hosts And Creators
Bethany Joy Lenz
Sophia Bush
Robert Buckley
Popular Podcasts
On Purpose with Jay Shetty
I’m Jay Shetty host of On Purpose the worlds #1 Mental Health podcast and I’m so grateful you found us. I started this podcast 5 years ago to invite you into conversations and workshops that are designed to help make you happier, healthier and more healed. I believe that when you (yes you) feel seen, heard and understood you’re able to deal with relationship struggles, work challenges and life’s ups and downs with more ease and grace. I interview experts, celebrities, thought leaders and athletes so that we can grow our mindset, build better habits and uncover a side of them we’ve never seen before. New episodes every Monday and Friday. Your support means the world to me and I don’t take it for granted — click the follow button and leave a review to help us spread the love with On Purpose. I can’t wait for you to listen to your first or 500th episode!
Crime Junkie
Does hearing about a true crime case always leave you scouring the internet for the truth behind the story? Dive into your next mystery with Crime Junkie. Every Monday, join your host Ashley Flowers as she unravels all the details of infamous and underreported true crime cases with her best friend Brit Prawat. From cold cases to missing persons and heroes in our community who seek justice, Crime Junkie is your destination for theories and stories you won’t hear anywhere else. Whether you're a seasoned true crime enthusiast or new to the genre, you'll find yourself on the edge of your seat awaiting a new episode every Monday. If you can never get enough true crime... Congratulations, you’ve found your people. Follow to join a community of Crime Junkies! Crime Junkie is presented by audiochuck Media Company.
Ridiculous History
History is beautiful, brutal and, often, ridiculous. Join Ben Bowlin and Noel Brown as they dive into some of the weirdest stories from across the span of human civilization in Ridiculous History, a podcast by iHeartRadio.