December 15, 2024 • 24 mins
Join us for an extraordinary episode with Luisa "Mamama" Ulpino, a 94-year-old Venezuelan treasure whose passion for life, dance, and cooking knows no bounds. From professional dancer to acclaimed chef and now author, Mamama shares her inspiring journey captured in her new book "Mamama: Sabor y Leyenda."
In this heartwarming episode, discover:
• Her journey from Venezuela to becoming Boston's beloved dancing chef
• The secrets behind her award-winning Venezuelan cuisine
• How she maintains her passion for dance at 94
• Life lessons that transcend generations
• Stories and recipes from her new book
A testament that age is just a number when following your dreams.
Keywords: Venezuelan cuisine, Boston culture, immigrant success, aging gracefully, Latin cooking, dance life, wisdom stories, cultural preservation, Venezuelan recipes, Latin dance, cooking traditions.
Acompáñanos en un episodio extraordinario con Luisa "Mamama" Ulpino, un tesoro venezolano de 94 años cuya pasión por la vida, el baile y la cocina no conoce límites. De bailarina profesional a chef aclamada y ahora autora, Mamama comparte su inspirador viaje plasmado en su nuevo libro "Mamama: Sabor y Leyenda."
En este conmovedor episodio, descubre:
• Su viaje desde Venezuela hasta convertirse en la querida chef bailarina de Boston
• Los secretos detrás de su premiada cocina venezolana
• Cómo mantiene su pasión por el baile a los 94 años
• Lecciones de vida que trascienden generaciones
• Historias y recetas de su nuevo libro
Un testimonio de que la edad es solo un número cuando persigues tus sueños.
Meta Tags:
#VenezuelanFood #DanceLife #BostonLatino #InspirationalStories #VenezuelanCuisine #LatinCooking #WisdomStories #CulturalHeritage #VenezuelanRecipes #LatinDance #CookingTraditions #InmigrantSuccess #AgingGracefully #QuePasaBoston #RumbaBoston #VenezuelanCulture #LatinxStories #BostonCommunity #CulinaryArts #DanceHistory
In this heartwarming episode, discover:
• Her journey from Venezuela to becoming Boston's beloved dancing chef
• The secrets behind her award-winning Venezuelan cuisine
• How she maintains her passion for dance at 94
• Life lessons that transcend generations
• Stories and recipes from her new book
A testament that age is just a number when following your dreams.
Keywords: Venezuelan cuisine, Boston culture, immigrant success, aging gracefully, Latin cooking, dance life, wisdom stories, cultural preservation, Venezuelan recipes, Latin dance, cooking traditions.
Acompáñanos en un episodio extraordinario con Luisa "Mamama" Ulpino, un tesoro venezolano de 94 años cuya pasión por la vida, el baile y la cocina no conoce límites. De bailarina profesional a chef aclamada y ahora autora, Mamama comparte su inspirador viaje plasmado en su nuevo libro "Mamama: Sabor y Leyenda."
En este conmovedor episodio, descubre:
• Su viaje desde Venezuela hasta convertirse en la querida chef bailarina de Boston
• Los secretos detrás de su premiada cocina venezolana
• Cómo mantiene su pasión por el baile a los 94 años
• Lecciones de vida que trascienden generaciones
• Historias y recetas de su nuevo libro
Un testimonio de que la edad es solo un número cuando persigues tus sueños.
Meta Tags:
#VenezuelanFood #DanceLife #BostonLatino #InspirationalStories #VenezuelanCuisine #LatinCooking #WisdomStories #CulturalHeritage #VenezuelanRecipes #LatinDance #CookingTraditions #InmigrantSuccess #AgingGracefully #QuePasaBoston #RumbaBoston #VenezuelanCulture #LatinxStories #BostonCommunity #CulinaryArts #DanceHistory
Mark as Played
Transcript
Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:03):
Us got Yes the East Boston make it plain Asta Roxbury,
Questo ka Boston Latito then.
Speaker 2 (00:14):
A c S SAMs a compania, I s tim okj
m ok j al voro Extraordinaria is una eminenci and
el vile perromace and la cossina cons.
Speaker 1 (00:30):
My mama, Come, I tell my Mamavenida Como and.
Speaker 3 (00:42):
I meet the film perper.
Speaker 2 (00:43):
Su pest com la persona mass Lin the Extraordinario Masstna
Boston pet my mama is Venezuelana part en taikuato and
who went to Como and my mama los.
Speaker 3 (00:59):
Takua felies felisa fla noo own.
Speaker 1 (01:14):
Wow fell that.
Speaker 2 (01:18):
M besso ala familia porque verda ca alcocet esperalo Isabela
Beni al mundosa familia gena a moore amas to Ma
mama pro jose antimo secreto yesos peroos more contentosta benida
(01:39):
They own ser amrosso Geno nourae grandola visaguela quentame ma
mama kuando jeaste two stout Venezuela.
Speaker 1 (01:54):
The character the Caracas Comla and Caracas and.
Speaker 3 (02:00):
Parassuela is from Maximo. The name and karaka.
Speaker 2 (02:12):
Feels peligos fellas proc.
Speaker 3 (02:19):
The near familiar, the near water and migo okay, the
near by. Even if that I located, who went to
you and and you the fruits home after and you
(02:43):
can make a say the fruit.
Speaker 1 (02:47):
Calls the and.
Speaker 2 (02:51):
The oh yeah, p so not so massim cas cellos
it is your Chinese.
Speaker 3 (03:03):
The mateumonia two cots, and.
Speaker 1 (03:13):
Says the quartro because my mama and com PSAs car
arena and.
Speaker 2 (03:24):
March pro loke save cans mosa your require the story
and the contest and algo momento.
Speaker 1 (03:34):
They get to lavas and applicula a.
Speaker 3 (03:36):
List cicallyplicola boylar dina. I cannot be settle and alf.
Speaker 1 (03:50):
No I said in an album't require the photos be there.
Speaker 3 (03:54):
So I'll go plic photo. They look.
Speaker 2 (04:00):
Island, I k cosa esquil to ma mama. I just
pellicular presentando a venezuela conesa formal presence. A party will
by the qualat passion and sentences.
Speaker 3 (04:18):
When I say that me look, I meta mempacina, la
cocina canta cosina. They were that.
Speaker 1 (04:34):
Isla la cocina, claro.
Speaker 3 (04:39):
Mida me gustavalle ya musicada canta okay, why.
Speaker 2 (04:51):
Not my mama the camino when escuchiando una and trevista, Yeah,
it's the doctor ca.
Speaker 1 (05:00):
La colo.
Speaker 2 (05:04):
Must been seque analysis estavan commentando canno i otra mejorme
is sina pararea naturalmente.
Speaker 1 (05:14):
Mosica your crock.
Speaker 3 (05:20):
And cant.
Speaker 2 (05:22):
And to know entses by lando control mondo co for
mira aStyle per.
Speaker 1 (05:29):
Mama, I know.
Speaker 2 (05:36):
Vera I see internses my mam and pla as pellico
latins two seas lartest part to cantelart and cada uh
qua care forma fomentar elarte navamas venezolana.
Speaker 3 (05:59):
People venesula.
Speaker 2 (06:02):
Okay, says it issa cosina agusta el the cora cosinos
that cosina dec there e gooes in there all as
thors floor is colest floor preda is what is it's floor.
Speaker 3 (06:26):
Pegada no televisto, yam suppercated assul and did you know that.
Speaker 2 (06:40):
Boy a mimion ellen contras when.
Speaker 1 (06:53):
Melas when barbonos.
Speaker 2 (07:00):
My mama and c co loke master wulsta levantos and
man it was Erector Cosina okay, loky access into north
the normal.
Speaker 3 (07:11):
When cosin cosina cat Thomas my room seat ah man seed.
Speaker 1 (07:28):
Room ceko ianses to s.
Speaker 2 (07:34):
Mas grandees may in cool cast la cosa that los
aliment as the committa your commune.
Speaker 3 (07:44):
They do, They said, come here on the two coman
commuter insolana communa coola.
Speaker 2 (07:55):
Wow attendant mocho can sushi no mirah I start okay
brend there no like there, oh.
Speaker 3 (08:11):
Lady heavy preparat prep can't your cousin Brendee comber okaybien
to a la persona. Okay you Cochina and indiava yes
da is there? But you, I said, I'll go defend
(08:33):
in ky are you are.
Speaker 2 (08:37):
Men canta and to to let shawls or a ke
como and more stvapo your cess about levak friends.
Speaker 3 (08:45):
You okay, mamours second, getto as as see to go sina.
Speaker 4 (08:53):
Not i.
Speaker 3 (08:56):
Malagan she took usina you do go see all the
case manata faso sald.
Speaker 1 (09:07):
See when not just because in the MS bien.
Speaker 2 (09:14):
In my mama quandem because as quinta case arte case
two pass on qualle sons platus prefers to the cities.
The asserted, that's extraordinarious, perre. Let's get you a prov
my mama, you know I coma coma.
Speaker 3 (09:36):
Yash not the way I see you tangle Uh huh
ok move tango Salada Mango and your schedule in uh
thengo in Salada and Salada Luisa in st Ma, Mamma,
(10:06):
I love you. It's you Insitario, Louis and other mass
on live. Okay, boys, Yama, my mama.
Speaker 2 (10:29):
To fels preative rest and runs a cret oil familiar yes,
hard to legenders.
Speaker 3 (10:39):
It's a legal nopense employectos.
Speaker 4 (10:46):
To be in.
Speaker 1 (10:53):
Your require my mama come he lost numbers and the
quenta a source.
Speaker 3 (11:01):
Look at the rec important laboration person It contained del.
Speaker 4 (11:15):
Ingredients ingredients Okay, okay you Amandi no maybe that's my mama.
Speaker 1 (11:27):
Get to the man president No.
Speaker 3 (11:30):
No no in four insula equally and manuela sign la
mante deliverla vida is something there is oliver.
Speaker 2 (11:57):
Deliver attend you nd kept Usa Boston mass on a
plataformami and carte and like Storia and Astra school to
system and cant ma Mama dass quale like Storia and
Astro spaces and esta forms at cando.
Speaker 1 (12:20):
Oh yeah me p quenta significa.
Speaker 2 (12:25):
La mantela, liverta enos ingredients commonly commonlocordina.
Speaker 3 (12:31):
Conte allows people can canta thoseple.
Speaker 1 (12:41):
It sensationally.
Speaker 2 (12:46):
Can the rest no car okay, yeah, those that's in
the day case.
Speaker 3 (13:00):
So it's so madrigo. It is all ready the platinum work, okay, and.
Speaker 1 (13:16):
Come offway.
Speaker 3 (13:17):
I went in the mus and the jogn a key
engage in pro salu p okay international, your pens ca
alco local one, theo salu in milk in the hood.
Speaker 2 (13:44):
Corio fellasyo corrio.
Speaker 1 (13:50):
It's just a spectacular andses the I sally lie there.
Speaker 3 (13:53):
The sly like there. They are said at Historia, look
Historian and Suelia luis united Ma Tingoa thingle my dear.
Then well vangara live.
Speaker 2 (14:19):
Yeah, your next position, you know alguna veria when Algon
went two ps, the go startos a rapper, So.
Speaker 1 (14:26):
Come on, come on and.
Speaker 2 (14:32):
Staff so they ver yamos bear and the crocus and
mynother restaurantjor and and peck up the.
Speaker 1 (14:41):
The pea.
Speaker 2 (14:43):
Versos on the goose, the extraordinario even itam bilks lark
some membros Asia, the Venezuela Massachusetts, Serto and Salkantas comparted
(15:03):
to be an important and a lextra hero.
Speaker 1 (15:07):
Then I'll go then astra storia, I'll go.
Speaker 3 (15:09):
In memoirs, so to me vel can get miss to
Venezuela and when by and yeah you know leg.
Speaker 1 (15:31):
I mean can't ye n is my mama ward in
the leg but the nex you come.
Speaker 2 (15:43):
As as a contargets.
Speaker 3 (15:51):
Sibil okay army the widow miss herman made in jeb
and Murza as secretary when doing maybe maybe only yer
(16:18):
a la mano la mano see lady, Hey it's a
boat Cambours book the lost nay the cambour you yeah,
(16:40):
your yeah.
Speaker 1 (16:44):
Pencil a poor jumper on a quarter new son.
Speaker 3 (16:50):
And king ya bab.
Speaker 1 (16:55):
Last no I said lest la cart.
Speaker 3 (17:02):
La mano inventor Nina.
Speaker 1 (17:07):
It an inventor in.
Speaker 2 (17:12):
The ok yeah and say so your croquette are part
of the tints and perquetost my other.
Speaker 1 (17:23):
Lugars altos peros tambien sacrific card tequesta trava.
Speaker 3 (17:35):
And yeah t.
Speaker 1 (17:39):
Preston was a man news mama mys so if a
t no no you know.
Speaker 3 (17:52):
It's rotastica n sumna Nina John c la mama Nina.
Yeah then and English job a la fiesta dancing the
(18:20):
miss Nita here maintained your perfect your record, locate you
let your towel Maria the Mahina.
Speaker 1 (18:32):
Yes, that's come on with my Markando.
Speaker 2 (18:34):
You know Mexico the Mexico cats needs Yes, some us
como savez so you know mor crientessa mata and el
persona the the Mira Mirac said parake thousands. Mama lady said, boys, Jovan,
(18:55):
what was carmel marriedo.
Speaker 1 (18:58):
Para made jam maro ver sentce mammal multi.
Speaker 3 (19:16):
Piso. They were the American.
Speaker 1 (19:23):
More you male, you know no you.
Speaker 3 (19:28):
Say emp in count usually.
Speaker 2 (19:34):
See on conseco I start familiars noa Venezulana on the
Gando I steps que four second cert.
Speaker 3 (19:46):
Ma, Mama can't do you cannot do this, lant.
Speaker 1 (19:54):
Yes to christ can pos. I'm being Onreso porky.
Speaker 3 (20:03):
Your me that you two made away. No, you're not
about the alloway, Okay, that's.
Speaker 1 (20:35):
Key Milan here get caver the were that caver. It's
just it's since that point, my mam.
Speaker 3 (20:45):
Your lady see your okay February you know me here
you think not for me anything? I mean my d
n n No you men into the memo in the
(21:16):
wow and.
Speaker 2 (21:22):
And trn strass a mental men frustra and trust more yes,
lo le here you're tele here the man see pros
to mental men in tournaments and.
Speaker 1 (21:45):
Men want to start trying.
Speaker 3 (21:46):
You know your.
Speaker 1 (21:48):
Men can't. The men cant my mamma. Yeah, they said, course.
Speaker 2 (21:58):
And call mammy con not transpar so as the letters
letters opportun it really starts connel.
Speaker 1 (22:08):
Is mam can host.
Speaker 2 (22:11):
Economic responsibly, the famili et cetera, et cetera, our air
t is all the really are ok to t ns
and manteo.
Speaker 1 (22:25):
Yes, I really not.
Speaker 4 (22:27):
Libya motion here creates my mam.
Speaker 3 (22:35):
When libal maridado a la man if eluto gather instrumental
(23:11):
li yatista lapinto, I can say ya, yesica.
Speaker 2 (23:22):
Tes arte de la pintura e larte la cassina a
larte la mosica, larte la historia contact story as soona
soon as extraordinaria iva on Exito total Ma Mama used
to sura muchmo senor Ustes Kier and mass information Manda
(23:48):
y application on the I Heart Radio. I heard app
Baharla Applications podcast post Mandann Sonata in laos I heard
app itamis communics are rumbo and seeps ma ma mamma
(24:09):
ani um besso normal portrayer Ma ma mamma muchisimas grassias.
The attendremos l t platic car Conti was carded to
Historia is the toll okay tristan bien theo venezulao Massachusetts
perromasqunada is ltencion mia in teneri ki ma mama lamos
compartir ke quando uno sera lisa importa oke that ono
(24:34):
bive legato Yesta's two commune Hemplo comona and di sion
i commun or guj or Latino and capasa bostons gracias
Ma mama is no North programmer esperamos librost power.
Speaker 3 (24:56):
The film
Us got Yes the East Boston make it plain Asta Roxbury,
Questo ka Boston Latito then.
Speaker 2 (00:14):
A c S SAMs a compania, I s tim okj
m ok j al voro Extraordinaria is una eminenci and
el vile perromace and la cossina cons.
Speaker 1 (00:30):
My mama, Come, I tell my Mamavenida Como and.
Speaker 3 (00:42):
I meet the film perper.
Speaker 2 (00:43):
Su pest com la persona mass Lin the Extraordinario Masstna
Boston pet my mama is Venezuelana part en taikuato and
who went to Como and my mama los.
Speaker 3 (00:59):
Takua felies felisa fla noo own.
Speaker 1 (01:14):
Wow fell that.
Speaker 2 (01:18):
M besso ala familia porque verda ca alcocet esperalo Isabela
Beni al mundosa familia gena a moore amas to Ma
mama pro jose antimo secreto yesos peroos more contentosta benida
(01:39):
They own ser amrosso Geno nourae grandola visaguela quentame ma
mama kuando jeaste two stout Venezuela.
Speaker 1 (01:54):
The character the Caracas Comla and Caracas and.
Speaker 3 (02:00):
Parassuela is from Maximo. The name and karaka.
Speaker 2 (02:12):
Feels peligos fellas proc.
Speaker 3 (02:19):
The near familiar, the near water and migo okay, the
near by. Even if that I located, who went to
you and and you the fruits home after and you
(02:43):
can make a say the fruit.
Speaker 1 (02:47):
Calls the and.
Speaker 2 (02:51):
The oh yeah, p so not so massim cas cellos
it is your Chinese.
Speaker 3 (03:03):
The mateumonia two cots, and.
Speaker 1 (03:13):
Says the quartro because my mama and com PSAs car
arena and.
Speaker 2 (03:24):
March pro loke save cans mosa your require the story
and the contest and algo momento.
Speaker 1 (03:34):
They get to lavas and applicula a.
Speaker 3 (03:36):
List cicallyplicola boylar dina. I cannot be settle and alf.
Speaker 1 (03:50):
No I said in an album't require the photos be there.
Speaker 3 (03:54):
So I'll go plic photo. They look.
Speaker 2 (04:00):
Island, I k cosa esquil to ma mama. I just
pellicular presentando a venezuela conesa formal presence. A party will
by the qualat passion and sentences.
Speaker 3 (04:18):
When I say that me look, I meta mempacina, la
cocina canta cosina. They were that.
Speaker 1 (04:34):
Isla la cocina, claro.
Speaker 3 (04:39):
Mida me gustavalle ya musicada canta okay, why.
Speaker 2 (04:51):
Not my mama the camino when escuchiando una and trevista, Yeah,
it's the doctor ca.
Speaker 1 (05:00):
La colo.
Speaker 2 (05:04):
Must been seque analysis estavan commentando canno i otra mejorme
is sina pararea naturalmente.
Speaker 1 (05:14):
Mosica your crock.
Speaker 3 (05:20):
And cant.
Speaker 2 (05:22):
And to know entses by lando control mondo co for
mira aStyle per.
Speaker 1 (05:29):
Mama, I know.
Speaker 2 (05:36):
Vera I see internses my mam and pla as pellico
latins two seas lartest part to cantelart and cada uh
qua care forma fomentar elarte navamas venezolana.
Speaker 3 (05:59):
People venesula.
Speaker 2 (06:02):
Okay, says it issa cosina agusta el the cora cosinos
that cosina dec there e gooes in there all as
thors floor is colest floor preda is what is it's floor.
Speaker 3 (06:26):
Pegada no televisto, yam suppercated assul and did you know that.
Speaker 2 (06:40):
Boy a mimion ellen contras when.
Speaker 1 (06:53):
Melas when barbonos.
Speaker 2 (07:00):
My mama and c co loke master wulsta levantos and
man it was Erector Cosina okay, loky access into north
the normal.
Speaker 3 (07:11):
When cosin cosina cat Thomas my room seat ah man seed.
Speaker 1 (07:28):
Room ceko ianses to s.
Speaker 2 (07:34):
Mas grandees may in cool cast la cosa that los
aliment as the committa your commune.
Speaker 3 (07:44):
They do, They said, come here on the two coman
commuter insolana communa coola.
Speaker 2 (07:55):
Wow attendant mocho can sushi no mirah I start okay
brend there no like there, oh.
Speaker 3 (08:11):
Lady heavy preparat prep can't your cousin Brendee comber okaybien
to a la persona. Okay you Cochina and indiava yes
da is there? But you, I said, I'll go defend
(08:33):
in ky are you are.
Speaker 2 (08:37):
Men canta and to to let shawls or a ke
como and more stvapo your cess about levak friends.
Speaker 3 (08:45):
You okay, mamours second, getto as as see to go sina.
Speaker 4 (08:53):
Not i.
Speaker 3 (08:56):
Malagan she took usina you do go see all the
case manata faso sald.
Speaker 1 (09:07):
See when not just because in the MS bien.
Speaker 2 (09:14):
In my mama quandem because as quinta case arte case
two pass on qualle sons platus prefers to the cities.
The asserted, that's extraordinarious, perre. Let's get you a prov
my mama, you know I coma coma.
Speaker 3 (09:36):
Yash not the way I see you tangle Uh huh
ok move tango Salada Mango and your schedule in uh
thengo in Salada and Salada Luisa in st Ma, Mamma,
(10:06):
I love you. It's you Insitario, Louis and other mass
on live. Okay, boys, Yama, my mama.
Speaker 2 (10:29):
To fels preative rest and runs a cret oil familiar yes,
hard to legenders.
Speaker 3 (10:39):
It's a legal nopense employectos.
Speaker 4 (10:46):
To be in.
Speaker 1 (10:53):
Your require my mama come he lost numbers and the
quenta a source.
Speaker 3 (11:01):
Look at the rec important laboration person It contained del.
Speaker 4 (11:15):
Ingredients ingredients Okay, okay you Amandi no maybe that's my mama.
Speaker 1 (11:27):
Get to the man president No.
Speaker 3 (11:30):
No no in four insula equally and manuela sign la
mante deliverla vida is something there is oliver.
Speaker 2 (11:57):
Deliver attend you nd kept Usa Boston mass on a
plataformami and carte and like Storia and Astra school to
system and cant ma Mama dass quale like Storia and
Astro spaces and esta forms at cando.
Speaker 1 (12:20):
Oh yeah me p quenta significa.
Speaker 2 (12:25):
La mantela, liverta enos ingredients commonly commonlocordina.
Speaker 3 (12:31):
Conte allows people can canta thoseple.
Speaker 1 (12:41):
It sensationally.
Speaker 2 (12:46):
Can the rest no car okay, yeah, those that's in
the day case.
Speaker 3 (13:00):
So it's so madrigo. It is all ready the platinum work, okay, and.
Speaker 1 (13:16):
Come offway.
Speaker 3 (13:17):
I went in the mus and the jogn a key
engage in pro salu p okay international, your pens ca
alco local one, theo salu in milk in the hood.
Speaker 2 (13:44):
Corio fellasyo corrio.
Speaker 1 (13:50):
It's just a spectacular andses the I sally lie there.
Speaker 3 (13:53):
The sly like there. They are said at Historia, look
Historian and Suelia luis united Ma Tingoa thingle my dear.
Then well vangara live.
Speaker 2 (14:19):
Yeah, your next position, you know alguna veria when Algon
went two ps, the go startos a rapper, So.
Speaker 1 (14:26):
Come on, come on and.
Speaker 2 (14:32):
Staff so they ver yamos bear and the crocus and
mynother restaurantjor and and peck up the.
Speaker 1 (14:41):
The pea.
Speaker 2 (14:43):
Versos on the goose, the extraordinario even itam bilks lark
some membros Asia, the Venezuela Massachusetts, Serto and Salkantas comparted
(15:03):
to be an important and a lextra hero.
Speaker 1 (15:07):
Then I'll go then astra storia, I'll go.
Speaker 3 (15:09):
In memoirs, so to me vel can get miss to
Venezuela and when by and yeah you know leg.
Speaker 1 (15:31):
I mean can't ye n is my mama ward in
the leg but the nex you come.
Speaker 2 (15:43):
As as a contargets.
Speaker 3 (15:51):
Sibil okay army the widow miss herman made in jeb
and Murza as secretary when doing maybe maybe only yer
(16:18):
a la mano la mano see lady, Hey it's a
boat Cambours book the lost nay the cambour you yeah,
(16:40):
your yeah.
Speaker 1 (16:44):
Pencil a poor jumper on a quarter new son.
Speaker 3 (16:50):
And king ya bab.
Speaker 1 (16:55):
Last no I said lest la cart.
Speaker 3 (17:02):
La mano inventor Nina.
Speaker 1 (17:07):
It an inventor in.
Speaker 2 (17:12):
The ok yeah and say so your croquette are part
of the tints and perquetost my other.
Speaker 1 (17:23):
Lugars altos peros tambien sacrific card tequesta trava.
Speaker 3 (17:35):
And yeah t.
Speaker 1 (17:39):
Preston was a man news mama mys so if a
t no no you know.
Speaker 3 (17:52):
It's rotastica n sumna Nina John c la mama Nina.
Yeah then and English job a la fiesta dancing the
(18:20):
miss Nita here maintained your perfect your record, locate you
let your towel Maria the Mahina.
Speaker 1 (18:32):
Yes, that's come on with my Markando.
Speaker 2 (18:34):
You know Mexico the Mexico cats needs Yes, some us
como savez so you know mor crientessa mata and el
persona the the Mira Mirac said parake thousands. Mama lady said, boys, Jovan,
(18:55):
what was carmel marriedo.
Speaker 1 (18:58):
Para made jam maro ver sentce mammal multi.
Speaker 3 (19:16):
Piso. They were the American.
Speaker 1 (19:23):
More you male, you know no you.
Speaker 3 (19:28):
Say emp in count usually.
Speaker 2 (19:34):
See on conseco I start familiars noa Venezulana on the
Gando I steps que four second cert.
Speaker 3 (19:46):
Ma, Mama can't do you cannot do this, lant.
Speaker 1 (19:54):
Yes to christ can pos. I'm being Onreso porky.
Speaker 3 (20:03):
Your me that you two made away. No, you're not
about the alloway, Okay, that's.
Speaker 1 (20:35):
Key Milan here get caver the were that caver. It's
just it's since that point, my mam.
Speaker 3 (20:45):
Your lady see your okay February you know me here
you think not for me anything? I mean my d
n n No you men into the memo in the
(21:16):
wow and.
Speaker 2 (21:22):
And trn strass a mental men frustra and trust more yes,
lo le here you're tele here the man see pros
to mental men in tournaments and.
Speaker 1 (21:45):
Men want to start trying.
Speaker 3 (21:46):
You know your.
Speaker 1 (21:48):
Men can't. The men cant my mamma. Yeah, they said, course.
Speaker 2 (21:58):
And call mammy con not transpar so as the letters
letters opportun it really starts connel.
Speaker 1 (22:08):
Is mam can host.
Speaker 2 (22:11):
Economic responsibly, the famili et cetera, et cetera, our air
t is all the really are ok to t ns
and manteo.
Speaker 1 (22:25):
Yes, I really not.
Speaker 4 (22:27):
Libya motion here creates my mam.
Speaker 3 (22:35):
When libal maridado a la man if eluto gather instrumental
(23:11):
li yatista lapinto, I can say ya, yesica.
Speaker 2 (23:22):
Tes arte de la pintura e larte la cassina a
larte la mosica, larte la historia contact story as soona
soon as extraordinaria iva on Exito total Ma Mama used
to sura muchmo senor Ustes Kier and mass information Manda
(23:48):
y application on the I Heart Radio. I heard app
Baharla Applications podcast post Mandann Sonata in laos I heard
app itamis communics are rumbo and seeps ma ma mamma
(24:09):
ani um besso normal portrayer Ma ma mamma muchisimas grassias.
The attendremos l t platic car Conti was carded to
Historia is the toll okay tristan bien theo venezulao Massachusetts
perromasqunada is ltencion mia in teneri ki ma mama lamos
compartir ke quando uno sera lisa importa oke that ono
(24:34):
bive legato Yesta's two commune Hemplo comona and di sion
i commun or guj or Latino and capasa bostons gracias
Ma mama is no North programmer esperamos librost power.
Speaker 3 (24:56):
The film
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