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February 26, 2025 65 mins
Tone Kapone, KeKe, and Zach Boog talk 50 Cent vs. Joe Budden, Megan’s Revenge, Disrespecting Tina Knowles & More!
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Episode Transcript

Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:02):
All right, y'all, welcome to one more can I say? Podcast?

Speaker 2 (00:05):
Is episode one number we on bro one seven?

Speaker 3 (00:10):
Come on, I wanted your whole song upon. Let me
go ahead and this ship the rest of the crazy family.
She is the first lady of the pod. She's actually
the only lady of the pie. She is wearing her
joker hat. Shout out?

Speaker 4 (00:26):
Is this what the joker? Will? You know? I don't
watch them.

Speaker 1 (00:29):
I just I don't know.

Speaker 4 (00:30):
I don't watch no television, so I don't know.

Speaker 1 (00:33):
What like Willie walking the chocolate factory?

Speaker 4 (00:37):
Is that a clown?

Speaker 3 (00:38):
Color purple? The color I know that you look like?

Speaker 1 (00:42):
Color purple?

Speaker 4 (00:43):
Hat?

Speaker 5 (00:43):
Was?

Speaker 1 (00:44):
What was the name of the church series, Greenwood or
something like that.

Speaker 4 (00:51):
It's a good series. Did you watch it?

Speaker 1 (00:54):
I wanted to.

Speaker 4 (00:55):
It's a good show. Okay, but hello fellas, are you
doing you guys?

Speaker 5 (01:00):
Good and blessed and fruitful? Hairlining is thriving?

Speaker 1 (01:05):
A tan?

Speaker 4 (01:06):
Hi?

Speaker 1 (01:09):
What did I do?

Speaker 3 (01:11):
Not just earlykik, I don't have the time, okay, whatever, I'm.

Speaker 1 (01:14):
Already on my today today.

Speaker 2 (01:18):
The man that crushed his pop up comedy show is
absolutely funny.

Speaker 1 (01:23):
I have front row, and I do realize this. Zach Zach.

Speaker 2 (01:28):
Zach's audience is ladies. I was like, it was big, yes,
women and me in the front row. I was like,
I'm coming to all exact bugs special. Yeah, great show,
got the waves cracking. What's up bugs that we had
a good time? Man, Thank you for everybody who came out.
It was some pot fam in there. You know, had

(01:48):
a shirt, had a T shirt on. Somebody came in
there with a T shirt on.

Speaker 3 (01:52):
Yes they did to you. Shout out to you, queen.
But we had a good time. No, So shout out
to everybody who and thanks Tom for coming out.

Speaker 1 (02:01):
Tom came out. He had a good time himself.

Speaker 4 (02:05):
What did Ton do?

Speaker 1 (02:07):
I had I'm chilling.

Speaker 2 (02:09):
I'm a little tipsy because I was Sunday in it
up and Zach like, hey, it needs you to to
introduce me.

Speaker 1 (02:18):
Oh I needed him to introduce me. But I was
a part.

Speaker 2 (02:21):
I didn't know I was a part of a joke though,
because he knew I was gonna introduce it bad and
he was gonna come back with it. And I was like, oh,
I was a part of the joke.

Speaker 1 (02:28):
No, I didn't. I didn't know he was gonna be
a part of joke. When I asked you to introduce me.
I didn't know what to say. That's not gonna have
to say. You did what you're supposed to do. Okay,
what did he did?

Speaker 4 (02:37):
Was this his big break into comedy.

Speaker 3 (02:39):
I wanted to get him on stage. Okay, that was
the point. I wanted him to get on stage and
see what he was gonna say. I thought that he
may get the mic and.

Speaker 2 (02:48):
Be like I was thinking about five minutes.

Speaker 1 (02:52):
It crossed my mind.

Speaker 3 (02:53):
I thought you was gonna pop off five cross my mom.
I thought she was gonna throw something out there and
had win. I was like, I'm like, I said, he
probably gonna throw something out there, because he would be
a cop. I said, let me see to you introduced me.
Just see what he goes say. He might just throw
something out there.

Speaker 1 (03:12):
You know how he is. He just throw it out
there and then go and introduce me.

Speaker 2 (03:15):
I've been working on. I've been working on. I've been
working on an opening line.

Speaker 4 (03:19):
Though, what is it. Let's let's practice right now.

Speaker 2 (03:22):
I'm not doing that out there. I'm going I swear
it's so funny. He said that because I can get
all my kids.

Speaker 4 (03:31):
I got up there.

Speaker 1 (03:32):
I was like, oh, I could this ain't a big room. Now,
I can do this.

Speaker 4 (03:37):
I can do it.

Speaker 1 (03:38):
And if my bomb, it's like hey.

Speaker 3 (03:41):
I could, Hey you live another day. Trust me, I
really really thought about it.

Speaker 2 (03:48):
But I think the next time I had to introduce
big bulls, I'm gonna have my I'm have three minutes ready,
I gotta I know, I got a three minute, So
I got a three minutes.

Speaker 4 (03:57):
Saying I cannot wait, cannot wait for this.

Speaker 1 (04:02):
Out there. So yeah, I try, I tried.

Speaker 4 (04:06):
But sorry? How was the show? Was he funny?

Speaker 2 (04:09):
Of course, Zach's always funny, and people that like they
don't get a chance to hear Zach curse, so a
lot of times when they it's a different bug, so
they're like, wait and he exact crushed it.

Speaker 1 (04:21):
Okay, I'll be cussing. I cuss on stage. Yes, I'm
preach kid, but I cussed.

Speaker 4 (04:27):
I'm coming to see him this Saturday, so I'll give
y'all the honest review.

Speaker 3 (04:32):
Mm hmm, you're gonna here that that funny. I can
see him being shady now, I ain't see nothing that
funny and what not that.

Speaker 1 (04:45):
I mean, you got some work to do.

Speaker 3 (04:49):
I could have did that. People say that they're going there.

Speaker 1 (04:53):
To do that. You know you might as wettle bit
tone going up.

Speaker 4 (05:00):
I'm coming to support.

Speaker 5 (05:01):
I am a full support of both of y'all comedy endeavors.

Speaker 2 (05:07):
I real because we only support in a real comic.
I'm going to support. This is just a bucket list.
I have this weird thing that I have to do,
and I have to do everything on my bucket list,
like I got, like me and my daughter.

Speaker 1 (05:20):
I gotta make one song.

Speaker 4 (05:23):
One song, now, that's what the streets need.

Speaker 1 (05:25):
I want a song.

Speaker 2 (05:26):
You're doing Yeah funny but yeah, but it's not gonna
be you'll never hear it.

Speaker 3 (05:32):
I'm going to just do it. I just gotta say
that I did it. You don't think she's gonna put
it out.

Speaker 1 (05:36):
No, it's just she's gonna help me write it.

Speaker 4 (05:38):
So you have to. You have to. That's your comedy said,
perform your song. Just get up there. I cannot wait
for this.

Speaker 2 (05:48):
Oh my god, Hey man, look, I gotta take advantage.

Speaker 1 (05:52):
I got. It's not a rap. It's gonna be R
and B. I can sing a little bit.

Speaker 4 (05:55):
I kind of figured it would be R and B.

Speaker 1 (05:56):
You're gonna see R and B. Oh, I got You're
never goingn't hear it unless it's good. What if it's
good good, that's what you're saying. It only takes one.
It only takes one.

Speaker 2 (06:09):
Like I told myself last year and I did it,
and I let my daughter read it. I said I
was going to write a sitcom for me and hurt,
and I did it and she she's like, this is
actually good. Dad said yeah, we wouldn't. Dad's in a better,
a different place. We're gonna pitch it, you know what
I mean? I said, I already did that before I
wrote a short film. I did that, never shot it,

(06:32):
but I wrote it so that I got this thing
about doing bucket list things.

Speaker 1 (06:35):
I gotta do it.

Speaker 5 (06:38):
When I'm telling you, when you ready to brow pome
it this this song? Oh my god, I am so
ready for this. I am so ready for R and
B Tony.

Speaker 1 (06:48):
I cannot wait. Oh we are doing Like how's your voice?
More like you? What's your singing voice? Like?

Speaker 3 (06:58):
Like if you if you compare your singing voice to
somebody who is currently or somebody of the past that
we know, who would you say your voice is most similar.

Speaker 2 (07:06):
To Alexander O'Neill, Bobby Brown, Okay, Bobby Brownish, Bobby, don't
be cruel. Yeah, that's right, you got come on.

Speaker 1 (07:28):
I like Bobby, my guy, Bobby's cole, Bobby's the truth man.

Speaker 2 (07:32):
All right, Can we get into the pot. Can we
get to the pot and start talking about my singing
that big Jim?

Speaker 4 (07:41):
I can't wait.

Speaker 1 (07:42):
What's it gonna be about? The song be about?

Speaker 4 (07:45):
I don't know. I cannot work.

Speaker 2 (07:47):
I could not perform anything with around, not one thing.
You can't though, I would not ever.

Speaker 6 (07:55):
What the biggest fan, biggest fair, he is gonna die leven,
She's gonna do her thing when she knows something about
thet She sit there with her eyes big, and you.

Speaker 1 (08:11):
Just gonna see her phone.

Speaker 4 (08:13):
I just want to feature on the album. That's it.
I just want to feature get interlude or something of
your album.

Speaker 3 (08:20):
You're gonna say, You're gonna say, yeah, this is good,
writer case, shoot the video.

Speaker 1 (08:24):
Let's do it.

Speaker 4 (08:25):
This is no this has to happen.

Speaker 2 (08:26):
Oh no, you guys know that's just a bucket list,
my bucket list. So it's speaking of the bucket list,
we have to start this list of things to talk
about on the pod.

Speaker 3 (08:34):
Let's do it.

Speaker 1 (08:35):
What's going on? Fifty?

Speaker 2 (08:37):
I said, it before, and I actually saw it on
a podcast. A guy was calling fifty cent culture vulture.
They said he never says anything and the culture vulture
problem is confusing. But the other part of the conversation
he said that fifty never says anything nice or does
it for black men men in general.

Speaker 1 (08:57):
He's just like yo.

Speaker 2 (08:58):
He always attacking pop. You've seen them attack IRV Gotti.
You see them attack joall Rule. You see him attack
now little Meach and big Meach. What you think about that?
First of all, that that statement.

Speaker 5 (09:10):
That's not true. That's not true at all. I don't
think that's true. I think fifty he attacks his enemies. Okay,
I don't think I think he has done a lot
for the culture. I think he has done a lot
for black men. You know, he don't. Let's not forget.
He tried to carry g Unit on his back for
a little bit. He gave all of them deals and
that they were terrible, you know.

Speaker 1 (09:31):
He they were.

Speaker 2 (09:34):
Lloyd Banks was fired, he was Buck was Buck had
a run, he had an album, and Tony Yao had
a few singles.

Speaker 4 (09:41):
Well, excuse me, gun, Yeah, I think the.

Speaker 1 (09:44):
Game was a gun. They were nice.

Speaker 5 (09:48):
My thing is what the ladies, we didn't care. We
cared about Fifty and Lloyd Banks, we didn't care about
the rest of them. So I would just say that
Fifty did try to put a lot of people on.
He's done it with his series. He's you know, put
a lot of young black actors on. I love the
way he champions Michael Rainey Jr. Who plays in his series.

(10:08):
And I just think fifty just has no boundaries when
it comes to his enemies. There is no gray area
with him. It's black or white, and you can't really
at this point in his career, I think, be shocked
by anything that he does, because he's told us that
he's been that way since day one. So everybody who's like,
oh he is no, Fifty has done a lot for

(10:30):
the culture, but if you cross him, there is no
coming back from that.

Speaker 4 (10:33):
And it just is what it is. And you look
at what he's doing.

Speaker 5 (10:37):
This man is building a film studio out He's like
trying to be the next Tyler Perry. So to say
he hasn't done anything for the culture and he doesn't
do things for black men is insane to me.

Speaker 3 (10:45):
Yeah, He's hired plenty of black men. I totally agree
with you. He plenty of black men. And one thing
people don't know about even when his first deal, you
know told when you get like a record deal and
you sell eleven million or you said, I don't know
if it was at eleven million at the time, but
when you go platinum the way he went platinum off
his first album. You know, they were super ready to
put out that second album, that follow up album, but

(11:05):
instead fifty said no. He used the leverage that he
had from the first album and put the G Unit
album out. Next big for Mercy was that second album
before the massacre came out.

Speaker 1 (11:17):
Now he didn't have to do that, you know what
I'm saying.

Speaker 3 (11:19):
He put his people on because he was like, oh,
this is the opportunity that while I'm hot and sizzling
and they want a record, I can put them. I
can put my guys on, you know what I'm saying.
So he's done that and a lot of people that
fumbled their opportunities with fifty. But think about all the
black actors and that we didn't know that all came
from fifty cent films and series, and how many people

(11:42):
he put in G Unit, Sneakers, Reebok and all the
different things he's done, you know, So I don't believe
that man fifty is not that. But like Kiki said,
he don't play. He don't play. Once he done with you,
he threw with you. That's the only thing.

Speaker 1 (11:55):
I think.

Speaker 3 (11:56):
People don't like the way that he kind of humiliates
people once he don't make that's him. They don't like
that he's that he's really you really see the bully
come out when he don't rock with you.

Speaker 2 (12:06):
It's odd to see it because I mean, every time
I've interacted with fifty and he got a crazy memory,
like he remembered, he was like I saw him, eyes
like yo, feel how you doing?

Speaker 4 (12:14):
Man?

Speaker 1 (12:15):
Good to see you again. He's like where your boy at?
They used to be with you?

Speaker 3 (12:17):
Wait yet he knows he's a good dude. Every time
I've interviewed with me like a good dude.

Speaker 2 (12:25):
And and so just to see some of the stuff,
I wonder what's behind it sometimes, but I will say whatever.
The people he didn't like, but the little meach and
big Niches bothered. And that was just because that's a
business deal, right, that's a business deal. If somebody was
gonna do the BMF story or something, somebody's gonna do
something with BMF because Big Beach had that type of cachet.

(12:48):
But you look at it like man like dawg, we
did this deal and I just did twenty five years.

Speaker 3 (12:55):
No, but when nobody ain't do nothing with beat, So
it doesn't that story been out. Nobody did nothing.

Speaker 2 (13:01):
Within it twenty five years. It doesn't matter who didn't do.
But it's a business deal. He gave you the story,
you put it out. It's a business deal. You did
twenty five years and now you out. You just trying
to get your life back. You like, Yo, I'm gonna
go hang over here. I'm gonna see Ross's talking about something,
to see what Ross's talking about.

Speaker 1 (13:21):
It's a business deal. I don't know. I don't know.
For me, it's just.

Speaker 2 (13:25):
Like like damn bro like we ate, we broke bread together.

Speaker 1 (13:29):
Now you're trying to ruin me.

Speaker 2 (13:31):
And by saying that I was a rat, And in
real talk, anybody that got that type of years you
already know they gonna tell.

Speaker 1 (13:38):
It's the only person that I can think of.

Speaker 2 (13:40):
It's probably more people out there, but the only person
I think that ever got that type of years and
stood strong and didn't tell it.

Speaker 3 (13:47):
Is Big Dirt, little Dirk's father. That's it. The only
person I know of.

Speaker 2 (13:52):
But most people when they tell you about to get
a football number, they're like, uh, I'm telling so. I mean,
it's just weird though. It's like we ate together. I went,
I get out of jail. I'm trying to grab as
much money as I can, and I go hollerand I
go holler at Rick Ross?

Speaker 1 (14:09):
You want to do a benefit concept for me? Why not?

Speaker 4 (14:12):
He not?

Speaker 2 (14:12):
I can see if he was going to do another
show or he gonna let he gonna let him produce
a documentary. No, But to do a benefit concept and
give him some bread, why not?

Speaker 4 (14:25):
No?

Speaker 5 (14:26):
And he really has no excuse, right, just simply know
they you really don't have an excuse because you know
the streets, You understand loyalty, you understand how this works,
and don't think that if so many people are gonna
do your story, then why was Rick Ross the only option?
If there was so many people beating your dough down

(14:46):
outside of me, why was my arch enemy.

Speaker 4 (14:49):
The only one that you went to?

Speaker 5 (14:51):
So clearly, it's not that many people that was that
interested in telling the same story over and over again.
But to the simple fact that when you were locked down,
I was there for you. I was there for your son,
and you being a kingpin, you ought to be smart
enough to know how this game worked and know why
Rick Ross is even reaching out to you only because

(15:12):
of me, not because of what your story is so great,
only to get back at me. That picture was posted
for a particular reason, only to trigger me. So now
I have to teach you a valuable lesson that you
already know because you're from the streets, so you already
know how this worked. That's like me and you sitting
here doing this all doing this podcast. You got an
enemy in the street. Of course your enemy gonna seek

(15:32):
me out. They figure if I can get to her
his that's supposed to be his homie, then and I
gonna sit up there and.

Speaker 4 (15:38):
Post up with him. I would expect you to be like, what.

Speaker 2 (15:41):
The is you crit exactly but exactly, but and my
thing is And this is why I say, like we
didne broke bread, we didn't made money.

Speaker 1 (15:47):
I just how That's how I'm built.

Speaker 2 (15:49):
Like if I make money with you or we didn't
done something together, I just want to rock with you.
No more like it's people to jam me up a
lot that I didn't made money with. I didn't made
money with. But I just like, I'm not gonna go
and shit me like yo and try to ruin them.

Speaker 1 (16:03):
And do it.

Speaker 3 (16:03):
That ain't me and you and I make the money
them making money with you is the bond, right.

Speaker 5 (16:09):
But that's me and you. We know fifty is not
wired that way. Everybody knows that about him. He been
shot nine times, he watched his mama gig killed. He's
wired differently and everybody knows that. So why would you
think you're any different?

Speaker 1 (16:23):
Okay?

Speaker 3 (16:23):
And you understand You also understand that you saw the
dislrd you just said you wouldn't mess with them.

Speaker 1 (16:28):
You know, fifty just takes it to the next level,
you know.

Speaker 3 (16:30):
But you know you can't if if you had an
enemy out here, and then we do this every day,
We do this every week, and then you see me like, yeah,
my next show, I'm having tone enemy be the host.
I ain't gonna work like that. I'm sorry, I'm just
not gonna do it.

Speaker 5 (16:48):
And I'm with you as far as like not ending
people like I feel like you know, I'm vengeance is
in the Lord. I don't need to You know, I
don't need to go out of my way to try
to end anybody in my man. Once you cross me,
the Lord gonna head of that anyway. So I don't
need to do that. But we all know fifty don't
operate like that.

Speaker 2 (17:06):
But he'd a plug. That's what I'm saying. Like like like.

Speaker 1 (17:09):
Big Beach, I mean little big Beats is another situation.

Speaker 2 (17:13):
Little Meach is a is a whole like yo, he
really like you said, Zach, you just host a party.
You going to parties? Bruh, Like now you a star?
Now you' a star. That is where it's like, yo,
like you should have thought about that. Y'all should have
thought about that. But it's no way that I'm going
to try to end you.

Speaker 1 (17:34):
I'm not.

Speaker 2 (17:35):
I just don't have to mess with you. Yeah, once
fifty take his hands, what little Me's you finna do?
Acting is tough anyway. So now okay, you did your thing.
Now you gotta go audishing like everybody else. You gotta
go fight through that whole that whole process. Once fit
takes hands off you is.

Speaker 1 (17:51):
All with that's more reason to know. Like I don't think,
but that's what I'm saying. Why I'm going to embarrass
you that.

Speaker 3 (17:57):
That's my point, though, Zach, kids, because that's what fifty do.
Never not done that with everybody he's got into it with.
You know what I'm saying. You know, I know Buck personally,
and I saw what he did to you to Buck,
you know what I'm saying, and I was just like, wow,
you know what I'm saying. Everything he don't he he
don't let off. That's that's what he does.

Speaker 1 (18:15):
Man.

Speaker 5 (18:15):
I wish he would go a little softer on little Meach,
but it's too far gone now because a little Meach,
in my opinion.

Speaker 1 (18:20):
Y'all look little Meach like a kid. Little meat is grown.

Speaker 4 (18:23):
I understand that, but that's what I'm saying.

Speaker 5 (18:25):
If I was, if I was a little Meach, I
wouldn't have tried to buck up with fifty. I would
simply apologize on behalf of my father said thank you
and left it alone. He tried to, but now he
antagonizing now. But now he's antagonizing fifty. He's taking pictures
with Floyd Mayweather.

Speaker 1 (18:39):
Real power.

Speaker 4 (18:40):
Yeah.

Speaker 5 (18:40):
So it's like, now now you deserve whatever fifty gonna
do to you.

Speaker 1 (18:45):
Really much he gonna do I mean he gonna put out.

Speaker 2 (18:47):
I mean, do I really care if anybody care that
a big mes told on somebody.

Speaker 1 (18:51):
Nobody cares.

Speaker 2 (18:52):
Now, it's not gonna it's not gonna make people look
at him any different.

Speaker 1 (18:56):
Because BMF did what they did. It was, it was
what it was.

Speaker 2 (18:59):
The show the last season show was not good because
they didn't right the right. I thought they should have
went more on Southwest t and Lola's character. They should
have went into that relationship a little bit. But that's
a whole nother story. But little Meach, you then chose
your side. Big means he chose the side. It is
what it is?

Speaker 3 (19:15):
Now why and fifty cent and Joe Button Joe Budden
saying because he's seeing the same thing that I'm saying,
saying that fifty needs therapy, and he just said, like man,
he wild in the IRV, Gotti posts everything.

Speaker 1 (19:28):
He like, I think he needs therapy.

Speaker 2 (19:30):
And then he puts some he put a half naggad
Joe butten out out and Joe butden Is like, yo,
I'm I'm gonna sure you for that. Fifty days on
the Sewing basically says hey, also I want to see
you face to face and you tell me about the
therapy I need.

Speaker 1 (19:46):
This is all.

Speaker 2 (19:46):
Now that's weird though this he just said he needed
therapy and now Fifth on a fight though.

Speaker 3 (19:52):
Well, see, now here's the thing, Fifth saies, I need therapy.
I got jokes. You not to know when fifty joking.
But you know how hood dudes joke. They jokes be
a little aggressive. But he was joking. Now he was, No,
I'm saying when he put the memes up, he was like,
where were you? You know what I'm saying. He's now
he's like being funny with you. You know what I'm saying.

(20:13):
So he was being funny with Joe after he said that.
I don't think he was when he saw that he
needed therapy. I don't think he said, Man, I'm gonnahoop
his ass. Now he started with the jokes of being funny.
He was like, Okay, I need therapy. Well guess what
you were sleepwalking naked? You can't have that in your
closet and and talk about me and think I ain't
finna show you. So then he put the little AI
pictures up.

Speaker 7 (20:32):
Of Joe and his draws, and they keep cooping up
on my time, keep like five in the morning, you
could tell he was playing with him, like messing with him, like, hey, Joe, you.

Speaker 1 (20:43):
Know what I'm saying.

Speaker 2 (20:44):
He don't know how to work AI fifty the gain
somebody some money, Hey, give me this, And then he's
posting it.

Speaker 3 (20:50):
And that's all it was, you know what I'm saying.
And then Joe said I didn't think Joe's response was
bad either. Joe said, it's funny. He was like, but hey, man,
I'm gonna get tired of that. If I get tired
of it, I'm gonna sue you.

Speaker 1 (21:02):
Yeah, I forget Joe didn't come that was a good response.
You got me. I laughed at it. But you keep
this up, I'm gonna sue you.

Speaker 3 (21:08):
Yeah. He's like all right, He's like, he's like, I
don't want to do that. He said it's corny. He admitted,
he's like, it's corny to sue you, but after a while,
you're nothing to just keep doing it for us forever.

Speaker 1 (21:19):
And I don't think it's on his page anymore. Fifty
page no more. He took it down. Oh yeah, somebody
probably told him he can get you.

Speaker 4 (21:26):
We should all just leave fifty alone.

Speaker 1 (21:29):
Man, that is the one dude, You don't want to
be on his back.

Speaker 5 (21:32):
I'm saying, like, just leave fifty alone. We know what
we know again, shot nine times. That's that's you can't
you know what I'm saying, you're not. Nobody knows what
that's like.

Speaker 1 (21:43):
But him so true.

Speaker 4 (21:45):
You know you're different after that.

Speaker 2 (21:47):
Yeah, But I just like it's just when I see
these beats and he do stuff and then it have
madhimus a bunch of times, it just don't match.

Speaker 4 (21:54):
It because he's so nice. He's so nice, he's so kind.
He is, no, he is.

Speaker 3 (22:01):
He's really kind till you cross him. Yeah, that's why
no dealing business dealings with him, No, I haven't. It
just like but it just like I said, like when
people do the stuff like it's like like damn, because
I met and we've all interviewed people and they have
problems with other people. I was like, oh, yeah, you're
an asshole. I can see how this happened.

Speaker 2 (22:22):
Yeah, But like when you see like stuff happening with
fifty cent, you were like, dude, be like chilling, Like
he's funny and cool.

Speaker 5 (22:28):
And that's why I can never go against him because
he don't bother y'all. Y'all bother him, and then when
he go fifty on you, then everybody's like why stop?
But it's like, I didn't bother you first, you bothered me.
You know, I don't have it all.

Speaker 4 (22:41):
Leave me alone. That's how I look at him enough.

Speaker 2 (22:44):
Speaking to somebody doesn't have it all? Kiki, what do
you think about all sets? Saying that one of his
kids might not.

Speaker 1 (22:52):
Be his own?

Speaker 4 (22:53):
He said that, yep, talking about Cardi Yep.

Speaker 1 (22:57):
Wow, the last one.

Speaker 5 (22:59):
He going down so bad, He down so bad. I
don't I don't have any thoughts when it comes to that.
That's just a It's an example of a hurt man.
He's very hurt, very hurt.

Speaker 1 (23:12):
Zach see.

Speaker 3 (23:14):
Does he have any proof or is he just talking?
That's what be my question. Do you have any proof
or are you just talking? And I just want you
to get off the internet. Like I told y'all a
long time ago, I don't know why they want to
argue on the internet. Now. We should not know that
you think that your kid, that baby ain't yours unless
he's just trying to hurt Cardy, you know what I'm saying,
Like he's just trying to put that out there to

(23:36):
hurt her. You know, but I've been telling y'all please
stop doing everything, and I still think they're gonna get
back together.

Speaker 1 (23:42):
No, they still gonna get back together. No this one, no,
this one. That one is never happening.

Speaker 2 (23:49):
I think it's a rap. I think I think all
Set might be kind of wrapped up a little bit.
How how most guys are. I know, I'm rapped out
with once you see, like with your own two eyes,
off set done. No, I'm just saying I think you know,
I think that every time you anytime, you be the
one done.

Speaker 1 (24:06):
You remember he was walking around with the pregnant woman.

Speaker 4 (24:08):
Yeah, but I'm just saying he don't care about that whatever.

Speaker 2 (24:12):
Card I'm just saying, like for offset from his point,
walking with a whole pregnant woman, Like.

Speaker 1 (24:18):
Okay, I didn't know he was walking with a pregnant woman.

Speaker 4 (24:22):
Yes, he was at a pregnant lady with the at
the cassetto.

Speaker 1 (24:26):
Lady and saying it was the dead man. Baby, we
went through this.

Speaker 5 (24:29):
You forget what it's the man I noticed. But go
ahead about what Cardi did. What Cardi did that made
should make off set so done? Just being seen and
another and a car with a man, that should be done.
But you're saying Angel recently, her boy could drive all
up down Lake, Michigan and should nobody turn ahead.

Speaker 4 (24:46):
But when it comes to cardy oh, now.

Speaker 1 (24:50):
About that, I didn't know about.

Speaker 2 (24:51):
I'm just saying for me, once I see my woman
with another dude, it's no chance us getting back.

Speaker 1 (24:57):
And that's just that I might know.

Speaker 2 (24:59):
Let's say, like, if you hear about it, or you
kind of think, okay, she was doing that thing, it's cool.

Speaker 1 (25:05):
You got the right to do your thing.

Speaker 3 (25:06):
Yep.

Speaker 2 (25:06):
If I see you with another dude, I gotta let
you got that. Yeah, Now you saying no baby and
was now how I swapped the baby?

Speaker 1 (25:18):
And now you never know?

Speaker 4 (25:20):
Stupid?

Speaker 5 (25:20):
Do you think he's gonna look in a couple of
years when the people bring up and remind him that
he denied his own child. You got to be real,
like you mad, but you're mad some stuff you can't
take back. You denied me because you was mad that
you got caught you a thousand times.

Speaker 1 (25:38):
I mean it's tough. I said being a migo was tough.

Speaker 3 (25:43):
I don't like the way they crashing out publicly like this.
It's just it's just bad to look at man off Set.
You had it made with Cardi. Thank you, you had
it made with Cardi. Cardi put off Set in a
different light, in a different position. We were not they Wait,
I'm going to.

Speaker 4 (26:03):
Come on.

Speaker 1 (26:03):
I'm telling you the truth.

Speaker 3 (26:04):
We were when we looked at the migos, and I'm
talking about pre before takeoff had passed away. The Migos
were looked at as it was Quabo and the guys.
It was what yes telling you, bro I was there.
It was Quavo and the guys. We didn't really know
the other two. Offset wasn't even introduced to us for

(26:25):
real because he was in jail. First, let's be real,
remember the migos. The migos introduced to us as two
people and they were saying free off Set. We didn't
even know who Offset was. Everybody Quabo was the was
the main guy, you know what I'm saying. That was
the one that got all the talk. When Offset got
with Cardi B that's when he started to make his
own name. I'm not saying he didn't have any hit
records on his own. He does have some Offset records.

(26:46):
I'm not saying he doesn't. But the but the big,
the biggest one is the one with Cardi, and that
relationship put him on a whole another level and legitimized
him as a true soup standalone superstar. Okay, and then
we realized then that's when they all started putting out
their little individual albums, And then that's when we realized,

(27:08):
take the take the one that's rapping. Rapping, because when
you first listened to the Migos, you didn't even know
which one was saying what part. You just liked the Migo.
You couldn't be like, oh, yeah, that's take off right there,
that's aft that you just knew that you liked the
Migos as a as a whole. But when they started
to break off individually, Cardi had a whole bunch to
do to elevate offset, which actually elevated the entire group.

(27:29):
So you're not gonna get that type of elevation, you
know what I'm saying. We talk about it from the
guy's standpoint all the time, when when a girl is with.

Speaker 1 (27:37):
A guy who's like, who's elevated her?

Speaker 3 (27:40):
You know what I'm saying. You know how, we don't
need to you don't need to move. You don't think
that ever happens.

Speaker 4 (27:45):
What. No, that's not true.

Speaker 1 (27:47):
But he was elevated for sure.

Speaker 3 (27:48):
And you ain't gonna find no woman that's gonna put
you on another level like Cardi did, and that loved
you the way she did too.

Speaker 1 (27:55):
Didn't know nothing from you. You know what I'm saying.

Speaker 3 (27:57):
It's it's rare where a woman who's bigger than you
goes and goes down and goes lesser and brings you
up and don't make you feel inadequate or nothing like that,
and still that you lead and be a big dog.

Speaker 1 (28:07):
Yeah, it's gonna hurt. It's gonna hurt. You lose Cardi,
b That's how it ain really too many more places.
Ain't gonna find another Cardi.

Speaker 6 (28:14):
Bro.

Speaker 5 (28:15):
That's gonna be a tough for me because I'm so
proud of Zach, you know, because you we still were
the Lord still working on you.

Speaker 4 (28:23):
I'm very proud of.

Speaker 5 (28:24):
Him because now he's seeing it, he's seeing the light
and seeing it for what it is. And I wish
that y'all would call each other out. It's okay to say, oh,
set you are. You are crashing out, bro, And I
want better for you. Do better to get on the
internet and question the fraternity of your child is the
lowest of the low that you can do to not
CARDI b to your child.

Speaker 4 (28:45):
You know what I'm saying. You trying to hurt her.

Speaker 5 (28:47):
Your child is the one that's gonna read this and
feel this way about you forever, knowing. All your kids
look like you, every last one of them got his face.
So don't act like you know what I'm saying. You
don't know that this is your baby all of a sudden,
because I don't want you back. You thought you were
gonna continue to cheat on me, apologize by me a purse,
and we was gonna be back together. Now that I'm
standing my ground, you can't stomach that. So the best

(29:09):
thing he could have done was publicly apologized to his
wife and decided to be a great father to his
kid and a co parent and kept it playing off.
You can crash out in my text thread, but to
get on it, get on the internet and continuously embarrass
me after you've already embarrassed me publicly by getting called
cheated a thousand times.

Speaker 4 (29:25):
Now you double down and question the paternity of your child.

Speaker 1 (29:29):
Yeah, he crashed.

Speaker 4 (29:30):
Do you want to see a records or not?

Speaker 5 (29:33):
Because you're a woman, your fan, baby, the women are
gonna be like, are you insane?

Speaker 1 (29:39):
He crashed out.

Speaker 5 (29:39):
We forgive cheaters all the time. We're not gonna forgive
a person questioning the paternity of their child. That's insane.

Speaker 4 (29:46):
I'm gonna go with it.

Speaker 1 (29:47):
I'm gonna go with it. I'll say, crashed out. It's
gonna be tough to get. It's gonna be tough. It's
gonna be tough. It'll be tough. It's'll be tough. All right,
let's get to this.

Speaker 2 (29:56):
The game shoots is shot at Tina Knowles At a
song producer by Kanye West, shout out to Ryan. He
said he doesn't he does not listen to anything produced
by Kanye because he likes Swasta because he wants to
be a hitler. Zach, that's right, Ryan, you're not listening
to Kanye. That's one of your favorite artists of all time.

Speaker 1 (30:16):
I like, Yeah, I like his music, it's old music.

Speaker 3 (30:21):
I haven't liked any of his music as of late
since what about the joint with his life, Since Life
of Pablo, I mean I haven't. I haven't really listened
to Yay since Life of Pablo, since the gospel album
to be honest, you know what I'm saying.

Speaker 1 (30:33):
When he was on this gospel stuff the.

Speaker 3 (30:35):
Last two or a bit, I feel like he's been
freestyling a lot, and I don't like freestyle.

Speaker 1 (30:39):
Yeah, like this, this whole freestyle like I'm in the rain?

Speaker 3 (30:43):
You know, was that the flag? When he gets that flow,
I hate it. Like I hear you punching in. I
hear you just punching in and coming up with these
random lines and saying anything. And I don't like that. Yeah,
I like when ya thought a little bit more and
put it all together. Right now, he on heard beats
because he can do that with his eyes closed.

Speaker 1 (31:01):
You gotta see consequence. But he's just saying stuff. He's
just saying stuff like he think he hold.

Speaker 3 (31:07):
He just be saying anything on the track now, and
you the bars have been subpar on this on this
later stuff. That's I want to talk about the game, though.
I want to talk about the games and knows and
Tina knows the game.

Speaker 1 (31:18):
That's nasty game. I respect my elders, I do.

Speaker 3 (31:24):
I have so much respect for Miss Tina knows that
even if you were going to step to her, you
step to Miss Tina with some words and some respect.
You don't step to Miss Tina with an emoji damn
show not no banana mooji? What are you saying to
Beyonce's mother? That's how Why are you disrespecting sending your

(31:45):
little penis and uh emojis too?

Speaker 1 (31:50):
You should not be doing that. That is wild.

Speaker 3 (31:52):
First of all, if you know Granny's they don't know
nothing about what emojis mean. No way, So she's confused.
He didn't even get your point across. She doesn't get it. Okay,
So if you over here, you approaching of somebody that
you should have respect for, like she was on these
little thoughts, so she won these little Instagram thoughts out here.
I don't like it game you, Shad. I don't think

(32:14):
you should be stepping to her at all. But if
you are, you need to come with some respect. You
need to come with a suit on. Knock on the door,
asks jay Z and be I say permission first, that
you know, like, may I take Miss Tina on that date?

Speaker 1 (32:26):
You don't send her no ed, no banana e mold.
It was funny to me.

Speaker 4 (32:31):
It was funny.

Speaker 2 (32:32):
It was funny because do I think honestly, let's just
get it keep it a buck man. In real life, Okay,
in real life, Tina, those look at this, and she
gonna and keep it pushing. She's not gonna she's not
gonna be bent out of shape, like, oh my god,
I can't believe it. I'm on Paul clutch my pearls.
She from Houston. She is gonna look at that and

(32:54):
be like, all right, man, he's dude tripping and that's it,
and that's it. I just thought it was funny. I
thought it was funny. Zach just would like, I mean,
driving miss Daisy on this, what is funny about that?
What's what's so funny about? Tell me what at her

(33:15):
and a and a?

Speaker 3 (33:17):
What's funny about shooting your shot at That's not funny
to me?

Speaker 2 (33:21):
He is somebody, Mama, it is somebody the game said
that to your mama. You be okay with that, But
mama would laugh at all and keep it pushing.

Speaker 4 (33:28):
You wouldn't laugh at that now.

Speaker 2 (33:30):
I wouldn't laugh at it now. As a kid, you
gotta you gotta look at it. Of course, you would
be like, what is wrong with you?

Speaker 1 (33:36):
Yes, I'm her.

Speaker 3 (33:37):
Son, I'm gonna look at like, what's wrong with you?
But it wouldn't be funny half of the stuff that
I get.

Speaker 2 (33:43):
I feel like that my mom is if my daughter
saw I laugh at all, my daughter would be pissed off.

Speaker 1 (33:50):
So there's a difference.

Speaker 3 (33:51):
Be I say, it's every bey, be, I say, mama, everybody, mama, tone,
I say, Miss Tina?

Speaker 1 (33:57):
Is you uversonally known as Tina?

Speaker 3 (34:00):
Miss Tina? We call her miss Tina. We don't even
call her Justina. But again because we have a certain
level of respect. But again, do you think that she
even thought twice when she looked at this.

Speaker 1 (34:13):
I don't even know if she looked at it.

Speaker 3 (34:15):
I don't care what she did.

Speaker 1 (34:16):
And she saw it, she probably laughed it off.

Speaker 3 (34:19):
Like your problem. I don't care what Tina did. I
am talking about what the game?

Speaker 4 (34:26):
Did?

Speaker 3 (34:27):
You talking about how Tina received it? How Miss Tina
received what's my what's my problem? This is your problem.
You're still not putting the guy at any fault.

Speaker 4 (34:36):
Come on, yes, what?

Speaker 1 (34:41):
I don't know? What's something?

Speaker 3 (34:43):
I had?

Speaker 4 (34:44):
Less to.

Speaker 3 (34:46):
Me? I'm, for God's sake, I'm the one laughing and
something that's ignorant.

Speaker 1 (34:59):
Because I don't play.

Speaker 4 (35:00):
I was.

Speaker 3 (35:01):
Let me tell you something I grew up in the
I got old parents, and it's a certain level of
respect that I have for the elderly that I don't.
I don't play if I meant anybody of a certain
age and you're gonna be missed, and it's certain things
I'm gonna have a certain level of respect for.

Speaker 1 (35:14):
That's right, I'm not.

Speaker 3 (35:15):
I think it's disrespectful to see in somebody's mother that
you know is the mother that universally known as Miss Tina,
but not that emore.

Speaker 4 (35:22):
That's just.

Speaker 3 (35:24):
And I don't like itspect to me though, that's not funny.

Speaker 4 (35:29):
Kind, none of it's funny.

Speaker 2 (35:31):
A little bit can go ahead and echo what sister,
I'm so proud of you?

Speaker 1 (35:39):
All right again? Together?

Speaker 3 (35:48):
Yes?

Speaker 4 (35:49):
But he right? You know, in the worst of my
friend Jason, this is not the best use of his time.

Speaker 3 (35:54):
Game.

Speaker 5 (35:55):
It's a lot of productive things you can be doing
right now. California is recovering from fire. It's a lot
that you could be putting your time and energy into.

Speaker 4 (36:03):
This is not it.

Speaker 5 (36:05):
And I understand that Gay gave him like a mayback
or something, but like, this is just not This is
not what you want to do with your time and
your energy. And I hate this for Yay, because I
feel like it's truly a cry for attention for jay
Z and Beyonce. You know what I'm saying. You went
at every other community at this point, and now it's
to the now. I think it's to the point where

(36:26):
we have become accustomed to your shenanigans. So the shock
value is lessen and lesson every time you do something.
We're not shocked, We're not you know, it's not the
trending topic.

Speaker 1 (36:36):
It is what it is.

Speaker 5 (36:37):
You did, the grammy thing, we didne moved on already.
So it's like, now you like fighting for the attention
of I think of jay Z and Beyonce to go
and put her mother in a song. You know, that's disrespectful.
I don't care if you I don't care if you
were saying something nice about it. That's disrespectful on all levels.
And so now it's like you forcing my hand and
you forcing me to Now now you know what I'm saying,

(36:58):
because to engage with you, why do that?

Speaker 2 (37:01):
Jay Z is jay Z is going to quietly engage
with game and this will disappear than this song probably
will never come out, It'll never get finished.

Speaker 1 (37:10):
Jay Z is.

Speaker 2 (37:11):
Quiet like that he not big and he he's not
gonna be it on the internet like yo, I got
a blah blah blah. He probably call Game had a
conversation with him and this song is gonna disappear and
that's magically disappear.

Speaker 4 (37:24):
But a person though, but gay, that's just who he is.

Speaker 1 (37:28):
Shockba.

Speaker 2 (37:29):
Like you said fifty like you talk about how fifty
cent is and we talk about that's game.

Speaker 5 (37:33):
It's been him game. No, no, no, that's value, that's
yay game. I feel like it's a little bit wiser
than to do something like this. I think this is given,
This is given a level, it's given thirsty because nah,
come on, man, out of all the things you you
now you're talking, you're disrespecting Oh let your black women.

Speaker 3 (37:51):
Come on, man, he's.

Speaker 1 (37:51):
Trying to shot.

Speaker 5 (37:53):
No, he's trying to No, No, he's letting Kanye use
him as a pawn. You damn that damn that Kanye
got you on the Red Naked too at this point, Yeah, yeah,
you disrespecting black women thinking this is this is somebody's mother,
and so the fact that you allowed you to put
you in a position to even do that, come on now,

(38:16):
and you know, like it's just it's a reach.

Speaker 4 (38:19):
It's a reach.

Speaker 1 (38:21):
You can't say I'm gonna be mad you do it.

Speaker 4 (38:23):
It's a reach.

Speaker 1 (38:24):
I'm gonna be mad, but I'm just I guess me,
I'm not.

Speaker 2 (38:28):
It doesn't invoke any response for me in a sense
other than how you wild, because I'm figuring that's the
same thing she did.

Speaker 4 (38:36):
That's all the same thing she did.

Speaker 3 (38:38):
Who did She probably was just like you wild and
just kept be pushing whatever. I don't know about that
you think, I don't know. I don't care what miss
Tina did. It ain't about what I get it. It's
about the game did. And you just gotta have a
certain respect for.

Speaker 5 (38:53):
People because if somebody did that to Ms Donda, it'd
be up. You wouldn't like that, they would you win't
like that. It's a cry, That's what I mean by
a cry for attention. Because whether she thinks it's her
for or not, now, her grandchildren, her, they at school,
your grandma trending on social media because you saw did
you see what YA put out about your grandma? Did

(39:13):
you see what the game said about your grandma? This
is a conversation now, jay Z and Beyonce. I gotta have,
so I I if I'm jay Z and Beyonce, I
have a big matter of fact, y'all need to worry
about Solange.

Speaker 4 (39:23):
Okay, that's what you need. That's what you need to
worry about.

Speaker 5 (39:27):
Okay, they are playing with Beyonce when you're playing with Solange, mama,
So that's who you probably need to worry about. But
just think about it, like you know, it's all intentional.
Because we had this conversation last week when the whole
Grammy things say. I said, Zach, I think, yay, just
maybe off his meds, you know, something mentally going on.
Zach said, No, this is very orchestrated. This is very

(39:49):
planned out. This is very to the point. He know
exactly what he's doing. So once I know you know
exactly what you're doing, anything that comes with any consequence
that comes behind that, you gotta eat that because you
are doing stuff on purpose.

Speaker 3 (40:00):
I can tell when he offers men and when he's
seriously cool and stuff. You can kind of tell he
be off as man. You can he looked like it
he'd be down and out and went to the barber.
He looked certain way he ain't. He looked calculated in
the mug he knew. He knew his wife was gonna
be naked on the red carpet. He knew he was
gonna stand there. He knew he wasn't gonna stay long.
He knew what he's doing with he and he and

(40:22):
the fact that you've been so quiet for so long
and then you came back and the same thing in
shape better off.

Speaker 1 (40:29):
I was like, man, Okay, we see what you're doing.

Speaker 3 (40:31):
You must be getting ready to drop some new music,
and he getting he trying to add that shock.

Speaker 4 (40:36):
Value, trolling beyond anything, a little bro. But you.

Speaker 3 (40:39):
I think the thing that bothers me about Yay is
he's so talented, Like he don't have to do none
of it. Literally, all you have to do is put
out a good album and people you will get all
the publicity you need.

Speaker 1 (40:49):
Just just be good. It's like Ja Cole, J Cole
does it the best. We don't.

Speaker 3 (40:54):
He don't have to do nothing, crazy, do nothing. All
he gotta do is tell you new album out now,
and you listen and you like it, and tour on
the way, tour on the way, and you're sell out
all your readers across the count.

Speaker 1 (41:06):
You're that big.

Speaker 3 (41:07):
You don't have to do it like you just just
be great. But y, I say, don't do nothing crazy
for attention. Tour, just let you know I'm about to
album coming you on that level of artists. Yeah, you
don't have.

Speaker 4 (41:19):
To do it.

Speaker 2 (41:20):
Just that's the craziest thing. I'm glad I got to
see the last great Yea. The last grade Yea is
when he was on tour, lying around on the state.
That's the last to last of the great Yea. That
was like, because I ain't gonna lie when he did
the tour, I was. I was like, you're gonna fly
around above people and perform. That's gonna be the stupidest

(41:44):
thing I've ever seen.

Speaker 1 (41:45):
In my life.

Speaker 4 (41:46):
That was.

Speaker 3 (41:46):
That was one of the coldest concert I've ever been
to Pere. I've seen him, saw a lot of stuff.
I ain't gonna lie his No, his other concert was
good too. I know people didn't like the album, but
the concert made you at least appreciate the album.

Speaker 1 (42:00):
What kind of jesus uh tour?

Speaker 4 (42:02):
Is that?

Speaker 3 (42:02):
The one when he was on stage, that's the one
with the album that sounded really weird. The the yeast
album they have hands on it. The black Skin was cold.
I liked that album a lot. I didn't like that
album like that until I went to the tour. When
I was to the tour, I was like, oh, this
is cold. He had mountains on stage, he was coming

(42:24):
from the sky.

Speaker 1 (42:25):
It was all. It was good. It was crazy.

Speaker 3 (42:27):
It was like it told the story. I was like, oh,
this is I.

Speaker 1 (42:29):
See the art behind it.

Speaker 3 (42:30):
Now flying now now he just want to stand in
the middle of stuff with nothing else while still working
on the album and come out and just.

Speaker 1 (42:39):
What are you doing.

Speaker 5 (42:40):
You're genius in that regard because he's always ahead of
the times. Like the flying stage thing. People are just
now getting on that, like justin Timberlake just did that,
and Kanye was doing that years ago. Like he's a
genius in that aspect. I just wish we could stop
the stupid stuff so we could focus on that and
appreciate his art.

Speaker 1 (42:56):
So Zach so like if one of your auntie he
was fine and I just sent to the eyes.

Speaker 4 (43:04):
I know you didn't smash some of my aunties. What
I know you have. I'll be scared to ask. I'll
be scared to.

Speaker 1 (43:12):
Ask you cannot you know you can't smash.

Speaker 4 (43:14):
I don't need to know that you did, but I
just know that you did.

Speaker 5 (43:17):
So it's like we don't ever have to talk about it,
you know what I'm saying, Like, that's why you be
like and I come, No, you can't come to the cookout.

Speaker 4 (43:25):
No, bro, you're not getting near my aunties.

Speaker 1 (43:28):
I can't.

Speaker 4 (43:31):
From the man. Man, you know, not one of my aunties,
but some of yours too.

Speaker 1 (43:41):
You know, it ain't disrespectful if it's.

Speaker 4 (43:43):
In the No, Bro, I don't want to know that.
I don't want to know that about.

Speaker 1 (43:48):
My auntie and tone went to high school together. He
smashed my auntie. I don't find that disrespectful.

Speaker 4 (43:54):
Bro. He told that how you camp is down.

Speaker 5 (43:57):
I don't ask that my family members about. I don't
want to know, Like, please don't send my aunties no bananas.

Speaker 2 (44:06):
He got a cute aunties. You got cute ladies in
their family. There's a lot of Q ladies in their family.

Speaker 1 (44:14):
Like you know what I mean?

Speaker 3 (44:16):
You gotta yeah, I remember doing not the birthday party
he had and they from.

Speaker 1 (44:22):
The South suburbs.

Speaker 4 (44:23):
Yeah, this is why I don't yeah.

Speaker 1 (44:27):
Going unteasing peril brothers, Like what's up?

Speaker 4 (44:31):
Protect your aunties? Protection?

Speaker 1 (44:34):
Oh man?

Speaker 2 (44:35):
Okay, beg the Stallion wants Tory Lanes to take the stand.
Is this overkill?

Speaker 5 (44:44):
No?

Speaker 3 (44:47):
What you gotta say, exactly what you gotta say, of course,
come this fight here, come to fight.

Speaker 4 (44:54):
Go ahead, stay focused, you do, it's so good.

Speaker 3 (44:58):
Let me tell you something. I'm just gonna say. No,
if I'm locked up, don't get me to come out
and then go back in.

Speaker 1 (45:04):
And hell no, if I get if I gotta, if
I gotta take the stand, let me go home. Let
me go home.

Speaker 3 (45:11):
If I gotta take the stand, I'm going home. I'm
not finna take the stand in and put me back
in comes. I'm staying in here.

Speaker 4 (45:21):
But you might get a day out, you might get
a day out.

Speaker 1 (45:24):
Leave me alone. I ain't never seen may starting. Don't
see me from jail. Like, why you're still he in jail?
Come on, bro, he locked up.

Speaker 3 (45:35):
That's what I'm saying. I'm not taking the stand and
going back to my cell. If I take the stand,
I'm going home. What do we take Why I'm.

Speaker 4 (45:44):
Already gotta stop George Styn No, I'm not.

Speaker 1 (45:47):
I'm in jail.

Speaker 4 (45:50):
He's still.

Speaker 1 (45:50):
Let me if somebody's doing something to me from jail
right now, guess what I don't know. I don't know
because I'm free. It don't matter. Say something, Meg, put
the phone down. No, what is what is he even doing?

Speaker 4 (46:04):
I'm he allegedly paid a blogger to trash her from jail.

Speaker 1 (46:09):
Okay, gotta have something else to do.

Speaker 4 (46:11):
No, she need to be like fifty cent in this case.

Speaker 5 (46:16):
Don't stop until he is done, because he keeps doing
stuff she She didn't even that's all.

Speaker 4 (46:23):
Let's all.

Speaker 5 (46:23):
Remember Meghan never even wanted to press charges against this man.
The state picked this case up subpoena at her to court.
She had to give her testimony or go to or
she would have been going to jail. She tried to
protect this leprechaun from the beginning, and he's still doing
stuff to her. So if I'm Megan the Stallion, I'm

(46:44):
going to Yes, I'm going to use every legal thing
that I can to keep my foot on your neck
because you keep playing with me. So why is it
okay with fifty and people? Zach, But you don't want
Megan A Stallion to get her justice?

Speaker 4 (47:00):
God?

Speaker 1 (47:00):
Justice, She got that.

Speaker 4 (47:02):
No, he's still doing in jail.

Speaker 1 (47:04):
He's still doing in jail for talking? Or am I
in jail for shooting you.

Speaker 4 (47:08):
You need to be in jail.

Speaker 3 (47:09):
So if I'm in jail for shooting you, then I
am and I am doing my time. I'm not in
jail for talking.

Speaker 5 (47:16):
But you went to jail, so what you know, I'm
went paying people and started paying people to try to retaliate.

Speaker 3 (47:22):
The case is about me shooting you. No, that's why
he's in jail. It ain't no, she didn't put up
when she put up, ain't no talking charges. No, this
is why he has to go to He has to
go on the stands and.

Speaker 4 (47:33):
I'm not going on the stand.

Speaker 1 (47:34):
Y'are putting me back in the courtroom. I'm done. I'm done.
If I'm toing, I ain't doing nothing, and I'm doing
my time.

Speaker 4 (47:41):
And when I get out, I believe y'all are okay
with this man shooting a woman.

Speaker 1 (47:45):
I just know.

Speaker 4 (47:51):
I can't believe y'all.

Speaker 1 (47:55):
You know it's time for that, But now you want
to get it.

Speaker 4 (47:58):
I can't talk while I'm in.

Speaker 2 (48:01):
The need to make an album, that is a fact.
And she been out and been famous. You absolutely nothing
nothing anybody called anybody is an industry plant?

Speaker 3 (48:16):
Is Meg the stallion? It Staia has had? Why I
see so famous. Agree, why like bro like and that's
nothing that gets her.

Speaker 2 (48:30):
But it's like everything we hear more about who she dating,
we hear more about, we hear more about what what
issues she got with other people beef than a classic album.

Speaker 1 (48:42):
She is super talented, she's bad. Why can't you put
those two together?

Speaker 3 (48:48):
Because she worried about what Tory Lane saying down in jail,
no sing something on the who say something blogger? He
paid the blogger to say something. Girl, if y'all go
to the studio and close your eyes, I'm worried about that.

Speaker 1 (49:04):
Nobody. We don't even know what the blogger said.

Speaker 4 (49:06):
That's crazy.

Speaker 3 (49:07):
You went and found something. I am.

Speaker 2 (49:12):
I'm honestly because it was two people. I picked two people.
I picked Lotto and Meg is starting to really do something.
I was like, oh these two finna be whoa. I
really didn't see Gorilla coming. I was like, okay, because
you remember she got catchy from that one song. I
was like, okay, I ain't see that coming or sexy
read but Lotto and Sexy Lotto and Meg I thought

(49:34):
was the next ones. And the Lotto's definitely doing her thing.
But to watch what Meg has, she's Mex might as
well go start acting. She might as well start acting,
bro Like she the mute? Where's the music?

Speaker 1 (49:48):
She keep a song with somebody else? You gotta hit song.
I'm not saying she can't wrap. It just seems like
we haven't.

Speaker 2 (49:55):
For that level of talent, that level of stardom, that
level of no variety, we should have a project to
hold on to. Even though Cardi B has never given
us nothing but one album, we still got a classic,
still got one. So I'm just saying, I mean wording it.
When I see Meg's, I like, damn sis like he

(50:18):
locked up. He locked up, He didn't put out more.

Speaker 3 (50:22):
He recorded more from Jail's on the phone recording.

Speaker 1 (50:26):
He trying to do his album He out here. He
just it was a riot going on.

Speaker 3 (50:33):
He trying to knock out the distractions. How the hell
you can't He was like he was scared. He was like, oh,
but you got a whole studio, furniture, water, food, producers,
and he came out with nothing.

Speaker 1 (50:53):
You want him to go back to the stand.

Speaker 5 (50:54):
I know he like, I'm recording my album, alrazy.

Speaker 1 (51:01):
Carl Crawford, and what did he say? He said?

Speaker 3 (51:04):
He didn't say nothing all he said was everybody will
see shot back.

Speaker 1 (51:09):
He was chilled, telling her.

Speaker 5 (51:11):
How you been brol I'll just be doing y'all just
be saying, scuse nobody can't.

Speaker 4 (51:18):
But I know what car Crap says.

Speaker 5 (51:21):
I know we don't care about what he got going
on and what he's talking about. Tell him to get
Erica poppin. Listen, y'all need to stop. Okay, that lady
been shot. She been through all kinds of trauma. She
lost her mother, she had her world has been turned
upside down. She had partners that did he wrong, her
friend betrayer, her best friend betrayer, and then you got

(51:44):
Tory that has shot her. And then all you toxic
men in America who have turned your back on her.
She has overcome a lot. When party them only gave
you one classic whatever they ain't been through half this.

Speaker 1 (51:58):
Of a classic album. That's what it sounds like when
artists used to go through stuff and be on the track.

Speaker 3 (52:05):
That's what we used to everything you just name being
a little cocaine still had album out.

Speaker 4 (52:13):
What are you talking about, Megan, I'm on your side.
I just gotta laugh.

Speaker 1 (52:17):
I just used to do work. You mean, like what
she is what is a class.

Speaker 3 (52:23):
That's all of those things you just named are the
ingredients to a classic.

Speaker 1 (52:29):
Did you ever see tem Turn the movie she did make?

Speaker 5 (52:32):
I did.

Speaker 1 (52:32):
I saw what I did.

Speaker 3 (52:34):
Albums was out though. That's all I'm saying. You talking
about a hard life. Now we a hard I had
a hard life. He back on music, he back on
the other side. Now that is messed up. That is
messing because think about it, for.

Speaker 1 (52:50):
Y'all, tough life. I saw the winning Houston story, tough lif.

Speaker 5 (52:53):
Her brand is shaking ass music. I don't want to
shake ass in my mama's dad. I don't want to
shake ass if I got shot and all the toxic
men in America is trolling me. I don't want to
shake as if my best friend betraying me. So it's
probably hard for her to get into a mental space
to make a good project. Because we love her for
ass shaking music. She's not in an ass shaking place

(53:13):
right now.

Speaker 1 (53:14):
Her ass shaking music are actually second.

Speaker 2 (53:16):
If you ever heard when Meg was first coming out,
when she was just doing the freestyles in the car, freestyle,
crazy crazy. So the ass shaking music is just something
just that worked.

Speaker 4 (53:29):
She can do that.

Speaker 3 (53:29):
I guarantee you she can make an ass second shown
like that the record she she can actually make records.

Speaker 4 (53:35):
It's no way you can give me serious record that
Megan that made that was a hit.

Speaker 1 (53:39):
Then I'm saying she was she.

Speaker 2 (53:43):
Ass shaking music with the talent that she had that
she was using at the beginning when she was doing
the freestyles in the car. I think those two can
marry together in a good project. All I know is
you ain't pulling me in. I'm over here trying to
get in greediest of the game, Kiki.

Speaker 4 (54:01):
Y'all ain't right.

Speaker 5 (54:02):
Y'all have no sympathy for women, and y'all only support me.
And that's what I got from this whole conversation.

Speaker 1 (54:07):
What are you talking about?

Speaker 2 (54:11):
Conversations y'all don't y'all just people get a new fuzzy
hat and they just they just want to blame everybody.

Speaker 4 (54:18):
Else protect black women.

Speaker 1 (54:20):
We are constantly this is we love black women on
this podcast.

Speaker 2 (54:24):
I don't know speaking of a black woman that loves
somebody that may have some issues with Black women and
most women. Photos of r Kelly surface on social media.
Kit Kiki, I know you double chapped on.

Speaker 4 (54:34):
Those me I'm just saying, no, somebody not on this
R Kelly. Have you seen these pictures? Here y'all laughing
at have you seen these pictures?

Speaker 1 (54:44):
I seen it? No, I ain't double tapping on that.

Speaker 4 (54:47):
R kel look like one of the men outside the stove.

Speaker 1 (54:50):
What happened? R Kelly?

Speaker 4 (54:51):
You ain't seen the new pictures?

Speaker 1 (54:52):
No, he got new pictures from jail.

Speaker 4 (54:55):
Looked like one of them. Looked like one of the
men that hang outside the gas station.

Speaker 1 (54:58):
What he supposed to look like? I don't know. But
what happened to R Kelly? The cooky? I wall that coky.

Speaker 3 (55:11):
That's not cool And don't real R Kelly fans know
what that's wrong? We're just crazy, Okay? He a R
Kelly jail photo, Yes, the new one jail picture. Every
brother doing some time brow.

Speaker 1 (55:26):
I'm looking at him.

Speaker 2 (55:27):
Now, you don't, they say, barely recognized. But you can
still see his kill. He and his green, Yeah, the
green the thermal is he gotta watch.

Speaker 4 (55:38):
All the jail hilarious like Kells on jail that don't
look like Kelly.

Speaker 2 (55:45):
He got a hat and nobody bothering R Kelly in
that jail. You imagine the story because he's a great storyteller.

Speaker 1 (55:51):
You know, he's singing Happy Birthday to everybody singing he's singing.

Speaker 2 (55:54):
Is they getting conscious at least once once every two weeks? Yes,
he tied his sayd he probably telling him about he like, yo,
you know what I have telling him about Diddy case,
the whole.

Speaker 4 (56:10):
All Caemis stuff.

Speaker 1 (56:11):
He probably get in there. Did you see though?

Speaker 2 (56:12):
The lawyer that got as rocky y'all said that he
want to mess with the Diddy case, to touch it.

Speaker 5 (56:19):
Wendy Williams told y'all what she told? What do you
mean what she told everybody? It's over with for Diddy.
Wendy said this did go ahead.

Speaker 3 (56:30):
How do y'all feel about the defense attorney quitting though? Yeah,
that's how you know he must saw something and said
I can't even touchn't even do with this.

Speaker 1 (56:40):
Yeah.

Speaker 3 (56:40):
Yeah, an attorney said, I can't even take your money man.
And man, what scared me was it was the black dude,
you know for a brother be like, hey, I usually
had your back, but I'm up out of here.

Speaker 1 (56:52):
That's how you know he saw for.

Speaker 5 (56:53):
Any attorney to walk away from this case knowing that
this man probably won't get out and when you're in
a situation like that, an attorney can just drain you.
They're just draining legal you know, legal fees, just draining you.
But it must be so bad that you don't want
to be associated with it, or you're scared of the
repercussions that might come from dealing with him, because that
would be my thing Ford being in the fist attorney
for Diddy. If you do something he don't like, you

(57:16):
don't know. I mean allegedly, they say people come up
missing or end up with pneumonia. You know what I'm saying.
So imagine working for him at this level and you
end up missing or with pneumonia. I don't want any
parts of it. So if I'm him, I don't want
to work for you either.

Speaker 1 (57:32):
Is again Diddy the Diddy situation. Everybody can make all
their guesses in here. They think. I just think.

Speaker 2 (57:40):
When I look at Diddy, I think Uncle Rust was
the smartest suit on the planet. Uncle Rush got the
hell up out of Dodge Bro.

Speaker 5 (57:48):
It's a little deeper than Uncle Russ, I think, huh.
I think it's a little deeper than what Uncle Russ
was effacing. Uncle Rust may have fallen under the sexual
assault and things like that of young women. But with
Diddy is so deep because there's bodies. You mean, there's
dead people, dead people. Yeah, Biggie kim Porter, all the

(58:13):
people on Bad Boy.

Speaker 1 (58:15):
Who died, they died on natural causes.

Speaker 5 (58:19):
Exactly exactly. You see what I'm saying. I'm just talking
about what And this is not coming from me, This
from a lady on TikTok. I don't want no problems
with you, Diddy. I don't know, I don't know nothing.
I didn't see nothing. But my thing is, I think
it's a little deeper because we're talking about opening death cases. Tupac, Biggie,
his other are black. You know, I don't want them

(58:41):
to keep naming people. But all these different people than
just randomly came up dead.

Speaker 1 (58:44):
You know, he belcome this mob boss.

Speaker 4 (58:48):
But here's the thing, Song, here's the thing.

Speaker 5 (58:51):
If you were accused of all these things, everybody in
this room will say he never did that. There is
nobody saying that he didn't. You what he's being accused of,
nobody nobody. I'm not scared if I know my brother innocent,

(59:12):
If I know for without a shadow of a doubt,
that tone did not commit with y'all are saying he did.
I have no problem saying that and speaking out for you.
If they come to me and say, Kiki did tone
do x y Z and I just go quiet.

Speaker 1 (59:29):
Yeah, I don't know.

Speaker 5 (59:31):
So you can't work with that many people and have
the type of popularity and power and careers that you've had,
and nobody will speak on your behalf. Nobody will come
out and say I had he was great to me,
he was. I didn't see any of those signs. I
didn't witness any of that. The fact that Steve where's

(59:51):
Stevie J?

Speaker 1 (59:52):
Y'all? I was just about to ask that where is
Stevie J?

Speaker 4 (59:55):
Thank you? When they like giddy up?

Speaker 5 (59:57):
Stevie J put on his Instagram that very crypto to
basically say, hey, I'm happy it's happening, basically saying I'm free.
No way do y'all research, man, y'all need to get
on TikTok, y'all. I'm trying to tell y'all, Stevie J
was allegedly a victim too, and now he free, and
that's why we don't hear nothing from him because he

(01:00:17):
allegedly allegedly allegedly according to the lady on TikTok gave
a statement that might have helped get Buddy in the
jam because he was so close to him.

Speaker 4 (01:00:27):
Because if you didn't, can we get atok TikTok not me?

Speaker 3 (01:00:35):
Can we get the lady from TikTok on the show
to talk because we need to figure out I can't.

Speaker 4 (01:00:40):
I can't, Yeah, by your access.

Speaker 1 (01:00:42):
To the lady, Okay, because I saw some stuff on
TikTok that was bad.

Speaker 4 (01:00:45):
I don't even want to about Diddy, right, you see
what I'm saying.

Speaker 3 (01:00:48):
About why the lawyer quit? I tell you, I tell
y'all pod, but I can't even tell.

Speaker 8 (01:00:54):
It's so bad. Happy to y'all know why it's that bad?
I just like for me, I just like I just starting.
I ain't going to happen to me.

Speaker 1 (01:01:04):
You know what?

Speaker 4 (01:01:05):
You know?

Speaker 3 (01:01:06):
Who did happen to me?

Speaker 4 (01:01:07):
I know why? Okay?

Speaker 1 (01:01:10):
If you're getting them all, yeah, I'm I'm telling the
people was on you, you know something.

Speaker 5 (01:01:14):
But I'm just saying the fact that nothing real because
like none of us want to believe any of this stuff.

Speaker 4 (01:01:19):
I used.

Speaker 5 (01:01:19):
I thought like I he held him in such a
high regard. Remember when this all came out, I was
like in a grieving process, like like legit sad and
one of my heroes is done, like and there's no
coming back. But after all this stuff has come out,
and know, everybody saying the same.

Speaker 3 (01:01:36):
Thing because when because when the jay Z stuff came out,
everybody came to this defense. People came to whole defense like, nah,
ain't no, ain't no. I don't see it from jay
Ain't no way. I ain't saying he the best man
in the world. I don't see that saying he did
it's crazy.

Speaker 1 (01:01:52):
Ain't no way.

Speaker 3 (01:01:52):
And I'm gonna let you know if I ever get
in the gym, I want y'all speaking of It depends,
it depends on it depends on.

Speaker 4 (01:02:03):
Saying about you.

Speaker 1 (01:02:04):
What's the crime that you that you're gonna defend from me?

Speaker 5 (01:02:06):
I would defend anything that I know you didn't do
if I know you did what you're being accused of.
I'm gonna just be quiet because I'm not lying. That's
one thing about me. Y'all know that I'm not gonna lie.

Speaker 4 (01:02:16):
I just be quiet before I lie.

Speaker 1 (01:02:18):
So I need you laughing.

Speaker 4 (01:02:20):
Don't do nothing around me because I'm hey.

Speaker 1 (01:02:23):
All right, man, it's been a full final thoughts.

Speaker 4 (01:02:27):
I'm not done what else we got done in this hour,
but I'll be having fun.

Speaker 3 (01:02:33):
That we we the hour ago of our fast Do
we need more? The people want more, The people want more.

Speaker 1 (01:02:39):
We will be giving them. We hear the people. We
will hear the people. It will be happening.

Speaker 4 (01:02:44):
You got a topic, writer, something on your mind.

Speaker 3 (01:02:49):
We have to upload right up. If we got a
edit right, we got to upload right you wrap this
up and give you on the throng.

Speaker 4 (01:03:01):
Some I don't like hang it out with me.

Speaker 6 (01:03:03):
I like.

Speaker 1 (01:03:05):
I want to and my show with my radio show
is about the stuff. Write it writer. Writer was in Nashville.
Shout out to writer, shout out to ride trying to write.

Speaker 3 (01:03:17):
I saw you outside in your city city, raw dog,
when he's down there.

Speaker 1 (01:03:21):
Did you row the dog? I'm sorry you did nothing. Okay, yeah,
raw dog, it's crazy.

Speaker 4 (01:03:28):
And nash right to be outside.

Speaker 1 (01:03:32):
You got a baby? No, I had a baby here?
Oh really yeah? Yeah? Yeah, my son's four. I was here. Okay.

Speaker 2 (01:03:40):
Uh, I ain't gonna say he definitely did. He went
to college in Nashville. It's no way here. He did
not slip up one time.

Speaker 1 (01:03:47):
Okay, that's not what this conversation is gonna turn that's crazy.
All right, y'all final thoughts, that's my final get out
of here, y'all. All right, y'all.

Speaker 2 (01:04:00):
Uh we uh three weeks away from an announcement, well
two weeks.

Speaker 1 (01:04:04):
Down, huh.

Speaker 4 (01:04:04):
I guess we'll talk Thursday.

Speaker 1 (01:04:06):
Two weeks, two weeks, two weeks. Wepsode says one ninety seven,
three weeks away.

Speaker 2 (01:04:11):
Yeah, three weeks away, three weeks away. Pop pair Remember Share, Share, Share,
do not get keep. The pod also makes you check
out T s R Live on Thursdays. We are seven
thirty Central times, so whatever times on you are adjusted
just to just we can always check it out on
the Shade Rooms YouTube page and just watch everything.

Speaker 4 (01:04:30):
What everybody cooking for dinner tonight?

Speaker 1 (01:04:34):
I got meal prep already, my foods already to get.

Speaker 4 (01:04:36):
Don't want to talk to you. What you cooking tonight? Rider?
She said, Boo, Ryan, what you cooking?

Speaker 1 (01:04:45):
I'm gonna go run my chicken pasta back.

Speaker 4 (01:04:48):
Okay, you're making a chicken pasta.

Speaker 3 (01:04:50):
You the only person cook on Tuesdays.

Speaker 2 (01:04:53):
I might go chicken and rice. I might just go
chicken and rice. I'm trying to lose get my weight together.

Speaker 4 (01:04:57):
Okay, I see you slimming down.

Speaker 1 (01:04:59):
I could see trying to get I'm getting. Speaking of
swimming down, we see you, we see we see your
ki getting medium.

Speaker 3 (01:05:07):
That hat they're about to slip off your head, your face,
they got so thin, shut up.

Speaker 1 (01:05:14):
Kiki cheeks and looking like mine.

Speaker 4 (01:05:17):
I need to up the dose for me, I won't.
I want the old Zip. I want them to be
thinking I'm on crack. No, I'm just kidding. It's working.

Speaker 1 (01:05:27):
Okay. With that being said, well, what can we say
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