Diddy Vs. Lil Rod Update, Slim Thug's Comments About Women, Liking Pics On Social Media & More

Tone Kapone, KeKe, and Zach Boog talk Diddy Vs. Lil Rod Update, Slim Thug's Comments About Women, Liking Pics On Social Media & More!

Episode Transcript

Speaker 1 (00:02):
All right, y'all, welcome to the One Wore Can I Say? Podcast?
Episode writers two old three. The third day of the
pod just happened every day.

Speaker 2 (00:14):
I feel like we need a part of thought.

Speaker 1 (00:19):
Every day we just yapping, Yeah, just just yapping away.
I'll still get you to the schedule. I ain't gonna lie.
We could tell I had to, yeah, but I'll lock in.

Speaker 3 (00:28):
I'm a lock in. I'm sorry, guy, I'm a little late,
so I don't try.

Speaker 4 (00:32):
To walk in like he mad every time, walking in
real fast and nobody said nothing.

Speaker 3 (00:39):
Man, just had to come from house south man. It's crazy.

Speaker 1 (00:44):
Okay, that's just you know, I was renolate. I may
I forgot that we were parting today. I may I
forgot that, man, You know that. Thank God for group chats.

Speaker 2 (00:58):
But but hey, but everybody bear with us for real,
pot fair. This is our first week trying this. We
are all trying to figure out what works. Yeah, so
you know we're figuring it out for you.

Speaker 3 (01:08):
Yes, definitely figured out how on Your host.

Speaker 1 (01:12):
Is the first Lady of the Pot, the only Lady
of the Pot and Pluffy and Fire.

Speaker 4 (01:17):
Her name is Hey, friends, what's up? What's going on?

Speaker 3 (01:21):
Hey? Doing this morning. I've never seen you three days
in a row. Yeah, this is a lot. In it
a lot? You want this? It's a lot. I know,
I know, I know you want this.

Speaker 1 (01:38):
I don't even know how to answer that. Yo, that
would put me in a predicament introduced end of the
five predicament.

Speaker 3 (01:55):
Just move on. That's welcome to day, so Zach, I
get it. Woo woops, Actually, never mind, I.

Speaker 2 (02:05):
Forgot you always live in pine a lot man, I
get you a good wood yesterday.

Speaker 1 (02:09):
But you know, they were in the middle of argued
over snickers.

Speaker 3 (02:15):
The whole show even began.

Speaker 1 (02:16):
Everybody, So if you send some tension between them, they
have a snicker Tom.

Speaker 4 (02:23):
I gave him my snicker. All I asked was for
him to go give me a bottle water. He came
back with a straw with no water. What does that
do for me?

Speaker 3 (02:32):
No water?

Speaker 2 (02:33):
They didn't have any more water in the kitchen. Okay,
she didn't want any water out of a cup I offered.
I said, want to go get you some water the cups?
She said, Now I want you breathing on my water.
She's the German folk. And then I got her favorite
classic coke. She loves Classic coke, no endorsement, and I
was like, you just get some coke, and then he
was like, nah, I'm trying to do better.

Speaker 4 (02:53):
So it's the Millennium tour coming. I ain't got no
zimpick in about three weeks. I'm trying to hold it together. No,
I can't drink a coke. I wanted water, but I
guess i'd just be thirsty.

Speaker 1 (03:06):
All right, Well it was good, all right, Well let's
go ahead, jump right into it.

Speaker 3 (03:09):
Man.

Speaker 1 (03:09):
Judge dismisses five of the nine claims against Diddy uh
that were made by producer Little Rod. Now, the sexual
assault claim is still on the table, but he sued
Diddy for thirty million for sexual assault and sexual harassment.

Speaker 5 (03:24):
Uh.

Speaker 1 (03:24):
Do you think the rest of these claims are going?
It's five out of the nine. Do you think you
know the other four? Get they to go away?

Speaker 3 (03:31):
Hell?

Speaker 2 (03:31):
I don't know a little rods. Y'all know how I
felt about Little Rod's case, I mean his stuff. I
was kind of like, hey, you kept showing up, you know,
you were the camera man or whatever you were doing.
And you said did he fondled you? Which is wrong?
He shouldn't fondle you. But I'm not gonna keep coming back,

(03:52):
keep getting funded.

Speaker 3 (03:55):
That's not framed. I'm stopping. I'm getting fundled about the
second third day. Touch my ball. Hey, I ain't coming
back no more. Man, Man, keep touching me, but I ain't.

Speaker 2 (04:07):
Gonna keep coming back to work and then be like, oh,
I can't believe you're doing this.

Speaker 3 (04:10):
Maybe not gonna do it today. He keeps touching you.
That's not right, you guys, that's really not right. No,
that's wrong to laugh. But it is like it's like
IFL Boy told you, like, hey, man.

Speaker 1 (04:25):
I'll tell you something. I went over diddy House and
he fondled me, and you feel sorry and you're like, damn,
like what the what did you do? Like you you upset?
But he goes back for like three days.

Speaker 3 (04:38):
And then he'd be like, where you going diddy House?
But didn't he just foping? I don't know. I don't know.

Speaker 1 (04:47):
I don't know. You cut the drive to get off
the car. There's a lot of steps before the bar
over there.

Speaker 3 (04:59):
I just I'm laughing, bron. Some of y'all would have
went back. Some of y'all would have went back.

Speaker 1 (05:05):
No, if you are gonna go back, I don't think
you can go soon. Now, I'm giving you twice.

Speaker 3 (05:12):
I'm giving you. I'll give you a two because you
like man.

Speaker 1 (05:15):
No, you trying to justify I get it, man, they
try to justify it. But out of the day two
of the fathers, you going back, three, four, five, and
you posing their pictures.

Speaker 3 (05:27):
Some of this is consentric. At some point, at some
point you have said, okay, that's all I'm saying. No,
what I gotta like your bother?

Speaker 2 (05:40):
Wow?

Speaker 3 (05:41):
Wow?

Speaker 1 (05:45):
You go and you go see Dinny for a week straight,
and you with him. I can't feel sorry.

Speaker 3 (05:52):
For you on vacations with him. Oh my, he got touch.
Come on, man, you charge some of the shoes having fun?

Speaker 5 (06:02):
Oh my god, all right, look back.

Speaker 3 (06:24):
It's just hard for me to be feel sorry for
a grown ass man. Dog. You ain't no child, You
ain't no woman. You a grown ass. Ben. She's driving
over there you at some point to let you in
the gate. Who is it? Lad? You're here again? Yeah?
The gate opens slow. It's so much time to think,

(06:45):
I don't think I want to do this.

Speaker 4 (06:49):
It's so much time to think it's crazy. You are
sick all wrong. Oh my gosh, I'm standing is you.

Speaker 1 (07:02):
Rob we respect, We respect it all. Bronna, Lie, don't
take this last. We don't understand your pain. It's just
it's hard. It's confusing when you keep going back. That's
the confusing part about it. Did he not Dracula? He
not hypnotizing you to coming back. You don't have a

(07:22):
gun in your head telling you to come back.

Speaker 3 (07:24):
You pulling up? Well, what does the lady say? Key key?

Speaker 4 (07:30):
Well no, it's just it's did he? And I know
a lot of men. I know a lot of men
who would absolutely do what did he say?

Speaker 3 (07:38):
To keep coming back and get fond.

Speaker 2 (07:40):
Dude, Get what you're saying. A lot of men would
probably do what did he say? But that means they
have consented for whatever reason though within that is either
because he did he they like to check that comes involved,
or whatever. It's just with me personally, you don't care
how much money is on the other side of that.

Speaker 3 (08:01):
You're not fondling me. You know what I'm saying.

Speaker 2 (08:04):
About the second time I get fondled, I'm gonna be like, Hey,
I don't like this, I ain't coming no more.

Speaker 5 (08:09):
Right.

Speaker 3 (08:11):
What you own? What you own? Bro?

Speaker 2 (08:12):
Like, we're gonna have to have a conversation. It's gonna
be something we're gonna have to fight. Hey, touch me again.
We're fighting in here, bro.

Speaker 3 (08:19):
Everybody say that you're gonna figure it out.

Speaker 4 (08:20):
Everybody say that outside the gate or a lot of
people would have changed.

Speaker 2 (08:25):
They man once they got on the other side. But
sometime like that said they were having fun. Well, or
even if it's that sexual assau even if you don't
like it, you've still made it. Oh, you've justified it
for whatever reward that you were getting out of it.

Speaker 3 (08:42):
Right, So that's what I'm saying.

Speaker 2 (08:43):
So you can't to choose that and be like, well,
I'm gonna take that because this the money, let's just
say the money that came with it. Was like he
was like, you know what, I'm just gonna take these
findals even though I don't like it, but I'm gonna
take this. But I want this check though, But think
about it. So now you can't go suit on the
other end because you were sitting here. You you can
still that's still making a.

Speaker 4 (09:01):
Decision, making a decision for sure, But I'm just saying
you guys said it's not so easy when you're in
the situation to make those decisions. Think about it. You're
a videographer. You're getting to work with Diddy, right, and
then you go, he fondles you.

Speaker 2 (09:14):
Let me ask a video, and then let's ask a videographer.
We want your opinion. Let's say you finally get the
opportunity to work with Diddy. You're out one night, pink cocaine,
a few drinks. Next thing you know, you're finding what
you're doing. What's your next move?

Speaker 3 (09:34):
Okay, all right, but.

Speaker 4 (09:39):
Your videographer ghost ghosts on you. You know what you
did to that videographer. You're Diddy. So we've seen and
we've heard alleged stories of what happened to people who
cross Diddy.

Speaker 3 (09:49):
So you go missing one.

Speaker 4 (09:51):
You're probably never gonna work in that town again with
anybody because he's Diddy. So if he wants to tell
everybody in the world not to work with you, they
will listen. So you done lost all your your whole career,
your opportunities.

Speaker 3 (10:03):
People go back. I've seen people go back home for less.
I went to college. People went home because they didn't
like you talked to outside the gate.

Speaker 1 (10:15):
Look a lot of them, it's a lot of you
gotta get up, you gotta go ahead. The shower. You know,
everybody thinking the shower a shower. You had a drive
over there that you definitely not catch it every night.
I gotta hit the rest. Sometimes you go about life,
it's a lot.

Speaker 2 (10:34):
I'm gonna tell you about that second time I ain't showering.
You come over and finding it again. You're gonna get
some stink back.

Speaker 3 (10:40):
Now that's one. I'm sorry, little Rod. I'm just trying
to love love, right man.

Speaker 1 (10:47):
We hope whatever if you were, we hope justice comes
your justice.

Speaker 2 (10:52):
You got you got more counts, more poemore counts that
stood up.

Speaker 3 (10:57):
It is all right. Oh my gosh, that's a good laugh.

Speaker 1 (11:04):
Gorilla abruptly ends her Saint Louis concert after multiple fights
broke out, and she ended the show after the third fight.

Speaker 3 (11:11):
Oh this a little audio for this, Uh studio already
the pot film likes the audio. Now, yes, they do.
All they do. They have been saying they like the audio. Okay,
we're good.

Speaker 1 (11:22):
Why I won't mess it up our producer Ryan shout
out to producer Ryan, and uh, yeah, I got it.

Speaker 3 (11:38):
I love y'all. I don't want to do this. Hope
y'all to make your sitement first. I love y'all like
no one.

Speaker 1 (11:45):
So that was her ending to fight everybody. After the
third fight, people are acted crazy and crazy and conscious.

Speaker 3 (11:51):
I don't get that.

Speaker 4 (11:52):
I don't need them. Why pay your money to do
stupid stuff like you there to see a show.

Speaker 3 (11:58):
But people fight. You know what I what? This is
the guy that went to school I went to.

Speaker 2 (12:03):
I wanted to get your public school, and it was
fights all the time in times where you probably shouldn't
be fighting in the morning. This was probably high school kids.
It's on site. You know when your high school people.

Speaker 3 (12:12):
Fight a lot.

Speaker 2 (12:13):
When your high school I guarantee it was high school
girls fighting, and that's just what happened. Somebody got beat up.
Her freedom was still there. Then they just kept going.

Speaker 3 (12:22):
In St.

Speaker 2 (12:22):
Louis, Saint Louis, they fighting Saint Louis, them Saint Louis
girls fighting fighting women in Saint Louis.

Speaker 3 (12:28):
I gotta know your audience. Saint Louis dudes crazy, You
hear me crazy?

Speaker 2 (12:34):
I know them, Saint Louis negroes, they got nuts, so
I can see it happening, you know what I'm saying.
But like I think Gorilla was responsible and decided to
shut the show down because if somebody gets hurt, y'all
gonna try to sue me. Nope, Nope, we shutting this
thing down. So I respect what Golriilla did.

Speaker 3 (12:52):
She gave him three fights.

Speaker 2 (12:53):
She gave you three chances. First one get out of here,
second one stop it, third one I'm out.

Speaker 4 (12:58):
And let me just say, from the end of streets perspective,
like when y'all going to these shows and y'all fighting
or trying to pull guns on each other or trying
to turn up, can y'all wait till you get back
in the hood for that, because what you're doing is
making it very hard for your artists to be invited
to perform in your city. So you know, once once
Gorilla had three fights at her shows, then it's very
hard for Sexy Red to come and hold the show

(13:19):
at that same venue because they're gonna look like, no,
your crowd, your type of people, bring out this type
of audience, it's not safe for us to host you here.

Speaker 3 (13:27):
And now next thing you know, she.

Speaker 4 (13:28):
Out at the the damn garage up in the suburbs
and we're trying to perform because now she can't even
perform in downtown in her city. We've experienced that in Chicago. Like,
if you want to do something dumb, bro, do it
in the in the hood. Don't get dressed, put your
fit on, by a concert ticket, buy your drink, come
out with your.

Speaker 3 (13:47):
Friends to mess up the night, and you won't.

Speaker 4 (13:49):
You not even just messing up for you, You messing up
for messing it up for your favorite artists. So you know,
we as a rate, it's hard booking stuff when we
got people that's fighting at shows like you making it
hard for a lot more people than you know.

Speaker 3 (14:02):
So please do that in the block, Like, don't bring
that to a concert. That's stupid.

Speaker 1 (14:06):
Yeah, true, I mean I think a lot of times
when people fight, you know, I get it, you crash
out emotions, but they don't realize all of the things
that effect.

Speaker 3 (14:15):
It's not it's the artists that you affected.

Speaker 1 (14:17):
You affect a promoter, you you even even you drill
it all the way down to the employees that's working
the venue, everybody getting money when this stuff is happening,
and you just wasted somebody money. Yeah, like you said,
you don't have to drive way out to see some
of your favorite I mean, it's.

Speaker 4 (14:36):
Saint Louis Glorella might not come back. You're not a major,
super major spot.

Speaker 3 (14:41):
You know what I'm saying. You're not Atlanta. You're not.

Speaker 4 (14:43):
No, that's I love Saint Louis. We right next, So
but you're not. You're not You're not La your Chicago.
You are Saint Louis. So when you're doing this, you
messing up your future entertainment opportunities.

Speaker 3 (14:53):
It's stupid.

Speaker 2 (14:54):
Yeah, you can miss Saint Louis on the tour stop
and still make your bad That's what I say. No disrespect,
no disrespect. But it is a bet. It's not a
sea city, it's a bee city. It's a nice city.
You know what I'm saying.

Speaker 3 (15:04):
I'm not saying I love Saint Louis. But yeah, I've
seen many concerts miss it all right.

Speaker 1 (15:11):
They was like, oh my god, but I remember what
Chicago when we had, you know, so many artists they
considered dangerous.

Speaker 3 (15:18):
They all way way out in the suburbs.

Speaker 4 (15:20):
And then you go out there and the police know
you coming, so they wait on you to get out
to place, hit you. They know your tags expired, they
know you got some weed or some lick on you.
They ready to take you to jail just because you black.
So it's like, why why do this when we can
we can do stuff right in our own.

Speaker 3 (15:37):
Backyard if you would just act right into the show,
you know, until you get home. Facts facts preaching. Now,
let's get to this there, girl, okay with it? Didn't you?
How about it?

Speaker 1 (15:47):
Bow while Annalysis, This is Key Ky's best friend, his
highly anticipated collabor with Chris Brown. It's dropping this Friday,
and are looking forward? Are you looking forward to this?

Speaker 3 (15:58):
Yes? I am absolutely looking forward to it.

Speaker 4 (16:00):
And bow Wow is so excited, like I ain't never
seen him be more excited about anything than working with
Chris Brown. He is so excited. He knows that bow
Wow and Chris Brown. Like It's like bow Wow is
one of them people in the industry, like he can
recognize the greatness and another artist when I talk to him,
and the way he talks about Chris Brown is nothing
but admiration.

Speaker 3 (16:21):
You know what I'm saying.

Speaker 4 (16:22):
It's like, I know he a goat and I'm happy
to have him on my record, he said. I went
on three of his tour stops after he did it.
I was so happy he did the Diverse for me.
I went to three of his shows up. Y'all, remember
we were there when Chris Brown came in town. We
saw bow Wow sitting right and that thing, and he
and bow Wow is just like, I'm this record is good,

(16:42):
it's Chris Brown, it's me, and it's gonna it's gonna
be that feeling that we had when they did their
first collaboration. So I'm super excited about the song and
I think it's gonna be great.

Speaker 3 (16:52):
I use me.

Speaker 2 (16:53):
First of all, Chris, Chris Brown and bow Wow do
make good songs together. What was the song that they
had together.

Speaker 3 (16:58):
I don't remember.

Speaker 2 (17:00):
Shorty like mine, Shorty like mine? Yeah, Shorty like Mine
was a smash. And you know, Chris gonna do his thing,
But I like bow Wow when he has R and
B guy on the on the hook.

Speaker 3 (17:12):
You know what I'm saying, That's most of his good
music come from that. You know what I'm saying.

Speaker 2 (17:15):
From Jagged Edge to Chris Brown, Marion Marion to you
know what I'm saying.

Speaker 3 (17:21):
Then, what are you laughing?

Speaker 2 (17:22):
They did a whole collaboration album and that's nothing but
bangers on that album.

Speaker 3 (17:30):
Hold on, I was I was a look I had
had the next problem. DJ Tony they had some good
songs on that nothing but they nothing but hits on
the face Off album. That's I can't find out.

Speaker 1 (17:52):
I'm like, yeah, and I would have, let you know,
I would album. I was excited for that album for him.
I was like, let me hold you down, there we go.

Speaker 3 (18:02):
That was that was the one. But that was it.
But I thought Girlfriend was a good one too. Yeah,
it was.

Speaker 1 (18:07):
All of them was good. So yeah, No, but I
will give bow Wow his credit. He doesn't break often,
and he he knows his music, like I I trust
a bow Wow being excited about something. Lets we know
he putting all of this this energy behind it. He

(18:28):
knows it's a good record.

Speaker 4 (18:29):
And Chris, and that's what I love about bow Wow too.
And this is what other I think other artists can take. No,
bow Wow don't really just put out random songs. He
don't be just flooding us with random trash songs.

Speaker 3 (18:42):
You know what I'm saying. So now we will record him.
He probably recorded.

Speaker 2 (18:45):
He said He'll be like, I'm in the studio, y'all,
I got an album coming.

Speaker 3 (18:48):
I bet you he play it back and he'd be
like that, ain't I know that? Ain't it don't put
that out.

Speaker 4 (18:55):
And I respect artists that can be honest with themselves
instead of making us.

Speaker 3 (19:00):
So yeah, I'm excited about this. That's a big deal.

Speaker 1 (19:03):
We'll look forward to buy while I guess we'll be
able to review it because it's dropping on Friday, so
we'll be talk about it on the podcast.

Speaker 4 (19:11):
Performing here in Chicago. Hopefully Chris will throw the bone
and come join them there.

Speaker 3 (19:14):
It is I don't even know bone who throwing.

Speaker 4 (19:18):
Chris Brown joining you anywhere is a bone facts? Okay,
it is Chris Brown comes to your Bible study. That's
about took it up.

Speaker 1 (19:26):
So one of them like he's the one Chris Brown feature.
It's like how people talk about a Drake feature, Chris
Brown feature.

Speaker 3 (19:33):
You getting listened to That Chris.

Speaker 2 (19:35):
Brown feature might be more impactful than the Drake feature.

Speaker 3 (19:38):
It is I've never Okay, yes.

Speaker 2 (19:42):
It is what I have not heard Chris.

Speaker 3 (19:47):
We nineteen minutes into the pod.

Speaker 2 (19:49):
I'm going to tell you now, like I said last
time Chris put his album out, I have heard some
songs that may not be my favorite, ye, but I
have never heard a bad sounding song.

Speaker 3 (20:04):
One ain't never I ain't call him. That's middle name.
I never heard you talking about our Michael. He ain't
never heard he might give you a lot of songs.

Speaker 2 (20:16):
Have ever heard something where you was like, Chris, you
don't sound good on that.

Speaker 3 (20:19):
I ain't never in his whole career, PI fam. This
is how they do it. They try to move the
damn question.

Speaker 1 (20:26):
No, I didn't never say Chris Brown doesn't make crazy records.
He is one of the best times of our generation.
But I was more impactful.

Speaker 2 (20:36):
So here we go, so that I was just setting
you up for the next for the point the set
up U was, this is the punch was well.

Speaker 3 (20:43):
Chris as a feature.

Speaker 2 (20:45):
I have never heard him throw a dud feature on
nobody's song. Every song where featuring Chris Brown has always
been a hit.

Speaker 1 (20:55):
You still say the same thing, impactful and and judging
if it's good a bad, or two different things.

Speaker 3 (21:02):
Impactful.

Speaker 1 (21:03):
If we want to talk about impactful, they both when
they get on your record, the impact is amazing. So
let's just go right there, right, we're going, we're going
an a you know what now? But Drake has literally
changed people's trajectory.

Speaker 3 (21:21):
We could go, man, we wouldn't even know who.

Speaker 1 (21:24):
Four bats was if it wasn't for the Drake. We
still don't well, that's that's.

Speaker 3 (21:32):
We still don't coat it's this is great. We wouldn't know.
I ain't looking for a faux bats.

Speaker 2 (21:49):
I ain't never said, and I wasn't that faux bat
anybody else my point exactly.

Speaker 1 (21:56):
But it was a heavy rotation, heavy road. I don't
feel like why you want me.

Speaker 3 (22:04):
To don't know? I do it was it was decent.

Speaker 1 (22:12):
Besides you, I mean, look what he did.

Speaker 3 (22:15):
What's the Rick Ross record that he did? Can I
tell you all.

Speaker 4 (22:18):
The difference on why the impact feels more for Drake
because Drake only hops on new up and coming artists
that he wants to stamp and steal they swag from Allegedly,
that's what the street says. So he gets you when
you come, when you fresh out the breast, you hot,
you on your way up, and he go ahead and

(22:38):
throw you that feature and then he don't. Then once
you become competition, he done with you, right, or he
do a joint album with you, whatever. But with Chris Brown,
Chris Brown is very generous because he just likes doing music.
So anybody with the right amount of money could get
a Chris Brown feature. But why Chris Brown wins, It's
because he's quality over quantity. But even with Chris Brown,

(22:59):
the quantity is more or but the quality is still there.
So it'd be different if Chris Brown and I don't
want to use my goal, but little Wayne follow me.

Speaker 3 (23:06):
I don't want to use my goal? Am I the
only one? She just ran? You played the shell game?
Pick a car this one here, Pick the queen, This
the queen? When you're gonna get I was like a podcast,
But no follow what I'm.

Speaker 4 (23:26):
Saying, y'all osten you know how y'all know how anybody
can get a Wayne feature?

Speaker 3 (23:32):
Yeah?

Speaker 2 (23:32):
Okay, well no, okay for your point, yes, because I
don't want to get more confused feelings.

Speaker 3 (23:38):
Let's lie and act like everybody can't get a Wayne feature.

Speaker 4 (23:40):
If you got a check, everybody can get a Wayne
feature with the right amount of money.

Speaker 3 (23:46):
Right, yellow ball just got one? Thank you?

Speaker 2 (23:48):
Okay, float e lodgah Nate you gotta be a rapper?

Speaker 3 (23:52):
Thank you? Okay.

Speaker 4 (23:53):
So anyway, everybody can get a Wayne feature, but the
feature don't always hits mm. Almost everybody can get a
Chris Brown feature because he likes doing it. Okay, but
he is always hit. Everybody can't get a Drake feature.

(24:14):
He only gets on what's already hot. Chris Brown has
revived career like Kid inkdam Kid inking them got features
with Chris Brown, Jordan's sparks got.

Speaker 3 (24:27):
O t genesis, little scrap.

Speaker 4 (24:30):
You know that I'm lying, But it's all kinds of
people that got you know, collaborations with Chris Brown.

Speaker 1 (24:36):
One and you see one thing that matches her statement
and like yeah, and then and you see.

Speaker 3 (24:42):
How I guess we can't.

Speaker 4 (24:45):
Please tap into this conversation because I know y'all get
what I'm saying. It's quality over quantity. But with Chris
Brown is both quality. He gonna give you hell of
features and only get on people that he No.

Speaker 1 (25:00):
No, let's just say, like, well, I get it the
people that are hot. That's that's fair. But I also
he has got on new artists, changed the trajectory of
their records.

Speaker 3 (25:11):
We've all heard that, we've seen it.

Speaker 1 (25:13):
That Drake feature is something crazy, but he's hopping on.

Speaker 2 (25:19):
Like I'm saying, Chris is creating from scratch. Drake is
putting verses on songs that was already bubbling.

Speaker 3 (25:25):
But that's a great were you the artist. Think about
this already bubbling. But I've never even seen jay Z.
Let's go my goal, jay Z.

Speaker 1 (25:34):
Yes, I'm other than the artist that he that he signed,
that he has underhand under him. So X those out,
X those features out.

Speaker 3 (25:45):
That he had that he signed and has something to
do with.

Speaker 1 (25:48):
You've never seen an artist of that magnitude go and
jump on new hot records. Yes, it's always going to
be new hot records or Drake Like let's say, like
the Migoals with the Migos, sat was a hit record.
He hears it like yo, like I dig that, I'm
gonna go put something on that change the whole thing.

Speaker 3 (26:06):
He does it all the time.

Speaker 4 (26:08):
But he's getting on a crafted song that's already put together.
Chris Brown comes in and literally crafts your song like
he come in with a kid. We ain't listening to
no kidd.

Speaker 3 (26:21):
Verse, Bro, I like kid, I like you. You're not
going to come in here telling them I do like kidding.
I like kidding too. I'm not trying to listen to
Lord God damn kidd.

Speaker 1 (26:32):
When Kiddy was stopping, he was stopping, he was listening
to Kid, and Kenny had to run Kid.

Speaker 3 (26:39):
He had to run the last Did you listen.

Speaker 2 (26:46):
To something, Chris Brown?

Speaker 4 (26:51):
You remind me, that's what I'm saying. Chris Brown song
crafts the song. Drake adds the hot he the hot sauce, right, Chris.

Speaker 2 (26:59):
Brown, the cat it's been there, catfish was coming out
hot anyway.

Speaker 3 (27:03):
We but when Chris Brown come and he beat a
cat gish on your plate? All right? Yeah? What about
ourselves there? What about the grits? What are y'all? What
Christmas young?

Speaker 2 (27:21):
What I was trying to say, We was already having
a fish fry, but damn the big things good to you?

Speaker 3 (27:27):
So that what raked I'm trying to tell you, Drake
is mau sauce. Brown is the wing has wings.

Speaker 2 (27:41):
Gone already, the wings salt pepper, and and Drake come
and he give you a little mouse sauce on top.

Speaker 1 (27:47):
I stopped listening to Chiky since you started talking about
a whole order for harolds. I've done. I can't, I'm not.
I'm done man.

Speaker 2 (27:58):
Trying to tell you something special is the lemon pepper sprinkle.

Speaker 3 (28:03):
Yes, Drake is lemon pepper. Chris is the catfish nuggets? Ready?
What's the meal he made? Chris Brown make your house
a home. You know what I'm saying. He is, He
is that and he can do that for anybody.

Speaker 4 (28:20):
Chris Brown can make a record with Zach and his
saxophone and it's good.

Speaker 1 (28:23):
Dn not the saxophone. Who got a Chris Brown shoulder
on Zach book solo?

Speaker 3 (28:33):
Man go crazy?

Speaker 4 (28:37):
I'm telling you, man, Chris Brown, now one. I want
a Chris Brown feature before anybody, anybody.

Speaker 1 (28:44):
I take it the Drake feature. I take the Drake
have one hit, but that's it cool. You can live
one and he ain't.

Speaker 3 (28:53):
Like. The Chris Brown feature is gonna keep you going.

Speaker 4 (28:56):
Like, but you can always go back and get another.
He can't go give you another one.

Speaker 3 (29:00):
I ain't seen Jordan Sparks do nothing since Chris Brown.
That was and that was that the and get it.
She can get another one anyway.

Speaker 1 (29:11):
That was a good one, stingy George Sparks gave what
he gave Seventh Streeter one.

Speaker 4 (29:16):
Yeah, Chris, you know we're not gonna do that steven
seventh Street of the pen, so we won't.

Speaker 3 (29:23):
He ain't really, I mean they are to sing it. Yeah,
he can sing it. But I'm just saying that Chris
voice is different.

Speaker 4 (29:29):
It's different. It's different, but I just I'm sensitive that
y'all hear his mutt? Did you hear him on Mutt?
Listen to that?

Speaker 3 (29:34):
Yet? I don't give him credit for that though. That
was because that was already.

Speaker 4 (29:38):
That was a hit already, and and that and shout
out to Leon Thomas just interviewed him too. He he
built that up on his own, you know what I'm saying.
So we're not gonna get a credit to Chris. He
did it right, but like you know, we'll take supposed
to be y'all want a Mari. Chris got on that
in it.

Speaker 3 (29:54):
You know that I never thought about it. Man.

Speaker 1 (30:00):
Black Boy JB look alive. Well, black Boy with Drake
jumped on that. That got nasty, That got nasty. Tell
the truth, black Boy JB was already doing this thing
in Memphis.

Speaker 2 (30:11):
What I didn't say, He wasn't. I'm saying that, but
it took him from Memphis.

Speaker 3 (30:16):
To the world.

Speaker 2 (30:16):
So he just Drake is just like the accelerator, so
you can get bigger faster.

Speaker 3 (30:21):
But if it's already a hit record, that's easy to
do because.

Speaker 2 (30:24):
You could just see that this is hit Memphis with
this song, Drake already Drake.

Speaker 3 (30:32):
Only Drake is an alternator. Chris is the engine.

Speaker 2 (30:35):
All right, I'm not going We could drive with a
broke alternator for a little bit.

Speaker 1 (30:41):
We can get forty dollars.

Speaker 3 (30:45):
I could get a new alternator. You can't feel the engine.
The crown will be on you. An engine, baby, I
got listen.

Speaker 1 (30:53):
Jumped into barely know about all toda is and engines.

Speaker 3 (30:57):
I know, child, Okay, that.

Speaker 4 (31:00):
Colls forty dollars my engine. I'm gonna throw the whole
car away. Chris Browns is an engine in every setting
that he's in. He's the engine.

Speaker 2 (31:09):
We got you, We got your queen. Go ahead now
with your band self. Let's keep going, okay.

Speaker 1 (31:17):
Carl Crawford is not admitting that he did not know
much about the music business when he originally signed Meg
the Stallion Too a three sixty deal.

Speaker 3 (31:26):
We just came up with a number. Now we interviewed Carl.
We did? I like Carl. He's handsome too. Did y'all
interview Carl? We didn't? We interview Carl. It was cool
to talk to him.

Speaker 1 (31:38):
I wanted to talk to him about baseball because Carl
Carford is one of the best baseball players of all time.
But I think he just got like. I like the
fact that he admitted that he just kind of jumped
in something and just probably was following what everybody else said,
and now he knows the business yep.

Speaker 3 (31:55):
Well.

Speaker 4 (31:55):
And I love that he was honest about it because
a lot of these athletes, I feel like, I get.

Speaker 3 (32:00):
Some money and they want to do music stuff like,
that's not you.

Speaker 4 (32:04):
That's not what you know sports really well, or you
know certain things really well. Take your money and invest
in that, because now you have introduced the world to
one of the biggest pop stars out right now. And
it looks like she ain't You ain't getting no bread
from that, and now you gotta live with that, you
know what I'm saying. Now, he had a major league career,
so I'm sure he's fine financially, but it's just so good.

Speaker 3 (32:25):
Yeah, it's not.

Speaker 4 (32:26):
It's not that, but it's a lesson to be learned.
It's like, if you're gonna take your money and get
into other lanes, really invest in do your research before
you just do it because it's hot or you think
it's cool. Do something that really fits you.

Speaker 3 (32:38):
He sixty deal with smart though, man, she got out
of it.

Speaker 1 (32:41):
Yeah, I mean, but I would have gave it a
three sixty deal, but we'd have had some years on it.

Speaker 3 (32:45):
But you don't even know what it is about three
sixty deals. Huh, you give out three sixty deals. I
would have gave it three sixty. We gotta get out
of here kicking big sugar already. Maybe he signed me
for life, but you're gonna get out. I thought, recoop
get out. No, he gonna try to reinvest after he precool.

Speaker 1 (33:01):
But I do think when those when you never see
is that one. Maybe I'm forgetting Zach. Y'all know, maybe righted.
Is there anybody that has been an athlete it got
into music that has been successful. No, I'm talking about
on the business side. We've heard about a bunch of labels.

Speaker 2 (33:21):
A man such that got to talking about like an
athlete that started a label and became Yeah, carl I
guess who just the car guy that you're talking about.

Speaker 3 (33:31):
He got screwed.

Speaker 2 (33:32):
I mean, but he was successful. In order to get screwed,
you had to have a certain level of success.

Speaker 3 (33:36):
With the artist. So you said, Carlton, yeah, you can
still consider him successful. Anybody else took it over it
was a rap form.

Speaker 4 (33:47):
I don't know one athlete that's had a successful music career. Yeah,
I tell you this all the time. Y'all always say
Shack and I still don't remember it.

Speaker 1 (33:54):
But I don't know Shack Shack as far as like
music career, Shack is the most successful athlete that had
a music career. I don't remember ever hearing the song
on the radio.

Speaker 2 (34:06):
To young that's what I'm saying, and figure it out.
I had to go back and listen.

Speaker 3 (34:12):
It is song with Biggie. It was good. Yeah, Okay,
I've never heard it. Call you Can't Stop the Rain
really after because I've never heard the song. Can we
play that with a guy getting licensed? I mean, what's
the name? Okay, shut down? I played. I don't know
an athlete that had a successful career.

Speaker 1 (34:33):
I think I think, I think what's the name? I
think Kobe had a song with Brandy.

Speaker 3 (34:38):
I think you see what I he was talking about
was like, that's a reach what I think Kobe did.
I think he had one. If you had to think,
and you were a djellow ball, you would.

Speaker 2 (34:48):
Know that's not Jello's got the Jello might have them all.
He up there with Shack Now I'm still waiting on
he's hits.

Speaker 3 (34:55):
You said he got lined up five hits.

Speaker 1 (34:59):
I I met, No, he does. He messed up. I
heard the song now he messed up and roll aloud.
Now I hated that for him. And see this is
again when they have people that they're not talking to,
they let the dude for cheat Ohels come out and
start talking about gangster stuff.

Speaker 3 (35:14):
Bad move, bad move. So that's what made no.

Speaker 1 (35:18):
They said the second song he debuted roll aloud, and
that was That's all the things that was in the comments, like,
oh man, you trying to say some gangs and stuff
and you can cheat.

Speaker 3 (35:27):
No heels. That's how he had made. No tweaker's not
like that. No tweakers, not like that.

Speaker 2 (35:32):
But when you said that he got signed, he was like,
they probably signed for that much money because he had
other songs. So they heard them other songs and those
were the songs, and they just got noney.

Speaker 3 (35:42):
You wanted I want to help people out. I don't
know why. All right, they said good people was good,
But I met several truths. Made the truth set you free.
The truth is the truth.

Speaker 4 (35:53):
Now you got on his podcast and told us we
had five hit records coming from him.

Speaker 3 (35:58):
We ain't heard, not one.

Speaker 1 (36:00):
I think you got I've heard, but my sources, my
sources said he had five. And I'm trusting I had
this this source. It's connected to the family. They told me, Hey,
he's got five records.

Speaker 2 (36:15):
Okay, man, you know how many artists don't got five?
Five records stretch for anybody?

Speaker 3 (36:19):
Yes, it is. That's tough. You got a career. If
you got five records, you got five hits?

Speaker 2 (36:23):
You you have you have a full career. Two it's hard.
Five yeah, right, hm hmm, Okay, I like this one.
Are you cool with your significant other? Like salacious picks
on of the opposite sex on Instagram? Are you cool

(36:44):
with that?

Speaker 4 (36:45):
Absolutely not. I don't even I don't even like me.
And with an Instagram what you check likes? I don't
have to check a like because it ain't happening with me.

Speaker 3 (36:54):
I'm not damn.

Speaker 2 (36:58):
Why are you talking like that? I'm talking like that
because about it.

Speaker 3 (37:03):
I ain't got to check on Yeah. Yeah, I'm gonna
tell y'all something like old gang. I felt like, yeah,
we minister. She was like, look.

Speaker 2 (37:22):
Cuz she said look, because I ain't never checked the
mother like, damn blood, I'm.

Speaker 3 (37:32):
Sorry you took me back to a place. No, I don't.
I don't have to worry about this.

Speaker 4 (37:37):
I like me and who don't have social media for
that reason, Because here's the thing.

Speaker 3 (37:41):
I'm not insecure about you liking what you see. You're
a human. You're gonna look around and see things that
you like, right.

Speaker 4 (37:49):
But by you liking a salacious photo on of the
opposite sex, then I have my friends and other our
mutuals that are like what he doing and he her likes?
You know what I'm saying, what he doing in her views?
What is he doing over there? You know? It gets messy,
And so to protect that, I would suggest, if you're
in a relationship and y'all on social media, respect your
partner and keep it cute and you don't need to

(38:12):
like every photo on her. If I go there all
her likes and you and every last and one of them,
that's ground's for termination. Damn absolutely, because you're sending the
wrong message.

Speaker 1 (38:24):
I guess if you're in a relationship, you locked in
like that. But I mean, but for me, like I like,
I just let's say I've been following these women forever.
I've been following these same women forever, and they come
across my timeline.

Speaker 3 (38:37):
I'm in a relationship. I'm just gonna give.

Speaker 1 (38:39):
It a keeping it moving, like I'm a cute that
if I'm married. I do feel like if you married,
that's a little different than me and boyfriend and girl.

Speaker 3 (38:52):
If you marry my wife, I'm not.

Speaker 1 (38:54):
I'm not gonna like Peig just off of what you said,
off the strip of like, yo, your husband is in
the like i'm your boyfriend. I've been liking these women's
pictures before I met you.

Speaker 3 (39:04):
That's your excuse. Don't go with that one. Don't go
and ain'tna work. That don't sound good, don't dog. I'll
be with you, bro, but that ain't gonna work. I've
been liking the girl.

Speaker 1 (39:22):
I just like because for me, I guess social media
does not mean nothing to me. It means I mean
it does like outside of like outside of work.

Speaker 3 (39:33):
You need to stop. No, it does mean toxic.

Speaker 4 (39:35):
Man, this is their first line social media. That don't
mean nothing to me.

Speaker 3 (39:43):
It doesn't. I don't come from that era here. It
does not mean nothing to me.

Speaker 1 (39:49):
So do I think if I like this girl's picture,
like this girl, she gonna all of a sudden pull
up on me like, hey, that doesn't that's not happening,
because trust me, I liked a lot of Bernie's burke
over pictures.

Speaker 3 (40:01):
If she ain't poured on me, what not one time? Okay,
So here's the thing.

Speaker 2 (40:05):
Liking a girl picture is equivalent to smiling all up
in their face.

Speaker 3 (40:08):
Thank you.

Speaker 2 (40:10):
It's not necessarily you haven't done necessarily anything wrong. Just
don't look good, you know what I'm saying. So let's
say you your girl come to a party and you
at the bar smiling in these chicks face. Don't look good.
You might not have been doing anything. It might have
been a regular conversation that's in person. Just doesn't look good.
I'm just telling you what the internet equivalent is. Okay,
so you go to the now you use being seen

(40:32):
liking all these girls pictures. You look flirtatious and you
look available. It's just the way it looks. I'm not
saying it. Yes to say deal, why do you have
to like? The thing is you can see the same
picture without double tapping it. You can see it and
admire the picture without touching it.

Speaker 3 (40:53):
Why, hey, if you want to, because you.

Speaker 2 (40:56):
Want to, let the world know that I don't like.
I wouldn't like if I wouldn't want my I don't
want to see my girl double tapping all these Negroes pictures.
I don't look at it. I don't look at it.
I don't want to see that. I don't want to
see that. I will never say nothing if we're in
a relationship, I will never tell you that you can't
like nobody else stuff because I just don't want to
do that, because I want to see what you're gonna

(41:17):
do on your own. That's right, you know what I'm saying.
I want to see how you because if I tell you,
then you're gonna stop. But if I want to see
what is your natural reaction in it in social media world,
I don't you just be naturally liking a whole bunch
of I'm gonna take not of that, like you gotta watch.

Speaker 3 (41:30):
Up with you over there now, I'm just over there.

Speaker 1 (41:35):
I just I'm saying I give what you saying, Zach
is what you said makes sense, and I'm it makes
total sense. But for me, I don't even look at it.
I've said this before on this pod a thousand times.
If I'm daddy someone, I just don't look at her Instagram.
I don't because I've done it and it has took
me out. It is affected.

Speaker 2 (41:55):
It's affects me because now I'm like, what you got
going on?

Speaker 1 (41:58):
Why is this dude leaving this in the common? And
then I'm not looking for what you like, who you follow.
I know it's too much. I'd rather live and how
we rock together, and if things start moving funny, I'm
gonna I'm I'm gonna react off of that. I don't
need social media add into any of that stuff. The
only thing that I don't like, like I think we

(42:20):
may even talked about on the pod when I when
I was in a relationship and this happened, like she
gave she gave a dude the Instagram and she was
like it wasn't a big deal, and I was like
that part that now giving people your Instagram, like, hey,
what's up?

Speaker 3 (42:37):
I don't like that it changed your Instagram is no.

Speaker 2 (42:40):
No, that's like exchanging the number exactly. That's like giving
them your I've heard a girl say that I just
gave him my instagram, my instagram told me she said, Okay,
what about this one? Y'all tell me what y'all think
about this, she said, I get She said, I took
his Instagram. I said, that don't make no sense. I said,

(43:03):
if you took his Instagram, guess.

Speaker 3 (43:05):
What he saw it. Whether he followed you, don't you
know that he still got it. That ain't no different.
Well she took care, she didn't.

Speaker 2 (43:15):
Give him her Okay, followed that. Man, he still see
the follow it's there. It's still still like I just
took it.

Speaker 3 (43:26):
That's still like exchanging numbers.

Speaker 2 (43:28):
So if if following somebody and giving the Instagram, it
is like exchanging numbers. Liking is like flirting in a
way that's before the exchange numbers. It's like unless you
lost me on that.

Speaker 3 (43:40):
Listen, man, I can like key key stuff, it'll never happened.

Speaker 2 (43:44):
But I can't like big Booty Judy's pictures and think
somebody gonna ain't gonna say something.

Speaker 3 (43:51):
How blessed girl? You did good with that one. Girl?
Tap tap tap tap. You don't want to be that guy.
Tap every picture. Tap.

Speaker 1 (44:00):
Alright, I'm gonna stop liking stuff. You gotta get out
of that. Brother, Just look, you got to get out
of that. I gotta start liking stuff. You know a
lot of times what I do, and a lot of times,
especially like if I know somebody has liked something of
mine and and I know that I see them in
my likes a lot, and if something comes I like it.
It's like kind of like a reciprocations. Now, what about that?

Speaker 3 (44:23):
Here's the trick?

Speaker 4 (44:23):
You got any reciprocating ass shots.

Speaker 3 (44:26):
That happened to be happened to be the most latest. No,
you don't need to reciprocate with her.

Speaker 4 (44:31):
You reciprocate with me, Zach, your friends in real life,
your your industry friends as your call us you.

Speaker 3 (44:38):
And you with that, you go.

Speaker 2 (44:41):
You know you like Angela, you picture okay, But if
you're staidying liking Bernice all down her timeline and I'm
your girlfriend, I may not look nothing like Bernice.

Speaker 3 (44:52):
We got a big problem. What if you look like Bernie,
you still got a problem. Ain't that? Like?

Speaker 1 (44:58):
I ain't never I see burniey He's twice in my
entire life, and she had no clue who I was.

Speaker 3 (45:04):
He was like, oh, you the dude didn't like my
pick nothing like you know what I mean?

Speaker 4 (45:08):
Like it's but you're trying to your way into it.
You're trying to like your way into something.

Speaker 3 (45:13):
I swear I'm not. I swear on every.

Speaker 1 (45:19):
Instagram first came out, I was trying to like because
you realize it don't work.

Speaker 3 (45:26):
It don't work. When it first came out, you was
like I was like, I'm like, man, they just likes bro.

Speaker 4 (45:34):
Now everybody got somebody on their page that like everything
they do, or they only like when you look a
certain way. They letting you know, like this, I'm here
for a reason. I want you to see me. Do
women shot through the likes? Like if a girl go
down your page and like a lot of stuff.

Speaker 3 (45:51):
Yes, absolutely absolutely.

Speaker 4 (45:53):
That's why you gotta be mindful if you have a
partner with social media. If I keep seeing you and
my man likes I mean everything he po everything he posts.

Speaker 3 (46:02):
Uh huh, I know something.

Speaker 1 (46:04):
I got women that like that has liked every picture
I put up. Right, But there's also the women that
have liked that every day posts are extremely different from
the ones that come into the d M. They're like
the ones the ones that I know probably they're they're
them the ones that you get the d ms from
the eyes, the what's ubs that heck, those are the

(46:26):
ones the ones that like it ain't doing anything that.

Speaker 3 (46:29):
Might get caught onto it. Now.

Speaker 4 (46:30):
You know, most people know if I if I like
like like, then okay, I'm other people gonna see that
I'm trying to pull up on him rather than just
let me just slide in his DM. People have gotten
hit to it now. So yeah, a lot of you know,
if you're smart, you're not gonna show up in the likes.
But if you're showing up, we know what's up.

Speaker 3 (46:46):
Okay, there, it is, all right, there is all right.

Speaker 2 (46:49):
Let's go ahead and get to this. Slim thug said something.
Let's pull it up with slim thugs audiol hair.

Speaker 3 (46:55):
Okay, let's get to it. We're getting them almost fifty minutes, y'all.
We got it. I love it. Get shorts.

Speaker 1 (47:02):
And she don't want to give nobody the fos advertising.

Speaker 3 (47:05):
I told hers she better give somebody some every weekend. Wow,
you got all your ass out. You ain't giving nobody nine.
You got all your You should have long clothes on them.

Speaker 1 (47:15):
No, split the booty tights if you ain't giving nobody nine.

Speaker 3 (47:19):
Okay, okay, okay.

Speaker 1 (47:24):
So what he said is women who wear booty shorts
to the gym are false advertising.

Speaker 3 (47:31):
These women are devils.

Speaker 1 (47:33):
They try to entrap you with these outfits and I'm
only a man. But he also was saying, you know,
y'all not want to get nobody now because y'all win it, y'all, y'all,
y'all might as well wear something else.

Speaker 3 (47:45):
He sounds like a predator, a grade A predator. That's
huston a man you would not want to know. No, no,
it's not everybody. God bless it be King. Everybody in
Houston is fine.

Speaker 4 (47:57):
But that don't just cause I'm fine just because I
got on booty shorts, just because I got on a bikini.
That don't make mean I need to give you anything, sir.
And that's wow that you would get on the on
Beyonce's Internet in twenty twenty five and say that, like
you should know better than that.

Speaker 3 (48:12):
Even if you think that, why would you ever put
that on video? Because he slimed it's very it's given predator.
It's a Houston, Houston. I like.

Speaker 1 (48:22):
Some of the outfits at the gym have gotten ridiculous.

Speaker 3 (48:27):
Oh they're insane. They've gotten just ridiculous. Not get it.

Speaker 1 (48:32):
You want to work out and and be comfortable, but
some of it has gotten you like this is given,
this given like it's like booby Trap on the river
without being booby Trap on the river.

Speaker 4 (48:47):
But guess what what You can walk through the grocery
store and see everything.

Speaker 3 (48:52):
You don't mean you can touch it. You can't touch
it on you don't touch it.

Speaker 4 (48:55):
That don't mean that I owe you something because I
like wearing scantily clad workout.

Speaker 3 (48:59):
You know that don't mean I owe you anything. Now
what is that? Now? Does that mean? Now let's just
say you got you got it out? So? Is that
is that a? Is that a? Is it okay to look?
Is it okay to pull up on you.

Speaker 4 (49:15):
Enjoyed the view? And approach me like you would approach
anybody else. Because anything outside of that, you're a predator.

Speaker 3 (49:21):
Damn girl, that monkey poking you a predator. You know
what I'm saying.

Speaker 4 (49:27):
So don't be that guy poking.

Speaker 2 (49:33):
Now you can't get mad. We will say that if
he say something like that, you're sitting there on the
leg thing got st up all the way up in
the hood. Dude, be like, yah, that monkey sitting, that
mom sitting, No, that moke.

Speaker 3 (49:48):
That wheeler moven. Now you can't be like, oh, I
can't believe he said, no, you know you come on.

Speaker 2 (49:54):
Now, that's the thing that we have to now where
swim thug is saying like you got to give him
some and all that. Noah, but you gotta understand, ladies.
I know you can wear whatever you want, but you
gotta understand the way you are approached. It's been kind
of how which the way you wear, the way you dress,
you get different. You get approached differently based off how

(50:15):
you dressed. If you out here with everything out, a
man will approach you as if you got anything out,
but not saying it's right, but they will. They gonna
approach you like anything. You ain't gonna be like, oh, sister,
how you doing. My sister might be like, no, you
get that ass out that that doesn't mean that you
have rights to my ass. No, just say I have
rights to your ass I'm talking about you. That means

(50:37):
but you you also don't have rights to how I
approach you either. No, I have every right on how
you approach me, and I have to engage you. No,
you don't have to engage and dem you approached me
irrespect You can if you say something.

Speaker 3 (50:49):
Disrespectful, you don't have to respond. You have that right.

Speaker 2 (50:51):
But what I'm trying to say is you have to
know the way you dress invites disrespectful commentary. To look
at you look invites that. So you have to be
responsible in that. You still have to be responsible. You
can't say that you can't take no. You can't have
no accountability in the situation Kiki, as as if I.

Speaker 4 (51:09):
Walked past you with my neked ass, you don't have
no aund if I walk around no, not touch you,
not touch you. I didn't say touch you, So you
could say, Kiki, look at look at he like you
could say.

Speaker 2 (51:19):
Yes and sweatpans, no, draws, peenis just shaking, and she'd
be like, Oh, I see you. I see that penis bouncing.
I'm doing jumping Jackson. I'm doing jumping Jackson bounce and
I see the bouncing. I can't believe I can't do

(51:41):
that because I'm over.

Speaker 3 (51:44):
I'm actually more on your side.

Speaker 2 (51:46):
I just had to speak for women, because sometimes it's
every thin line that you that you walk when you
say you know, depending on what you have on is
how I can no.

Speaker 3 (51:56):
Depending on what I have on, It's just what I
got on it. What I got on sh not just
don't anything. Don't be surprised. No, there is a there is.

Speaker 2 (52:06):
Like you said, there's a thad line, there's also another
thead line that you are like teetering like.

Speaker 1 (52:13):
It's a reason why nuns dressed the way they dress.
It's the reason why Muslim women dressed the way they dress.
It's a reason because of female body is the sexiest
thing ever.

Speaker 3 (52:27):
So when you see if a woman over.

Speaker 1 (52:30):
Sexualize herself, it causes certain responses for men.

Speaker 2 (52:35):
But y'all need to learn to control yourself. Hold on,
because so let's say Tank is performing. He come on
stage and he and he decides to do his part
where he takes his shirt off and women start screaming
and they start reaching and all that stuff.

Speaker 3 (52:48):
They literally touched on the man. He's a performer on
the stage. But I'm saying you can't.

Speaker 4 (52:52):
I'm in the gym trying to work out, y'all, y'all
want to objectify what I got on that The reason
the reason you're saying you're screaming focusing on me, The
reason they're screaming is not because he's saying it's because
of his body.

Speaker 3 (53:06):
Stage where people are paid to come and objective like
a stripper. If I'm a stripper dancing, then I yeah.

Speaker 4 (53:17):
And if I'm in the gym and I got a
fat ass, that don't mean I have to be waiting
for you or what want you?

Speaker 3 (53:25):
How it's gonna make you. That's what I'm saying.

Speaker 2 (53:29):
If Beyonce goes in a short thing, I have the
right to touch her because she's on the stage.

Speaker 3 (53:34):
Is that what you're saying.

Speaker 4 (53:34):
No, what I'm saying is because ain't nobody touching Tank.
You said what you said because he invites it. You
said women are sitting here drooling over take on a stage.
He's on a stage, Dude, he's a performer.

Speaker 2 (53:45):
I Beyonce, Kelly and and Michelle give a man a
whole lap dance and they couldn't touch her. It would
be inappropriate if they touched it. And they said they
literally had a man sitting exact what what did that happen?

Speaker 3 (53:58):
It was part up the show. Because what I'm.

Speaker 4 (54:00):
Saying, a woman in a gym in a tight outfit
to take on a stage with his shirt off.

Speaker 3 (54:05):
That don't make no doubt what I am comparing. What
I am comparing is not that.

Speaker 2 (54:09):
What I am what I'm comparing is the reaction from
the opposite sex when you do sexy.

Speaker 3 (54:14):
Things, when the man and women scream. If take all
of a sudden, it was like, why are y'all screaming?
I can't believe it.

Speaker 2 (54:22):
He knows that when I take my shirt off, I
get this reaction, just like a woman. If you're walking
around with your ass out, you know you get a
certain reaction.

Speaker 3 (54:29):
That's all I'm saying.

Speaker 4 (54:30):
That's gym cloths versus somebody on the stage performing.

Speaker 3 (54:33):
That is I'm comparing reactions to somebody being sexy. But
let me say this. See that don't give you the
right to say anything inappropriate. I'm a sex am. I
have a reaction. What I'm trying to say. You can't
get selling sex to you.

Speaker 4 (54:48):
If we're in a place where I'm I'm wearing a
strip club, We're in a I'm a performer at a show.

Speaker 3 (54:54):
If I'm twerking in front of your face, yes I
expect a reaction. If I'm just walking around in my
gym uniform, you don't have the right to say no
where no responsibility. Listen, this is what I'm saying. So
in the gym what you were saying before.

Speaker 2 (55:12):
That, But I don't like when he brought up the
example about Muslim women, see they cover up because no,
because what you're saying is I gotta walk around covered
up because you can't control your temptation.

Speaker 1 (55:23):
No, no, I wasn't because you didn't even get a
chance to explain it. You finished finished. I said that
like just like a guy. That just like a guy
if he's wearing he ripped up and he walking around
the gym and he working out with small shirt.

Speaker 3 (55:38):
On, he knows and you could see it in the gym.

Speaker 1 (55:41):
You can see it that women all of a sudden
start working out by it because they want to watch him.
He knows, he knows that I'm ripped to pieces, I'm
wearing this little and these This is the reaction comments
on his muscle.

Speaker 2 (55:57):
If a woman says, oh, I like your pet, or
she likes his chest, and she says something about it
like not touch him. But if she says, ooh I
like your chest, for him to get offended would be ridiculous.

Speaker 3 (56:08):
So I like your chest, it's the same thing as
let me patch your moose knuckle or whatever you just is.
That's the same figure out the line brought up Tank
that you completely with that example. Okay, because but KI
still listen to this, guys, I'm just trying to save y'all.

Speaker 4 (56:27):
Y'all have to know a woman's dressing does not determine
how you act and how you get to as a
man in society. You have to control your temptations and
control you. You have to protect women. So when you
see a.

Speaker 2 (56:41):
Girl outside and she got a moose knuckle hanging out,
and you see your friend comment on her a body
and objectifying her body, pull her aside as a big
brother and say, hey, you know, I think this is
what you know.

Speaker 4 (56:54):
Forgive my brother for how he's acting. But you know,
maybe you can cover up. But it's not on a one.
It's not on anybody to walk up to to change
how they walk around because you can't control your flesh.

Speaker 3 (57:07):
Getting I still say nothing because we all here, I
have not met. I have not made my point one time.
The point, the point of it is is that.

Speaker 1 (57:23):
A woman when you dress a certain way, sometimes especially
the Jimmy. You've heard it yourself. I get mad at
dudes looking at me. I get mad like you got
on three fifths. You don't got on nothing, You don't
got on nothing. You like literally got stuff that you
want people to look at. How good your assole? Because
it's now like I said, we talk about the tights.

Speaker 3 (57:44):
Oh, it's cinched up the crack, all up the crack.

Speaker 1 (57:47):
And it is a it's something that's pushing him up
all time. And you look at like this is a
not and women get mad at you looking. I admit you,
as a man, you should never say nothing. Let her
rock high, she gonna rock. But when women get mad
when dudes are in the gym looking at them, and
I've heard that on many occasions, they're like, why you

(58:09):
gotta stab me because you got on, you got on
tystick all up your ass and you squatting and bending
over right in front of me.

Speaker 3 (58:18):
What am I supposed to do?

Speaker 1 (58:23):
I look on you like you you feel bad because
you're like, I don't want to look at this, but
this looks so good, and you look.

Speaker 4 (58:33):
Look and then finished doing what you're doing. Once you
can't take your eyes on somebody a pervert. You ain't
never seen ass before.

Speaker 3 (58:40):
Sometimes it looks so good, bell.

Speaker 1 (58:47):
Like, I ain't gonna know me, I get I don't
even I will leave a machine if a woman cousin
that's bad and bodied up and do I like man
and she's squad and I'm like, I'm gone.

Speaker 3 (59:03):
I'm gone. Not even about control of myself. I just
like it. It looks good.

Speaker 1 (59:09):
It looks good, and you obviously see wearing like if
I was, if I'm ripped up, if I'm ripped up
in the gym, and I'm like ship, you know, I
know it's ladies in here. I'm gonna show and I
get the muscle dudes at the gym, Zach goes. You
see the muscle guys, They're like, yep, I know it's
my day. I'm swollen today, I'm about to get out here.

(59:29):
They wear a small shirts and women sit and watch them.
I think sometimes the women at the gym and joy
what dudes looking at them? Because you why would you
wear that?

Speaker 3 (59:40):
Baby?

Speaker 4 (59:40):
I wouldn't know. I ain't been to nobody gym for
so long. I don't know what y'all doing down there.
All I know is if I'm going to wear some
don't touch me and watch what you say to me.

Speaker 3 (59:50):
Because you can't say you can't touch the case. Watch
what you say to me. I can absolutely, yeah, you
can say. Watch you can that, But that look it
that's the part that I would say. You can say,
stop staring at me too. You can say all of
that you have because it shouldn't nobody been like that.

Speaker 1 (01:00:08):
Thank you.

Speaker 3 (01:00:08):
You should be able to move around. But I'm trying.

Speaker 4 (01:00:12):
You said, if I'm at the gym with Tyson, you
see my print, you can comment on my print.

Speaker 3 (01:00:17):
That was the same. That was a joke. No, no, no,
I said, I said, here's what I said. Yea, that's
what I'm saying.

Speaker 2 (01:00:22):
You always try to come back and make it a
thing like I said, you just say whatever the hell
you want to say.

Speaker 3 (01:00:27):
I didn't say that.

Speaker 2 (01:00:28):
All I'm saying is, if you if you have a problem,
if you're a woman and you have a problem with
the way people looking at you, you have a problem
with you approach all of this. You have a lot
of control, Yes, you have a lot in what you
can control.

Speaker 3 (01:00:41):
Yes, And what you can.

Speaker 2 (01:00:42):
Control is not having your whole ass out. You can
have a great you can have a great workout and everything.
And all I'm saying is when you make the decision
to have your whole ass out, you can only control you. Okay,
I'm not saying that people should or can or whatever
But if you have a problem and you get a
and you get a certain reaction, you have to think, like,
oh my god, me having my whole ass, I might

(01:01:04):
get this type of reaction today.

Speaker 3 (01:01:06):
You know what, I'm gonna wear a little I'm gonna
wear a bigger women do all the time. Women got
in the gym, but we always have in the gym,
and she don't have her adsment sweatshirt around. Women make adjustments.
Wear my long pass in the gym because guess what
this swillow go hang out show.

Speaker 4 (01:01:31):
Women make adjustments. You know about your swiller. I don't
want to object by you in that way.

Speaker 3 (01:01:39):
I don't. I don't. I gotta adjust to the hammer.
Don't be women.

Speaker 4 (01:01:47):
Y'all want women to adjust because y'all can't control y'all.

Speaker 3 (01:01:50):
Flesh walking around it tights is crazy yourselves. It's okay,
Oh my gosh, all right, man, we had time, so
we gotta go. Damn.

Speaker 1 (01:02:02):
Yeah, final thoughts, final thoughts. Oh so y'all Thursday, Okay,
do it again, Yeah, do it again.

Speaker 3 (01:02:11):
Thank you for my Coca cola. You enjoy that Coca cola,
And yeah, I see why you liked it.

Speaker 1 (01:02:17):
I bet you do, all right, well that was a
great fire thoughts. Look at them, they had a fight today,
little ladies.

Speaker 3 (01:02:26):
I mean, this is every day. It's every day. With
that being said, well more can we say