Keri Hilson's Beyonce Diss, Women Lowering Standards, Jacquees Baby Momma Drama & More!

Tone Kapone, KeKe, and Zach Boog talk Keri Hilson's Beyonce Diss, Women Lowering Standards, Jacquees Baby Momma Drama & More!

Episode Transcript

Speaker 1 (00:02):
All right, welcome to it. What more can I say?
Podcast episode?

Speaker 2 (00:06):
What we on?

Speaker 1 (00:07):
Right?

Speaker 2 (00:07):
And what were on? Two on eight?

Speaker 1 (00:09):
Wow?

Speaker 2 (00:10):
Wow? Uh oh boy.

Speaker 1 (00:18):
That is our one of your hotel capon And you
can see we are two weeks into the three days
a week technically four days a week pod schedule now,
so yeah, we're almost had to break up being sick
of each other.

Speaker 3 (00:33):
I love it here.

Speaker 1 (00:34):
That's actually it is fun, very very jokes. Jokes, jokes, jokes.

Speaker 2 (00:38):
Let's go ahead introduce Key Keys. You already know.

Speaker 1 (00:40):
She's the first today, y'all see me.

Speaker 3 (00:46):
It's my camera and my frozen can y'all see me?
All right, just making sure y'all can see me. We
had a little technical.

Speaker 2 (00:53):
Difficulty, so I don't know yesterday.

Speaker 4 (00:54):
If you look at the pod that came up this morning,
when it goes to Key Keys, you can here are talking,
but it's just like this.

Speaker 2 (01:01):
It's a picture of her and it don't move and
she'd be talking.

Speaker 3 (01:09):
Yeah.

Speaker 1 (01:09):
Yeah, she had some camera issues yesterday. Yeah, camera issues.
It's all right, man, take the ology turn on.

Speaker 3 (01:17):
We're using the camera too much. We then birthday burned
it out, and the battery than dad, all kind.

Speaker 2 (01:21):
Of stuff, right, you know one one one time, went
to four times.

Speaker 1 (01:26):
Yes, all right, let's go ahead and introduce the funny
man of the potato.

Speaker 2 (01:33):
Maybe your voice, bring your own woot.

Speaker 4 (01:36):
Yeah, I'm really at the end of the week where
I have to go off all adrinnaline and energy.

Speaker 2 (01:41):
You know what I'm saying. So I'm gonna be high
energy today. Okay, you ain't.

Speaker 3 (01:45):
Got your stuff all you you mean your stuff? Oh?

Speaker 2 (01:50):
No, you talking about his drug use one of the things.

Speaker 4 (01:56):
Yeah, y'all, why should do that? You know you're one
of those he said. You know, I didn't see that.
She said your stuff.

Speaker 2 (02:04):
I ain't got no stuff. You want these people over
there thinking I do the crack.

Speaker 3 (02:07):
You know, drugs. That's not weed. It's crack. Anything that
ain't weeds crack.

Speaker 2 (02:13):
But okay, I ain't got no drugs. I don't even
do drugs. No more.

Speaker 4 (02:16):
Good.

Speaker 3 (02:16):
I'm happy to hear that.

Speaker 2 (02:17):
Man, I ain't even smoked weed in a long time. Good.
You don't need it, And for yourself, I think it
makes me too.

Speaker 4 (02:24):
I just really, I'll be sleepy, and when I'm out
of work, I'll be with my son and I can't
be high with him.

Speaker 2 (02:30):
You got it? So that's beas the thing. Yeah, you
got a small shot the babysitters. He gonna babysitter. I
let it one r Yeah cause I finally can smoke.

Speaker 3 (02:42):
You don't need that stuff. That's the devil's the lettuce.

Speaker 2 (02:46):
LETI key.

Speaker 4 (02:47):
First of all, you smoke black and miles, So anybody
who smoked blacks can't tell me nothing about no weed
that wasn't at any time in your life. If you
smoke black and miles, you can't talk to me about
no week I listen.

Speaker 2 (03:02):
Okay, you know what that is? A cigar. I know
that's one of the worst cigar.

Speaker 3 (03:06):
On Sometimes I be one one. I ain't gonna.

Speaker 2 (03:10):
I couldn't take it, be like I need. I did
not take it.

Speaker 1 (03:15):
If I want to let you know, if I ever
see I'm gonna fall on the ground laughing.

Speaker 2 (03:19):
If you fire off a vanilla.

Speaker 1 (03:21):
Black and mind in front of me, I'm gonna lose
my mind man burnt vanilla.

Speaker 4 (03:28):
I'm just gonna take off running. It's no fun out
telling how far I'm a run and laugh. If I
see you smoking a black, no, I'm just kids.

Speaker 2 (03:36):
I don't a black.

Speaker 1 (03:39):
You don't think you seekiky see you look at it
for the outside.

Speaker 2 (03:44):
You think it's like, you know what I mean.

Speaker 1 (03:47):
She drinks seven bland, you know what I mean, and vapes.

Speaker 2 (03:53):
That's what I want you to think. A black and
mile and gin and I've been through some things, man,
a cup of gin. Yeah, you're killing somebody.

Speaker 1 (04:06):
At the beginning of the pot guys, uh, you know,
we were all talking about this interview that we got
to do.

Speaker 2 (04:12):
So we.

Speaker 1 (04:14):
Basically setting all of my bios in and they making
fun of my bio.

Speaker 2 (04:19):
No, because your bio so long. I done more. I've
been in radio twenty years.

Speaker 4 (04:24):
You ain't gotta put everything you've done on your bio, y'all.

Speaker 3 (04:33):
Y'all, I said, this is a biod bitumary because we
didn found out everything told me.

Speaker 2 (04:41):
Yeah, he was like and at sixteen you knew he
had a voice for radio. If you don't take this
out your bio.

Speaker 3 (04:52):
Yes, Tom has done it all.

Speaker 2 (04:54):
Okay, look y'all, y'all, y'all are building, y'all.

Speaker 1 (04:57):
Second paragraph right now, y'all, just one pair paragraph stars
right now.

Speaker 2 (05:01):
You're right.

Speaker 3 (05:01):
I gotta make it stretched.

Speaker 2 (05:03):
Stretch it out. That's all you got that twenty years.

Speaker 1 (05:06):
If you could put my radio career in a paragraph
in twenty years. That's crazy. Twenty years and a one paragraph.
I read one paragraph of educate the people on go.

Speaker 4 (05:18):
Outside of his professional achievements, Capon enjoy spending time with family,
exploring new culinary experiences, and activelypending and charitable initiatives to
benefit the local community.

Speaker 3 (05:32):
That out, what is this called not culinary culinary experiences?
Took me out to the restaurant he likes to eat.
Y'all say you like to eat?

Speaker 2 (05:47):
He is amazing.

Speaker 1 (05:52):
I saw that and that I was like, you know what,
I like her culinary experiences.

Speaker 3 (05:58):
That's say, big bag behaviors culinario around the city.

Speaker 2 (06:03):
That's hilarious.

Speaker 3 (06:04):
That is hilarious.

Speaker 2 (06:07):
Let's go get to this man.

Speaker 1 (06:10):
Anthony Edwards gives his ex, Aisha Howard, if you want
to call her his ex, full custody of their child
and you know, after the legal battle.

Speaker 4 (06:20):
Yep, talking about her. Yeah, we just want him to
just do right by that child.

Speaker 2 (06:25):
That's it. He's not doing that. Huh, he're not doing it.
You don't think you're gonna do right by it.

Speaker 3 (06:29):
You don't even want to know the child.

Speaker 4 (06:31):
I think I just wish he will maybe when he
gets a little older and he gets a little more
experience in life, he'll come around and be like, that's
not right.

Speaker 1 (06:38):
I hope so, because you know, I think right now
what it looks like. And I've said this before, we
talked about this. I think it's just him trying to
get his lick back for doing something he didn't want
her to do.

Speaker 2 (06:51):
And now he's like, now I'm gonna make it tough
on you.

Speaker 1 (06:53):
You got all the custoy, I'm paying all my child
support up front.

Speaker 4 (06:57):
He saying, I don't want nothing to do with this baby.
But what's gonna be tough is when that baby starts
walking and talking.

Speaker 2 (07:02):
That's when it's it's.

Speaker 4 (07:03):
Easy to do it when the baby's little and you
ain't really you know, it's on that you ain't got
to see the baby. But when you got to see
that baby, and that baby asking what my daddy, and
then he can that baby can contact you and talk
to you and look at you in your face, it's
gonna be different.

Speaker 2 (07:16):
Bro.

Speaker 4 (07:16):
That's hard to I don't understand no dad who can
do that look at your child and be like, nah,
I'm cool. That's that's crazy, that a different type of
person yep. Yeah, that's evil. You're super different.

Speaker 2 (07:28):
Yeah, you're different.

Speaker 3 (07:29):
I don't even know how it would be hard for me,
as a woman dating him to know that he, you
know what I'm saying, has a child in the world
that he's just completely neglecting. Like that would be very
hard for me. Even if we were in a relationship
prior and he cheated on me with the old girl
and had the baby, I would still feel like him,
I'm a horrible person because I'm sitting here with this

(07:50):
man raising our kids and i know he got another
baby out in the world, that he's.

Speaker 1 (07:54):
Just not that type of money and that it's gold
Diggers ain't thinking that way. They're like, well he taking
care of mine, I'll take you taking care of mine.
So you know, I'm sorry, sister, but I mean like
a woman respect for herself would definitely be like, like, bro,
she would make him, she would make him claim his
other child.

Speaker 3 (08:14):
But then on the other side of that, I would
be like, you knew I was with him when you
tried to trap him. You know what I'm saying, to
the to the to the other girl, other girl, you
knew that I was with him when you trapped him.
And now maybe you should maybe I should let you
suffer so I could see both sides of that.

Speaker 2 (08:30):
But real brother, absolutely then I know.

Speaker 3 (08:36):
But my flesh human side, hurt side, betrayed side would
be like, hmm, maybe you and the baby can go hungry.
But then I would never I would definitely lose respect
for my partner, my man, because I would be like,
you a clown.

Speaker 2 (08:49):
Honestly, Yeah, that's clown behavior.

Speaker 1 (08:51):
Man.

Speaker 2 (08:51):
You can't do that, bro, And I love you, I do.
I just got grow up a little bit.

Speaker 1 (08:55):
I ain't gonna lie. It made me look at him different.
I would keep it a buck because I don't believe
in that.

Speaker 2 (08:59):
I mean, I know.

Speaker 1 (09:01):
One hundred percent, one hundred percent try to get the
other side of it because I wanted for just for
good argument sake, but for my own personal beliefs, I
can't really. I really like when I when I see
him on highlights, it's a great player. I just kind
of like, it's just it, don't it, don't it don't.

Speaker 2 (09:16):
Hit the same?

Speaker 4 (09:16):
Did you see the video go viral with a with
a mama she no basketball and her son went to
go get the Anthony Edwards sneakers because they don't. And
she went to pick them up and she was like,
don't get them. He don't take care of his kids.
She was like, you can get them, job morts. He
be with his daughter. You see these Kobe's he take
care of his kids from from having You can get them,

(09:39):
but you can't get them Anthony Llwards. So if you
a kid, you hear that, you probably thinking like, oh,
he a dog, you know, like he's a terrible person.

Speaker 2 (09:46):
My mom won't let me wear his shoes. People got
on her for that and said, well, I remember cam Newton.

Speaker 1 (09:51):
I think I posted about it. He cam Newton got
on got on that. Lady said, you're teaching that child hate.

Speaker 2 (09:57):
She's not. She's teaching her son.

Speaker 1 (09:59):
Responsible, teaching her how to be a good teach him
how to be a good human being.

Speaker 2 (10:03):
And your choices that you make do matter. Yeah, I'm
so proud of you. Teach no hate.

Speaker 4 (10:09):
How there's a reason she's saying that you don't take
care of your children.

Speaker 2 (10:12):
That's something that you should do. Man, Like I said,
I'm not mad at him.

Speaker 1 (10:15):
I'm not mad at him for being upset for her
not He like, girl, you knew what this was, and
you go and that's what you want to do. I'm
not mad at him for being on set, but be
mad and being your kid's life too.

Speaker 2 (10:28):
Two things can happen. Two things can happen.

Speaker 3 (10:31):
So see how when you have a clean background and
you're a respectable person in the public, how that affects
your money. Remember we had that big debate about Russell
versus cam and things like that. You see that. Just
want to make sure we point that out.

Speaker 2 (10:45):
And then the fact he's still gonna get this supermaccident
don't matter.

Speaker 3 (10:48):
The mama is the mama's in the store is not
purchasing the shoes because of your your personal business.

Speaker 2 (10:54):
So it matters, It matters. It does matter.

Speaker 1 (10:58):
I think for him what it did for the because
it's a lot of God fans out there. Let's just
take the kids out right, the NBA majority, their majority, the.

Speaker 2 (11:10):
Fan base, gods. I think it may I don't.

Speaker 1 (11:15):
I don't believe that that I or Zach got a singular. Dudes,
just like man, everything that was. You know, I look
at them a little different. You just said no, no,
I'm saying saying, I don't think we're the only ones. Okay, Yeah,
I don't think we're the.

Speaker 2 (11:26):
Only ones doing that.

Speaker 1 (11:27):
So I definitely think this whole thing has has hurt
his public image. How people look at you. Still can
jump really high and shoot really good.

Speaker 2 (11:37):
They're gonna pay a long dunk in that basketball. They're
gonna pay him someone.

Speaker 3 (11:41):
That's fine, he goes, he will be paid. That's not
the debate. The debate was does your public image, your
your personal image affect your money. And it does, and
it affects your opportunities, don't how the public looks at you.

Speaker 2 (11:51):
It does. I don't think it's gonna hurt the bottom line.

Speaker 1 (11:54):
The bottom line, but if it won't be doing any
commercials for Disney World, that's what.

Speaker 3 (11:57):
I'm saying, talking about big brand deals. He just don't
want to agree with me, but we're saying the same.
He still got a shoe, Kiki, you can get a shoe,
and I mean people gonna buy it.

Speaker 2 (12:10):
We'll see that's true. We'll revisit this in about a year.

Speaker 3 (12:13):
What you do in the dark wild effect, what you
what happens.

Speaker 2 (12:16):
In the list.

Speaker 1 (12:16):
Okay, we're going ahead, but that's from the book from me,
the book Akiki.

Speaker 2 (12:21):
Okay, all right.

Speaker 1 (12:25):
Jonathan Major seemingly opens up about his assault case. Uh
that affected his oscars. He said, it's a rap that
will never happen. Yeah, he'll never get an oscar.

Speaker 2 (12:37):
Do you think that's fair? Though, No, it's not.

Speaker 4 (12:41):
This man is if I'm doing a role, I should
get judged on the roll. If I'm able to act.
You know, I'm not in handcuffs, I'm not behind, I'm
not in jail or anything. I paid my debts to society.
Why do I get judged on an assault case. And let's
be real about that assault case. It took two to
tang in that in that situation, I believe. So I

(13:03):
don't think that heard life is getting affected by that.
I mean her professional career. I'm not sure what she does.

Speaker 1 (13:10):
But hey, man, look and I you know, it's levels
of life. And Jonathan Major's on a very high level.
And not saying this girl wasn't. But if whoever it
is woman, a man is on that type of level
that got that type of energy happening around them. They
got to get out of top.

Speaker 2 (13:32):
He what did he do? Though? That's what I'm trying
to like.

Speaker 1 (13:34):
If you, if you, if you were dating a woman
and y'all steady into it, Let's say I saw her
get y'all got into it one time in public and
she snapped on you. Nothing crazy, no hands or nothing
but punks you in public. You just had to sit
there and take it all like zactly. You gotta leave.
You gotta leave.

Speaker 2 (13:55):
I probably would you had to leave. Let me tell you.
Put your hands on me. You got too much in
state hitting me. It's excuse me.

Speaker 4 (14:04):
I'm kicking it all up. You hit me half for
you done hit me. I'm calling the police. You're going
to jail. I'm talking bad to you. You're going to
jail half of and I'm getting all my stuff and leaving.
You can't touch me. I don't even argue like. You're
not gonna argue with me too much. You're not gonna
throw nothing at me. You're not gonna fight me because

(14:24):
I'm not playing those games. Because if I did that
to you, I'm going to jail.

Speaker 2 (14:28):
I am.

Speaker 4 (14:28):
I'm going to jail, and that's the fight you can't win.
So guess what I'm calling the police.

Speaker 1 (14:32):
Ho I'm gone, you gotta And That's what I'm saying
with Jonathan Majors and not to not to try to
say anything out like I know anything.

Speaker 2 (14:42):
I don't.

Speaker 1 (14:43):
But usually that's not your first fight. Y'all ain't fighting
like that. That's like the first time y'all fought like that.

Speaker 2 (14:50):
I don't believe that. I don't believe that.

Speaker 1 (14:53):
So my my point being is you Jonathan Majors, bro,
you got a Marvel You staring the Marvel universe down
a dollar tunnel. You can see it right there. You're
gonna be the man for the next whatever years.

Speaker 2 (15:06):
Yep. I can't argue with you. I can't get into
it with you. I'm getting out the calm and leave
you where you're at.

Speaker 1 (15:15):
You can't go back and forth when you're on a
certain level because this is too much to especially a
black man, because they just gonna move you out the
way like they did and go to the next dude.

Speaker 3 (15:24):
That's so true. And I take my hat off to
men who deal with toxic women because they exist, you know,
and they will trick you out of your position. A
lot of good men are probably in jail right now
because they was in a relationship with an abusive woman
and they stayed. You know what I'm saying, like the
same way, you can't, I can't. You can't put your
hands on me. I don't think it's right for women

(15:45):
to put their hands on men, because, like you said,
it's a lose lose, You're going to jail, you know
what I'm saying. So it's like, if you in them
type of situations, you gotta know what's on the line,
and you gotta protect your your stuff, y'all, your life,
or else you will found yourself in a horrible situation
dealing with a toxic woman. A lot of women think
it's cute, you know, put their hands on me in
and all that. Like I grew up with brothers like

(16:07):
don't hit nobody that you don't want to to hit you,
and I stand by that, but I think it's hilarious
when when me and threatening to call the police.

Speaker 2 (16:16):
I'm calling the poe.

Speaker 3 (16:17):
My boyfriend he was like, he was like, all right,
I'm gonna call the police.

Speaker 2 (16:25):
I will call the police. Not gonna hit you. I'm
not gonna argue with you.

Speaker 4 (16:30):
I will call now one one come get her.

Speaker 2 (16:34):
Then I'm gonna go sit outside and wait. Yeah, in
the street. No, I'm calling the police. Get up, she
hit me. Be so dramatic and loud because I need
my help.

Speaker 4 (16:49):
I need I need witnesses I need all of that
because I'm not gonna play with.

Speaker 3 (16:53):
You running on their ring camera.

Speaker 2 (16:56):
I want the ring camera to see me. I'm right
front the ring.

Speaker 1 (17:02):
Getra exkill me, police, come get us. She hit me
your eye, She don't hit me in the eye. If
y'all want to see the tape, I take myself off.

Speaker 3 (17:16):
I don't blame you.

Speaker 2 (17:17):
I don't blame you because you think about it.

Speaker 1 (17:19):
In abusive situations, it's on both sides, male and female.
It usually ends in death or jail or loss of opportunity.
So it's it's it's a crazy situation. So yeah, John's
the Majors again.

Speaker 2 (17:34):
Bro.

Speaker 1 (17:34):
I feel bad for him. I definitely feel bad for him,
But he should have been going about that.

Speaker 4 (17:40):
And it's the fact that he knows. He said it's
a rap. He said, it's a rap. It's not happening.

Speaker 2 (17:45):
I know.

Speaker 4 (17:45):
I'm not gonna he said, I'm on the academy. He said,
I'm in the academy. He said, I'll never win an Oscar.

Speaker 3 (17:51):
Which is crazy because you have so many people in
Hollywood who have done way worse that gets celebrated all
the time, and have all kinds of eleatons in their
closet that we don't know about sexual assault, pedophilia, everything,
and they sit front row with the oscars and smile.
So I think that in that aspect that's not fair.

Speaker 4 (18:09):
But it's in the closet. That's the thing they stuff
is in the closet, or it's alleged.

Speaker 3 (18:16):
Or we all know what happened. And they're just powerful,
rich and white, and so they don't get the same
get he come on, the powerful rich and come on,
so they don't get hell to the same standards.

Speaker 2 (18:30):
I know, that's right.

Speaker 3 (18:31):
Black men need to know that.

Speaker 2 (18:32):
I preach.

Speaker 3 (18:33):
I don't know. I appreciate all the time.

Speaker 4 (18:36):
Teach my son how I call it. Police, show you
some son.

Speaker 1 (18:45):
Believe Okay, now don't believe. Okay, guys speaking to who
they believe. They said, Cassie is going to testify the
Diddy trial.

Speaker 3 (18:56):
She should She even started all this. Well, if there's
anybody I expect to be in that corporom, it better
be Cassie.

Speaker 2 (19:04):
Okay.

Speaker 3 (19:05):
She got thirty one, thirty millions, and then I locked
the door and let out and took the whole empire down.
She better be in that cortorroom. And I thought I'd
be sitting there loud and proud, look at him dead
in his eye like you thought you thought you had
the last laugh.

Speaker 4 (19:20):
Well, the story really is told, not that she's testifying,
that she's testifying with her name. A lot of the
women in the trial are testifying under Jane Doe, so
their identity won't be revealed, you know, because they don't
want any backlash from that, right, But Cassie is saying, no,
I'm coming as Cassie, and you ain't gotta hide me.

Speaker 2 (19:39):
I'm letting y'all know. Yeah, I said, this is what
I said.

Speaker 3 (19:42):
Absolutely.

Speaker 4 (19:43):
Now, she does have the option to go you know,
under the radar, but she chose not to, which I respect.

Speaker 2 (19:49):
Yes, that's what I respect.

Speaker 4 (19:51):
If you gonna put these type of charges or allegations
or something on somebody, you gotta go up there and
say it. And I respect that she is. I do
because she that makes you feel like mm hmm tell.

Speaker 3 (20:03):
Well yeah, But I mean also for victims who don't
want to reveal their identity, it's not always because they line,
it's because they could really be scared of Diddy. Like
a lot all men are scared of Diddy. So it's
like you you're scared of what he's still capable of,
even behind from behind bars. I heard it might be
a chance he might actually get a bill. I didn't
change how I talk about him, you know what I'm saying. So, yeah,

(20:27):
you got to be careful.

Speaker 2 (20:28):
Take that. They coming to get you, bro. Who I'm
calling the police.

Speaker 3 (20:35):
We know, we know who you got.

Speaker 4 (20:39):
Nobody come get me. I'm calling the authority authorities.

Speaker 2 (20:44):
All right.

Speaker 1 (20:45):
Attorney Tony Buzzy files to dismiss Jay Z's defamation lawsuit
against him.

Speaker 3 (20:53):
Tony buzz we need to go to jail. You put
them type of claims on Jay Z or any man
or any woman. At that point, you need to pay
time for what you're doing because the damage that you're
doing to their reputation cannot be reversed. So I need
some type of time put on him.

Speaker 2 (21:11):
For doing that.

Speaker 4 (21:13):
What's the man named Tony Buzzby Buzzby, Yeah, that's the
guy with the hit the hot line. Yeah, y'all should
have known when he said, if you got any problem,
just called one hundred, put d in jail, whatever the
number one.

Speaker 2 (21:24):
I said.

Speaker 4 (21:25):
This is, y'all, you're making a circus out of something
really serious, exactly.

Speaker 2 (21:29):
So yeah, see your ass.

Speaker 4 (21:31):
Down, bro, wasting people time you get, you know, pull
jay Z into it and all that.

Speaker 2 (21:38):
Then jay Z went, you went at your head and
you weren't expecting that.

Speaker 4 (21:41):
You thought he was gonna run hide and be scared
of the public backlash.

Speaker 2 (21:44):
He said, nope, I'm standing ten toes down.

Speaker 1 (21:49):
I really got nothing to say about it because I
just think it was stupid.

Speaker 2 (21:52):
Yeah, it was stupid. And then now you're gonna get
jammed up and jay Z lawyers. You're gonna lose your
opportunity to be a you too. You're gonna get d
bar what's it called this bar? Ye gonna get this
bard say that again?

Speaker 3 (22:06):
D bar, d bar.

Speaker 2 (22:09):
It's gonna get arn't. But what I stand behind? You
stand behind abuse. We know what you stand behind abuse,
all abuse, abuse.

Speaker 1 (22:20):
Behind Look at her wife and he was doing the
last what I stay behind.

Speaker 2 (22:42):
Let's listen to Carrie yilt Man. Listen to what she's.

Speaker 1 (22:45):
Talking about about a distrack she was forced to sing.
Let's get that audio. Yeah, that that was interesting, but
let's take a listen.

Speaker 5 (22:54):
It's a regret because that's a song that I actually
didn't write. Those are not my words. I was on
tour all of One wanted me to do a remix
to Turn Me On. He had another writer in our
camp at the time. He had her write this, so
he played it for me, like this is the remix,
because I'm thinking, I'm coming in to go write a
remix to Turning Me On, like the whole time I've
been writing concepts like But I come into the studio

(23:17):
and he plays me this verse and I'm like, automatically,
I'm like, I'm not saying that. So I tried to
fight him on it, and I began writing my own
That's what I did with my time there. But he
I want to be careful with the word I use.
It was quite forceful.

Speaker 2 (23:31):
In an executive artist.

Speaker 5 (23:32):
Yeah, in an executive artist way, only threatening my career.
You're not coming because my album wasn't out yet, so
it was like, you're not coming out of you don't
do this. The mistake that I made was not continuing
to fight. But I was in tears. I was crying.
I was adamant that I did not want to do that.
I was young, I was super young. I felt I
had no power, I felt I had no choice, and
it leaked like days after I did it, but he
promised me that wouldn't happen, so it leaked. I protected him,

(23:55):
I protected the girl that wrote it, who went on
to become famous. I protected everyone in the story. So
I had to eat that and I am still eating it.

Speaker 2 (24:03):
To this day. No care, no care. You posed the toe.

Speaker 1 (24:09):
So was the breakfast club? You're supposed to let that
go right there? Like it was exit. It was her
who wrote it, and it was this person that made
me say it.

Speaker 3 (24:19):
Well, she said it was Polo to done right that
made her do it.

Speaker 2 (24:22):
I think that made her sing it. But we know
who wrote it. Dean wrote it. Oh really?

Speaker 4 (24:26):
She just said she wrote it. She put it, she said, indeed,
and it was a hit.

Speaker 2 (24:33):
Yeah Dean wrote it. Oh word yeah yeah, man, oh wow,
friend of the show. Shout out and Polo to Polo
to don.

Speaker 3 (24:43):
But I'm trying to figure out why was she forced
to sing that?

Speaker 2 (24:47):
I was trying to figure out the why t was her?
That was her? Polo Yeah, well yeah, you want to
put it on, but what was the what's the why
in this?

Speaker 3 (24:56):
Did he think that her by her singing that was
gonna take down beyond No?

Speaker 1 (25:02):
I think he was like it was gonna make a
splash for his new artist to get her name out there.

Speaker 2 (25:09):
I get that, okay, and you got est riding it.
If you got that, then that's the strong. That's just
super strong, is it? Writ Yes, she is.

Speaker 4 (25:17):
I mean I get that, I get that, But I'm
just I guess My question is to Carrie, did you
did you go with it? Does that make sense? You
know how you say? She said in the studio she
was fighting it, right, said she was crying and everything crying,
So it had you distraught, you know what I'm saying.
But then when it came out, did you just run
with it? Because this narrative of you putting out this

(25:40):
has been going on for a long time.

Speaker 2 (25:41):
Why now, like I guess, I'm not something's meant you ever.

Speaker 3 (25:46):
Hear a story and you be like it's something, miss,
But I just don't know what it is.

Speaker 2 (25:50):
And I don't know what it is. I feel like
something ain't no sugar salt, It's something.

Speaker 4 (25:56):
It's an ingredient missing in this whole thing that week
that's connect something that will make this make sense to me.
But it doesn't right now because now it just seems
like Polo don and Esther randomly wanted you to force
you to this Beyonce for what to be her? I
just some's missing, some's missing. What is what's missing?

Speaker 3 (26:20):
It's some. It's given.

Speaker 2 (26:25):
Let's get on the phone.

Speaker 3 (26:30):
It's given. I mean. The story has always been that
Poloo Done told Carrie to write the I mean, sing
the song or whatever. But the rumor has always been
that Carrie was because Beyonce was bubbling, you know, on
her solo coming up on her solo thing, that Carrie
was gonna take her down because Carrie was a new
hot girl on the scene, songs popping, whatever, and so

(26:50):
they did that as a direct shot to Beyonce. She
was like, you know, go sit down, you need to
have babies. Now you think you the best? Think Beyonce
had put out maybe bow down bitches. I could be wrong,
but it's just like to ever think this is what
It's so embarrassing to ever think that Carrie Hilson was
considered anybody on her team was thinking that she was

(27:10):
actual competition for Beyonce.

Speaker 2 (27:12):
It's crazy, is insane.

Speaker 1 (27:14):
Oh damn, that's that's a shot at carry a shot.
It's not you know, Carry did not do nothing but
be vulnerable out there and tell you how she took
a shot like that is.

Speaker 3 (27:29):
That's not a come on?

Speaker 2 (27:31):
I just said, give me come on, Holy that was
at that lady was.

Speaker 1 (27:42):
Being vulnerable on the Breakfast Club talking about she was
forced to seeing her career was at stake.

Speaker 2 (27:49):
She was crying.

Speaker 1 (27:51):
She wrote another version of it and still she had
to sing.

Speaker 2 (27:55):
It to lose lose situation.

Speaker 4 (28:00):
It's career suicide if you try to this Beyonce, and
it's career suicide. If you wouldn't have did it, I
would have took my chances.

Speaker 2 (28:05):
But not doing it.

Speaker 1 (28:06):
Come on, oh man, what you mean? Because the thing
of it is is I know she's like you said.
You said it said that lose lose. You're a lose
lose situation. I mean when you forced to not come out.
For artists like art that's their thing to come out.
That is it? That is that is it? You can

(28:28):
make songs in your basement all day long. You got
Polo to don and you got Esther Dean who said, hey,
you gotta do this or you're not coming out.

Speaker 3 (28:38):
But I would have said, guys, let's think about this.
You like so you poll on, guys, Let's think about
this What what am I doing this for? Because we know,
you know, I know, we know that I'm not direct
competition for Beyonce.

Speaker 2 (28:54):
Why would she everybody's supposed to think they're the best.

Speaker 3 (28:57):
That's that's and that's what that's what's wrong with the world.

Speaker 2 (29:00):
Carry Carries Solid.

Speaker 3 (29:02):
Carrie's amazing songwriter, amazing, but there's only one Beyonce, and
everybody know it. They knew it then and we know
it now.

Speaker 2 (29:10):
That's the fact.

Speaker 3 (29:11):
So why would I even I'm gonna look at y'all
like y'all sending me off. Hear me, guys, I need
I don't know how to holdtime. What's the reason? Why
would I ever let you guess you have to do
something so stupid? You know what I'm saying?

Speaker 2 (29:30):
Like, listen, guys, listen, guys. He was so frustrated.

Speaker 6 (29:38):
Yeah, Like, come on, how she came from the MTV
Awards from the ceiling upside down.

Speaker 3 (29:50):
She knows how to yodel, She's been in the group.

Speaker 1 (29:54):
Come on, guys, No, but I'm not gonna let Carry
Hills to take that shot.

Speaker 3 (29:59):
It's not a s out at Carry Hilson. Even Carry
Hilson will say that she Come.

Speaker 2 (30:03):
On, now, you don't think.

Speaker 1 (30:04):
You don't think because she didn't say the end of
the clip, she says she has been basically paying for
that decision her whole life.

Speaker 3 (30:11):
You don't think and I don't even know if that's
all the way true too.

Speaker 2 (30:14):
I mean, you don't think that I don't know.

Speaker 1 (30:17):
You don't think that that instance affected her career.

Speaker 3 (30:21):
Absolutely, I'm sure she was black ball behind the scenes.
But from the fans aspect, I will be honest, if
you drop a hit, I don't care that you just
beyond I'm gonna be real like I'm not. I ain't
never been in a car like turn off Pretty Girl
Rock because she di Beyonce never like you know, I
think it's easy to be like, well, you know I
heard this Beyonce. That's why I'm bubbling. You know, I

(30:42):
ain't never been able.

Speaker 2 (30:43):
To bounce back.

Speaker 3 (30:43):
No, a hit record would have bounced you right on back,
because I as a fan and a consumer, have never
said I'm not listening to carry Hilson never, but I once.

Speaker 2 (30:53):
But also you gotta think about that.

Speaker 1 (30:55):
But artists, singers, their their attitude, their view on life
could affect them. So I mean, you think something like
that could be traumatic and keep her from really reaching
her potential.

Speaker 3 (31:06):
I think that tall African man that she was with
all them years, I think he the reason.

Speaker 4 (31:11):
Sergiabaka, yes, I think used to play for Okaya she was.

Speaker 3 (31:17):
I think he the reason she didn't get no music.
It wasn't beyond that.

Speaker 1 (31:23):
Serge Obaka was up. She had a rich ass African
man to play the NBA and left.

Speaker 2 (31:29):
No.

Speaker 3 (31:30):
I think he broke her heart and maybe that's why
we didn't get no music. He the reason, not Beyonce.

Speaker 2 (31:34):
Why. I'm trying to figure out what Serge your baka?
How did he get astray? He's crazy?

Speaker 3 (31:40):
How is that?

Speaker 2 (31:41):
Kiki? Why? Why is everybody.

Speaker 3 (31:45):
To blame carry yourself like she didn't. She didn't succeed
because she just Beyonce said, that ain't the reason.

Speaker 2 (31:53):
That ain't the reason, because.

Speaker 3 (31:54):
If she would have dropped the hit, we would have
played it. No. I mean I understand maybe Black said.

Speaker 2 (31:59):
She don't have any hits.

Speaker 3 (32:00):
No, Bro, you're messy. Bro, this is messy today. You
I'm messy.

Speaker 2 (32:05):
Here's the thing, Carrie Hilson did have a she has
a career, and she had a career. You know what
I'm saying.

Speaker 4 (32:10):
I don't think she she's just hurt that she did that.
She doesn't like that she did that. She had knocked
You Down. You remember that song.

Speaker 3 (32:16):
Her songs are amazing, pretty girl rock, knock you Down,
the song she did with R. Kelly, She did a
song with I forgot who else. But she got records.
She got record She was just on the Millennium tour
like a couple of years. She has records.

Speaker 2 (32:29):
But it's a car We gotta get up off of
twenty five.

Speaker 3 (32:33):
And say, hey, I've been suffering because of that. I
made that remark forty five years ago. These kids today
don't even know nothing about the song. And it was
a remix. It wasn't even a single. So it's like
the girl know and come on nine, it ain't because
you said that, Because I promise you I'm still gonna
listen to your records. It's not that.

Speaker 2 (32:53):
Carrie Hilson being on the show. All right.

Speaker 1 (32:59):
What I'm saying, family hope to see Carry Hilson more.
Can I say podcast not gonna happen. Dre put up
a post saying that she is really since DeAndre DeAndre
is Jack, you don't know DeAndrea said, Okay, DeAndre DeAndre Sanders. Okay,

(33:21):
I said the last night, so I know who's talking about.

Speaker 3 (33:22):
It, like we know. No, it ain't even a lot
of Deandreas out here. You we supposed on the first
name basis. Yeah, that ain't no.

Speaker 1 (33:42):
Let me finish the goddamn you have figured it out
by the context crew DeAndre, like he said, look at
the next thing. When I was saying saying that she's
really sad to see that you can't be kept being
quiet spend time with their grandson or nephew based off
the hate for the mother. Queese then commented on saying
stopped playing with him. He would never take his son

(34:05):
somewhere that she's not welcome. You would have heard Jack Queese.
You would have heard were like, oh that's his baby mama.

Speaker 4 (34:12):
I want to help the listeners if you would have
heard it. Everybody don't know that we know because we
in the industry, we.

Speaker 2 (34:17):
Talk about it.

Speaker 4 (34:17):
But I wanted our pod fam who don't know Jack
Queze or DeAndrea that had a.

Speaker 2 (34:22):
Whole Nobody knows Jack Queese.

Speaker 4 (34:24):
Now no, I'm saying we love Jacquez, but they not.
They may not know Jack Queese drama. They might know
Jack queis.

Speaker 1 (34:30):
Okay, all right, DeAndre is saying this verse Jack queies
that was the name, and his daughter thank you mama.

Speaker 2 (34:36):
All right, I don't want to do the say let's
do it.

Speaker 4 (34:40):
Let's just do it all on first name basis DeAndre.
I don't want no, I don't know. I don't how
about that quo.

Speaker 2 (34:50):
Yeah, you know, like we just saw down the show.
You know, DeAndre. She is a very unique name. Bro.
She having the yard self. She said right in here.

Speaker 1 (35:01):
He sat right in here with us when we interviewed
Jock quee y'all don't want to act like y'all.

Speaker 2 (35:05):
Know the name. I was doing it for the listener,
and then you try to be like you all right,
moving on, don't tell my Michael, come on, come up.
I didn't turn you. I told you that. Yeah, all right,
so let's get into it.

Speaker 3 (35:20):
What trouble when she came in here, I ain't gonna
lie to see.

Speaker 2 (35:25):
We knew it wasn't gonna last. They walked in the door,
that it is lasting.

Speaker 3 (35:29):
It ain't.

Speaker 2 (35:30):
Why what do you mean how did you know when
the moment they walked in the donor they.

Speaker 3 (35:33):
Can't When Jock Queeze came and did the pot. I
knew God from that moment, there weren't gonna last. Cat.

Speaker 2 (35:43):
Well, that'll do it for Jock. QUI didya coming back
to the show. This is another another you want me
to laugh.

Speaker 1 (35:50):
You don't like you eliminated guests at an alarming rate today.

Speaker 3 (35:56):
You know I'm not because we don't got no guess anyway,
the people confirm we go on the pod, be honest
with me, like, no, she wasn't coming back nowhere. But
I knew it was a problem when I came. When
they came in here and she had a float laithe

(36:18):
mink on and she walked, she walked and sat down
and didn't take the mink off. That's a problem. But
I knew that this was not gonna last. So then
when it also she is.

Speaker 1 (36:30):
D I said's daughter. I understand whole life, And.

Speaker 3 (36:35):
It was that day, so I knew someone right then. Secondly,
when you go to work with your man, that's a problem.
That's a red flag. When I got to go to
work with my mad big red flag. Okay, and I'm
talking about we didn't have artists come and they come
in and do the interview and they people sit out there.
We got a waiting room. We got snacks. When you

(36:57):
have to be in the room, it's something going on
that you want to make sure he ain't saying something
or you. It's a different type of control that ain't. Look,
I got brothers. I know they have some situations.

Speaker 1 (37:11):
They had some situations, and probably dating jack Quis and
having a baby by jack Quie is a stressful situation.
Why because come on, Manik, what do you mean? Why?
Why are you saying now you're gonna make me? Now?

Speaker 2 (37:28):
Why what you mean? Why is your head? You know?

Speaker 1 (37:32):
I say every R and B singer, entertaining athlete, they
all cheat. That's just that's just a fact. There's no
happy endings in those relationships. It is all pain and despair.
People sign up for that know that it's about to
end anyway. You think when she had a baby with Joacqui,

(37:54):
she was like, he gonna be with me forever. She
noticed this is gonna be a good five six year
run for that food and cheat because he can't because
he is an e Rice love song and he is
going to cheat. He got too many women throwing panties
at it. He can't take it. He live with Chris

(38:14):
Brown for crying out lives.

Speaker 3 (38:18):
I'm not gonna let you do that because Quee.

Speaker 1 (38:19):
Is a good man, and I believe he's a good man.
But I believe he love her too. But I also believe,
like we always say, the flesh is weak, it's weak.

Speaker 3 (38:31):
But I don't think that's why they broke up.

Speaker 2 (38:32):
I don't think they didn't break up yet. Don't they
didn't break up.

Speaker 3 (38:35):
Yet because he in the comments said he's sick of her.
But I knew he was sick of her when he
came in here.

Speaker 1 (38:43):
He's sick of her because she won't let him cheat.
She don't give it room to cheat.

Speaker 2 (38:50):
What it is she came up?

Speaker 1 (38:53):
You think you're gonna and I we know, let's just
keep it a buck. I'm not gonna say I know anything,
but if I was to look at it from the
deductive reasoning, Hey you gotta do a promo run in Chicago.
Oh your ex is from Chicago. I'm going with you,
not the ex ex. No, the last woman he was

(39:14):
with was from Chicago. In here with us, No, but
she just came on his hip. He ain't gonna be
able to send a text nothing. She on his ass. You,
I'm on your hip. Trust me. She the reason he
mad because he is an arm be singer. He needs
to cheat to make music.

Speaker 3 (39:34):
That's the truth he needs.

Speaker 1 (39:36):
There's not an actor entertainer that's not cheating.

Speaker 2 (39:40):
That's very smart. But look at this.

Speaker 1 (39:42):
Matt Barnes went on, and I hate to do this
to Matt. He went on, cried about losing his family.
I believe he was upset, really upset about losing his family.
But you're talking about somebody had eight chicks as he
was knocking down eight chicks.

Speaker 3 (39:59):
Same.

Speaker 1 (40:00):
Both things can be true. You could be happy about
your age and mag you lost your family.

Speaker 3 (40:05):
I hate what happened with him that they got so
many damn kids.

Speaker 2 (40:09):
But this is the thing.

Speaker 1 (40:11):
That's why I said, like, I just get tired of
women getting confused about this.

Speaker 2 (40:15):
You should really like you, I should curry you like.

Speaker 1 (40:17):
Yes, you like Shavannah James, Yes, like whoever else has
a Sierra a great relationship.

Speaker 2 (40:26):
We are just named three, you know what I mean?
The athletes enters in the world.

Speaker 1 (40:32):
Yeah, and they all break up over infidelity.

Speaker 3 (40:37):
I don't know. I just know if I got to
go to work and clock in with you, we got
some problems. What if I have to go to work
and clock in with you. If I come in here
and you're doing live with Tom Capone and your girlfriends
sitting in that corner, your whole shift, I know it's
some trouble in paradise.

Speaker 2 (40:54):
I'm like, yo, she trying to keep me from cheating,
exactly exactly.

Speaker 3 (40:58):
Like it's something going on, But I don't know. I
hope they could work it out, because he really did.
I really felt that he loved till he proposed and everything.

Speaker 1 (41:07):
Yeah, I honestly thought, for reading this, I didn't know.
I didn't know the other stuff that was going on
because I thought that they were just having a disagreement.

Speaker 3 (41:14):
He fell out with his mama.

Speaker 2 (41:15):
But let's just tell the truth. Now. This is the
ugly truth that nobody will say. What. He's so dramatic.

Speaker 4 (41:23):
It's the ugly truth. And y'all gonna kill me for this,
but I gotta say say it.

Speaker 2 (41:29):
Babies kill relationships.

Speaker 4 (41:32):
I know y'all gonna be like, oh, you know, and
people get divorced and people break up. They don't blame
the kids. Don't say nothing about the kids. No, it
was your fault. It was the kids.

Speaker 2 (41:42):
It was the kids.

Speaker 4 (41:42):
We was fine, We were fine. I tell dudes all
the time. I tell dudes a young guys who get
married all the time. They'd be like, man, I was marriages,
marriag charge. I say, no, marriage is a breeze. Marriage
is beautiful. When you have a child. It's when things
will get rocky. That's in every relationship that people split,
it's usually right when that child is born. I'm telling

(42:04):
you it's something about it.

Speaker 1 (42:05):
No, it's because women had a hormonal they gotta get back.

Speaker 2 (42:09):
Postpartum. I'm gonna tell you. Postpartum is real.

Speaker 3 (42:12):
And y'all yeah, and y'all don't know how to deal
with it.

Speaker 2 (42:14):
Nope, we don't.

Speaker 3 (42:15):
And so yeah, I don't know what it is.

Speaker 4 (42:17):
I can't tell you. I don't know if it's postpartum,
don't know if it's past partum. I don't know what
it is.

Speaker 2 (42:21):
It's pre partum.

Speaker 3 (42:25):
She did say that.

Speaker 4 (42:25):
But what I'm trying to say is, I've noticed that's
the thing even people who start going through and they
may not even break up, but it just gets rocky
and tough.

Speaker 2 (42:32):
It's when the child.

Speaker 4 (42:33):
When you have a child, because now you have to
allocate time and energy about something that y'all both love
a lot and the hormones and everything is going every
which way for both of y'all. I know we always
say it's it's the women's postpartum, but guys have to
figure out how to deal with this new situation you're
dealing with time. You know, you're used to doing what

(42:56):
you want to do when you want to, and she's
used to doing what she want to do. And then
when you had that child, especially the one, it be
issues because.

Speaker 3 (43:03):
Usually the burden falls on one party more than the other.
And then there bill's resentment because you continue to live
your life normal. You on the road touring, I'm stuck
with a baby. I can't follow you around every because
that's mine but it's still my baby, so I can't
just leave my baby with somebody to go run up
behind you on tour. And then I'm trying to get
my body back right because like you said, it's holes

(43:24):
chasing you down the street, ready to do whatever. You know.

Speaker 2 (43:27):
That's why I say that's true.

Speaker 4 (43:29):
These kids, That's what I'm trying to say, y'all are
out here. I see so many women, great women who
just want, they desire this thing they haven't had Oh,
I want this child. Oh I can't wait to have
a baby, can't wait to do this and do that.
Let me tell you something that grass ain't as green
as you think. But I think it comes with a

(43:50):
lot of responsibility, It comes with a lot of change,
It comes with a lot that you will not I
said this last time, I asked, why are we having them? Yes,
you did, and it's yes. It's easy to say I
want to have a kid. When they get here. I
tell you that all the time. You love them when
they get here because they're here. Okay, you love them

(44:12):
and they depend on you.

Speaker 1 (44:13):
But I think people want to think of it like
this is when you have a kid, it's the first
year and a half is it's pretty much you and
you're in jail, you and baby jail for a year
and a half.

Speaker 2 (44:24):
Your life. It's all about.

Speaker 4 (44:25):
Completely a year and a year and a half, completely completely.

Speaker 1 (44:29):
It's no, it's because that's when you where your kid
becomes kind of self aware a little bit, you know
what I mean. It's a lot easier once they get
about one, getting ready to turn to It's a lot
of people, like you said, they try to go back
to their regular lives, women and men try to go
back to their regular lives.

Speaker 2 (44:44):
It's over with. It's over with. I mean any of
my kids.

Speaker 1 (44:49):
I was like, yo, bro, it's I'm not gonna be
I'm not gonna be playing basketball on Saturdays.

Speaker 2 (44:53):
It's over with. It's over with.

Speaker 3 (44:56):
And then you have a little resentment like damn, I
got nagging ass.

Speaker 2 (45:03):
Woman, get a nagging is what gets to you.

Speaker 3 (45:05):
But she nagging because she feels like, damn, I gotta
sit at home and he out and playing basketball.

Speaker 4 (45:11):
And it don't matter what you do, especially if you're
a man. Okay, women who have children, they hate fun. Okay,
when a woman has a child, so pregnant, women late
in their pregnancy, and women who just had a baby,
they hate fun.

Speaker 2 (45:29):
You can't laugh because you can't.

Speaker 4 (45:31):
You think you can laugh around a woman after she
just had a I wish you would. She calling you
and you hello, she mad attitude. What's so funny? She
hates fun? Yes, you cannot have fun. Everything you're doing
you got to be talk about.

Speaker 2 (45:49):
Yea, I'm just on the way.

Speaker 4 (45:49):
I'm about to wrap up everything is you about to
wrap up? And I'm coming straight to you so you
can get a break. But still I think of that,
just keep it a buck. And I think women hate fun.

Speaker 1 (46:01):
They hate male fun, absolutely, they hate women hate My
girlfriend hates male.

Speaker 2 (46:09):
Fun when they're not involved.

Speaker 4 (46:11):
You had there, like if you notice, if you talk
to your guys, if you talk to your guys on
the phone, who got women you even guys know you
got to include her.

Speaker 2 (46:21):
If if he started laughing, or he'll do it himself,
he'd be like ton crazy man.

Speaker 4 (46:27):
Tom said that you gotta let her know what you're laughing.
You just can't have unaccounted for a laugh, right, that's crazy,
that's funny. I justn't want to know what's funny.

Speaker 3 (46:39):
Women don't like fun. No, we like fun. We just
don't like fun exactly. Y'all.

Speaker 1 (46:44):
Y'all do not like single male fun and relationship Like
you like out hanging out, go watch the game with
your boy. You had a time we was laughing, joking,
drinking game. Somebody fell out and how was it over there?

Speaker 2 (46:56):
It's cool, it was cool.

Speaker 4 (46:57):
You don't And that's the thing that's the hard part
about being a man. You can't even have fun.

Speaker 2 (47:02):
No more so, why do you want to do this?
Why do we do this? Relationship? You get a relationship. You
can't have fun with your friends. That is over. It's over.

Speaker 3 (47:13):
Ya have fun with your lady?

Speaker 2 (47:18):
Why can't I have fun both?

Speaker 4 (47:19):
But she thinks that you are slighting her some type
of way when you're not having fun with her.

Speaker 1 (47:24):
Do not laugh without your lady. It's crazy because you
got to explain that joke.

Speaker 2 (47:29):
It's crazy. How you just be having a good time
with your friends? How is that crazy?

Speaker 1 (47:33):
It's normal if you pick up the phone laughing, like, Hey,
what's up?

Speaker 2 (47:37):
What's up? What was funny? Nothing? What you mean nothing?
I want to know.

Speaker 3 (47:43):
Yep, what you mean?

Speaker 2 (47:44):
You want to know? It just you have to be here.
I don't know why that is.

Speaker 3 (47:48):
I don't know.

Speaker 2 (47:48):
It's just crazy.

Speaker 3 (47:52):
I don't like no laughing man, and I'm making you laugh.
What you laugh? Ain't nothing funny without me?

Speaker 2 (47:57):
Bro we laughing? We lie.

Speaker 1 (47:58):
But I want you to know your boyfriend is lying
to you every time he tells you wherever he's coming
back from.

Speaker 2 (48:04):
How was the store? It was cool?

Speaker 1 (48:06):
He could have had a time in the store I had.
He was with your boys, he's with his mama. How
was it over your mama house?

Speaker 2 (48:12):
It was cool? It was all right. We are all lying.

Speaker 1 (48:15):
We have never said anything beyond it was cool or
it was odd.

Speaker 3 (48:19):
That's so true. That is very man. Ain't never say
he had a good time without me.

Speaker 2 (48:24):
He never did. He never will because you don't like it.

Speaker 3 (48:27):
You hate fun No fun without mean nothing, you funny nothing.

Speaker 4 (48:32):
You have to when you are with your woman. You
have to act like everywhere you're going without her is
a chore. Yes, you have to act you have anywhere
you're going without her, you don't want to do it.
It can be tone birthday. I know I want to
go to tone birthday park, and I don't want her
to go. I'm i gotta run down here deal with Tone.

(48:56):
I guess man, because he's gonna be like, oh, bro,
you ain't show up.

Speaker 2 (48:59):
I gotta go. I hate, but I can't wait to
get down there.

Speaker 1 (49:05):
Yeah, the exciting, exciting hit the uber, and then when
you get back home that uber pulled up a downs.

Speaker 2 (49:19):
You have to act like it was a drag. Then
they got hungry. We had to eat out. Bro, I
don't even want to eat. You have to hate everything
in life without your women. Yeah, like y'all hate it,
we definitely do. You do it all same.

Speaker 1 (49:36):
I remember trying to get because my my thing for
a while before I stopped playing all of those in
a mirror sports got a hoop on Saturdays. Women cannot
understand hoop on Saturdays or play a sport on Saturday.

Speaker 2 (49:50):
It's like, let me go ahead, get you this game
right quick, then you're gonna get over here?

Speaker 1 (49:56):
Are you gonna be out there long? I was like,
sometimes they like to talk about the game the words
I'll be ready to go.

Speaker 3 (50:01):
Though, so bad.

Speaker 2 (50:04):
I don't have a comedy show.

Speaker 3 (50:06):
Yeah, you got a all right.

Speaker 2 (50:08):
Which is all about laughs. It's all about being happy
for your kind of comedy show. You had a good time.
But like as that's that's like a speed dating pop up.

Speaker 4 (50:24):
You go to a zach book show, it's just a
comedy show, y'all know, all comic shows be like that.

Speaker 2 (50:31):
Night.

Speaker 1 (50:32):
The quality that I've been to a couple of comedy shows,
I was like, there's a lot of ladies there, but
it's a lot of ladies with ugly jobs in there.

Speaker 4 (50:43):
Speaking of your jobs, we got a new ugly job
to the list, new ugly job to the list. Yes,
TSA workers ts A. If you work ts A, you ugly.
I'm sorry. You know, I know I'm not wrong. Have
you seen them?

Speaker 2 (50:59):
Have you seen TSA walk? Now, don't get me wrong.

Speaker 4 (51:03):
You bodied up, She bodied up face ain't nothing, and
she got an attitude.

Speaker 2 (51:10):
They yell at you like you they kids. I said,
tak your shoes off, Yeah, take your shoes off and
throw the bag. The bag don't have to be in
the thing.

Speaker 4 (51:19):
Y'all know every airport got different rules, right, Some airports
you need to put your shoe on the conveyor belt.
Sometimes they make you put in the box. Sometimes they
take put your bag in there. Sometimes they say leave
your laptop, and leave the laptop. So when I ask,
I'm literally asking because I don't know it'd be different
rules at different airports. And I'm tell you something. Them
TSA workers strong faced it, Oh my god, they upset,

(51:42):
and it's just they.

Speaker 2 (51:45):
Don't have to be that mean.

Speaker 1 (51:47):
And yes, they do it every time I've ever, Yes
they do every time I've had a conversation with a
TSA worker. It's not the ones that's standing by the
little metal detective. It's the ones that be by the belt.
They got to deal with that belt machine, the X
ray machine.

Speaker 2 (52:07):
Those people are not in a good one. It's tough.

Speaker 4 (52:08):
You gotta understand you've already grew up your whole life
an unattractive woman, so the chart, So it's been life
has been tough. Okay, so you've been unattracted with your
whole life. Next thing you know, you're working as a
fake security guard for the airport. That and and then

(52:29):
after that you get to see guess what everybody else
is doing vacationing. Everybody that you passing by is going
off the liver of good life, and you're just sitting
there watching them. And then you're stuck next to this
thing that has a ton of radiation. Can you imagine
how much radiation is happening when that thing is your
brain is getting fried. You're not wrong, and you.

Speaker 2 (52:52):
Over that tried.

Speaker 1 (52:55):
So she can still get on the plane.

Speaker 2 (52:58):
It's a tough job.

Speaker 3 (53:00):
I stopped him when he started lying.

Speaker 1 (53:02):
I'm not gonna call TSA workers ugly a lot doing it.

Speaker 2 (53:07):
Have y'all seen cute ones? You be? You have seen
a t s R you about damn.

Speaker 1 (53:11):
She find Yeah, I've seen I've seen him a couple.

Speaker 4 (53:18):
I mean, flight attendants beautiful women. Have you ever noticed
that usually flight attendants are no a'nna this last time
I flew.

Speaker 2 (53:27):
That's off subject.

Speaker 4 (53:28):
But I found it was like, this was the first
time I ever had. Now, you know they have male
flight attendants. Usually when you have a male flight attendant,
he's you know, usually a little zesty, you know flight attendant, right,
But this male flight attendant was.

Speaker 2 (53:44):
A y n I had the first ever why in
flight attendant. It was the weirdest thing.

Speaker 4 (53:53):
He was like, you're good. I was like, I was
putting my He's like, you can put it right there.
I thought he was just that in the flight. I
don't like, did I look at that, said, oh he
a flight attendant. But he was like a real why end.

Speaker 2 (54:06):
He was standing up. It was the funniest thing I
ever heard. He was like, can you pay attention to
the flight thing?

Speaker 4 (54:12):
He was like talking to people and like it was
a wai en flight attendant like that and he was
but he was real though.

Speaker 2 (54:19):
He was real. No, he wasn't like your regular male flights.
You could tell he was a real dude. I was like,
he probably be with all the little flight attendant chicks. Oh,
he definitely everybody. Everybody.

Speaker 1 (54:31):
He's like, hey, the biggest come up, bro, you got
to be a flight attendant.

Speaker 4 (54:36):
That's the new hustle. Like straight men become a flight
Attendant's gonna be in a flight at the out the city,
out of the country, pretty women. That was that that
might tell you, now you good? Put the bag up there,
no side.

Speaker 2 (54:50):
No you good, folks. I said this cool game. He's like,
you want to water game. He had the car the cartner.
You need a water game, Zach. Okay, what airline?

Speaker 3 (55:08):
What airline?

Speaker 2 (55:09):
Fine? Front tier? There you go, whether seats don't lean
back shot.

Speaker 1 (55:15):
So Zach definitely got some Uh, he's gonna get some
privileges on tier because that's his that's his airline right there.

Speaker 3 (55:22):
You've been on that couple of times.

Speaker 2 (55:24):
I don't I tell you I'm not loyal to her.
I'm loyal to price. I'm not low to the airline.
To an airline, no, I go you are.

Speaker 3 (55:35):
But I do like spiritual.

Speaker 4 (55:36):
You know that flight to Nashville is an hour. Whatever
have it is gonna get exact. I'll be uncomfortable hour
for hour. I do it like a bus and hold on. Yeah,
I don't worry about it. I don't even need no seat,
no well hour, I can get it done.

Speaker 3 (55:58):
Now mm hmmm, we know how you fly?

Speaker 2 (56:02):
Mm hmm.

Speaker 1 (56:03):
I like my airline. I like my airline. Let's go ahead,
let's go what else? Last one pole? We get out
of here? Lord trick Daddy on I gli, I said,
women need to lord their standards and meet me in
halfway when it comes to daydhokik, what's going on?

Speaker 3 (56:22):
What trick Daddy talking?

Speaker 2 (56:25):
Trick Daddy trying women? Right?

Speaker 3 (56:27):
Man? Have you seen trick Daddy lately?

Speaker 2 (56:30):
Yep?

Speaker 3 (56:30):
Okay, all right, we don't give it that.

Speaker 2 (56:32):
What got to say, is trick Daddy that coming on
the show either.

Speaker 3 (56:37):
No, but I promise you women ain't not a woman
today woke up and thought about what trick Daddy wont So,
yeah we're not. We're not worried about trick Daddy and
what he got to say.

Speaker 1 (56:47):
Trick Daddy dollars trick Daddy in a way, he got
a point. Please, women need to lower their standards and
meet me and half for when it comes to dayly.
So what he said, and I think you gotta think
of it from where he is at.

Speaker 3 (57:06):
Every woman says Daddy has lowered their standard.

Speaker 2 (57:11):
Okay, that could be the point. That could be a
good point.

Speaker 1 (57:14):
But you gotta remember he's from South Florida in Miami, Right, Miami.
There's a lot of money and status that that probably
you gotta have to date down there then other places.

Speaker 2 (57:29):
Right. So he's saying they should lower their standards.

Speaker 3 (57:33):
But a lot of y'all don't realize we have lowered our.

Speaker 2 (57:35):
Standard to deal with you.

Speaker 3 (57:37):
What do you mean, I'm just being honest.

Speaker 2 (57:40):
What about when we lower our standards.

Speaker 3 (57:42):
We're not telling y'all to lord, y'all standers, We're just
happy to be with you. Y'all weren't walking around telling
women they need a lower their standards. Some of their
standards is already low. That's how you hear. Damn, Damn,
I'm not talking about you, but I'm saying me and
a man like your mama lowered her. That's why you alive.

Speaker 2 (58:01):
Damn.

Speaker 3 (58:02):
A lot of people don't.

Speaker 2 (58:07):
Today.

Speaker 4 (58:08):
Lord Jesus, I'm out of here. She said, your mama
lord her standards. That's why you here.

Speaker 1 (58:16):
You damn Come on, man, I ain't never seen a
lady that don't think women do no wrong enough my life.

Speaker 2 (58:23):
I ain't never seen nothing like this before. This is legendary.

Speaker 3 (58:28):
Women lower their standards all the time. We just don't
tell y'all for protection of your ego. So like give
us the credit that we deserve it for trick Daddy,
no disrespect to the o g. But like at this
in twenty twenty five, any woman that he waking up
to has lowered her standards, so he should stop. Have

(58:50):
you seen trick daddy, lady exactly?

Speaker 2 (58:56):
I mean, I bless you, Trick. I bless you.

Speaker 3 (59:00):
Y'all because y'all know I'm not wrong, But y'all don't
want to agree to y'all.

Speaker 1 (59:03):
I like going to Miami. I don't want no problems.
I don't want a trick daddy.

Speaker 3 (59:07):
He's not gonna give you no problem.

Speaker 2 (59:09):
Take it to the hook. Lately when we say stuff, man,
it's for coming back.

Speaker 3 (59:12):
It do But I'm but I can't. I have a
hard time not being honest.

Speaker 2 (59:16):
Yeah, tell it.

Speaker 3 (59:17):
I have a very hard I know. I know some
one day it's gonna catch up to me, but it
ain't happened yet.

Speaker 2 (59:22):
You'll go outside enough for it to get your.

Speaker 3 (59:24):
That's why I don't go outside. That's why.

Speaker 2 (59:26):
And when you're outside, you on the stage.

Speaker 3 (59:29):
That's right. I need. I only go where there's a
sponsor brought to you by. This event is brought to
you by I need to know who the sponsor before
I show up, because yeah, I have a hard time
not being honest certain stuff you just shouldn't say. It's
like me just waking up, like men need to work
out why would I ever wake up and just say

(59:51):
why would I just wake up and choose to do that?
That is like guess what, Yes, it's the same thing
like that is saying why would I wake up and
do that? What do I think they're gonna say? You
know what, I'm saying that I'm not the one that
should come from you know, somebody else, like another man
should say that, not him. It's all I'm trying to

(01:00:12):
make the point of us made. Thank you?

Speaker 2 (01:00:15):
Okay, okay, right, well, Kiky, that was a final thought.
Exactly what you got? Man? Oh man? Today I prepare
the final thought.

Speaker 4 (01:00:24):
Oh yes, my final thought is stay alive, stay great,
stay black?

Speaker 3 (01:00:33):
What oh.

Speaker 2 (01:00:40):
Pop?

Speaker 1 (01:00:40):
Fam, y'all gonna have to just put it into comments?
Did we get rid of the final thoughts?

Speaker 3 (01:00:43):
Now? No? I want to give of changeing stuff?

Speaker 2 (01:00:47):
Why do you keep wanting to give rid of final thought?

Speaker 1 (01:00:49):
Because y'all are not prepared, But what do you want
what you're not prepared? Y'all talked about y'all talk about
my very very well thought out by your earlier.

Speaker 2 (01:00:59):
The show you're talking about, Okay to talk about how
I'm hosting the show.

Speaker 1 (01:01:02):
When I said DeAndre said DeAndre and Jack Queiz, I
was getting the Jack queeze.

Speaker 3 (01:01:07):
Them Auto five them audio files be beating your ass?
Do tell me be like, we're gonna hit the audio.
They doing radio for you. So we're gonna getting ready
to final thoughts audio because the five m be sitting

(01:01:30):
there like them, where is the club? Lil zaxt is
looking at the count there like oh, so if you
want to get rid of something.

Speaker 2 (01:01:45):
Don't do that. Yeah, y'all crazy. I'm not playing with y'all.
It's all wrong with y'all. Final thoughts we sleep? I
think we sleep right. They're gonna give me something to eat,
all right? What more can we say