Shannon Sharpe Update, Destination Weddings, Best Singers & More

Tone Kapone, KeKe, and Zach Boog talk Shannon Sharpe Update, Destination Weddings, Best Singers & More!

Episode Transcript

Speaker 1 (00:00):
All right, welcome to the one more can I say?
Podcast episode? Thank you right two fourteen. All right, man,
I'm doing the show with our sunglasses today, so if
my wandering I acts up, it's okay.

Speaker 2 (00:14):
Whoo whoa, all right.

Speaker 3 (00:16):
Man, I wanted your host song. Good pone.

Speaker 1 (00:17):
What's something with you? Let's get to it. She is fluffy.
If I'm the only lady of the pod. She has
a gracie. Uh we wonder when the wig is gonna
change out. It's not going on.

Speaker 2 (00:29):
About now.

Speaker 1 (00:31):
The wig is always looking through the wikie. I am
a you know, y'all know I watch hair because I
don't have none. Yes, Kinky keeps wigs for probably about
two weeks.

Speaker 3 (00:42):
I say one week.

Speaker 2 (00:43):
I keep my wis a long time. They good quality wigs.

Speaker 3 (00:46):
I mean switch it out. Oh no, you switch them
like once a week though I do switch. Yeah, you switch.

Speaker 2 (00:50):
It depends on how I feeling that day.

Speaker 4 (00:53):
We could go day to day. Yeah, Bob, one day,
curly straight.

Speaker 2 (00:58):
True, this is true.

Speaker 3 (01:01):
You store your wigs, Kiki.

Speaker 5 (01:02):
So I got these all gold mannequin heads. Yeah, they
real cute. It's velvet and it's golden, it's tall, and
I keep them on the on the mannequins around my glamor.

Speaker 3 (01:13):
That's so you got a glamor.

Speaker 4 (01:15):
I have a glamor while they up high like you
gotta use the thing that they use at the ghetto.

Speaker 3 (01:20):
Down.

Speaker 2 (01:20):
No, they're not that. It's my ceilings, not that, not
yet anyway. But yeah, okay.

Speaker 1 (01:27):
You want to get one of them Real Housewives of
Atlanta closets where you could do your interviews from your closet.

Speaker 3 (01:33):
Slash ga.

Speaker 5 (01:35):
I want to I want a two story store. I
want my closet to feel like a clothing store.

Speaker 2 (01:41):
Yeah, we displayed, you know.

Speaker 5 (01:44):
All kinds of sunglasses displayed. That's my dream.

Speaker 2 (01:48):
You supply my house, you get it? Thank you?

Speaker 1 (01:51):
All right, let's go a little broader pot the funny
man of the pots Zacho Woo.

Speaker 3 (01:55):
Woo woo woo. Whoop wa.

Speaker 1 (01:58):
Well, y'all, well, I'm good.

Speaker 3 (02:01):
How y'all feeling? It was a little black luster?

Speaker 2 (02:06):
He can I mean.

Speaker 3 (02:10):
It's like you introduced me.

Speaker 4 (02:13):
I can't overwhoop myself, you know what I'm saying, Like,
I don't know how much whoop you expect to. I
don't know if we're not hitting a certain level of
tone happiness within the value.

Speaker 3 (02:24):
You just look like you're changing up. I know what's
going on. Keep us humble, y'all, we can. We got
to show up. You got to show that the cameras
rolling there go happy. What's today, y'all? Wednesday? Happy day Day.

Speaker 1 (02:44):
Let's go ahead jump into a guys, do we go
shouting shop first? Okay, we'll go shouting shot. We got too,
So let's go ahead and do this real quick.

Speaker 6 (02:56):
Family, friends, supporters, and colleagues. I want to speak to
you directly and from the heart. This is a shakedown.
I'm going to be open, transparent and defend myself because
this isn't right. This is all being orchestrated by Tony Busby,
who is targeted jay Z. Tony Buzzby targets black Man,
and I believe he's going to release a thirty second
clip of a sex k that tries to make me
look guilty and play into every stereotype you could possibly imagine.

Speaker 3 (03:18):
That video should actually.

Speaker 6 (03:19):
Be ten minutes or song. Hey, Tony, instead of releasing
your edit, put the whole video out. I don't have it,
or I would myself. You know what happened, and you're
trying to manipulate the media. Gat in Tony Busby want
fifty million dollars. What they're getting is sued for defamation
and trying to take me down. My career is all
about real talking, honesty. I know my family and fans
know exactly what this is about. And I'm going to

(03:41):
be out there telling you whatever I need to say,
just like I always do.

Speaker 3 (03:45):
HELLU, yeah, I am sitting shot now.

Speaker 1 (03:49):
I know there's one thing in this statement that made
one member of this pod absolutely mad.

Speaker 3 (03:56):
Can you go ahead and say what made you bad
about that statement?

Speaker 1 (03:58):
Ki?

Speaker 5 (03:58):
Ki wait it I don't make me mad, so it's
not even I was sitting here defending Shannon Sharp.

Speaker 3 (04:03):
Okay, just a couple episodes.

Speaker 5 (04:05):
God said they trying to I said everything he said,
they're trying to do that.

Speaker 2 (04:08):
They did that to jay Z. It's a lie.

Speaker 5 (04:10):
And then Shannon got his silly ass on Instagram and
start telling on hisself. Then he released text messages, and
now he giving us this statement trying to read it
like a club Shashay intro. This is not gonna work.
This is not the Shannon, what was you doing with
this nineteen year old girl tied up talking about you
gonna choke hut and let he say she want a
black baby.

Speaker 2 (04:30):
What are you doing?

Speaker 1 (04:32):
That's a slave sex talk will Kekey, I'm nasty, ki Key,
I'm nasty, and I'm nasty and I like to do
dirty things.

Speaker 4 (04:40):
And Tony Busby, same person tried to get jaj It
was trying to get me.

Speaker 3 (04:45):
Now, that's what I was thinking about it.

Speaker 2 (04:48):
Well, yeah, I came.

Speaker 1 (04:50):
I'm sure jay Z's lawyers definitely called Shannon Sharp people.
It was like, don't ever mention his name again. Yeah,
because I thought that was the thing that was gonna
piss you off right away, because I don't know what
he When I heard jay Z, I was like, oh no, I.

Speaker 5 (05:04):
Said that though I said jay Z the first time.
I said, that's his defense.

Speaker 1 (05:07):
Tony just did this with Jake. I don't want to
say jay Z because he's guilty.

Speaker 2 (05:13):
He was there. He's on the crime, the scene of
a crime.

Speaker 5 (05:15):
That's why he cannot say jay Z now, because he
was actually on the scene of the crime. Jay Z
was innocent. You got something going on, uncle, Shay, Shay.
We don't know exactly what it is yet, but.

Speaker 2 (05:25):
You was there.

Speaker 1 (05:26):
Don't bring me up when I'm in a jam. Don't
bring my name, don't say my name. I'm out my jam,
don't bring my name up, because I just think the
player thing to do in that situation, say yes, Tony
Buzzs be the same guy to try to take down
other popular rich black men, and he's trying to do
it to me. I'm not bringing jay into an idea
what he was trying in context like.

Speaker 4 (05:47):
Context in I don't think that was dirty or a while,
because jay Z has already cleared his name and jay
Z has already went directly at Tony Bugsby as being
a witch hunt chasing, so he was just bringing that
in to this crewd it Tony Bugsy in his case.

Speaker 3 (06:02):
I don't think that was really about jay Z. But
I here's the thing.

Speaker 4 (06:06):
Shannon, look mold guilty. Every day stuff come out what
it just don't look good. Certain stuff just don't look good.
Fifty something year old, nineteen year old.

Speaker 3 (06:20):
That don't legal.

Speaker 4 (06:21):
Okay, Okay, I didn't say it wasn't I say it
didn't look good.

Speaker 3 (06:24):
It doesn't Okay, it doesn't.

Speaker 4 (06:26):
You put out your text messages about her doing things
to you and wanting to do things to you, basically
trying to prove that it was consensual cool, right, But
then she came back. She had some other text messages
where she said, you did something nasty to me left,
I asked you not to go up in me rawl
in the booty hold.

Speaker 1 (06:46):
I was real nasty, something nasty. I just wanted you
to put a con of them all. And he hit
you with the can you call me?

Speaker 3 (06:52):
That was it?

Speaker 2 (06:53):
Guilty?

Speaker 1 (06:54):
So now, oh so now instead of what you the
next message I thought was gonna read, what are you
talking about that?

Speaker 3 (07:02):
I didn't do that? What do you mean?

Speaker 2 (07:04):
What the hell?

Speaker 4 (07:05):
I'm not gonna have this conversation with you. I don't
even know what you're talking about.

Speaker 1 (07:08):
That's where are you trying to You almost feel like,
are you trying to set me up? If she was lying,
that would be the dead giveaway right there. In the response,
it sounds like she's trying to line him up from
the text message and not saying that this didn't happen.
But if you receive a text message and after y'all
have done something and she says no means no shanning

(07:28):
and you know, I don't care what our relationship it is,
but I begs you to put it, I'm like, that's
a lot of detail in a text message. You know,
it sound like a setup. It sounds like it sounds
like you're building a case.

Speaker 4 (07:41):
And guess what if I was shanning and I it's innocent,
I'm gonna give you what you asking for and give
you the response of a you got me messed up
with what you mean?

Speaker 3 (07:51):
No means now that never happened. I did not do that.

Speaker 4 (07:54):
It would be all denial on paper, just like you
trying to do it on paper. Yeah, he said, just
called me. That don't look good, And I'm just saying,
it don't look good. It don't look good.

Speaker 1 (08:04):
Right, it's ten million to ten million dollars you try
to offer her before it popped off. Nah, now that
don't look good either, xact now that it don't look good.
It don't look good. But I'm just saying, and maybe
it's Devil's advocate. If I know I'm getting, I got
a hundred million dollar deal coming down the pipeline. I

(08:25):
know what I'm making, I know what I'm generating, and
I know what's what I can give. I want to
make this go away. You don't want to fight something
because because what's happening is it's reached the public form
and now everybody is like, they add him, I wanted
to make it go away, especially if I know I
got a hundred million coming in.

Speaker 3 (08:45):
All right, look I'm gonna get this lady. Ten million dollars. Goal.

Speaker 2 (08:48):
Don't say just go, but guess what you offer me?
Ten million? And I know you guilty? No, I wont fifty.

Speaker 3 (08:54):
That's true.

Speaker 1 (08:55):
I mean I get I understand what you're saying. But
people are trying to say, why offer ten million dollars?
Of course you offer whatever money you could. You feel
like it's gonna make her go away because you got it.
I mean, look at it. Shannon Sharp has so much
stuff it's cooking, he up, and now in two days

(09:16):
it's over. It looks over, so to speak.

Speaker 2 (09:20):
Did you hear the latest audio of him and her
on the phone.

Speaker 3 (09:23):
Yeah, I heard it.

Speaker 4 (09:24):
It's a new audio that came out where she basically
is saying, when you're gonna are you coming to La?
They're having this back and forth about her coming to LA,
and then he says I should choke you in public.

Speaker 3 (09:38):
Now.

Speaker 4 (09:38):
I don't know if the editing was doctored up or
if they was having one of these sex talk I
don't know what it was, but.

Speaker 3 (09:43):
It dont I'm saying don't look good either, he said.

Speaker 1 (09:46):
Headline reads, big black man.

Speaker 3 (09:49):
Squeezes the hell out of little white girl. The visual
of them if they showed her.

Speaker 1 (09:54):
If this sex tape comes out, the visual or the
sex tape is gonna make it worse. That's gonna make
it even even just crazier. And like I said, I
that sex tape for the audio tape that came out,
he escaped that.

Speaker 3 (10:09):
And I think that audio tape came out with the.

Speaker 1 (10:12):
Audio tape when he yeah, Michelle, Yeah, I live because
I told you. I think that was orchestrated because I
don't believe it takes too many steps to go live.
That's my opinion. That's nobody else's my opinion. Takes too
many steps to go live. I think he put that
out because everybody was kept questioning his sexuality, and I

(10:32):
don't think he liked that. I think he was getting
upset about the he put it out there, and that
if you notice when that all that sexuality talked quieted down.
But what that did was you put a stain up there,
You put a stated up there. You work for Walt
Disney bro, It's ESPN is a part of Walt Disney. Now,

(10:52):
you got accusations of you having sex with a young
white girl, doing stuff that she didn't want to be
done to it, and also saying I'll choke you when
I see now. Yes, lawyer said that he lost his
temper cool. People are saying wild stuff all the time,
but when it gets out, look good.

Speaker 3 (11:14):
Exactly. That's all I'm saying. Yeah, I don't.

Speaker 4 (11:16):
I'm not calling the man guilty or innocent. I'm saying,
is it don't look good. It don't look good and
you and I hate to say it, but I can
be honest.

Speaker 1 (11:25):
We on the pot, black man, I tell y'all about
what you're dealing with. Stop it stop what stop inter
racial dating?

Speaker 4 (11:37):
Yep, when you got that paper, I'm sorry, when you
got that paper. You need to stop in a racial
date unless you're married. And that shit why, I don't
even know if that. I just don't like it. I
don't like it. It seems like it happens too much. And
if anything happens, you have to prove that you didn't
do it, opposed to them having a proved that you did.

Speaker 1 (11:57):
You as a you, as any popular per and I'm
gonna still always say this. I think women move better
because I'm not gonna act like women don't do wild
stuff and had successful women don't have their own things
going on.

Speaker 3 (12:11):
But women move better. You heard Brandon Marshall talk about it.
Do you hear that? Do you ever see that clip?

Speaker 1 (12:16):
Brandon Marshall said that he went and because you know
he's single, he went and got up with a celebrity
woman and he was like, women and celebrity women know
how to move. He was like, I had to go
through back doors, I had paperwork to sign, it was
all types.

Speaker 3 (12:34):
So he said, now I had a great time.

Speaker 1 (12:35):
We had a great time, but it was so many
things that I had to do to keep everything quiet
that I just.

Speaker 3 (12:44):
It would never be the same though.

Speaker 4 (12:46):
Even if men was out here pulling cases on women,
it would not be perceived.

Speaker 3 (12:50):
No, no, no, not I get it.

Speaker 1 (12:51):
But but what I'm saying is is that when you when
you are at a certain status and you Shannon Sharp
and you meet.

Speaker 3 (12:56):
A girl at the gym, you should know better.

Speaker 1 (12:59):
You should you should be protecting yourself because you sh
shark kicking you out over there smirking, what are you?

Speaker 5 (13:06):
I just I don't like any of this, but you
know who I really would love to hear speak about this,
Cat Williams.

Speaker 2 (13:12):
I really want Cat Williams.

Speaker 5 (13:15):
To tell I want to know what Kat think about this,
because he Cat turn club shays Shaye up. He did,
and I know he disappointed right now in Shannon, because
I know Kat would have gave him some advice.

Speaker 2 (13:26):
Like the Monique advice, the Monique advice.

Speaker 3 (13:30):
Monique gave him advice.

Speaker 5 (13:31):
Yeah, you know what I'm saying, like Cat would have
Cat with Shannon. You know what's gonna happen to you
now that you I didn't turn you up? You know
they coming get get it in order get it. I
would love to hear what Cat Williams thinks about this,
because you're too old at this age to be fumbling
like this with a nineteen year old. Come on that Shannon,
I have all the time. I know Michelle disappointed kid's Michelle.

(13:54):
I know she mad as hell. Michelle would never you
know what I'm saying.

Speaker 3 (13:58):
She didn't say a word.

Speaker 2 (14:00):
I don't know who. She would never do this.

Speaker 5 (14:03):
And you out here running around with a nineteen yo
then you letting this girl tell you to pay her
for each cheek what Shannon, I try to defend you,
but this is sloppy, it's irresponsible at your very big age.

Speaker 3 (14:17):
And so Shannon ain't new to this.

Speaker 2 (14:20):
That's what I'm saying.

Speaker 5 (14:20):
You're in an NFL player, you working for all these
networks for.

Speaker 4 (14:24):
All this time, and he gives so much wisdom on
his nightcap show, Like you know what I'm saying with Ochoe,
He'll you watch it a lot.

Speaker 3 (14:30):
I like that show.

Speaker 4 (14:31):
I think first of all, I watched the clips and
I think that they are hilarious. It sounds like uncle's talking,
and I think it's funny, like an uncle and a
cousin just talking back and forth.

Speaker 3 (14:40):
And with sh Shay Shay's talk.

Speaker 4 (14:42):
He always talks like he's protecting himself, like he said
he don't even get on the elevator with a woman
if she's on there by herself. Or he does certain things.
He seems like he say, I burst my teeth eight
times a day. It's almost like he's he acts like
he's so particular, and that's why every situ and then
I'm like for you to be this as particular as

(15:03):
you have claimed to be and shown us, but then
be so sloppy in this area.

Speaker 3 (15:08):
It's wild to come on, but I know, come on,
come on, Zach, what come on? Man?

Speaker 1 (15:13):
Yeah, I mean I'm not going I feel bad for him,
And it's a mistake, it's a fumble, it's slipping on
your pimping, it's all of those. But a nineteen year
old only fans model, your intennae should be up from
day one, Zach, Zach, if somebody that you thought you
couldn't see it coming, I give you that tone, but

(15:34):
I can't give you no nineteen year old only fans model.

Speaker 2 (15:37):
Bro.

Speaker 3 (15:37):
I get what you're saying, and I'm saying.

Speaker 1 (15:39):
I'm not saying it's not a mistake, Bro, But I
as men.

Speaker 3 (15:43):
It don't happen to women. Kik Kate relate to this,
but we all relate to this. You can't relate when when.

Speaker 1 (15:51):
That twenty five a ball, I'm.

Speaker 2 (15:57):
Not twenty five ball, that's what he's gonna text, Kiki
kick up. Maybe you want for nothing, honey, So you
you're right. I can't relate.

Speaker 5 (16:15):
I can't because I ain't paying for a damn O
can't now a million years, twenty five dollars.

Speaker 3 (16:31):
Twenty five ball?

Speaker 1 (16:35):
Now? And did you see the twenty five thousand dollars cheeks. Yeah,
I said, I.

Speaker 4 (16:39):
Say, not twenty five at least you at least and
I'm not saying this is good, but when you go down,
you at least want people.

Speaker 3 (16:46):
To see the chicken and be like, I understand, damn,
you messed up. But I get it. I get how
she got you. It ain't that was tough.

Speaker 1 (16:54):
That's like you ever see what's a good eight seven
point five?

Speaker 3 (16:59):
When Anthony Edwards, what's the chick? The baby? Mamma? You
get that?

Speaker 4 (17:04):
When I saw her, I said, man, I see how
it happen. I said, you ain't. You're not acting right
at But I see how that woman find and I
see exactly how what I saw who was.

Speaker 3 (17:16):
With might look better made up. Those are bad.

Speaker 2 (17:21):
You can get that.

Speaker 3 (17:21):
You can get that gig.

Speaker 5 (17:25):
We don't got on truck stop, on siblings truck stop.

Speaker 2 (17:30):
That's what that is giving.

Speaker 3 (17:32):
But it was special.

Speaker 1 (17:34):
I just said, when I say this, when I know
it is, and I know I give Grace a lot
of time, much too much, but I just know that
there's been a time in Zacht. Understand when I say
you can't relate, your brothers can relate sometimes that thing ass. No, No,
when that thing starts talking to your hate. A lot
of people buying ass, but.

Speaker 3 (17:52):
It's really it's a lot relate.

Speaker 1 (17:54):
No, I'm just saying it ain't about buying. I'm talking
about making bad decisions.

Speaker 3 (17:58):
I ain't got twenty five thousand.

Speaker 1 (17:59):
For all I know is shinning was bad ass.

Speaker 2 (18:06):
And you keep saying they can relate.

Speaker 1 (18:08):
No, No, I'm saying no, The relating part is when
you start listening to that head other than the other head,
when that hand starts talking first before this head starts talking,
you make bad decisions.

Speaker 3 (18:19):
And that's what I've said. I get it.

Speaker 1 (18:22):
The lust. The flesh is weak, I can see, But
you see that's for something cold. The flesh gets weak
for a bad nazy the flesh is weak.

Speaker 3 (18:30):
Not for that. That was for me. Everybody.

Speaker 1 (18:32):
Everybody got different tastes and everything got people they you
know what I mean.

Speaker 5 (18:36):
Like he was a freak when he got out that
car with that track suit on. And any man that
keeps showing their ankles like that something. If you are freaking,
you are sixty nine. God, something is wrong if you
keep on showing your ankles like sh all I see
is them ankles on that show that maybe here freak
I knew it.

Speaker 2 (18:55):
I knew it.

Speaker 5 (18:56):
Then no, no, you keep wearing Yeah, you keep wearing
no socks like your ankles out just bere naked.

Speaker 1 (19:05):
Yeah, my friends on this show are ridiculous pod fami.
But okay, lastly, on this last part, un the shot
shot before we move on. Uh, do you think he's
gonna be able to recover and everything is gonna go
back to normal?

Speaker 3 (19:20):
No?

Speaker 5 (19:21):
Unfortunately, when stuff come out, when you got tapes that lead,
audio files that lead where we can there's no way
to defend it.

Speaker 2 (19:28):
It's not you. It never goes away. Kim Kardashian.

Speaker 5 (19:31):
It became a billionaire and put a whole family on
and we still bring up her tape when we get mad.
So it's never it's never going away, not in today's
technology world.

Speaker 4 (19:43):
The only person to beat the tape who there was
only one person to beat the tape, and then he
got itself right.

Speaker 3 (19:49):
Back there.

Speaker 2 (19:52):
Beat that tape. We knew exactly who that.

Speaker 1 (19:54):
Was he beat that tape because he definitely beat that tape.
It was a couple of albums later, the Choco Factory
came out. We did he did give a damn yeah,
he and you can hold on the VHS's the way
it is now.

Speaker 3 (20:06):
You can hold on. Yeah.

Speaker 4 (20:08):
So I think if if he doesn't have a tape,
that if a sex tape actually doesn't come out, he
may be able to recover. But I don't think it's
ever gonna look the same because he got the audio,
and if they drop the sex tape come out, it's
a rap.

Speaker 1 (20:22):
I think you still make the impact on Internet, You
still have your core fans as people going around.

Speaker 3 (20:28):
You ask all them questions. Now it hurts his credibility
in so many different ways. You can't. He's a sports commentator.

Speaker 4 (20:37):
He critiques athletes all the time, critiques their play, critiques
what they do.

Speaker 3 (20:41):
Off the court and everything.

Speaker 4 (20:43):
You don't have that same voice when you got caught
up in that stuff with that nineteen year old girl.
You can't say nothing about Anthony Edwards. No, you can't
have these asks, all these personal questions about people and
why you do that when you sitting there, you saw
how they did them with the Michelle Ig thing. Every
guest went on that head Joe about it. So it's
only certain you can only go so far.

Speaker 3 (21:03):
Now, Damn, that's the thing. About it when this stuff
comes out.

Speaker 1 (21:07):
Man, even if he let's say he wins the case,
he doesn't have to pay anything. The credibility and the
and the awards that he was getting, all of that
fan fare. He I mean shot a shot on percent.
When you dominate the culture on this side, on the
media side, you think about it. I mean, because Joe
Butden and then really took over over at one point,

(21:30):
Joe Buden and it was really in the space and
then here comes Uncle Shay Shay and kind of like
is dominating the whole thing.

Speaker 5 (21:38):
Now, now y'all gotta come here.

Speaker 2 (21:42):
I hate that for y'all.

Speaker 3 (21:44):
Who who's gonna be the first to get.

Speaker 5 (21:46):
Nobody Nobody shout their ankles over hill. Tom definitely gonna
be the first one to get a scandal.

Speaker 3 (21:50):
But nah, I'm not.

Speaker 1 (21:51):
Getting I'm too I'm not I mean, I'm not getting
I'm not getting more. I'm too I'm too cautious. I'm cautious. Kiki,
you're gonna get the scan. Yeah, five thousand ball, twenty
five thousand of the ball.

Speaker 2 (22:08):
Leave my house to get a scandal.

Speaker 1 (22:10):
We're gonna it's gonna be she lied to us. All
of this is gonna come out. It's gonna come out
to Hunter of mariy'all been hanging out for years, haven't
set up all of us. They've been hanging out and
it all started. She really left and went back and
hung out with him for real. We just she couldn't
never tell us. She gonna keep it seat. One thing

(22:32):
Kiki gonna do is keep something secret.

Speaker 2 (22:34):
Yes, these two.

Speaker 5 (22:35):
Are gonna tell it. They will tell it, so yes,
I will keep it seating.

Speaker 3 (22:40):
All right, let's get this.

Speaker 1 (22:41):
Tanks drops this list of top R and B vocalists
of all time in States.

Speaker 3 (22:45):
R Kelly is not better, not a better singer than Usher.

Speaker 2 (22:49):
That's true. Yeah, I kind of was.

Speaker 3 (22:52):
He was talking vocals.

Speaker 5 (22:53):
Mooring about this yesterday when I read it initially, But
it is true.

Speaker 3 (22:56):
It's true.

Speaker 4 (22:56):
He was only he had the specifics of what he
was talking about. He wouldn't say as an artist, that's
not what it's thinking. He said R Kelly is his
favorite artist. He actually said that it was more about
it was about vocal range. He had, like it was
some musical criteria that he had. He said, it's range, dynamics, control,
and agility. And I agree with him. Usher is better
at those things.

Speaker 2 (23:17):
Than Usher did a whole song falsetto.

Speaker 3 (23:19):
Yeah, yeah, he has a strong voice, but that you know, so.

Speaker 5 (23:23):
Please don't R Kelly did Win a Woman's Loves? He
was going on, was performing everywhere, doing that long ending
to the song.

Speaker 4 (23:31):
So yeah, I mean R Kelly, R Kelly, don't get
me wrong, but I see what.

Speaker 3 (23:34):
He was saying. Yeah, vocally, vocally, I like the vocalist
he had on there.

Speaker 2 (23:39):
Who else was made?

Speaker 4 (23:40):
Who else made the list? He had the updated one
with Stevie Wonder, Donnie Hathaway, Luther Vandros Stokely Williams, Joe Thomas,
Tank himself, Usher, Raymond, Chris Brown, Charlie Wilson, Juan Ye
from Voice to Me, and Casey from Casey and Jojo
and are y mm hmmm. I think Maxwell is missing personally.

(24:04):
If you're talking about Range and you left he left Maxwell.

Speaker 2 (24:09):
Jones, You left out the true king.

Speaker 3 (24:12):
Carl Thomas, yep.

Speaker 1 (24:17):
I know who's it was from Chicago and the leadst
singing for Black Streak. I forgot my man named Dave Hollister, yep.

Speaker 4 (24:25):
So you're just saying anybody with R and B songs,
I'm just saying real, they got real.

Speaker 5 (24:30):
Talent, ain't named the Prince of R and B y
I'm waiting, Oh Marian nigger. You guys run away as

(24:51):
if you said, Jacqueeze is so much better.

Speaker 2 (24:54):
Don't do my.

Speaker 1 (24:55):
Man, Okay, I'm not listening.

Speaker 4 (24:58):
We we saw him go here. It's up against Mario
and it was not sweet for him. That was a
long day.

Speaker 5 (25:03):
I know it's different because Mario can really Mario we're
talking about, but Mario.

Speaker 2 (25:08):
Let me tell you this. Sam at the Millennium Tour,
his mic was.

Speaker 5 (25:11):
On, and I guarantee you Mario can't do all them
dance moves that Mario I was doing and still sound good.

Speaker 2 (25:18):
So his mic went on while you over there looking
like that.

Speaker 3 (25:22):
It was you're coming through.

Speaker 1 (25:24):
You're coming through three different mics. You are you are
coming through, you running the board.

Speaker 2 (25:31):
He acted like I turned the buttons off.

Speaker 3 (25:34):
You are coming, you are coming through three different mics.
Look look over here, look over here. She's coming over
through three different money And y'all.

Speaker 5 (25:41):
Think I'm gonna be the first one to get a scandal.
He can't work technology.

Speaker 1 (25:47):
Five and it's gonna pick up a little. So she
on florid though, right okay, cool. So I was right,
all right, cool, all right, that's what I was.

Speaker 3 (25:57):
Thank you, thank you.

Speaker 1 (26:00):
We had a little take that. Go let's get back you. Yeah,
we got everything. But I was looking at I'm like,
why am I getting levels on all these other.

Speaker 3 (26:06):
Mics out I'm loud? All right, then we go, We're good.

Speaker 1 (26:10):
I got it right, okay, anyway, all right, Kevin Gates
is going. He attended the Lakers game with Brittany Renner
and they were sitting courtside after all of the tension
with Lebron James.

Speaker 3 (26:22):
Was this a troll?

Speaker 4 (26:23):
Yes, he wanted Lebron to say something to him. I'm
happy Lebronic Nordon, because he that's all he wanted. He
wanted some attention. He Lebron responding to him on Instagram
made his day. You could tell that that made he
was so happy. He did a video responding to it,
then showed up to the game. He was fired up.
He thought, this is it and Lebronic Nordon, because I
called you a peasant in my post, I can't even

(26:44):
give you the respect of me talking to you or
looking your way.

Speaker 3 (26:47):
I would act like you wasn't there. And that's the
best thing you can do to a troll. He was trolling.

Speaker 5 (26:52):
The best thing you can do to a troll is
ignore them. They punched the air when they can't get
your attention. And to know that you took the effort
to im to a game the next game, like you really.

Speaker 3 (27:03):
You reaching And I know how much you pay for
them tickets. Thank you.

Speaker 1 (27:07):
I'm happy that you paid that much to see me.
And I wouldn't I wouldn't acknowledge you. Bron didn't look
one Lebron didn't look his way one time.

Speaker 4 (27:15):
Not one time, because he knew what he wanted. I'm
not giving you that at all at all. I'm not
even gonna know you that you ain't nobody gonna talk
to you. And the teammates didn't he know nobody, nobody
gonna look at it.

Speaker 3 (27:28):
Not to play with Lebron like that.

Speaker 1 (27:30):
I just and again, I'm not the Lebron James, huge, huge,
big fan boy of Lebron.

Speaker 3 (27:38):
I'm not doing that.

Speaker 1 (27:39):
That's sat yes, but and I love the King, but
I do rock with Lebron as a person, Like if you,
I mean, okay, do I think he's the best basketball player?
I think Michael Jordan, But come on, I grew up
watching Mike K Fine, but do I like, like, if
I had to pick any like any of my my

(28:00):
favorite celebrity athletes to hang around with, Broad looks like
the most fun dude to hang around with. It's just
it's just it just looks cool. And I just don't understand.
For a dude that don't really say too much to
don't bother nobody. He don't really say mind why people
bother hate perfection? I hate bother them so much.

Speaker 5 (28:21):
They hate what they can't relate to. It's the same
reason Beyonce gets so much unwar to hate, same reason
Taylor Swift get hate, same reason Joe Bailey ain't popped
like she needs to because people need something to relate to.

Speaker 3 (28:31):
Some people give you that list to all the people
that you could.

Speaker 5 (28:33):
Be Beyonce, Okay, Taylor Swift. And I said Chloe Bailey
because that's the reason she hasn't popped yet, because because
people need something to relate to, and if I can't,
I cannot relate to perfection.

Speaker 3 (28:45):
So here's the Chloe Bailey is perfect Jones.

Speaker 4 (28:51):
Jones, Beyonce, Swift, Okay, and and Chloe Banks.

Speaker 2 (29:00):
Got what what I'm giving y'all.

Speaker 1 (29:07):
Range you got this podcast and talk about level.

Speaker 3 (29:15):
No, because.

Speaker 5 (29:22):
That is se and this is exactly my point. This
is exactly my point. Chloe Bailey has all this talent.
She's perfect as an artist. She would be the perfect
picture of an artist. She would want to sign, but
she does not get the look she deserves because she
is perfection and people cannot relate to that.

Speaker 3 (29:41):
The records, the record.

Speaker 5 (29:51):
Yeah, these other girls get on the track and whisper
bullshit for three minutes and we play it on loop
like it's the best.

Speaker 3 (29:59):
Better than Victoria Monae, better than her.

Speaker 5 (30:02):
You tripping, you smoking crack, You talking about some Mi
Wauka is more talented than Chloe Bailey.

Speaker 2 (30:08):
You you tripping bro, real crazy, you wake everything? You
like some Miwauker because she got multiple baby daddies.

Speaker 3 (30:18):
No, I don't you kind of late. I don't get you.

Speaker 2 (30:20):
Don't tell you.

Speaker 3 (30:25):
I'm trying to I'm trying to find the song.

Speaker 1 (30:29):
I'm trying, obviously, tell me what's the what's the song
that the world slept on from Chloe Bailey?

Speaker 3 (30:40):
That what's the record that you like? Everybody slept on.

Speaker 1 (30:44):
This piece of work from Chloe to the point where
it needs to be compared to Beyonce. She does not
own it, doesn't have it. Yes, what we've seen from
Chloe is she's pretty beautiful. She's can sing, and she
can dance. It just hasn't come together on herring. It
ain't because of the hate, and it has happened to
because you gotta have a good record. You gotta have record.

(31:08):
That's the one likely do. I swear to God, you
was about to say Rihanna after that.

Speaker 5 (31:17):
Let me tell you why Rihanna don't get the same
type of hate that all Beyonce. Dude, Why because Rihanna
gives you real life instance. Rihanna got beat up by
her boyfriend in the car. Rihanna cuss on the internet.
Rihanna drinks, she smoked, She she she real, So people
have something to connect with. When you give the image
of perfection, people cannot connect to you. That is why
people hate Lebron so bad, because it's hard to find

(31:37):
something wrong with him. When you look at Beyonce, it's
hard to find something wrong with her. So you want,
you want something to hate.

Speaker 4 (31:42):
On something, Something good gotta happen first before I start.

Speaker 3 (31:46):
You gotta have.

Speaker 1 (31:51):
Both championships regarded as one of the best players in
the world. Yes, he's gonna have hate. Yes, nobody is hate.
Finding looking for the reason.

Speaker 3 (31:59):
Let me on, Chloe, Baby.

Speaker 2 (32:01):
That's not.

Speaker 3 (32:03):
The records nothing.

Speaker 2 (32:06):
Records are not y'all just don't work at Pauls.

Speaker 3 (32:09):
And like I do, just ain't enough. It's not it.

Speaker 2 (32:15):
Did well, it did okay. Let me look because it's
an okay song.

Speaker 1 (32:18):
But she ain't gotten that records and you hate it's levels.
I can't believe you haven't talked to me about I'm sorry.
Joe's got way more steady. He's a better artist than
Chloe Bailey. Oh my god, He'll run circles around Chloe Bany.
She is not a good artist, bro, And you can.

Speaker 2 (32:40):
Chloe Bailey is not.

Speaker 5 (32:41):
You tell anybody in this room should be able to
spot talent. And you looking at Chloe Bailey and said
she's not a goody.

Speaker 3 (32:50):
You know what? You know what? You know what? I
was crank?

Speaker 1 (32:52):
You know what I respect I do. I spot tell
that I see and I see the wins. I see
the wins. I saw Zach winning in Nashville. I saw
you winning on the weekend. That's how you become good
that's how you become good.

Speaker 3 (33:04):
It's a win. You got to get wins to be
considered good. You not.

Speaker 1 (33:09):
How can you say that's like the people that be like, yeah,
I'm the best artist in Chicago and it ain't got
a goddamn record that nobody, but they can wrap people right.

Speaker 2 (33:19):
People all the time.

Speaker 5 (33:21):
Just because she hasn't gotten the right right or the
right producer or the right situation.

Speaker 1 (33:24):
She has talent, doesn't mean she's not. No, she's talented, Kiki,
I'm not taking that away from you.

Speaker 3 (33:31):
She has talent. She has talent, but it has The
reason the records haven't connected is not because of hate.

Speaker 1 (33:37):
It's just because they just don't work or something doesn't
feel authentic within her present.

Speaker 3 (33:42):
But that still has to do with her. It's not
because it's a hating thing.

Speaker 5 (33:47):
Because it's real and it's rinch perfect. That's why y'all
don't like it. It's good Chloe. Baby Bailey had four
baby daddies and was cracked out on want no drugs,
had a pill addiction. Everybody in the world singing her songs.
You can't tell me, Ryan Wave them making so much.

(34:07):
They so much more talented than Chloe Bailey, you know
making hit records.

Speaker 3 (34:11):
You're not making hit record.

Speaker 1 (34:13):
You say, you just said perfection. People relate, people hate
on perfection. That's what you just said, right key k.
You just said beyond. Say you were beyond Terry Swift,
the perfection. You want to know why they're perfection because
everything but I was good that you have to be
good at first. That's tell you so wrong.

Speaker 3 (34:31):
Y'all are skipping a whole. I guess what I'm saying.

Speaker 1 (34:34):
I would I would agree with you if if I
if you was like this record was fire and nobody
messed with it.

Speaker 3 (34:41):
This record was firing, and it just didn't do it?

Speaker 2 (34:44):
Do it? Do it? Do it?

Speaker 3 (34:47):
Pus like, don't do it.

Speaker 1 (34:51):
Her goddamn lifts has been a fucking hit. Even the
ship this mild Sauce is still listenable. You can't listen
Chlayd Bailey is. We've seen a lot of people extremely
talented that have talent. They look great and you just
wonder why it don't work. It just don't work.

Speaker 2 (35:08):
Team.

Speaker 3 (35:10):
She might need the right team that might be want
they got and you got the best.

Speaker 1 (35:19):
It's no like I'm a female artist and I got
Beyonce coach side of me.

Speaker 3 (35:23):
What the what else you need?

Speaker 1 (35:24):
To be honest, Kiky, we wanted, like I think it
was the I think people. Actually I was dying for
her to win because when we saw, when we saw
and we heard them singing other way, was like, hey,
they cold. But then when they put out the music,
it just ain't here. I think she's a talented woman,
but it just ain't came all the way around full

(35:45):
circle yet, and her career is nowhere near over. Not
saying that and not saying that she won't be successful
in the future once she find her sauce and her thing.

Speaker 3 (35:52):
But act like Meg.

Speaker 5 (35:55):
But I did look and I had I brought my
girl into this conversation because y'all just not y'all not
able to see it.

Speaker 2 (36:02):
But when you talk.

Speaker 5 (36:03):
About perfection back to lebron people, Hey yes, I'm going
to stand ten toes behind talent because I can spot
it and all she need is to write song.

Speaker 1 (36:12):
You got mad at me, binging up fucking Nelly. You
got the greatest of all time Jones. You've got mad
people that all have way more hits.

Speaker 3 (36:26):
This is the thing. It doesn't matter, Kiky success.

Speaker 1 (36:30):
You actually put Koe Bailey next to two of the
all time singing.

Speaker 3 (36:35):
Women of our history of the world.

Speaker 1 (36:37):
Yes, they have hits everything Taylor Swift get in front
of you're talking people to sell out.

Speaker 5 (36:45):
Yes, because there's a team there writing their songs and
helping them produce these hits. When you talk about it,
when you take all of that away, her talent is
on that same level. And whether y'all want to recognize
it or not, she that girl and that's just what
it is. So the talent came. That's why I can't
get think about talent. That's one thing about talent. You
can always have hay dozen doubts, but maybe when it's

(37:06):
time to show up, you're gonna the talent is there
record She needs to hit record the talent, that's.

Speaker 3 (37:13):
All when we both just need.

Speaker 1 (37:15):
And that's all I need is a hit record and
what to say when we see how y'all bet I'll
be smiling at her face because y'all don't believe in
her and I can'tnot believe it. Fine, I think I came.
I think she can see. I think everything that you

(37:36):
said is one hundred percent true.

Speaker 3 (37:38):
But also you have to in your field.

Speaker 1 (37:43):
That's like somebody compared like I got just as much
talent a key key and you gotta goddamn Gracie, it
don't make sense.

Speaker 3 (37:50):
You gotta get the wins for you to be reconniz.

Speaker 5 (37:52):
I had to get on I had to get on
the platform to show my wins.

Speaker 2 (37:56):
That's what she that's all she needs. Y'all. Y'all got it,
y'all got it.

Speaker 5 (38:05):
When my girl with her first Grammys and all that,
I don't want to hear nothing from you.

Speaker 2 (38:09):
She's gonna win to Oscar before she was whatever. That's
becauseause the industry.

Speaker 5 (38:15):
The industry trying to blackball her, don't want to give
it on his because they know they because they since
we want to go there, let's get let's let's break
it all down.

Speaker 2 (38:23):
I don't want to shave the queen.

Speaker 5 (38:24):
But when you got somebody talented like that, you gotta
be careful who you get under because when they see
themself and you too much, they will sign you to
keep you in a certain place so that you don't
pass them.

Speaker 1 (38:35):
That's all I'm gonna say about that. That that is
sometimes that is so much. If you gotta go there,
you know that's you're gonna take us on that trip.

Speaker 3 (38:44):
You want. I ain't going to get me off the bus.
I never win the best.

Speaker 5 (38:51):
I'm getting off when the next Because let me tell you, so,
they're all these executives, they look at they see her coming.
They say, we will never let another Beyonce in this
industry because when Beyonce came in there, what she did
she set all them hoss down. So if I'm if
I'm over the record label, I'm never giving her to
hit that. I'm gonna give somebody that's mediocre. And I

(39:11):
know they're gonna crash out in ten years and I
can create another one.

Speaker 2 (39:15):
Y'all know.

Speaker 5 (39:16):
Get I could get deeper with it, but I'm gonna
shut up, befo. I lose my job because they do
it in our industry. So you had that, Okay, they
do it. I will tell you where you were going
to moving on?

Speaker 1 (39:28):
Alright? All right, Oh my god, somebody let lookin' gonna
let you get all right, Look all right, I need
a a little lifestyle stuff real quick.

Speaker 3 (39:51):
Guys.

Speaker 1 (39:52):
Uh, ladies, what's something y'all do to show a guy
that you like them?

Speaker 3 (39:58):
So the ladies will only be the lady on the show.

Speaker 1 (40:02):
Ladies, I'm not day I want him to be I
won't let y'all know, right, ladies, no other woman it
ran I'm reading with Ryan Man.

Speaker 3 (40:16):
Just say, you don't have to let a god know
that you like him.

Speaker 5 (40:20):
You know nothing, And I be mean if I really
like your the devil?

Speaker 2 (40:26):
Yeah what I don't. I don't. I don't know. I
wouldn't know what to do to like a man.

Speaker 1 (40:32):
Okay, so let's say you would tell y'all y'all early on, right, Yes,
you're like, okay, I liked him him like me. We
like being around each other. Now what is southern that
you do to let him know that? Like, yo, I
want you to be around for a while.

Speaker 3 (40:47):
I like this. I don't try to be.

Speaker 2 (40:55):
But it's because my man really liked me from a
long time.

Speaker 3 (40:58):
You probably like you hungry the last time you.

Speaker 2 (41:06):
Yeah, I don't I do to let a man.

Speaker 3 (41:09):
I'm saying, like, are you do you become like overly nurturing?
You know?

Speaker 1 (41:12):
Like like I said, like I believe personally, I don't
know what you do in your relationships, but I think
that you just do do stuff that other holes ain't doing.

Speaker 2 (41:22):
Well.

Speaker 5 (41:22):
Yeah, like I'm very nurturing when I'm at home, when
I take this week off.

Speaker 2 (41:27):
I'm very nice nurturing, but you're not like some girls.

Speaker 5 (41:34):
They they're starting before it. They'll eat, they'll DM a
man or you know, just straight up text a man
or send a man a picture.

Speaker 2 (41:42):
So I don't do no, I can't. I don't know.

Speaker 5 (41:44):
I got too much prize. So like for me, if
I like you, you got to like me first, if
that makes sense. You know what I'm saying, Like, I
don't shoot unless.

Speaker 3 (41:53):
I know that it's But then what you do?

Speaker 2 (41:58):
I just be me.

Speaker 3 (41:59):
I don't know how to fellas y'all want to be
y'all women do?

Speaker 2 (42:03):
What do women do to show y'all that they like y'all?
Other than give it? Give y'all.

Speaker 3 (42:08):
That's one of the things that you must. That is
one of the things you said. That is one of
the things that lets me know that you like me.
She must do.

Speaker 4 (42:22):
You must, yeah, because I don't know if you like
me unless you give me a little coolie cat. If
you don't give me no cook cat, then you probably
don't even like me like that. You might just think
I'm funny with me be around, But what else I
think when a woman is like concerned about your day
you know what I'm saying, she kind of knows things
that's going on within your life that you may have
just mentioned or told her. You know what I'm saying,

(42:42):
You might mention like or she like when she does
little self improvement things for you. Like let's say she
go in your bathroom and you ain't got no dish
soap dispenser or something, and then next time she come over,
she's like, here's this show I saw that you didn't
have this.

Speaker 3 (42:57):
I got you this, I did this. You know what
I'm saying.

Speaker 4 (42:59):
It might be just little things like women know how
to round you out like you know, men, we like necessities.
You know what I'm saying, couch TV rub that's us.
You know what I'm saying, that's how we think. We
don't really go into the details of things. That's why
we don't tear design necessarily ain't our thing because I
can't see all the little things that a woman that's

(43:21):
in a woman's nature that they can see. So when
they start to use that skill that they have on you,
you know that they like you because they are trying to,
like they add in the essence of what a woman
is to you.

Speaker 3 (43:34):
You know what I'm saying, I think that's how you know.

Speaker 4 (43:36):
Now, if she just now with the sex thing, if
she just having sex and getting up and leaving your
hear from until the next time, she don't like you either.
You just the quick you know, you just a fun
time and she gonna go on here about her. But
when you she starts to call. You know, women they
can't help, don't. I don't want to hear you busy.

(43:56):
I ain't ain't no woman that.

Speaker 3 (43:58):
Like you that busy. She finds a way to talk
to you, whether it's in she's gonna find a way.

Speaker 1 (44:04):
Yah, calling because I understand how people are busy. Calling
is cool.

Speaker 3 (44:08):
I think.

Speaker 1 (44:09):
I think what it is that the acts of service
doing stuff round you out. I like that, you know,
come in, come in, wash dishes. He was like, even
if it's like the three forks in there, they wash them,
you know what I mean. Or women that take the
time and cook for you or ask you, hey, is
this something you need in the morning, or any of those,

(44:31):
any of those type of things. When you locked it,
he'd be like, Okay, she she she rock with me.

Speaker 2 (44:35):
Sounds like y'all want to employ you.

Speaker 3 (44:38):
Here we go. She's starting starting you start. I'm not
letting you do it today.

Speaker 1 (44:46):
Evening.

Speaker 5 (44:47):
She gotta balue of soap, the spencer, she gotta wash
the three forks in a scene. She gotta make sure.

Speaker 3 (44:53):
You eat like you don't have to do to do
nothing I have to do. But it lets me know
that you do like me, that you're interested in me.
And if you don't, then you can move around.

Speaker 2 (45:01):
That is crazy if you.

Speaker 3 (45:02):
Don't do certain things. I know what I like.

Speaker 2 (45:04):
I know what I to a women's point. What are
y'all do to let women though that y'all like that?

Speaker 3 (45:10):
Oh that's easy. You know what I'm saying. I pay
for everything. Well, we go out.

Speaker 1 (45:15):
I pay I pay for everything. I don't do that
for everybody, And I won't ask you to go out.

Speaker 3 (45:20):
You know what I mean?

Speaker 1 (45:21):
If I call you on a daily if I call,
or even not even say a because it's gonna sound
bad when I say, send my dad. But sometimes you
know how our days don't they just gone? You get
up in the morning, you're gone. You look up and
you in the bed again. Every day for me, you
know what I'm saying. So sometimes you might not get
but if you take a time out of your day

(45:42):
just to call or text or whatever that to me,
I said, I'm trying to show you that I did
I rock.

Speaker 5 (45:48):
With you, you know, and I to show me you
like me. I like a cash app, feel my feel
my tanker, and you know what I can't stand wash
my car a woman that.

Speaker 3 (45:59):
I will watch my woman car. I love that.

Speaker 4 (46:01):
I will wash your car. I will get your car washed.
I will get you flowers, flower flower guys send me.
You know, I love flowers, lunch, different things like that.

Speaker 3 (46:12):
I'm checking on you, you know.

Speaker 4 (46:14):
But let me tell you what you're gonna do that's
gonna piss me off. What you come in there and
say what you just said. What if you like me,
accept cash sh app what's wrong with that? As soon
as you say that, it's just I'm.

Speaker 3 (46:26):
Just discussed how you think what I feel.

Speaker 5 (46:28):
When you say as soon as you if you don't
like me, I need to get some it's the same thing.
You want me to wash your dishes and give you
a soap.

Speaker 1 (46:36):
Dispensed I want. I didn't say I want you to,
And I'm not saying that you got to give me nothing.

Speaker 2 (46:44):
I just know that that is what you're saying.

Speaker 3 (46:45):
No, I said, if you don't after, I'm gonna think
that you don't like me.

Speaker 5 (46:51):
If you after a while, if you don't see me,
no cash, I don't think that you don't like me.

Speaker 2 (46:56):
Make my life easier.

Speaker 3 (46:57):
Well, we just don't like each other. We just wouldn't
be on the same page. I do. I can't stand
the big and half of that. I can't stand.

Speaker 2 (47:09):
It's some cat, but you can't me.

Speaker 3 (47:10):
Oh, you ain't got to give me nothing. You don't
have to give me no cutting.

Speaker 2 (47:14):
I don't know you do.

Speaker 3 (47:15):
I move around. You don't have to give no cat.

Speaker 1 (47:18):
And the one that can move around to I'm saying,
I just listen. I don't want to give you the
direct money.

Speaker 3 (47:22):
I will pay for the food. I will do all
of you.

Speaker 2 (47:25):
You don't want to get direct money, but you want
direct cat.

Speaker 1 (47:28):
It's not that it's not the same thing. Money and
sex are not the same thing. Sex is a two
person thing. We both get somebody money and sex for that.

Speaker 2 (47:39):
Twenty five thousand of cheek, five.

Speaker 3 (47:41):
Thousands a ball, my god, oh my god.

Speaker 1 (47:48):
All right, coming out of the shot and shot situation,
what's the oldest or youngest you with dates.

Speaker 3 (47:53):
Being up ten down? Oh, that's what I'm thinking.

Speaker 4 (47:58):
I go ten up, ten now thirty six, i'd go
to twenty six. I only go up, and I would
go uh, I would go forty six.

Speaker 3 (48:08):
Mid thirties. Yeah, but I think the older I get
the most gap I'm gonna get.

Speaker 2 (48:13):
It's gonna be fifteen or fifteen.

Speaker 4 (48:16):
Like if I was uncle age he was the fifty six,
I'd probably do about thirty five. I'll never go to
a teenager five thirty five, thirty six. If I'm in
my fifties. You know what I'm saying.

Speaker 2 (48:28):
No twenties, no twenty year olds.

Speaker 4 (48:29):
I think I would stay staired, stay clear away from
the twenties, unless it was like late twenties, and she's
super mature, like it had to be like twenty eight
twenty nine. I'm mature twenty eight twenty nine, though not
an outside twenty eight twenty nine. And when I say outside,
I mean that stage, the twenty nine like she done
had a kid of two, life humbled her a little bit.

Speaker 3 (48:51):
She still got it. Yikes, you think twenty eight twenty
nine too young? Yikes?

Speaker 2 (48:55):
Too old?

Speaker 3 (48:56):
Yeah, too old?

Speaker 1 (48:58):
I just like, no, it's definitely that's so, that's like,
that's for me, y'all know how old my daughter is.
For me, that feel that feels nasty. I mean if
it was something like wanted done, maybe twenty nine one
in and out. Yeah, but anything that I'm spending time
when I'm talking to how it had to be on

(49:20):
the other side of thirty five?

Speaker 3 (49:22):
You know, it's this room to wig, it's wiggle room
in there. But nah, nah, what about you.

Speaker 5 (49:28):
I never dated a younger man, anybody younger than me,
and I don't think I would want to know old
man either, So like I like you right at my
age right now, I don't know. I don't even if
I had to be like, how did y'all make he forty?
I don't know you wouldn't you think forty two much
too high?

Speaker 2 (49:47):
That's probably the highest hour go forty?

Speaker 3 (49:49):
Yeah makes sense?

Speaker 2 (49:51):
Anything over there? You know too much about life that
I don't know yet.

Speaker 1 (49:54):
That's true. That's the that's the truth. That's what that's
what it becomes. Unfair, Yeah, it becomes I'm fair and
you just feel like, I mean, for a thirty year
old woman to try to tell me some stuff, I'm
looking at it like you you're five years older than
my daughter.

Speaker 3 (50:13):
How do you. I can't.

Speaker 1 (50:15):
I can't really tell me. Nothing ain't nothing now, I
don't know. I know it and I know it again.
But you don't want Ernesteine either, Nah, I don't want
Ernestine got fire cat.

Speaker 3 (50:25):
Knocks oving them old sisters. Trust me, they ain't gonna
tell on you. They definitely not instant. You should not.

Speaker 4 (50:37):
First of all, I don't know if I'm starting to
look older or what, but the cougars beyond me, that's
my sweet spot.

Speaker 3 (50:44):
For what thees? It's wild and that's crazy. I'd be like,
what am I doing that? Make a forty year old?
I don't get I know it is? You know all right?

Speaker 1 (50:54):
Are you a fan of this uh destination weddings? Or
is it bogus to make it? I guess pay all
the money to come to your wedding? I hate Destination?
You do?

Speaker 3 (51:04):
I hate them? Why won't you just get married at
the crib like already?

Speaker 1 (51:13):
Then bought this suit? Like I shout out to my cousin.
I was at this marriage marriage. I was worried because
he got that on him, he'll want to move around.
I was like, man, I'm gonna have to pay for
this suit. I'm gona have to pay for this, and
then you got to take somebody. And I was like, I.

Speaker 3 (51:29):
Can't believe.

Speaker 1 (51:31):
And the thing is, I don't and and this is
the thing, and I think some people get mad. I
don't like going to other people's weddings that I don't know.

Speaker 3 (51:40):
Does that make sense?

Speaker 2 (51:42):
Why are you.

Speaker 1 (51:44):
So? If you gain somebody and they asked you to
go to their best this is my best friends getting married.

Speaker 3 (51:49):
I don't want to go to that. That's what that's.

Speaker 1 (51:52):
If it's a destination wedding, guess what. That's three days
of me feel like the third wheel.

Speaker 3 (51:58):
I'm not every no, no, right. They go off and
talk with their friends. You're just kind of like sitting
there like you damn. They want to be like can
I bring a friend? Right?

Speaker 4 (52:12):
Because we need something to do. I wouldn't be able
to go to it. Go down the street where y'all
do it?

Speaker 1 (52:16):
All right?

Speaker 3 (52:17):
You know what I mean?

Speaker 1 (52:17):
And you don't want to And that's the last thing
you want to do when somebody's around it, I guess
for me is to make.

Speaker 3 (52:24):
Them feel like they got a babysit me.

Speaker 2 (52:26):
Yes, that is the worst, you know what I mean?

Speaker 3 (52:28):
What about you? You like them?

Speaker 5 (52:29):
I love a destination wedding. I feel like the people
that book a trip to come see you getting married
them your real friends. I mean, ain't nobody at this
wedding played out and paid for that don't deserve it
because you booked a flight to come out here and
see this.

Speaker 2 (52:41):
So I think I love it and I have fun.

Speaker 5 (52:44):
I love it all inclusive resort, honey, So I'll be
here for the the wedd the weekends.

Speaker 2 (52:50):
I like a destination wedding.

Speaker 1 (52:51):
The only destination wedding that I wanted to go to.
Shout out to Java and val Warna. I wanted to
go to that, Yeah, but I couldn't go out of
something came up.

Speaker 2 (53:00):
It looks beautiful, and that's the nation weddings. It's so much.

Speaker 5 (53:02):
I feel like it's so much easier on the bride
and groom because the resort handles a lot of that
planning and prepping.

Speaker 4 (53:08):
In I think, y'all sit just everybody, and I know
this ain't gonna be a popular so you get married again, y'all.
All of y'all just need to get married by yourself
and send me some pictures when you get there. Everybody,
don't nobody, I don't care if it's in Chicago destination.

Speaker 3 (53:25):
I don't need to be there. That's so much and whatness? Friends,
And let me tell you something. It ain't even about that.
It's not about that.

Speaker 4 (53:34):
It's because weddings are expensive and inconvenient for everyone, not
just for your guest, but for you. It's expensive and
inconvenient for you. People spend all this money. I know
people who are divorced that are paying on their wedding,
spend eighty hundred thousand dollars in debt because of their wedding,

(53:55):
or you sitting here trying to figure out. Let me
tell y'all a story and shout out to these people.

Speaker 3 (54:00):
I'm not. I just went to a wedding.

Speaker 4 (54:02):
I was a groomsman, okay. I had to pay for
mine and I love and the only reason I did
it because I loved this brother. This is one of
my best friends. I love him and I know he
would do this for me without a question. But had
to pay for TuS. Had to pay for them high
ass rooms that I ain't even have no choice.

Speaker 3 (54:19):
I had to pay.

Speaker 4 (54:22):
I had to pay for whatever it was some old
just fees to plane tickets, which is out the country.
So that's how you end up spending fives. I'm down
five stacks to go see you get me now, mind
you we get down there, have an amazing time.

Speaker 3 (54:37):
I mean had a ball, he had it laid out.

Speaker 1 (54:41):
You know.

Speaker 3 (54:41):
It was a good time. I can't even redo that.
I'm so happy I went.

Speaker 1 (54:45):
I get back home. Two days later, my line brother
sends an invitation for his wedding. It's at the same
damn resort in the same damn country the following year.

Speaker 3 (54:59):
So now we got to go. Now, I got to
go back. I gotta go back.

Speaker 4 (55:04):
I'm not a groomsman in this, but it's my lie brother.
Now I gotta go back to the same resort and
act like I'm having.

Speaker 3 (55:10):
For you had a good time, You had a good time.

Speaker 1 (55:13):
You spend that type of money, you want to go
somewhere else, Well, you imagine going on vacation to the
same vacation spot at the same resort. I've done it.
I've done it. It's nothing that Now I had a
top of the top experience. I know that I can't
top this experience, but I gotta do it again at
the same spot. Stop it, man, Well, y'all ain't getting

(55:35):
invited to my wed ind N, you.

Speaker 3 (55:36):
Ain't getting married.

Speaker 1 (55:42):
When I get okay and when I get feet tall,
you ain't going to my NBA debut.

Speaker 3 (55:50):
You at first game. You can't come to the person.

Speaker 1 (55:54):
Damn.

Speaker 2 (55:55):
I'm like, Yo'll think I've ever ever life.

Speaker 3 (55:57):
That an't gonna have to come down and change you,
change and change you.

Speaker 1 (56:04):
Wow, because get married is going to be. It's gonna
be a destination. And shout out to my brother. I
don't do a destination whining for him. It was in
it was in Georgia though, that.

Speaker 3 (56:15):
Was step That's not a destination. It was that is
not We need to know that that's domestic. That's so fun.
That's not it. That's not a destination because that's a
domestic wedding. Seriously, Yeah, that's theination. You think anything for
two marriages. That's just going to Atlanta for your boy
getting married. I could do that all day. That ain't nothing.

Speaker 2 (56:38):
Mexico.

Speaker 3 (56:39):
Yeah, going out the country. You have a passport. So
somebody get married in Houston. I can't. No, they just
get married in Houston, Okay, my man, destination. I went
to two destination whens in Georgia.

Speaker 1 (56:54):
Crazy, you just went to Georgia and saw your homeie
get married and got to her to complain about it.

Speaker 3 (57:01):
Now, ain't gonna complain about that. That's cool. Can you
where you were? Would you get married though?

Speaker 5 (57:04):
If you got get married in Chicago, will y'all come
to your week? No, y'all not invited because you just
said I ain't never getting married, so you.

Speaker 2 (57:12):
Damn you wrong.

Speaker 5 (57:16):
I don't want I don't want you to eat my
steak and lots of the pool. You wrong now, just
like everybody else, And you ain't coming because you just
said how much you don't like people you.

Speaker 1 (57:27):
Because they think they know you, so they could coming
up to you speaking to you. You don't want to
talk to them. I do want to talk to.

Speaker 2 (57:33):
Him, like them people at the airport. Yes, I wan to.

Speaker 3 (57:40):
See some of my old homies. They going to Black Alumni.

Speaker 2 (57:43):
No, I don't know. Rider. You can come to my
wedd tell.

Speaker 3 (57:50):
Y'all going to Black Alumni.

Speaker 2 (57:53):
Stay away from him.

Speaker 3 (57:54):
I'm coming to you. I got you first of all.
We're gonna know where it's at anyway, and you ain't
gonna kick us out.

Speaker 2 (58:00):
It's I am.

Speaker 1 (58:00):
I promise you ain't gonna do that. Make that scene
at your web when you see when you go down
the ais, it's too late. Everybody gonna think we got invited.
Ain't nobody gonna be like tone exact, can't invited.

Speaker 3 (58:09):
They can't come here. So we gonna walk.

Speaker 2 (58:11):
I'm gonna run this clip.

Speaker 1 (58:13):
We're gonna be when we sitting there in our texes
and go let's go. You gonna look over and be like,
I know these.

Speaker 2 (58:23):
Security that went in that way.

Speaker 3 (58:26):
We're starting to flying line.

Speaker 1 (58:29):
Hey, my wedding is gonna be. It's gonna be a
time because it's like you said, nobody expects it to happen.
Everybody gonna be.

Speaker 3 (58:35):
So's your favorite part of wedding. Mine is the reception.
It's nothing like a good reception.

Speaker 5 (58:39):
I love receptions, but it's at this stage in my
life I don't want. I hate receptions because they always
want you to host. Like I don't want to host
your reception.

Speaker 3 (58:46):
I say, no, I know you do.

Speaker 5 (58:47):
You told me how to start saying, though, I had
to start doing it like that because I'm like, it's
not fun for me because now I'm worried. I'm trying
to make sure you have fun. I feel all the
pressure that you having fun.

Speaker 2 (58:59):
I don't want to deal with.

Speaker 5 (58:59):
It's the most important day now, It's the most important
day of your life. I just want to be here,
you know what I'm saying. I want to eat the
snacks and walk around and take pictures too. But if
I got to late it to the flow and all that,
that was fun.

Speaker 3 (59:12):
I did it for my cousin.

Speaker 4 (59:13):
My niece asked me to do a speech. And the
only reason I said, I don't really do anything at
wends because it's so much pressure.

Speaker 2 (59:18):
It's too much.

Speaker 3 (59:19):
You get all the names right.

Speaker 2 (59:22):
I pronounced the bride name wrong in my last cousin.

Speaker 4 (59:25):
But and they never have the they never have it organized.
So it's always some and that's just in Winn's period.
It's always this weird period. If you're gonna have to
feel the time for I just rather not do it.
But my niece did ask me to do a speech,
so I'm gonna do that.

Speaker 3 (59:40):
And that's it. Okay. Final thoughts? Is that the final thought?

Speaker 5 (59:44):
Ye'all want to be doing those speeches at my wedding.
I love y'all let me see this mic, and I
love y'all being delusional with me about O Marion baby.
The support is really the support is real on the delusion.
They are like, Yeski, that's your man. You are prayer
and when is the weather?

Speaker 3 (01:00:01):
So I love that. Oh I don't think it's the
losion no more. I'm happy for you.

Speaker 1 (01:00:05):
I get happy for people's experiences and to watch a
go watch a concert with your childhood crush is nuts.

Speaker 2 (01:00:12):
The man off the posters, It's insane.

Speaker 3 (01:00:15):
It said your name being my entourage. That's crazy.

Speaker 1 (01:00:21):
Think you recognized you. That's a testament to how far
you come in your career.

Speaker 5 (01:00:26):
It is I can retire happy. This is the only
reason I want to do this. I'm lying, but this,
this is a big part of it.

Speaker 1 (01:00:32):
Yeah, imagine how this is gonna look twenty years for
now Millennium Tour sixty five when they playing Vegas.

Speaker 3 (01:00:40):
Now haxty five twenty sixty five is hiliarrious. Oh man, Zach,
what you got? Final thoughts? Hey, man, final thoughts, man,
My real final thoughts is just something real.

Speaker 4 (01:00:49):
I gotta come up with something final, Okay, last, My
final thoughts is, man, let's just stay up.

Speaker 3 (01:00:55):
Black people and y'all not really taking this.

Speaker 1 (01:00:59):
I really hate no by black. Don't shop at Target.
Whatever your passor Jamal Brian be.

Speaker 2 (01:01:03):
Saying yes, shut out Pastor Jamal Brian.

Speaker 3 (01:01:07):
Y'all, y'all don't take this serious. Man.

Speaker 2 (01:01:09):
I'm not gonna say final, Yes, you are gonna say
final thoughts.

Speaker 3 (01:01:14):
They are Pop Pam.

Speaker 1 (01:01:16):
Tell them to get their final thoughts together, please. They
only listen to y'all, They don't listen to me. With
that being said, what more can we say