February 25, 2025 • 40 mins
"Ariel Camacho sabía que iba a morir joven" - Angel Del Villar | Agushto Papa
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Speaker 1 (00:05):
What is up?
Speaker 2 (00:23):
Guys.
Speaker 3 (00:23):
Welcome to a special episode of the podcast. Today we
are here at the Record Offices to commemorate the tenth
anniversary of the passing, and today we have special guests.
We have someone who got to spend a lot of
time with him, to live a lot of amazing memories
with him. You know, he managed him live together with
(00:43):
him in this building. And Olivia, thank.
Speaker 4 (00:46):
You once again. Thanks, thank you guys for the invitation.
And uh, it's an honor, honestly to speak about.
Speaker 2 (00:56):
A legend. You know, jose his name was jose A so.
Speaker 3 (01:03):
So yeah, I think it's crazy. And we also put
his that's his truck right.
Speaker 4 (01:06):
There right Erna, Okay, you know, leto go.
Speaker 3 (01:18):
Yeah, thank you for taking the time to be here
with us. You know, like you said, he's a legend.
I think without a Camcho like, there wouldn't be a
lot of the artists that are today. You know, we
see interviews where, you know, not all these top dollars
(01:40):
that are you know, currently just killing it say that they,
uh the you.
Speaker 4 (01:44):
Know, they got inspired by Camacho. You're simply I know,
you gotta give credit and respect what credit respects are
and I think that a real sea, not implement for supersonal,
you know, experiencia and the theo, the history in instad
(02:20):
and my main picture on Instagram from.
Speaker 2 (02:27):
Chanlos Alos memorials this building.
Speaker 5 (02:37):
I think it means so much to everybody to be here,
especially you know with you, you know, taking the time
to talk to us goes without saying. Ariel inspired the
whole generation, and he inspired the generation that you know,
took musica to the level that it deserves, to the
respect that it deserved. I think that without his music,
(02:59):
with his influence, without him making the people that picked
up the guitar the mos, wouldn't be here today. What
it wouldn't be as respected. I feel like a lot
of people forget really quick. But you know, was not
respected like that. It was looked down upon. It was like,
you know, the little dogs and now the big dogs.
Speaker 2 (03:19):
Met to Koe.
Speaker 4 (03:19):
He had you know, Escao is Noka, Kells, Kobe Wirloos
and Miami Tornando Exitos Conatista artist and stuff for the
(03:40):
pebrim almost Cactus, those mods by Lando and ok Co Artista,
cari Camacho, artistasos pianos know, plus k respect, nonmous and
(04:04):
premios you know and platforms.
Speaker 2 (04:08):
And the Koreans and as the carrier to.
Speaker 6 (04:23):
And and.
Speaker 4 (04:26):
Artistas or Itali artistas Motivo. Yeah, and you gotta give
credit and and respect what credit respect?
Speaker 3 (04:35):
And then that you mentioned that you know, you guys
will go to these premios and you know they would
look down upon like you know, artists during these times
were like what do you guys like complain to like
the premiers, like hey, you know, like we don't deserve.
Speaker 2 (04:50):
This premier and Ceo Controlaos and Miami on.
Speaker 4 (05:01):
Nanos and Couanos and used T and then like he
used numerous and also Rita who respect myself, Nam Cornell
and T and then look La Music and numerous Croke
and was not to be not on perclos numerous album
(05:23):
for the anti implement those artistas Rita and Gingo, Artista Venes, Rita,
Tito Croque, be Verte PTOs, the juniors, Nata staff I Town.
(05:45):
So I find the same, yes, much much artists Sante
and Dress and Cardo around Calis in quenta parallels yea
I mass mass talent.
Speaker 7 (06:02):
And something that I noticed that you were you had
the opportunity to sign a lot of like big artists
like you know regul lo Cao and what do you
feel like al was the one to really spark that
the inspiration in the young people.
Speaker 4 (06:20):
Angel Y Partestino, Artisticamente, ern Talent, Pasonelao and Masses.
Speaker 2 (06:44):
Romantica.
Speaker 4 (06:47):
And Personaso movie, Ferentem Artistas, Talento, ts yeats, part Proprio, Criterio,
k not trans meeting when Aletra.
Speaker 2 (07:08):
Meeting.
Speaker 1 (07:09):
Yeah, I definitely agree with you.
Speaker 7 (07:10):
I think music is a feeling, you know, and when
it reflects, like you could tell that people really like it.
Speaker 4 (07:16):
K first quest Primero and Ariel Cami music camperen you know,
and this re correos progress correct as if this plateau
a musica camperen you know, Emotivo, Spiro marquerdo po, the Manesto,
(07:48):
no crisio mass this pos music so mass maslovali in
Spira masquero.
Speaker 3 (07:58):
And yeah, and then when you had like conversations with Ariel,
you know, during this time it was like corril progessibos,
and then he came out with like the Sereno who
would who were like some of the artists that he
probably told you that inspired him.
Speaker 8 (08:14):
Because I know like before that was like.
Speaker 2 (08:25):
Pos yo ma.
Speaker 8 (08:31):
Yeah, and I think it's so crazy.
Speaker 3 (08:33):
How you know, how we were talking about how Ariel
had this special thing where you were able to like
transmit that energy off of him, which I know a
lot of artists like the like it's just so weird
like listening to I mean, I'm saying this because I
saw the video where was Miko dec which is like
a venue that closed down that was super close to
(08:53):
where we live, and like you watched that video.
Speaker 2 (08:56):
And I don't know why, like you just get goosebumps.
You're like, oh shit, you know, yeah, its care will
come and show el sa I just al Lolamus and
crot Low present. You know.
Speaker 4 (09:19):
Your Marquerdo finest Visio and t platic media and Plato
yellow tries En sument you know he sna mercuerd Maico
(09:46):
Emerico America. Let's just be then that's not a Marko
Prico and Ultimo concerto. You you know Sutimus Concertos Ya
(10:06):
Fellas and Lula El Carol record and rec el Carol
Record in promot ok, the Como in Person and alcohol
and the jaquess p S and T correl t s
O and and and.
Speaker 3 (10:28):
Fighter m damn and then what what went through your
head when he told you that news that he that
they told him that he was going to pass early.
Speaker 4 (10:39):
Com Plata cask cameo who star calls us pulls save music, likes.
Speaker 2 (10:56):
Them, you know, and Tom says as the Transformer.
Speaker 7 (11:18):
Yeah.
Speaker 8 (11:19):
And then since you were like you know, his manager
at the time.
Speaker 3 (11:25):
And you've seen him like how you mentioned the episode
that he loved to drink a lot, do you felt
like you had a responsibility to kind of, you know,
make sure that he was led into like a right
path and stay away from this stuff kind.
Speaker 2 (11:39):
Of stuff you only say, look his man control the Empressario.
Speaker 4 (11:57):
Artist missed and as the auto Arcos Locho, as the saws,
favre comingo.
Speaker 2 (12:20):
Medico American, you know, per.
Speaker 4 (12:28):
Ness papas perke stava estail constant, you know, like purpase
ps loky head post.
Speaker 2 (12:37):
Tranquila I fomingo mau stavanos.
Speaker 4 (12:42):
Came larbor planet a coon es pect to carmen ok
k kill a sport as a il and estados l
C l C and c Catamento pacto papas ca coms
(13:09):
caused us equent to to the osk molment No, no, no,
you say they can know no.
Speaker 2 (13:34):
Tom you know just to.
Speaker 1 (13:43):
Especial conte pork this is okay, what's your two?
Speaker 4 (13:53):
Uh?
Speaker 5 (13:54):
This is the voya the manager artista parlo in yes
relation losos dn n come on in timo como rael
(14:16):
com com persona por radio the you know the c
he put loo com agenda pero possescuchando.
Speaker 1 (14:32):
Took a relacion como il come on persona.
Speaker 2 (14:36):
Yeah, como personae like tim Elera mild.
Speaker 4 (14:56):
Pttic house in bargos scream liro loos pattica libo is
on the winning causes mass profunds, communis artists and peno
I mean agoso uh und the local stab persona mu.
Speaker 2 (15:26):
Ramu mild.
Speaker 4 (15:30):
You how those those personas okay, sierras Kell travaco yelphon
l phu is not import Linero jose neo omne trina
competion travac perl look l o you locr.
Speaker 2 (15:52):
Caron impact can away.
Speaker 4 (15:55):
Lamente the ke algolam and tons says common persona karaoke
film grand grandmano f a person and we mill the
ca in porto port mass fanatical importaron mass you mau.
Speaker 2 (16:16):
Went to to Marto pots you make.
Speaker 4 (16:20):
Tout artistas, No, you're getting coo kring la la beneficial
as to professions is paramoa Macarnaway and mark Away and
the show like lomna coelna who cannot artistas capi una
(16:48):
cantar canzos is don't the star l comprom coel pul
in the pool looks in the okay, compreing wed andslem
l o cari l care stargo pulicma poto.
Speaker 5 (17:09):
Mo and pull that fla musica plan is then okay.
Speaker 2 (17:19):
Car.
Speaker 4 (17:21):
Pum papa tell kria can.
Speaker 2 (17:33):
P l v lok lokate o email plato.
Speaker 4 (17:45):
And persando at loco planted the tistas, the tistas and
the s.
Speaker 3 (17:54):
Ye bland musical mente you know part this was plans
plans then like in terms of like collabora, was there
any like always that he would tell you your persona.
Speaker 2 (18:07):
Mio personal.
Speaker 4 (18:11):
Estava ernesto RaaS the enigma eto season constras ma cuerdoo
cero Mario vetos, pero essemento el and Julia Julio negaris elstaa,
(18:33):
munchoe marquerdoque o mess anti. If I complain on comparing
me nermano vermanomeos tool recolo, I.
Speaker 7 (18:52):
Recall, recall damn and kind of changing up the question,
if were still be here with us, what collaboration would
you feel like would fit him best from the artists
that are here with us, or maybe that he would.
Speaker 2 (19:07):
Like your girl the controls.
Speaker 4 (19:16):
Meto met you know not Kantaraki respect a group of
kell economy porta to start to series around the Chico
contos for local you know has been important and know
(19:36):
the uvannus Andre and tre compagnosis contos not to number
see the po here con your punt contols contos contoss contostanous.
Speaker 7 (19:59):
A fun fact that I want to tell you is
so when I found Outboutrika Macho, my dad was like
the one to tell me, like, oh he had passed away.
Speaker 2 (20:09):
What were you doing that day? What were you doing?
We guys were you guys were in school?
Speaker 7 (20:15):
Yeah, I think we had just got out of work
because I told my dad, oh, I want to go
see a Macho and I didn't know that he had
passed away.
Speaker 2 (20:24):
Yeah, we were that. We can remember the following weekend
we were supposed to be in Chicago.
Speaker 3 (20:29):
I remember I feel like I kind of remember when
he kind of passed because I was listening to music
a little bit before, but it was actually like when
I went to your house really and we walked to Walgreens,
and like that's the day I found out. It's actually
the same day that I showed you like hita, mm hmm.
Speaker 2 (20:43):
And you guys were super young, and we're talking about
ten ten years ago.
Speaker 7 (20:47):
How are you guys now twenty four, twenty five, So.
Speaker 2 (20:51):
You guys were fourteen fifteen.
Speaker 5 (20:53):
Yeah, yeah, So I think we see it a lot
me personally, it's a lot of a lot different.
Speaker 2 (21:00):
You don't put your tels.
Speaker 4 (21:05):
See you No, you're okay, Ariel andras Loyo and loyel
local link pat soil luis and that's all on the
Los pianos And.
Speaker 2 (21:23):
Who would you say right now?
Speaker 3 (21:25):
I think I real left like one of the biggest
impacts there is in Mexican music after a yell? Who
would you say had the like second biggest impact?
Speaker 4 (21:34):
Controls opinion Nata nata no nata na say nato culs
like lin and have you menata and persona nos as
(22:00):
like stanto cantando like and caroten.
Speaker 2 (22:05):
And person and and and.
Speaker 5 (22:08):
On tanto influenzia, the and Sarona to Carlo guitarl As
they started the muchI simos por risky two s a
impactoque tanta quisoara cab to carcom oel porciento caes a
tronvel the Influenzia porcucco on first pro p and they
(22:34):
Cantaro to Carla Guitara porlo different.
Speaker 4 (22:38):
Part mission those stay in the mission. You turn the mission.
You're turning the mission mission come. You know the the
Veniata vida impact went to selp. You look a part
(23:04):
miss look okay, looky your piens enonymous oppians but if I.
Speaker 2 (23:15):
And lissar mark and designs mark ya sign.
Speaker 4 (23:22):
Macho bassi the endo and single designs almost podcast the
vers Trenton Versary Yes.
Speaker 2 (23:33):
And oh.
Speaker 4 (23:35):
Inact impact in pato and pressa in pactos fanta artist
e opions.
Speaker 2 (23:45):
Okay, okay, so like your portola so music I pradic you.
Speaker 4 (23:59):
Los primeros those and us four simun com patos can
you tomorrow domingo stand and never those plant shook hands
(24:22):
yellow lost.
Speaker 5 (24:25):
It's okay, yeah, okay, okay, camacho la del perkis.
Speaker 4 (24:36):
Muncho un you know, yes, I can't take it?
Speaker 2 (24:50):
Who re.
Speaker 4 (24:53):
You tress press contents real cos is fiske heo verre
yahra mata.
Speaker 2 (25:14):
Plan is.
Speaker 4 (25:16):
In respect to ching you think con punga texts okay,
so aalst the you tango tango textos tango tango, conversation,
Cornell produce personamas, intimato problems and salist No, no moves
(25:38):
that pellas el copes travel and remaned tammus.
Speaker 2 (25:48):
You know, and the plan is purpose planet is yours.
So planning this.
Speaker 8 (26:05):
And purge.
Speaker 6 (26:12):
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Speaker 2 (26:44):
Keeps vilgo no, come.
Speaker 4 (26:50):
Tom you yes, yeah, listen, Yeah, you're gonna artist the
impress yes and the yeah and this is your personal
your common those mild see.
Speaker 2 (27:12):
You see.
Speaker 4 (27:14):
That came up your Miami you mean and even for me,
no luc come part purpose some planets that used no
no ma panto na you think pass nothing.
Speaker 2 (27:38):
I see you know.
Speaker 4 (27:41):
Okay that real come much even trest content on this
real com Comala's intention Tolo cas Korma's intensive so alundi
basia that part cash.
Speaker 2 (28:06):
I came impact.
Speaker 4 (28:09):
Impact vida the keenestio for so podcast a key on
the Ariel Camacho como on the you.
Speaker 5 (28:22):
Know MS break, I'll go get reel all okay, t
D sister ladico mbida, I'll.
Speaker 4 (28:36):
Go algoon or regret that you have Clorano motivational video
or ultimate the audios siloskuchen l k Luna Ela No
(29:00):
no regrets you ok we put up post persona transparente
no like in the case you said you and sentiment
yes see let's comment and key and persona m B my.
Speaker 2 (29:31):
Some really yeah pretty.
Speaker 5 (29:36):
Has ant the uh P because artists you must know
Solo nego you know mists the you know started keys
the okay you know ps nalgo riva see you.
Speaker 4 (29:52):
Know I'm memorials are young canal the YouTube personal pas
chose videos I Comb much nor As the.
Speaker 2 (30:09):
Passa and much impresses and this Canada YouTube and the mills.
Speaker 4 (30:22):
You Convivius controls artists cass Comb and da Data, Tai.
Speaker 2 (30:29):
And RELs.
Speaker 8 (30:31):
What would you say something that you learned from.
Speaker 4 (30:34):
Brandel Harper, Simper simpress perceives ven person and you and
you Simperprendido's embargo no Shi just causes artists is not nice?
(30:59):
A k A I I you problem and the plus
artists and so tele para you know artista prey when
all the fanaticos fanactic artists and press, I know those opions, okay,
Artists Camri macho so pocus from Pocus Pocus know you
(31:21):
Cola artist, Muncho or Speto and Miro Yes, Musica mas
mass frequentem much conciones and bio on the t Quenta
Tollo kilts medi you know Cana Mkentucky in Canta Away
(31:44):
the agreement Locown Corel Persona and Semprekes mission delfeacts vidas
in pul Carreras, Muncho's artistas and presariosmus.
Speaker 8 (32:06):
Dimensio y film artists.
Speaker 2 (32:18):
Me Andrew and.
Speaker 4 (32:23):
Maria Mando like Casto carat pulic and in a sum mark,
he may say cornel dasti via.
Speaker 2 (32:41):
Two K Mexico. If the media.
Speaker 4 (32:48):
Coming is having a hotel hotel and then what we
went through your head like over your reactions, get the
cares paris the case and shock the cares sincrelo, the
(33:09):
caress endostas.
Speaker 2 (33:14):
Candles has been paternal Yeah fl On the went wow,
that's truly shocking. Yeah, see if I know you.
Speaker 5 (33:36):
And he told us that the eel at Alguna and
a specific public the talvis the that you've never told
before some.
Speaker 4 (33:54):
Moon some moon, no local cal theater and car pat
Carol can evidence come nun combers Connell, now you Connel
(34:17):
the lefton the conmerce per is a gran se mano
fam grand eco, f random ego, fem grand artist and
grand compository coms person case and cordande can color came
(34:48):
yesn tonos he s said not con colonel yil ca
match As for Algo Comparatist podcast.
Speaker 5 (35:15):
Ask us all the crazy questions.
Speaker 1 (35:17):
Yeah you guys ask me no.
Speaker 2 (35:21):
No crook, what's.
Speaker 4 (35:27):
Cosas and phoconomy enemy saluc and miscuss personalist has done.
Speaker 2 (35:42):
Okay, the the ankle were ready for you to come back.
Speaker 1 (35:46):
You've been you kind of like put yourself a little.
Speaker 4 (35:49):
Bit too out of the quatro Quatron Maria Quatron on
the me and you are behind the doors, Sarroun behind
the doors. It is temple can even that distro the
(36:13):
dish is going amazing. That's my little baby right now,
and just just wait for it, you know, it's I'm excited.
I'm excited. I think the general is the changes that
I want to bring to the table, and people will
some way, somehow will I think they will accept them.
Speaker 1 (36:29):
You know, a lot of people are ready and a
lot of people aren't.
Speaker 2 (36:31):
Yeah, a lot of people are ready and a lot
of people aren't.
Speaker 4 (36:33):
You know, I've you know, planning, you know, and tolls
like manos los.
Speaker 2 (36:54):
Me just.
Speaker 4 (36:56):
Precida you're doing. I have a lot of peace, and
I feel complete and satisfied of everything that I've I've
done and I've accomplished in sixteen years.
Speaker 7 (37:11):
Yeah, we want to congratulate you and all your success.
We also want to say thank you for your time.
We had a lot of fun, you know doing this podcast.
A lot of facts that we didn't know about Ariel
ca Macho and who he was as a person, and
you know, his legend. His legendary status is like it's
going to go on forever.
Speaker 8 (37:26):
Touched, untouched, untouched.
Speaker 3 (37:29):
Yeah, wha, yeah, I can we say, you know, like
we're ready for like this whole thing that you got
going on. I think the genrea right now, you know,
everyone's fighting with each other. We don't see any positive.
Speaker 7 (37:40):
Positive, positive reinforcement.
Speaker 4 (37:42):
All I can think millos.
Speaker 5 (37:54):
Yeahs or record Contarino, ardio.
Speaker 4 (38:05):
Silcrdando primo como man communa persona mo mill una persona
music past simprose talentce Corasons your simple Hey, Carol Ray Corrasons.
Speaker 2 (38:23):
Corrasson, right, Sorry, what is the terminal like?
Speaker 1 (38:31):
Uh, frind.
Speaker 2 (38:36):
Yes, doesn't mention.
Speaker 4 (38:39):
Poses toyes, toy s per percass much and stay visual
qui in front town send interior.
Speaker 2 (38:59):
And this is something satis felice.
Speaker 1 (39:08):
Yeah, I'm sure say the same thing about.
Speaker 4 (39:10):
You lociento personally not messo. Come on, you're missing Tranilos
three Augusto.
Speaker 2 (39:28):
He's the man by.
Speaker 3 (39:34):
Thank you so much, you know, for taking the time
to talk with us, tell us about Yeah, you know,
I know all these fans that you know watch the
podcast a you know, the probably artists as well, who
weren't spied Barriel or even maybe an artist of today's time,
where like you know, like a first Saturday that was
also inspire Barril. I think without Adel, we even this podcast.
(39:55):
I don't even know this podcast.
Speaker 5 (39:58):
We picked up because I mean, you guys started, You
picked up because of started a group, and then I
feel like that bond kept there through after high school.
Speaker 2 (40:08):
Because of the group.
Speaker 5 (40:09):
I feel like otherwise you guys wouldn't talk to each
other no more. And when the podcast, the podcast idea
might have never came through.
Speaker 1 (40:16):
So yea, even us, we we.
Speaker 7 (40:18):
All well, guys, we hope you guys enjoyed this episode.
Coming down favorite part of the episode and peace out
What is up?
Speaker 2 (00:23):
Guys.
Speaker 3 (00:23):
Welcome to a special episode of the podcast. Today we
are here at the Record Offices to commemorate the tenth
anniversary of the passing, and today we have special guests.
We have someone who got to spend a lot of
time with him, to live a lot of amazing memories
with him. You know, he managed him live together with
(00:43):
him in this building. And Olivia, thank.
Speaker 4 (00:46):
You once again. Thanks, thank you guys for the invitation.
And uh, it's an honor, honestly to speak about.
Speaker 2 (00:56):
A legend. You know, jose his name was jose A so.
Speaker 3 (01:03):
So yeah, I think it's crazy. And we also put
his that's his truck right.
Speaker 4 (01:06):
There right Erna, Okay, you know, leto go.
Speaker 3 (01:18):
Yeah, thank you for taking the time to be here
with us. You know, like you said, he's a legend.
I think without a Camcho like, there wouldn't be a
lot of the artists that are today. You know, we
see interviews where, you know, not all these top dollars
(01:40):
that are you know, currently just killing it say that they,
uh the you.
Speaker 4 (01:44):
Know, they got inspired by Camacho. You're simply I know,
you gotta give credit and respect what credit respects are
and I think that a real sea, not implement for supersonal,
you know, experiencia and the theo, the history in instad
(02:20):
and my main picture on Instagram from.
Speaker 2 (02:27):
Chanlos Alos memorials this building.
Speaker 5 (02:37):
I think it means so much to everybody to be here,
especially you know with you, you know, taking the time
to talk to us goes without saying. Ariel inspired the
whole generation, and he inspired the generation that you know,
took musica to the level that it deserves, to the
respect that it deserved. I think that without his music,
(02:59):
with his influence, without him making the people that picked
up the guitar the mos, wouldn't be here today. What
it wouldn't be as respected. I feel like a lot
of people forget really quick. But you know, was not
respected like that. It was looked down upon. It was like,
you know, the little dogs and now the big dogs.
Speaker 2 (03:19):
Met to Koe.
Speaker 4 (03:19):
He had you know, Escao is Noka, Kells, Kobe Wirloos
and Miami Tornando Exitos Conatista artist and stuff for the
(03:40):
pebrim almost Cactus, those mods by Lando and ok Co Artista,
cari Camacho, artistasos pianos know, plus k respect, nonmous and
(04:04):
premios you know and platforms.
Speaker 2 (04:08):
And the Koreans and as the carrier to.
Speaker 6 (04:23):
And and.
Speaker 4 (04:26):
Artistas or Itali artistas Motivo. Yeah, and you gotta give
credit and and respect what credit respect?
Speaker 3 (04:35):
And then that you mentioned that you know, you guys
will go to these premios and you know they would
look down upon like you know, artists during these times
were like what do you guys like complain to like
the premiers, like hey, you know, like we don't deserve.
Speaker 2 (04:50):
This premier and Ceo Controlaos and Miami on.
Speaker 4 (05:01):
Nanos and Couanos and used T and then like he
used numerous and also Rita who respect myself, Nam Cornell
and T and then look La Music and numerous Croke
and was not to be not on perclos numerous album
(05:23):
for the anti implement those artistas Rita and Gingo, Artista Venes, Rita,
Tito Croque, be Verte PTOs, the juniors, Nata staff I Town.
(05:45):
So I find the same, yes, much much artists Sante
and Dress and Cardo around Calis in quenta parallels yea
I mass mass talent.
Speaker 7 (06:02):
And something that I noticed that you were you had
the opportunity to sign a lot of like big artists
like you know regul lo Cao and what do you
feel like al was the one to really spark that
the inspiration in the young people.
Speaker 4 (06:20):
Angel Y Partestino, Artisticamente, ern Talent, Pasonelao and Masses.
Speaker 2 (06:44):
Romantica.
Speaker 4 (06:47):
And Personaso movie, Ferentem Artistas, Talento, ts yeats, part Proprio, Criterio,
k not trans meeting when Aletra.
Speaker 2 (07:08):
Meeting.
Speaker 1 (07:09):
Yeah, I definitely agree with you.
Speaker 7 (07:10):
I think music is a feeling, you know, and when
it reflects, like you could tell that people really like it.
Speaker 4 (07:16):
K first quest Primero and Ariel Cami music camperen you know,
and this re correos progress correct as if this plateau
a musica camperen you know, Emotivo, Spiro marquerdo po, the Manesto,
(07:48):
no crisio mass this pos music so mass maslovali in
Spira masquero.
Speaker 3 (07:58):
And yeah, and then when you had like conversations with Ariel,
you know, during this time it was like corril progessibos,
and then he came out with like the Sereno who
would who were like some of the artists that he
probably told you that inspired him.
Speaker 8 (08:14):
Because I know like before that was like.
Speaker 2 (08:25):
Pos yo ma.
Speaker 8 (08:31):
Yeah, and I think it's so crazy.
Speaker 3 (08:33):
How you know, how we were talking about how Ariel
had this special thing where you were able to like
transmit that energy off of him, which I know a
lot of artists like the like it's just so weird
like listening to I mean, I'm saying this because I
saw the video where was Miko dec which is like
a venue that closed down that was super close to
(08:53):
where we live, and like you watched that video.
Speaker 2 (08:56):
And I don't know why, like you just get goosebumps.
You're like, oh shit, you know, yeah, its care will
come and show el sa I just al Lolamus and
crot Low present. You know.
Speaker 4 (09:19):
Your Marquerdo finest Visio and t platic media and Plato
yellow tries En sument you know he sna mercuerd Maico
(09:46):
Emerico America. Let's just be then that's not a Marko
Prico and Ultimo concerto. You you know Sutimus Concertos Ya
(10:06):
Fellas and Lula El Carol record and rec el Carol
Record in promot ok, the Como in Person and alcohol
and the jaquess p S and T correl t s
O and and and.
Speaker 3 (10:28):
Fighter m damn and then what what went through your
head when he told you that news that he that
they told him that he was going to pass early.
Speaker 4 (10:39):
Com Plata cask cameo who star calls us pulls save music, likes.
Speaker 2 (10:56):
Them, you know, and Tom says as the Transformer.
Speaker 7 (11:18):
Yeah.
Speaker 8 (11:19):
And then since you were like you know, his manager
at the time.
Speaker 3 (11:25):
And you've seen him like how you mentioned the episode
that he loved to drink a lot, do you felt
like you had a responsibility to kind of, you know,
make sure that he was led into like a right
path and stay away from this stuff kind.
Speaker 2 (11:39):
Of stuff you only say, look his man control the Empressario.
Speaker 4 (11:57):
Artist missed and as the auto Arcos Locho, as the saws,
favre comingo.
Speaker 2 (12:20):
Medico American, you know, per.
Speaker 4 (12:28):
Ness papas perke stava estail constant, you know, like purpase
ps loky head post.
Speaker 2 (12:37):
Tranquila I fomingo mau stavanos.
Speaker 4 (12:42):
Came larbor planet a coon es pect to carmen ok
k kill a sport as a il and estados l
C l C and c Catamento pacto papas ca coms
(13:09):
caused us equent to to the osk molment No, no, no,
you say they can know no.
Speaker 2 (13:34):
Tom you know just to.
Speaker 1 (13:43):
Especial conte pork this is okay, what's your two?
Speaker 4 (13:53):
Uh?
Speaker 5 (13:54):
This is the voya the manager artista parlo in yes
relation losos dn n come on in timo como rael
(14:16):
com com persona por radio the you know the c
he put loo com agenda pero possescuchando.
Speaker 1 (14:32):
Took a relacion como il come on persona.
Speaker 2 (14:36):
Yeah, como personae like tim Elera mild.
Speaker 4 (14:56):
Pttic house in bargos scream liro loos pattica libo is
on the winning causes mass profunds, communis artists and peno
I mean agoso uh und the local stab persona mu.
Speaker 2 (15:26):
Ramu mild.
Speaker 4 (15:30):
You how those those personas okay, sierras Kell travaco yelphon
l phu is not import Linero jose neo omne trina
competion travac perl look l o you locr.
Speaker 2 (15:52):
Caron impact can away.
Speaker 4 (15:55):
Lamente the ke algolam and tons says common persona karaoke
film grand grandmano f a person and we mill the
ca in porto port mass fanatical importaron mass you mau.
Speaker 2 (16:16):
Went to to Marto pots you make.
Speaker 4 (16:20):
Tout artistas, No, you're getting coo kring la la beneficial
as to professions is paramoa Macarnaway and mark Away and
the show like lomna coelna who cannot artistas capi una
(16:48):
cantar canzos is don't the star l comprom coel pul
in the pool looks in the okay, compreing wed andslem
l o cari l care stargo pulicma poto.
Speaker 5 (17:09):
Mo and pull that fla musica plan is then okay.
Speaker 2 (17:19):
Car.
Speaker 4 (17:21):
Pum papa tell kria can.
Speaker 2 (17:33):
P l v lok lokate o email plato.
Speaker 4 (17:45):
And persando at loco planted the tistas, the tistas and
the s.
Speaker 3 (17:54):
Ye bland musical mente you know part this was plans
plans then like in terms of like collabora, was there
any like always that he would tell you your persona.
Speaker 2 (18:07):
Mio personal.
Speaker 4 (18:11):
Estava ernesto RaaS the enigma eto season constras ma cuerdoo
cero Mario vetos, pero essemento el and Julia Julio negaris elstaa,
(18:33):
munchoe marquerdoque o mess anti. If I complain on comparing
me nermano vermanomeos tool recolo, I.
Speaker 7 (18:52):
Recall, recall damn and kind of changing up the question,
if were still be here with us, what collaboration would
you feel like would fit him best from the artists
that are here with us, or maybe that he would.
Speaker 2 (19:07):
Like your girl the controls.
Speaker 4 (19:16):
Meto met you know not Kantaraki respect a group of
kell economy porta to start to series around the Chico
contos for local you know has been important and know
(19:36):
the uvannus Andre and tre compagnosis contos not to number
see the po here con your punt contols contos contoss contostanous.
Speaker 7 (19:59):
A fun fact that I want to tell you is
so when I found Outboutrika Macho, my dad was like
the one to tell me, like, oh he had passed away.
Speaker 2 (20:09):
What were you doing that day? What were you doing?
We guys were you guys were in school?
Speaker 7 (20:15):
Yeah, I think we had just got out of work
because I told my dad, oh, I want to go
see a Macho and I didn't know that he had
passed away.
Speaker 2 (20:24):
Yeah, we were that. We can remember the following weekend
we were supposed to be in Chicago.
Speaker 3 (20:29):
I remember I feel like I kind of remember when
he kind of passed because I was listening to music
a little bit before, but it was actually like when
I went to your house really and we walked to Walgreens,
and like that's the day I found out. It's actually
the same day that I showed you like hita, mm hmm.
Speaker 2 (20:43):
And you guys were super young, and we're talking about
ten ten years ago.
Speaker 7 (20:47):
How are you guys now twenty four, twenty five, So.
Speaker 2 (20:51):
You guys were fourteen fifteen.
Speaker 5 (20:53):
Yeah, yeah, So I think we see it a lot
me personally, it's a lot of a lot different.
Speaker 2 (21:00):
You don't put your tels.
Speaker 4 (21:05):
See you No, you're okay, Ariel andras Loyo and loyel
local link pat soil luis and that's all on the
Los pianos And.
Speaker 2 (21:23):
Who would you say right now?
Speaker 3 (21:25):
I think I real left like one of the biggest
impacts there is in Mexican music after a yell? Who
would you say had the like second biggest impact?
Speaker 4 (21:34):
Controls opinion Nata nata no nata na say nato culs
like lin and have you menata and persona nos as
(22:00):
like stanto cantando like and caroten.
Speaker 2 (22:05):
And person and and and.
Speaker 5 (22:08):
On tanto influenzia, the and Sarona to Carlo guitarl As
they started the muchI simos por risky two s a
impactoque tanta quisoara cab to carcom oel porciento caes a
tronvel the Influenzia porcucco on first pro p and they
(22:34):
Cantaro to Carla Guitara porlo different.
Speaker 4 (22:38):
Part mission those stay in the mission. You turn the mission.
You're turning the mission mission come. You know the the
Veniata vida impact went to selp. You look a part
(23:04):
miss look okay, looky your piens enonymous oppians but if I.
Speaker 2 (23:15):
And lissar mark and designs mark ya sign.
Speaker 4 (23:22):
Macho bassi the endo and single designs almost podcast the
vers Trenton Versary Yes.
Speaker 2 (23:33):
And oh.
Speaker 4 (23:35):
Inact impact in pato and pressa in pactos fanta artist
e opions.
Speaker 2 (23:45):
Okay, okay, so like your portola so music I pradic you.
Speaker 4 (23:59):
Los primeros those and us four simun com patos can
you tomorrow domingo stand and never those plant shook hands
(24:22):
yellow lost.
Speaker 5 (24:25):
It's okay, yeah, okay, okay, camacho la del perkis.
Speaker 4 (24:36):
Muncho un you know, yes, I can't take it?
Speaker 2 (24:50):
Who re.
Speaker 4 (24:53):
You tress press contents real cos is fiske heo verre
yahra mata.
Speaker 2 (25:14):
Plan is.
Speaker 4 (25:16):
In respect to ching you think con punga texts okay,
so aalst the you tango tango textos tango tango, conversation,
Cornell produce personamas, intimato problems and salist No, no moves
(25:38):
that pellas el copes travel and remaned tammus.
Speaker 2 (25:48):
You know, and the plan is purpose planet is yours.
So planning this.
Speaker 8 (26:05):
And purge.
Speaker 6 (26:12):
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Speaker 2 (26:44):
Keeps vilgo no, come.
Speaker 4 (26:50):
Tom you yes, yeah, listen, Yeah, you're gonna artist the
impress yes and the yeah and this is your personal
your common those mild see.
Speaker 2 (27:12):
You see.
Speaker 4 (27:14):
That came up your Miami you mean and even for me,
no luc come part purpose some planets that used no
no ma panto na you think pass nothing.
Speaker 2 (27:38):
I see you know.
Speaker 4 (27:41):
Okay that real come much even trest content on this
real com Comala's intention Tolo cas Korma's intensive so alundi
basia that part cash.
Speaker 2 (28:06):
I came impact.
Speaker 4 (28:09):
Impact vida the keenestio for so podcast a key on
the Ariel Camacho como on the you.
Speaker 5 (28:22):
Know MS break, I'll go get reel all okay, t
D sister ladico mbida, I'll.
Speaker 4 (28:36):
Go algoon or regret that you have Clorano motivational video
or ultimate the audios siloskuchen l k Luna Ela No
(29:00):
no regrets you ok we put up post persona transparente
no like in the case you said you and sentiment
yes see let's comment and key and persona m B my.
Speaker 2 (29:31):
Some really yeah pretty.
Speaker 5 (29:36):
Has ant the uh P because artists you must know
Solo nego you know mists the you know started keys
the okay you know ps nalgo riva see you.
Speaker 4 (29:52):
Know I'm memorials are young canal the YouTube personal pas
chose videos I Comb much nor As the.
Speaker 2 (30:09):
Passa and much impresses and this Canada YouTube and the mills.
Speaker 4 (30:22):
You Convivius controls artists cass Comb and da Data, Tai.
Speaker 2 (30:29):
And RELs.
Speaker 8 (30:31):
What would you say something that you learned from.
Speaker 4 (30:34):
Brandel Harper, Simper simpress perceives ven person and you and
you Simperprendido's embargo no Shi just causes artists is not nice?
(30:59):
A k A I I you problem and the plus
artists and so tele para you know artista prey when
all the fanaticos fanactic artists and press, I know those opions, okay,
Artists Camri macho so pocus from Pocus Pocus know you
(31:21):
Cola artist, Muncho or Speto and Miro Yes, Musica mas
mass frequentem much conciones and bio on the t Quenta
Tollo kilts medi you know Cana Mkentucky in Canta Away
(31:44):
the agreement Locown Corel Persona and Semprekes mission delfeacts vidas
in pul Carreras, Muncho's artistas and presariosmus.
Speaker 8 (32:06):
Dimensio y film artists.
Speaker 2 (32:18):
Me Andrew and.
Speaker 4 (32:23):
Maria Mando like Casto carat pulic and in a sum mark,
he may say cornel dasti via.
Speaker 2 (32:41):
Two K Mexico. If the media.
Speaker 4 (32:48):
Coming is having a hotel hotel and then what we
went through your head like over your reactions, get the
cares paris the case and shock the cares sincrelo, the
(33:09):
caress endostas.
Speaker 2 (33:14):
Candles has been paternal Yeah fl On the went wow,
that's truly shocking. Yeah, see if I know you.
Speaker 5 (33:36):
And he told us that the eel at Alguna and
a specific public the talvis the that you've never told
before some.
Speaker 4 (33:54):
Moon some moon, no local cal theater and car pat
Carol can evidence come nun combers Connell, now you Connel
(34:17):
the lefton the conmerce per is a gran se mano
fam grand eco, f random ego, fem grand artist and
grand compository coms person case and cordande can color came
(34:48):
yesn tonos he s said not con colonel yil ca
match As for Algo Comparatist podcast.
Speaker 5 (35:15):
Ask us all the crazy questions.
Speaker 1 (35:17):
Yeah you guys ask me no.
Speaker 2 (35:21):
No crook, what's.
Speaker 4 (35:27):
Cosas and phoconomy enemy saluc and miscuss personalist has done.
Speaker 2 (35:42):
Okay, the the ankle were ready for you to come back.
Speaker 1 (35:46):
You've been you kind of like put yourself a little.
Speaker 4 (35:49):
Bit too out of the quatro Quatron Maria Quatron on
the me and you are behind the doors, Sarroun behind
the doors. It is temple can even that distro the
(36:13):
dish is going amazing. That's my little baby right now,
and just just wait for it, you know, it's I'm excited.
I'm excited. I think the general is the changes that
I want to bring to the table, and people will
some way, somehow will I think they will accept them.
Speaker 1 (36:29):
You know, a lot of people are ready and a
lot of people aren't.
Speaker 2 (36:31):
Yeah, a lot of people are ready and a lot
of people aren't.
Speaker 4 (36:33):
You know, I've you know, planning, you know, and tolls
like manos los.
Speaker 2 (36:54):
Me just.
Speaker 4 (36:56):
Precida you're doing. I have a lot of peace, and
I feel complete and satisfied of everything that I've I've
done and I've accomplished in sixteen years.
Speaker 7 (37:11):
Yeah, we want to congratulate you and all your success.
We also want to say thank you for your time.
We had a lot of fun, you know doing this podcast.
A lot of facts that we didn't know about Ariel
ca Macho and who he was as a person, and
you know, his legend. His legendary status is like it's
going to go on forever.
Speaker 8 (37:26):
Touched, untouched, untouched.
Speaker 3 (37:29):
Yeah, wha, yeah, I can we say, you know, like
we're ready for like this whole thing that you got
going on. I think the genrea right now, you know,
everyone's fighting with each other. We don't see any positive.
Speaker 7 (37:40):
Positive, positive reinforcement.
Speaker 4 (37:42):
All I can think millos.
Speaker 5 (37:54):
Yeahs or record Contarino, ardio.
Speaker 4 (38:05):
Silcrdando primo como man communa persona mo mill una persona
music past simprose talentce Corasons your simple Hey, Carol Ray Corrasons.
Speaker 2 (38:23):
Corrasson, right, Sorry, what is the terminal like?
Speaker 1 (38:31):
Uh, frind.
Speaker 2 (38:36):
Yes, doesn't mention.
Speaker 4 (38:39):
Poses toyes, toy s per percass much and stay visual
qui in front town send interior.
Speaker 2 (38:59):
And this is something satis felice.
Speaker 1 (39:08):
Yeah, I'm sure say the same thing about.
Speaker 4 (39:10):
You lociento personally not messo. Come on, you're missing Tranilos
three Augusto.
Speaker 2 (39:28):
He's the man by.
Speaker 3 (39:34):
Thank you so much, you know, for taking the time
to talk with us, tell us about Yeah, you know,
I know all these fans that you know watch the
podcast a you know, the probably artists as well, who
weren't spied Barriel or even maybe an artist of today's time,
where like you know, like a first Saturday that was
also inspire Barril. I think without Adel, we even this podcast.
(39:55):
I don't even know this podcast.
Speaker 5 (39:58):
We picked up because I mean, you guys started, You
picked up because of started a group, and then I
feel like that bond kept there through after high school.
Speaker 2 (40:08):
Because of the group.
Speaker 5 (40:09):
I feel like otherwise you guys wouldn't talk to each
other no more. And when the podcast, the podcast idea
might have never came through.
Speaker 1 (40:16):
So yea, even us, we we.
Speaker 7 (40:18):
All well, guys, we hope you guys enjoyed this episode.
Coming down favorite part of the episode and peace out
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