August 20, 2024 • 25 mins
This is when the PESO PLUMA podcast is dropping...
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Episode Transcript
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Speaker 1 (00:06):
Three two.
Speaker 2 (00:07):
What's up, guys? Welcome back to another podcast? Is it recording?
Speaker 1 (00:10):
Is recording? God? Is recording?
Speaker 2 (00:12):
Were recording episodes with no audio clips? No episodes clips clips?
Still it's because.
Speaker 1 (00:19):
Guys, you know, you were grinding.
Speaker 3 (00:21):
We record so much stuff every single day we edit
eight We don't every.
Speaker 1 (00:26):
Day, but wait, come back, welcome back.
Speaker 2 (00:29):
But guys, we're back. It feels good to be back.
You know, this is just an episode where it's just us.
You know, these past episodes that you guys haven't watching
we recorded a while back, they're finally coming out. We
recorded the audio episte plum and I know everyone's wondering,
why hasn't it dropped? I'm explaining it super quick and
get reviewed. You know that's normal. These artists, you know,
(00:52):
they have their team of publicists. You know this is
this isn't our first rodeo. You know, usually we record
with an artist, the publicers, hey, send it to me.
You know, they review it, approve this, approve that. It's normal.
You know, it's part of the music industry.
Speaker 1 (01:04):
I think it is.
Speaker 3 (01:05):
And I think another side to this is that these
artists do look out for themselves on how they're portrayed.
Online and what people are saying about them, and I
feel like I don't blame them. There's a lot of
channels or articles that will try to defame the character.
Speaker 1 (01:19):
I think it happened to Yarita, which is super important.
It happened to her. It happened to her. It's super unfortunate.
Speaker 3 (01:26):
But at the end of the day, like people are
gonna do whatever they want to do to get content
and like clip up shit.
Speaker 1 (01:35):
But that wasn't the case. Their team was very, very
safe and they're playing playing extra safe. But he will
twist anything from Vessel Pluma. Guys.
Speaker 3 (01:43):
Yeah, but I feel like Veessel Bluma does deserve the
success he's having.
Speaker 1 (01:47):
He's a real cool person. We locked in that' my boy.
Speaker 2 (01:50):
The glaze No, but yeah, guys, that's what publicists are for,
you know, to protect the artists. And a lot of
people are asking why did Bobby's drop first she recorded
after us, and you know, we don't know the real reason,
but I think it's because, you know, Bobby, whatever Bobby
asked didn't need to get reviewed. You know, Bobby wasn't
gonna go and be like hey, beest, So like why
(02:10):
didn't go pet drop? Why didn't drop, you know, she asked, like,
what is corridos? I like that word, so like you
don't have to review that, you know, I feel like
it's safe.
Speaker 3 (02:20):
Yeah, And I think her content is more for fun,
a little less informative, goofy versus us. You know, we
like to be informative and actually talk about what has
happened throughout the artist's career because I think they always
have something cool to say, some interesting fact. But I
think the podcast did went well. What do you guys
(02:40):
think though?
Speaker 1 (02:41):
I think it was. Yeah.
Speaker 4 (02:43):
I think that's the reason that it's getting reviewed so much.
You know, some stuff had to get cut off. I
don't know if I'm allowed to say that. We'll cut
that off too, I need to. But we're like, yeah,
it's because people on the internet, people on TikTok always
try to get those clips, you know, try to get
those views, and they're they like to twist the truths.
They like to you know, they say I don't like this,
(03:04):
and they'll write some crazy ass title, you know, like
and then people will be said, I hate Mexicans and
like people believe it, you know, like it's stuff like that.
Speaker 3 (03:11):
Yeah, I feel like people take something out of nothing.
And something that I also wanted to mention is that
Bobby does have a bigger channel.
Speaker 1 (03:19):
She does have more leverage.
Speaker 3 (03:21):
You know, she was able to get Drake Tiger and
all these iconic artists, which I think is gonna do
good for Pessel. But I think eventually, as we grow on,
we'll have more leverage. Our subscriber to account will go on,
and I think we're gonna get more freedom to do
more stuff like that.
Speaker 2 (03:35):
Right, we keep growing. But yeah, guys, we blue. My
team flew was out to Texas. We went to two shows,
and then the day after they flew was out to
Miami for three days through two days.
Speaker 1 (03:43):
I think it was three. So it went from like
a Thursday into Thursday. Yeah, no, no, no, no Tuesday to
Thursday something like that. It was five day's total. Yeah,
we were out for the week. Honestly, it was sick.
Speaker 3 (03:55):
I did not expect that, And I feel like that's
the cool thing about our what we.
Speaker 4 (03:59):
Look, you guys think we were gonna get to record
with him?
Speaker 1 (04:03):
No, cap I thought an hour. We did record for
about an hour. Yeah.
Speaker 2 (04:08):
Look, we were recorded for about fifteen minutes, fifty five
ish minutes fifty four I e Ben.
Speaker 3 (04:19):
Yeah, guys, I feel like it's so crazy how much
how much people are waiting for this podcast. I think
it's a huge moment for us and huge moment for Musicahicana.
It feels good to be one of the first Mexican
American podcasts in the United States to get him correct.
Speaker 1 (04:36):
Yeah correct, And we owe it to you guys. So
I hope you guys enjoy it. I hope that you
guys like the outcome.
Speaker 4 (04:43):
I hope that you guys are satisfied with the questions
and the answers, and hopefully it leaves the door open
for a part two, a second one in the future,
and I think that would be that would be the
goal for me.
Speaker 2 (04:53):
So you guys want to give a hugehout to Bluma's
team and Pestle for everything they differ us when we
went to Texas.
Speaker 1 (04:59):
In Miami, it does very well. You guys were amazing
things for opportunity.
Speaker 2 (05:02):
And then also I remember the day that we show
with Pessel Pluma, he invited us to his music video
Los Cuadros. You know that she already drops, so you
can see how far back we recorded it and the
song finally dropped, and then Tito announces his album in Comoo,
and we also.
Speaker 3 (05:17):
Did get the opportunity to record with because you know,
lack of time. I feel like that was more on
our end, but it will happen.
Speaker 1 (05:25):
Because we're running around everywhere. So yeah, we were getting content.
Speaker 3 (05:28):
They've been in there for the vlog as well, which
is in for review. Like we said, everything gets reviewed,
and you know, these circumstances was finally dropped.
Speaker 4 (05:40):
I think that's gonna beg the album of the year
even and the dog agrees with me.
Speaker 2 (05:44):
So in Como Tho it has twenty one songs out,
So this part gas dropped tomorrow.
Speaker 1 (05:48):
I think the album drops the day after two days.
Speaker 2 (05:51):
Yeah, it was coming out of twenty fifth I don't know,
but oh yeah, twenty one songs features like Junior.
Speaker 1 (06:02):
I was shocked one down there. Yeah, Gino podcast and
I meant the school.
Speaker 4 (06:08):
I think they were able to figure something off, you know,
because I feel like they're both writers at heart first
and foremost.
Speaker 2 (06:14):
I meant that we had him on the podcast and
he wrote maybe look yeah That'ssaia stream up.
Speaker 4 (06:23):
Yeah, and honestly he has good songs like like that
he sings on his own you know.
Speaker 1 (06:27):
Yeah he does. That's the song that goes.
Speaker 3 (06:35):
Anyway, guys, go check out his music isshes Fire, but
it's kind of crazy. I was checking the the credits
Ofmenta has a lot of writing credit, Yeah, which is impressive.
So does Diego Milan.
Speaker 1 (06:47):
Yeah. I saw TikTok that because they said to be
at my and like they're reading some steak and yeah,
those those are those are the big dogs. Six months later, yeah.
Speaker 3 (06:56):
But you know, kind of going back to Tito, what
do you guys think about his career and how it
has escalated.
Speaker 4 (07:02):
I think he must be living like a fairy tale.
I think this is what every artist wish what happened
to him, because what he happed one to start him
a year ago. Mm hmm damn. But also I think
that like at first Beesel Blumer would be like oh yeah,
like he wouldn't have mentioned him too much, and then
like once Tito started doing his own interviews and he
was like, well, you know, I wrote, you know, I wrote,
(07:23):
I mean hey, then you know, like, yeah, that's what
I think. That's what I feel.
Speaker 3 (07:28):
No, definitely, especially I think since their cousins, I think
it's important that they have a good relationship. I think
at the beginning of their career they bounced off each other.
Speaker 1 (07:37):
You know.
Speaker 3 (07:38):
Mentioned Bessel did mention in the podcast that you know,
him and Tito would sit down and write these songs
that are ultra hits now, so for him to come
as a writer.
Speaker 1 (07:49):
Oh and they would write it about themselves too.
Speaker 2 (07:51):
Oh yeah, I see how it was like valenc and
then Bestl had a like Louis Vuitton and then he's like, Yando,
Yeah that was about them.
Speaker 1 (08:01):
That was sick. Yeah.
Speaker 3 (08:02):
So, but props to like Tito, because I feel like
to come from a writer to an artist is a
big step because you know, you're kind of behind the
scenes as a writer and now you're like at the forefront,
you know.
Speaker 4 (08:13):
Yeah, I feel like he didn't come from writer. I
think it was just like kind of out of necessity.
I think that Bestl just like started to blow up
and he needed help, and then his cousin was like,
let's try, and there they go.
Speaker 2 (08:23):
And then I feel like when Tito first started, a
lot of people compare them to Louis Eric Condriquez. Do
you guys think right now like you already surpass Damn,
I don't know.
Speaker 1 (08:35):
We have to look at the numbers.
Speaker 3 (08:36):
I think Luisre has a lot of iconic corridos, and
I think he holds that throne of los corrieos goes.
Speaker 1 (08:45):
I think so. I think so.
Speaker 4 (08:46):
But I also think I remember when Bestil started to
blow up, the Luisa would be around Tito a lot.
I remember that he had a crypto or Ontario, either
one of those reading the picture of him with his
uh there you go, there you go like like like
(09:07):
back then, you know, And I remember that he didn't.
Speaker 1 (09:10):
I don't remember if he went up on stage with him.
Speaker 4 (09:11):
I think he was just like, you know, it took
him a round with him, and then after party was
at Malecon. You remember there's a few tiktoks like where
he looks so nervous, like he looks so shy like.
But it might have been like the first or second
time he ever grabbed the microphone in front of people.
Speaker 1 (09:25):
Yeah, so I.
Speaker 4 (09:26):
Think that was really smart of to go with him,
you know, to bring him on board. I'm pretty sure
they helped them write a lot of songs. And also
I think that like a Machell Pico, the mannerism, you know,
that's what people talk a lot about you know, like
the head movement, like the hand thing, like didn't do
that before Tito.
Speaker 3 (09:42):
Yeah, And I feel like something that I noticed about
Tito is that not only is he good at making music,
but he's good at making content, Like you see a
lot of me about him, like he was like the
last time, Like I feel like that's genius. Yeah, Like
it happens a lot with Nata. You know, there's other
artists out there that you've seen no content about them,
(10:03):
for example Junior Age, but you know, he still managed
to be a big artist.
Speaker 1 (10:06):
So I think that's just a plus. You don't even
see that from Pesto himself.
Speaker 2 (10:10):
Yeah, I feel like back then, but not anymore. What
are the artists that are best at making content? We
know Jops Okay, Tito obviously Jop, But I think I
think in the aspect, Tito is like the king of it.
Speaker 1 (10:24):
I think.
Speaker 4 (10:24):
And also that we've got a chance to talk to
him and meet him, like he's like that, Like it's
not like he flips the switch. I feel like some
of us sometimes, you know, flip the switch for the camera,
but I don't know, let the.
Speaker 1 (10:33):
People know what he told you over there?
Speaker 4 (10:34):
And oh yeah, so I was like, hey, no, I
saw him and I was like hey, like and I
told him, oh, there, I told him, let's make a TikTok.
And I was like and I was like, hey, you
give me dollar or something like that, like I'll give
you the dollar, you know, Like I wasn't trying to
get like a dollar out of him either, and he's like,
(10:57):
He's like, no, no, not doubt that.
Speaker 1 (10:59):
So Pourque.
Speaker 2 (11:02):
That was like since he was young, he was always
called the yeah, And I was like like why, like,
and I feel like normal person wouldn't say that, you know,
but I think just he has that charisma and I
think more than ever.
Speaker 1 (11:14):
You have to be like a well randed guy to
make it. Oh. You know.
Speaker 2 (11:17):
Also, you know how Los Guadalos is his song. But Kane,
I didn't even know Champ just dropped it before him. Yeah,
I didn't even know that was like a cardinal sin
until you guys told.
Speaker 1 (11:27):
Me fucking nerd Cardinals Sin.
Speaker 4 (11:31):
Okay, y'all, y'all know what I'm talking about. No, but
you guys said it was like the worst thing ever.
Speaker 1 (11:35):
What was the worst thing ever?
Speaker 4 (11:36):
That he dropped the Kane dropped it before Tito it's
because explain that to me.
Speaker 1 (11:41):
Explain that to us.
Speaker 3 (11:42):
I think the situation there, okay, let me Okay, what situation.
Speaker 2 (11:46):
They took down Caine's version of the song Loquadals, Okay,
and I said, I understand, Like, I understand why that
happened because the song wasn't released.
Speaker 3 (11:56):
Yeah, And I feel like that's where there's an issue
when you when an artist. For example, Tito, he took
out a preview and Kane decides to make a studio
version and put in on Apple Music on the song
that's not a release.
Speaker 1 (12:10):
Yet I think that's bad.
Speaker 3 (12:12):
That looks bad in my opinion, you know, because it's
not your song.
Speaker 1 (12:16):
Let's just say.
Speaker 3 (12:17):
You you previewed some something and then some other guy
knew who's gonna blow up and he went to go
do it, and you look at him like what the fuck?
Like he stole my idea stump on his neck exactly.
So I feel like that's what's wrong about the situation.
Speaker 1 (12:35):
Hey, I understand why didn't have it to looks fire? Bro,
just a nice guy.
Speaker 2 (12:42):
But okay, agree with me though, Yeah, I mean you
just have to put yourself in Tito's shoes to like understand.
Speaker 1 (12:49):
Yeah, but did you guys know that that was the
case when he came on the podcast. Yeah, I feel
like I feel like that just i't know. I didn't
know what was going on.
Speaker 2 (12:58):
It didn't click so there, but it's announce it. That's
when I was like, oh, show you know what?
Speaker 4 (13:03):
Like but okay, I know the song wasn't now, but
I didn't it across my mind that it was going
to be bad. But I was like, oh, like this
ship works so good for him. Yeah, I take it
out too. Your version is sick though King's versions.
Speaker 1 (13:13):
A lot of people like Kane's version damn.
Speaker 4 (13:15):
But I can also because that's what I was gonna say,
because like people got to hear Kane's version first, like
you know, in its entirety.
Speaker 1 (13:23):
People get accustomed to that.
Speaker 4 (13:25):
People like that one, and then Tito comes out with
his original vision for the song and they're like no,
I see no, Ed, Like what the fuck you mean?
Speaker 1 (13:32):
Like I made this out of my brain, Like how
can you tell me that's not the right way you
get me?
Speaker 4 (13:36):
So I think I think that's Yeah.
Speaker 2 (13:40):
I was checking on Spotify and that song wasn't there,
so I chexted Kane.
Speaker 1 (13:46):
I was like, hey, did.
Speaker 2 (13:46):
They also, Hey, I'm trying to get back onto this ship, brokay,
they texted, I'm trying to silence that ships annoying as fuck.
Speaker 1 (13:55):
No more, no more. We're done being silenced, guys.
Speaker 3 (13:58):
I doubt I think trust like zero zero filter. I
feel like back then we were a little bit more savage.
We wouldn't care because like we've got to like we
were we were coming up, Remember how you would say,
like the thing about chickies, said them pretty out of pocket.
Speaker 2 (14:15):
But like I feel like we got like too too
much like in the industry, like don't.
Speaker 4 (14:19):
Know, damn, I think we need to stop being we
need to stop being friends with these artists. No, yeah, yeah,
because then I'm like, oh damn, what if I say
this about best like when we thought us to show.
Speaker 2 (14:30):
I remember the beginning, I was like, hey, like let's
not get too like friendly with with everyone, you know,
because that was.
Speaker 1 (14:38):
Label is the best fastest growing label. But that's true,
that's true, that's true, that's true. Right yeah, No, No,
we're just talking about like.
Speaker 4 (14:46):
Just like the main thing is that like you you
like they're your boys, you know, like because they're not
my boys either.
Speaker 1 (14:53):
Because we go to like there's there's that relationship.
Speaker 3 (14:56):
Okay, we go to events where we have to capture
content or we want want to capture content for you guys,
and then we know we're going to run into them,
you know.
Speaker 1 (15:05):
But at the end of the.
Speaker 3 (15:06):
Day, I feel like we need to look at this
as a business because it is a business, and then
our content is our business, our priority. So I think
we need to step back away from like people's feelings.
Speaker 1 (15:16):
You know what would you guys say, no, way it is.
Speaker 2 (15:19):
I feel like we just get like two we needed
this is ourselves bad?
Speaker 1 (15:24):
Yeah, because I mean you knew this is the beginning.
Speaker 2 (15:25):
Because remember I used to be like, hey, like, let's
not like like friendly, yeah, whatever artist it is, and
they're like pull up like that.
Speaker 1 (15:36):
It's hard to say no. You know, any normal person
would be like a little.
Speaker 3 (15:40):
Bit and another like it feels cool, you know, the
fact that they they know you exist.
Speaker 1 (15:44):
Yeah, like they respect your content too.
Speaker 3 (15:46):
But I feel like we need to take it back
to the ruts and realize we're here because of the
work that we did like a few years ago.
Speaker 4 (15:54):
You know, we got to go back to a Bessels
tickets are about to go and seale let's go on
ticket Master. What's the best ticket we could get for
two hundred and thirty dollars. I think that's what it was,
not two hundred and forty. I think we paid when
we want to go see him at Ontario and now
I have my boy, can you send me a tickets Champ?
Speaker 1 (16:12):
Thanks?
Speaker 4 (16:14):
Where's that I need credentials to is it? Is it
open bar and catering or not? Or you middle fu.
We're not like that. We're not like that, okay, but
I'm just exaggerating.
Speaker 2 (16:27):
Most of the time we get invited you no, see no,
and then most of the time we get hired. That's
one thing people don't understand because yeah, because people like
the on TikTok groupies and sh like that was like, motherfucker, like,
we're getting paid to be here, you know.
Speaker 1 (16:40):
Yeah. I feel like a lot of people don't understand that.
Speaker 3 (16:42):
And it's not like we're gonna go like and also
to make a highlight, we're to be.
Speaker 1 (16:46):
Here about everything. Everyone.
Speaker 2 (16:48):
Yeah, I think everyone tells us. So I think we're
going to be more vocal, like being more shupped up.
Speaker 1 (16:52):
Like if you yeah, come on, is that to fucking
get in the commentsen like you.
Speaker 2 (16:57):
Know True's that recently opposted a video of when a
pestles gonna drop his episode or something like that, And
I was replying to people in the comments like it
felt good, but then.
Speaker 1 (17:07):
I took that shit down.
Speaker 3 (17:10):
But anyway, guys, we get invited to these places because
you guys, and we get the content for you guys.
Speaker 1 (17:15):
At the end of the day, it's a job.
Speaker 3 (17:17):
It's a business because you guys managed to support us
enough where we could keep doing this.
Speaker 4 (17:23):
Yeah, yeah, yeah, And I think just to make that point,
you know, like sometimes special texts like oh, you know,
like I just finished watching the podcast you get me,
So it's like that level of.
Speaker 1 (17:33):
I don't know, you know, like they know what's going
on too. Yeah.
Speaker 2 (17:36):
Well then also took I want to clarify, like the
whole j Opie skits and stuff like that, like they
like it. You know that We've talked about it. So
it's not like he's getting mad. Like he literally likes
comment videos and comments on it, and he every time
we tag him like he sees it like he likes
that ship puts life and faces or whatever it is,
or even even like so when we do stuff it's
for content and like they know it's obviously helping them too,
(17:57):
so it's not like we're actually like it's get a
goop on or like because they're literally like a call away,
like you.
Speaker 3 (18:03):
Know, yeah, I mean that's cool, and I think like
when we meet these artists, like that's literally the topic
that we talk about. Bro, the skids are funny, and
they will just be like, oh yeah, the people are
living it.
Speaker 1 (18:14):
That's literally the first thing JP told Angel. He's like
twin Yeah, I think it's pretty cool. Yeah.
Speaker 4 (18:20):
I know a lot of people make it seem like
we're like dying to get him on and stuff like that,
but I think it's just building up the hype, you know,
like I we don't know if we allowed to say this,
but like have we like we haven't really like formally
tried to set up a date mm hmm.
Speaker 1 (18:34):
Yeah. And then we did play soccer with him, which obviously.
Speaker 4 (18:38):
Yeah, I feel like that was such a big moment.
I didn't even realize how big that was gonna get me.
I thought it was like another light day and ship.
I didn't realize how big that was going to be.
Speaker 1 (18:46):
We literally went to in and out after just looking forgoten.
Speaker 4 (18:49):
No, no, no, like literally want to go play with him, Like,
oh fucking yeah I did. We got in the car,
went to it and now that went home. Like I
don't even think we talked about it after we did it,
like it whatever. Yeah, because I don't think we were
like on our content game like that back then.
Speaker 1 (19:04):
I feel we're a little by little getting back.
Speaker 4 (19:06):
Yeah, we're getting more into I feel like we're never
really that into it though, you know. I feel like
looking back, there's been some moments I was like, like
we could have made a highlight out of that chap,
like we never thought about it like this.
Speaker 3 (19:17):
Yeah, And I feel like with the content, timing is
like the most important thing with making content. Yeah, you
really gotta time your highlights in your edits.
Speaker 1 (19:28):
Okay, so before you before you move on, yes, what
are you gonna say?
Speaker 2 (19:31):
No, no, I was gonna wrap it up. No, No, we
haven't wrapped it up. Yes or no, it's way it
is is better.
Speaker 1 (19:37):
Than better than at the moment, I think. So, yeah,
you you said kind of know huh.
Speaker 2 (19:45):
I think whatever you said I did before, like obviously
kind of that's the thing that I'm talking about right now,
Like as.
Speaker 1 (19:51):
In the moment right now, I think in terms.
Speaker 3 (19:54):
Of your heart, well, I'm gonna say, I'm gonna talk
about it.
Speaker 1 (19:59):
I think it turns up oblicity. Uh, Tito's winning.
Speaker 3 (20:02):
But one of the hardest things to do right here
in the United States and Lexico is selling tickets. And
I think Luis Ara still does that better.
Speaker 1 (20:10):
Way better.
Speaker 4 (20:11):
No, Tito can't sell an arena, yeah, I mean could
do that three times a week.
Speaker 1 (20:17):
Yep. So I think still king. I think is still king.
Speaker 2 (20:21):
But there's a balance and we see that a lot too,
like leg you say, Mark pet like they don't do
that good in streams, but they can sell arenas.
Speaker 1 (20:28):
And then back then, what do you mean back then? Yeah,
they can't sell arena.
Speaker 2 (20:34):
Oh like let's say theaters or whatever it is, you know,
Oh yeah, I still have shows.
Speaker 4 (20:39):
Say it right, it's not in arena.
Speaker 1 (20:43):
Pet could do tours. They can go on tour every year.
Speaker 2 (20:45):
But like I think I checked the streams yesterday and
it was like five million a month. But let's go,
let's go to like Vega, he's like a fifteen million,
like three times, but he can't have a show.
Speaker 1 (20:55):
You know, you're here here in the but I think.
Speaker 2 (21:01):
I won't get bro like, I think we should just
talk about all that ship.
Speaker 1 (21:05):
It will be funny.
Speaker 4 (21:06):
Hopefully that wasn't rude. But you guys know what I meant,
Like you actually can't come. But I think I think
he could sell like just for for like because everybody
wants to see him, you know, at least for the
first time.
Speaker 1 (21:18):
But then after that. I don't know. No, it's hard
at least on the big markets, like they can't sell
like a Milwaukee. I don't but I don't think. I
don't think.
Speaker 4 (21:28):
He was was having a thing but like okay, but
Peter like bro like, you're not like easy, like like
having fifteen thousand people.
Speaker 1 (21:36):
It's a really like on the like I like his music.
Speaker 4 (21:39):
I like plus it's because it's a thing, like he's
just he's like really, I think it just stands out.
Speaker 3 (21:44):
His flow is what makes him stand up. His flow,
this flow, it's cadence. There you go, says So. Cadence
is like the way you sing the song, like the
melody that you sing it in. Dude, also too, I
wanted to mention there's a song you know get its
no like I feel like I don't know if this
is like Mexican.
Speaker 1 (22:04):
Like cold so mothery do you guys ever listen to songs?
And then you guys are like scared? Turn alread left
already it fell in there? No, I turn on the fire.
Speaker 2 (22:21):
I was back to what I was saying, so like,
do you guys ever listen to songs from like artists
are from Mexico And you're like, what does this mean?
Speaker 1 (22:29):
Like am I really? Yeah? Like the like when when
was laying? Yeah, when I was, I mean like, is
that hold for some shore Like I don't know. Do
you think they actually like hot beer? Because that's girls
that's interesting. Does that mean like no matter what it means,
you're addicted? No, like I wish my I was. He
(22:54):
said that.
Speaker 3 (22:54):
No, it's because, for example, I'm trying to find out
even if we were no, no no, for example, even
if we were from Mexico. I mean we're from Mexico.
But there's certain things that are said in regions. There's
things that are said in certain regions, like the people
in are not going to talk the same as people
from each wakan so I feel like.
Speaker 1 (23:15):
It that's like right next to each other, but they
still have different slaying No, but sala is a state
Kanza City. Okay, everybody.
Speaker 3 (23:36):
You see nasty, that's you want to get drunk. Guys,
let us know in the comments what does.
Speaker 1 (23:44):
Know? But I feel like that's that's light work.
Speaker 4 (23:46):
I think the ones that get crazy is like those
Mexican like technoligy songs and like like those little TikTok songs,
which ones like Kevin.
Speaker 1 (23:58):
No no no yeah. But like also like the other
people that.
Speaker 3 (24:00):
Like I don't really know who they are or like
like thenny flow type vibe.
Speaker 1 (24:07):
Yeah, something like that. The other guy was like and
I was like, like, what is going on here? Like
those type of songs, like not something that I think
we were talking about. The slang huh, the sling. Yeah.
Maybe it's just like I'm just trying to figure out
who likes hot beer. Who likes hot beer coming down
(24:28):
to you?
Speaker 3 (24:28):
Like how you.
Speaker 1 (24:29):
Corona like you're hearing the sun and you just drink it.
Oh yeah.
Speaker 4 (24:33):
I like really wish I got to see Natona and
like ask him that that'd be cool.
Speaker 1 (24:36):
And I fucked up about how I.
Speaker 2 (24:38):
Feel like you see the guy like very genuine, very cajol,
ask Kevin imfit for a video and he's yeah, he's
whatever with the song and Madonna, how does song go?
Speaker 1 (24:50):
And I even told him like, hey, let's do.
Speaker 4 (24:51):
The TikTok like I learned it and everything, Like I
waited forty five minutes to like talk to them, like
I learned the song and everything I learned.
Speaker 1 (24:58):
But what was the takeaway from that moment? Though? I
gotta get bigger.
Speaker 3 (25:03):
To the people because they need to know there's still
more to chase, you know, there's more to Yeah.
Speaker 4 (25:07):
No, definitely, the more the more numbers we have, the
more we're gonna get to like put our own things
because like you know, there's some podcasts that we do
where we don't have a worder or saying anything.
Speaker 2 (25:17):
When it when it comes to like this, like you
could tell how people only care about numbers, like oh.
Speaker 1 (25:22):
God, that's real, like the way you're dressed, Like they'll
treat you.
Speaker 2 (25:26):
Better wherever you are if you and then it starts
with you have a big change or no big changes,
no change the words.
Speaker 1 (25:34):
That's just the reality of the world in any part. Yeah, yeah,
he's not just here. It's not just here, you know,
But man, is it mere? They the music is louder.
I'm gonna call the cops.
Three two.
Speaker 2 (00:07):
What's up, guys? Welcome back to another podcast? Is it recording?
Speaker 1 (00:10):
Is recording? God? Is recording?
Speaker 2 (00:12):
Were recording episodes with no audio clips? No episodes clips clips?
Still it's because.
Speaker 1 (00:19):
Guys, you know, you were grinding.
Speaker 3 (00:21):
We record so much stuff every single day we edit
eight We don't every.
Speaker 1 (00:26):
Day, but wait, come back, welcome back.
Speaker 2 (00:29):
But guys, we're back. It feels good to be back.
You know, this is just an episode where it's just us.
You know, these past episodes that you guys haven't watching
we recorded a while back, they're finally coming out. We
recorded the audio episte plum and I know everyone's wondering,
why hasn't it dropped? I'm explaining it super quick and
get reviewed. You know that's normal. These artists, you know,
(00:52):
they have their team of publicists. You know this is
this isn't our first rodeo. You know, usually we record
with an artist, the publicers, hey, send it to me.
You know, they review it, approve this, approve that. It's normal.
You know, it's part of the music industry.
Speaker 1 (01:04):
I think it is.
Speaker 3 (01:05):
And I think another side to this is that these
artists do look out for themselves on how they're portrayed.
Online and what people are saying about them, and I
feel like I don't blame them. There's a lot of
channels or articles that will try to defame the character.
Speaker 1 (01:19):
I think it happened to Yarita, which is super important.
It happened to her. It happened to her. It's super unfortunate.
Speaker 3 (01:26):
But at the end of the day, like people are
gonna do whatever they want to do to get content
and like clip up shit.
Speaker 1 (01:35):
But that wasn't the case. Their team was very, very
safe and they're playing playing extra safe. But he will
twist anything from Vessel Pluma. Guys.
Speaker 3 (01:43):
Yeah, but I feel like Veessel Bluma does deserve the
success he's having.
Speaker 1 (01:47):
He's a real cool person. We locked in that' my boy.
Speaker 2 (01:50):
The glaze No, but yeah, guys, that's what publicists are for,
you know, to protect the artists. And a lot of
people are asking why did Bobby's drop first she recorded
after us, and you know, we don't know the real reason,
but I think it's because, you know, Bobby, whatever Bobby
asked didn't need to get reviewed. You know, Bobby wasn't
gonna go and be like hey, beest, So like why
(02:10):
didn't go pet drop? Why didn't drop, you know, she asked, like,
what is corridos? I like that word, so like you
don't have to review that, you know, I feel like
it's safe.
Speaker 3 (02:20):
Yeah, And I think her content is more for fun,
a little less informative, goofy versus us. You know, we
like to be informative and actually talk about what has
happened throughout the artist's career because I think they always
have something cool to say, some interesting fact. But I
think the podcast did went well. What do you guys
(02:40):
think though?
Speaker 1 (02:41):
I think it was. Yeah.
Speaker 4 (02:43):
I think that's the reason that it's getting reviewed so much.
You know, some stuff had to get cut off. I
don't know if I'm allowed to say that. We'll cut
that off too, I need to. But we're like, yeah,
it's because people on the internet, people on TikTok always
try to get those clips, you know, try to get
those views, and they're they like to twist the truths.
They like to you know, they say I don't like this,
(03:04):
and they'll write some crazy ass title, you know, like
and then people will be said, I hate Mexicans and
like people believe it, you know, like it's stuff like that.
Speaker 3 (03:11):
Yeah, I feel like people take something out of nothing.
And something that I also wanted to mention is that
Bobby does have a bigger channel.
Speaker 1 (03:19):
She does have more leverage.
Speaker 3 (03:21):
You know, she was able to get Drake Tiger and
all these iconic artists, which I think is gonna do
good for Pessel. But I think eventually, as we grow on,
we'll have more leverage. Our subscriber to account will go on,
and I think we're gonna get more freedom to do
more stuff like that.
Speaker 2 (03:35):
Right, we keep growing. But yeah, guys, we blue. My
team flew was out to Texas. We went to two shows,
and then the day after they flew was out to
Miami for three days through two days.
Speaker 1 (03:43):
I think it was three. So it went from like
a Thursday into Thursday. Yeah, no, no, no, no Tuesday to
Thursday something like that. It was five day's total. Yeah,
we were out for the week. Honestly, it was sick.
Speaker 3 (03:55):
I did not expect that, And I feel like that's
the cool thing about our what we.
Speaker 4 (03:59):
Look, you guys think we were gonna get to record
with him?
Speaker 1 (04:03):
No, cap I thought an hour. We did record for
about an hour. Yeah.
Speaker 2 (04:08):
Look, we were recorded for about fifteen minutes, fifty five
ish minutes fifty four I e Ben.
Speaker 3 (04:19):
Yeah, guys, I feel like it's so crazy how much
how much people are waiting for this podcast. I think
it's a huge moment for us and huge moment for Musicahicana.
It feels good to be one of the first Mexican
American podcasts in the United States to get him correct.
Speaker 1 (04:36):
Yeah correct, And we owe it to you guys. So
I hope you guys enjoy it. I hope that you
guys like the outcome.
Speaker 4 (04:43):
I hope that you guys are satisfied with the questions
and the answers, and hopefully it leaves the door open
for a part two, a second one in the future,
and I think that would be that would be the
goal for me.
Speaker 2 (04:53):
So you guys want to give a hugehout to Bluma's
team and Pestle for everything they differ us when we
went to Texas.
Speaker 1 (04:59):
In Miami, it does very well. You guys were amazing
things for opportunity.
Speaker 2 (05:02):
And then also I remember the day that we show
with Pessel Pluma, he invited us to his music video
Los Cuadros. You know that she already drops, so you
can see how far back we recorded it and the
song finally dropped, and then Tito announces his album in Comoo,
and we also.
Speaker 3 (05:17):
Did get the opportunity to record with because you know,
lack of time. I feel like that was more on
our end, but it will happen.
Speaker 1 (05:25):
Because we're running around everywhere. So yeah, we were getting content.
Speaker 3 (05:28):
They've been in there for the vlog as well, which
is in for review. Like we said, everything gets reviewed,
and you know, these circumstances was finally dropped.
Speaker 4 (05:40):
I think that's gonna beg the album of the year
even and the dog agrees with me.
Speaker 2 (05:44):
So in Como Tho it has twenty one songs out,
So this part gas dropped tomorrow.
Speaker 1 (05:48):
I think the album drops the day after two days.
Speaker 2 (05:51):
Yeah, it was coming out of twenty fifth I don't know,
but oh yeah, twenty one songs features like Junior.
Speaker 1 (06:02):
I was shocked one down there. Yeah, Gino podcast and
I meant the school.
Speaker 4 (06:08):
I think they were able to figure something off, you know,
because I feel like they're both writers at heart first
and foremost.
Speaker 2 (06:14):
I meant that we had him on the podcast and
he wrote maybe look yeah That'ssaia stream up.
Speaker 4 (06:23):
Yeah, and honestly he has good songs like like that
he sings on his own you know.
Speaker 1 (06:27):
Yeah he does. That's the song that goes.
Speaker 3 (06:35):
Anyway, guys, go check out his music isshes Fire, but
it's kind of crazy. I was checking the the credits
Ofmenta has a lot of writing credit, Yeah, which is impressive.
So does Diego Milan.
Speaker 1 (06:47):
Yeah. I saw TikTok that because they said to be
at my and like they're reading some steak and yeah,
those those are those are the big dogs. Six months later, yeah.
Speaker 3 (06:56):
But you know, kind of going back to Tito, what
do you guys think about his career and how it
has escalated.
Speaker 4 (07:02):
I think he must be living like a fairy tale.
I think this is what every artist wish what happened
to him, because what he happed one to start him
a year ago. Mm hmm damn. But also I think
that like at first Beesel Blumer would be like oh yeah,
like he wouldn't have mentioned him too much, and then
like once Tito started doing his own interviews and he
was like, well, you know, I wrote, you know, I wrote,
(07:23):
I mean hey, then you know, like, yeah, that's what
I think. That's what I feel.
Speaker 3 (07:28):
No, definitely, especially I think since their cousins, I think
it's important that they have a good relationship. I think
at the beginning of their career they bounced off each other.
Speaker 1 (07:37):
You know.
Speaker 3 (07:38):
Mentioned Bessel did mention in the podcast that you know,
him and Tito would sit down and write these songs
that are ultra hits now, so for him to come
as a writer.
Speaker 1 (07:49):
Oh and they would write it about themselves too.
Speaker 2 (07:51):
Oh yeah, I see how it was like valenc and
then Bestl had a like Louis Vuitton and then he's like, Yando,
Yeah that was about them.
Speaker 1 (08:01):
That was sick. Yeah.
Speaker 3 (08:02):
So, but props to like Tito, because I feel like
to come from a writer to an artist is a
big step because you know, you're kind of behind the
scenes as a writer and now you're like at the forefront,
you know.
Speaker 4 (08:13):
Yeah, I feel like he didn't come from writer. I
think it was just like kind of out of necessity.
I think that Bestl just like started to blow up
and he needed help, and then his cousin was like,
let's try, and there they go.
Speaker 2 (08:23):
And then I feel like when Tito first started, a
lot of people compare them to Louis Eric Condriquez. Do
you guys think right now like you already surpass Damn,
I don't know.
Speaker 1 (08:35):
We have to look at the numbers.
Speaker 3 (08:36):
I think Luisre has a lot of iconic corridos, and
I think he holds that throne of los corrieos goes.
Speaker 1 (08:45):
I think so. I think so.
Speaker 4 (08:46):
But I also think I remember when Bestil started to
blow up, the Luisa would be around Tito a lot.
I remember that he had a crypto or Ontario, either
one of those reading the picture of him with his
uh there you go, there you go like like like
(09:07):
back then, you know, And I remember that he didn't.
Speaker 1 (09:10):
I don't remember if he went up on stage with him.
Speaker 4 (09:11):
I think he was just like, you know, it took
him a round with him, and then after party was
at Malecon. You remember there's a few tiktoks like where
he looks so nervous, like he looks so shy like.
But it might have been like the first or second
time he ever grabbed the microphone in front of people.
Speaker 1 (09:25):
Yeah, so I.
Speaker 4 (09:26):
Think that was really smart of to go with him,
you know, to bring him on board. I'm pretty sure
they helped them write a lot of songs. And also
I think that like a Machell Pico, the mannerism, you know,
that's what people talk a lot about you know, like
the head movement, like the hand thing, like didn't do
that before Tito.
Speaker 3 (09:42):
Yeah, And I feel like something that I noticed about
Tito is that not only is he good at making music,
but he's good at making content, Like you see a
lot of me about him, like he was like the
last time, Like I feel like that's genius. Yeah, Like
it happens a lot with Nata. You know, there's other
artists out there that you've seen no content about them,
(10:03):
for example Junior Age, but you know, he still managed
to be a big artist.
Speaker 1 (10:06):
So I think that's just a plus. You don't even
see that from Pesto himself.
Speaker 2 (10:10):
Yeah, I feel like back then, but not anymore. What
are the artists that are best at making content? We
know Jops Okay, Tito obviously Jop, But I think I
think in the aspect, Tito is like the king of it.
Speaker 1 (10:24):
I think.
Speaker 4 (10:24):
And also that we've got a chance to talk to
him and meet him, like he's like that, Like it's
not like he flips the switch. I feel like some
of us sometimes, you know, flip the switch for the camera,
but I don't know, let the.
Speaker 1 (10:33):
People know what he told you over there?
Speaker 4 (10:34):
And oh yeah, so I was like, hey, no, I
saw him and I was like hey, like and I
told him, oh, there, I told him, let's make a TikTok.
And I was like and I was like, hey, you
give me dollar or something like that, like I'll give
you the dollar, you know, Like I wasn't trying to
get like a dollar out of him either, and he's like,
(10:57):
He's like, no, no, not doubt that.
Speaker 1 (10:59):
So Pourque.
Speaker 2 (11:02):
That was like since he was young, he was always
called the yeah, And I was like like why, like,
and I feel like normal person wouldn't say that, you know,
but I think just he has that charisma and I
think more than ever.
Speaker 1 (11:14):
You have to be like a well randed guy to
make it. Oh. You know.
Speaker 2 (11:17):
Also, you know how Los Guadalos is his song. But Kane,
I didn't even know Champ just dropped it before him. Yeah,
I didn't even know that was like a cardinal sin
until you guys told.
Speaker 1 (11:27):
Me fucking nerd Cardinals Sin.
Speaker 4 (11:31):
Okay, y'all, y'all know what I'm talking about. No, but
you guys said it was like the worst thing ever.
Speaker 1 (11:35):
What was the worst thing ever?
Speaker 4 (11:36):
That he dropped the Kane dropped it before Tito it's
because explain that to me.
Speaker 1 (11:41):
Explain that to us.
Speaker 3 (11:42):
I think the situation there, okay, let me Okay, what situation.
Speaker 2 (11:46):
They took down Caine's version of the song Loquadals, Okay,
and I said, I understand, Like, I understand why that
happened because the song wasn't released.
Speaker 3 (11:56):
Yeah, And I feel like that's where there's an issue
when you when an artist. For example, Tito, he took
out a preview and Kane decides to make a studio
version and put in on Apple Music on the song
that's not a release.
Speaker 1 (12:10):
Yet I think that's bad.
Speaker 3 (12:12):
That looks bad in my opinion, you know, because it's
not your song.
Speaker 1 (12:16):
Let's just say.
Speaker 3 (12:17):
You you previewed some something and then some other guy
knew who's gonna blow up and he went to go
do it, and you look at him like what the fuck?
Like he stole my idea stump on his neck exactly.
So I feel like that's what's wrong about the situation.
Speaker 1 (12:35):
Hey, I understand why didn't have it to looks fire? Bro,
just a nice guy.
Speaker 2 (12:42):
But okay, agree with me though, Yeah, I mean you
just have to put yourself in Tito's shoes to like understand.
Speaker 1 (12:49):
Yeah, but did you guys know that that was the
case when he came on the podcast. Yeah, I feel
like I feel like that just i't know. I didn't
know what was going on.
Speaker 2 (12:58):
It didn't click so there, but it's announce it. That's
when I was like, oh, show you know what?
Speaker 4 (13:03):
Like but okay, I know the song wasn't now, but
I didn't it across my mind that it was going
to be bad. But I was like, oh, like this
ship works so good for him. Yeah, I take it
out too. Your version is sick though King's versions.
Speaker 1 (13:13):
A lot of people like Kane's version damn.
Speaker 4 (13:15):
But I can also because that's what I was gonna say,
because like people got to hear Kane's version first, like
you know, in its entirety.
Speaker 1 (13:23):
People get accustomed to that.
Speaker 4 (13:25):
People like that one, and then Tito comes out with
his original vision for the song and they're like no,
I see no, Ed, Like what the fuck you mean?
Speaker 1 (13:32):
Like I made this out of my brain, Like how
can you tell me that's not the right way you
get me?
Speaker 4 (13:36):
So I think I think that's Yeah.
Speaker 2 (13:40):
I was checking on Spotify and that song wasn't there,
so I chexted Kane.
Speaker 1 (13:46):
I was like, hey, did.
Speaker 2 (13:46):
They also, Hey, I'm trying to get back onto this ship, brokay,
they texted, I'm trying to silence that ships annoying as fuck.
Speaker 1 (13:55):
No more, no more. We're done being silenced, guys.
Speaker 3 (13:58):
I doubt I think trust like zero zero filter. I
feel like back then we were a little bit more savage.
We wouldn't care because like we've got to like we
were we were coming up, Remember how you would say,
like the thing about chickies, said them pretty out of pocket.
Speaker 2 (14:15):
But like I feel like we got like too too
much like in the industry, like don't.
Speaker 4 (14:19):
Know, damn, I think we need to stop being we
need to stop being friends with these artists. No, yeah, yeah,
because then I'm like, oh damn, what if I say
this about best like when we thought us to show.
Speaker 2 (14:30):
I remember the beginning, I was like, hey, like let's
not get too like friendly with with everyone, you know,
because that was.
Speaker 1 (14:38):
Label is the best fastest growing label. But that's true,
that's true, that's true, that's true. Right yeah, No, No,
we're just talking about like.
Speaker 4 (14:46):
Just like the main thing is that like you you
like they're your boys, you know, like because they're not
my boys either.
Speaker 1 (14:53):
Because we go to like there's there's that relationship.
Speaker 3 (14:56):
Okay, we go to events where we have to capture
content or we want want to capture content for you guys,
and then we know we're going to run into them,
you know.
Speaker 1 (15:05):
But at the end of the.
Speaker 3 (15:06):
Day, I feel like we need to look at this
as a business because it is a business, and then
our content is our business, our priority. So I think
we need to step back away from like people's feelings.
Speaker 1 (15:16):
You know what would you guys say, no, way it is.
Speaker 2 (15:19):
I feel like we just get like two we needed
this is ourselves bad?
Speaker 1 (15:24):
Yeah, because I mean you knew this is the beginning.
Speaker 2 (15:25):
Because remember I used to be like, hey, like, let's
not like like friendly, yeah, whatever artist it is, and
they're like pull up like that.
Speaker 1 (15:36):
It's hard to say no. You know, any normal person
would be like a little.
Speaker 3 (15:40):
Bit and another like it feels cool, you know, the
fact that they they know you exist.
Speaker 1 (15:44):
Yeah, like they respect your content too.
Speaker 3 (15:46):
But I feel like we need to take it back
to the ruts and realize we're here because of the
work that we did like a few years ago.
Speaker 4 (15:54):
You know, we got to go back to a Bessels
tickets are about to go and seale let's go on
ticket Master. What's the best ticket we could get for
two hundred and thirty dollars. I think that's what it was,
not two hundred and forty. I think we paid when
we want to go see him at Ontario and now
I have my boy, can you send me a tickets Champ?
Speaker 1 (16:12):
Thanks?
Speaker 4 (16:14):
Where's that I need credentials to is it? Is it
open bar and catering or not? Or you middle fu.
We're not like that. We're not like that, okay, but
I'm just exaggerating.
Speaker 2 (16:27):
Most of the time we get invited you no, see no,
and then most of the time we get hired. That's
one thing people don't understand because yeah, because people like
the on TikTok groupies and sh like that was like, motherfucker, like,
we're getting paid to be here, you know.
Speaker 1 (16:40):
Yeah. I feel like a lot of people don't understand that.
Speaker 3 (16:42):
And it's not like we're gonna go like and also
to make a highlight, we're to be.
Speaker 1 (16:46):
Here about everything. Everyone.
Speaker 2 (16:48):
Yeah, I think everyone tells us. So I think we're
going to be more vocal, like being more shupped up.
Speaker 1 (16:52):
Like if you yeah, come on, is that to fucking
get in the commentsen like you.
Speaker 2 (16:57):
Know True's that recently opposted a video of when a
pestles gonna drop his episode or something like that, And
I was replying to people in the comments like it
felt good, but then.
Speaker 1 (17:07):
I took that shit down.
Speaker 3 (17:10):
But anyway, guys, we get invited to these places because
you guys, and we get the content for you guys.
Speaker 1 (17:15):
At the end of the day, it's a job.
Speaker 3 (17:17):
It's a business because you guys managed to support us
enough where we could keep doing this.
Speaker 4 (17:23):
Yeah, yeah, yeah, And I think just to make that point,
you know, like sometimes special texts like oh, you know,
like I just finished watching the podcast you get me,
So it's like that level of.
Speaker 1 (17:33):
I don't know, you know, like they know what's going
on too. Yeah.
Speaker 2 (17:36):
Well then also took I want to clarify, like the
whole j Opie skits and stuff like that, like they
like it. You know that We've talked about it. So
it's not like he's getting mad. Like he literally likes
comment videos and comments on it, and he every time
we tag him like he sees it like he likes
that ship puts life and faces or whatever it is,
or even even like so when we do stuff it's
for content and like they know it's obviously helping them too,
(17:57):
so it's not like we're actually like it's get a
goop on or like because they're literally like a call away,
like you.
Speaker 3 (18:03):
Know, yeah, I mean that's cool, and I think like
when we meet these artists, like that's literally the topic
that we talk about. Bro, the skids are funny, and
they will just be like, oh yeah, the people are
living it.
Speaker 1 (18:14):
That's literally the first thing JP told Angel. He's like
twin Yeah, I think it's pretty cool. Yeah.
Speaker 4 (18:20):
I know a lot of people make it seem like
we're like dying to get him on and stuff like that,
but I think it's just building up the hype, you know,
like I we don't know if we allowed to say this,
but like have we like we haven't really like formally
tried to set up a date mm hmm.
Speaker 1 (18:34):
Yeah. And then we did play soccer with him, which obviously.
Speaker 4 (18:38):
Yeah, I feel like that was such a big moment.
I didn't even realize how big that was gonna get me.
I thought it was like another light day and ship.
I didn't realize how big that was going to be.
Speaker 1 (18:46):
We literally went to in and out after just looking forgoten.
Speaker 4 (18:49):
No, no, no, like literally want to go play with him, Like,
oh fucking yeah I did. We got in the car,
went to it and now that went home. Like I
don't even think we talked about it after we did it,
like it whatever. Yeah, because I don't think we were
like on our content game like that back then.
Speaker 1 (19:04):
I feel we're a little by little getting back.
Speaker 4 (19:06):
Yeah, we're getting more into I feel like we're never
really that into it though, you know. I feel like
looking back, there's been some moments I was like, like
we could have made a highlight out of that chap,
like we never thought about it like this.
Speaker 3 (19:17):
Yeah, And I feel like with the content, timing is
like the most important thing with making content. Yeah, you
really gotta time your highlights in your edits.
Speaker 1 (19:28):
Okay, so before you before you move on, yes, what
are you gonna say?
Speaker 2 (19:31):
No, no, I was gonna wrap it up. No, No, we
haven't wrapped it up. Yes or no, it's way it
is is better.
Speaker 1 (19:37):
Than better than at the moment, I think. So, yeah,
you you said kind of know huh.
Speaker 2 (19:45):
I think whatever you said I did before, like obviously
kind of that's the thing that I'm talking about right now,
Like as.
Speaker 1 (19:51):
In the moment right now, I think in terms.
Speaker 3 (19:54):
Of your heart, well, I'm gonna say, I'm gonna talk
about it.
Speaker 1 (19:59):
I think it turns up oblicity. Uh, Tito's winning.
Speaker 3 (20:02):
But one of the hardest things to do right here
in the United States and Lexico is selling tickets. And
I think Luis Ara still does that better.
Speaker 1 (20:10):
Way better.
Speaker 4 (20:11):
No, Tito can't sell an arena, yeah, I mean could
do that three times a week.
Speaker 1 (20:17):
Yep. So I think still king. I think is still king.
Speaker 2 (20:21):
But there's a balance and we see that a lot too,
like leg you say, Mark pet like they don't do
that good in streams, but they can sell arenas.
Speaker 1 (20:28):
And then back then, what do you mean back then? Yeah,
they can't sell arena.
Speaker 2 (20:34):
Oh like let's say theaters or whatever it is, you know,
Oh yeah, I still have shows.
Speaker 4 (20:39):
Say it right, it's not in arena.
Speaker 1 (20:43):
Pet could do tours. They can go on tour every year.
Speaker 2 (20:45):
But like I think I checked the streams yesterday and
it was like five million a month. But let's go,
let's go to like Vega, he's like a fifteen million,
like three times, but he can't have a show.
Speaker 1 (20:55):
You know, you're here here in the but I think.
Speaker 2 (21:01):
I won't get bro like, I think we should just
talk about all that ship.
Speaker 1 (21:05):
It will be funny.
Speaker 4 (21:06):
Hopefully that wasn't rude. But you guys know what I meant,
Like you actually can't come. But I think I think
he could sell like just for for like because everybody
wants to see him, you know, at least for the
first time.
Speaker 1 (21:18):
But then after that. I don't know. No, it's hard
at least on the big markets, like they can't sell
like a Milwaukee. I don't but I don't think. I
don't think.
Speaker 4 (21:28):
He was was having a thing but like okay, but
Peter like bro like, you're not like easy, like like
having fifteen thousand people.
Speaker 1 (21:36):
It's a really like on the like I like his music.
Speaker 4 (21:39):
I like plus it's because it's a thing, like he's
just he's like really, I think it just stands out.
Speaker 3 (21:44):
His flow is what makes him stand up. His flow,
this flow, it's cadence. There you go, says So. Cadence
is like the way you sing the song, like the
melody that you sing it in. Dude, also too, I
wanted to mention there's a song you know get its
no like I feel like I don't know if this
is like Mexican.
Speaker 1 (22:04):
Like cold so mothery do you guys ever listen to songs?
And then you guys are like scared? Turn alread left
already it fell in there? No, I turn on the fire.
Speaker 2 (22:21):
I was back to what I was saying, so like,
do you guys ever listen to songs from like artists
are from Mexico And you're like, what does this mean?
Speaker 1 (22:29):
Like am I really? Yeah? Like the like when when
was laying? Yeah, when I was, I mean like, is
that hold for some shore Like I don't know. Do
you think they actually like hot beer? Because that's girls
that's interesting. Does that mean like no matter what it means,
you're addicted? No, like I wish my I was. He
(22:54):
said that.
Speaker 3 (22:54):
No, it's because, for example, I'm trying to find out
even if we were no, no no, for example, even
if we were from Mexico. I mean we're from Mexico.
But there's certain things that are said in regions. There's
things that are said in certain regions, like the people
in are not going to talk the same as people
from each wakan so I feel like.
Speaker 1 (23:15):
It that's like right next to each other, but they
still have different slaying No, but sala is a state
Kanza City. Okay, everybody.
Speaker 3 (23:36):
You see nasty, that's you want to get drunk. Guys,
let us know in the comments what does.
Speaker 1 (23:44):
Know? But I feel like that's that's light work.
Speaker 4 (23:46):
I think the ones that get crazy is like those
Mexican like technoligy songs and like like those little TikTok songs,
which ones like Kevin.
Speaker 1 (23:58):
No no no yeah. But like also like the other
people that.
Speaker 3 (24:00):
Like I don't really know who they are or like
like thenny flow type vibe.
Speaker 1 (24:07):
Yeah, something like that. The other guy was like and
I was like, like, what is going on here? Like
those type of songs, like not something that I think
we were talking about. The slang huh, the sling. Yeah.
Maybe it's just like I'm just trying to figure out
who likes hot beer. Who likes hot beer coming down
(24:28):
to you?
Speaker 3 (24:28):
Like how you.
Speaker 1 (24:29):
Corona like you're hearing the sun and you just drink it.
Oh yeah.
Speaker 4 (24:33):
I like really wish I got to see Natona and
like ask him that that'd be cool.
Speaker 1 (24:36):
And I fucked up about how I.
Speaker 2 (24:38):
Feel like you see the guy like very genuine, very cajol,
ask Kevin imfit for a video and he's yeah, he's
whatever with the song and Madonna, how does song go?
Speaker 1 (24:50):
And I even told him like, hey, let's do.
Speaker 4 (24:51):
The TikTok like I learned it and everything, Like I
waited forty five minutes to like talk to them, like
I learned the song and everything I learned.
Speaker 1 (24:58):
But what was the takeaway from that moment? Though? I
gotta get bigger.
Speaker 3 (25:03):
To the people because they need to know there's still
more to chase, you know, there's more to Yeah.
Speaker 4 (25:07):
No, definitely, the more the more numbers we have, the
more we're gonna get to like put our own things
because like you know, there's some podcasts that we do
where we don't have a worder or saying anything.
Speaker 2 (25:17):
When it when it comes to like this, like you
could tell how people only care about numbers, like oh.
Speaker 1 (25:22):
God, that's real, like the way you're dressed, Like they'll
treat you.
Speaker 2 (25:26):
Better wherever you are if you and then it starts
with you have a big change or no big changes,
no change the words.
Speaker 1 (25:34):
That's just the reality of the world in any part. Yeah, yeah,
he's not just here. It's not just here, you know,
But man, is it mere? They the music is louder.
I'm gonna call the cops.
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