Episode Transcript
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Speaker 1 (00:00):
A background back.
Speaker 2 (00:01):
Yeah, you never did that.
Speaker 1 (00:03):
Nothing comes to mind.
Speaker 2 (00:04):
I did it once a year ago.
Speaker 1 (00:06):
Were you really? What were you in?
Speaker 3 (00:07):
Well?
Speaker 4 (00:08):
I was supposed to be but ended up on the
cutting room floor of Deep Impact, the with Taloni.
Speaker 1 (00:14):
Wasn't that the big killer wave?
Speaker 2 (00:17):
Yeah?
Speaker 1 (00:18):
I have that right right. Yeah, it was a big
like tsunami wave. If we weren't in it miserable? Why
was it miserable?
Speaker 2 (00:25):
It was about one.
Speaker 4 (00:26):
Hundred and two and we were outside and the scene
that I was in we had to keep running in
and out of a parking garage in Roslin, and I
was carrying like a very large cat carrier, right, like
a carrier, and we just had to look panicked, but
don't make any don't have any conversations, no, and just run.
Speaker 2 (00:48):
In and out of a parking garage. I ended up leaving.
Speaker 1 (00:50):
I was like screwing this.
Speaker 2 (00:51):
I was like, I don't need fifty bucks of this bag. Yeah?
Were you also because you had been type cast? He's
a cat lady line seven?
Speaker 1 (01:03):
Hi Ellie at the morning.
Speaker 3 (01:08):
Hello, Hello is this man?
Speaker 5 (01:11):
Yeah?
Speaker 4 (01:11):
Hi?
Speaker 1 (01:11):
Who's this?
Speaker 2 (01:12):
Hey?
Speaker 6 (01:13):
My name is Julia.
Speaker 1 (01:14):
Hey Julia? Were you Were you a background actor?
Speaker 7 (01:18):
Yeah?
Speaker 6 (01:18):
So I was an extra in a Will Ferrell movie
called Semi Prod. This was like two thousand five.
Speaker 1 (01:26):
Dude, that's awesome.
Speaker 6 (01:30):
Yeah, it was pretty fun.
Speaker 1 (01:32):
Now what did you Was it fun or did it suck?
Speaker 5 (01:35):
Well?
Speaker 6 (01:37):
I mean it's fun for the first maybe hour, because
you know, you get to see Will Ferrell and all
the actors. But it was like a whole day and
all we did we were in this it was a
basketball game obviously, and basically all we did was like
we had to stand up and cheer and then sit
back down again for like hours, I don't know, yeah hours.
Speaker 1 (01:57):
Yeah.
Speaker 8 (01:58):
Oh wait, so you so you were like bleachers for
the whole like for.
Speaker 1 (02:03):
Oh, I could tell you this.
Speaker 8 (02:06):
Bleachers hurt the tushy. That is not a comfortable seat.
Speaker 6 (02:13):
Yeah, it gets it gets old. I mean it's exciting.
And I was like, you know, I don't know, I
was like nineteen, you know, in LA So it was
it was a cool experience, but yeah it gets old.
Speaker 1 (02:25):
What number were you.
Speaker 3 (02:29):
Number?
Speaker 1 (02:30):
What number were you.
Speaker 8 (02:33):
For?
Speaker 1 (02:33):
What as the background?
Speaker 6 (02:38):
Oh I don't know.
Speaker 1 (02:40):
Oh don't I look stupid? All right? Very good, very good,
Thank you man, thank you, thank you.
Speaker 2 (02:46):
What does that mean?
Speaker 8 (02:48):
I was reading the thirteen rules of being a background actor.
Oh yes, and she's right, be patient because you're probably
gonna be waiting around for a long time.
Speaker 2 (02:59):
Does it so you can leave if you want?
Speaker 1 (03:00):
No, no, no, no no.
Speaker 2 (03:03):
Now we were told if you leave, don't come back.
Speaker 8 (03:04):
I'm like, yeah, this person said for the for Quantico's
pilot episode, I spent most of a Sunday in a
church where I listened to the entire first season of Cereal,
just sitting in there waiting.
Speaker 1 (03:22):
No.
Speaker 8 (03:22):
But it says, when you check in, you're assigned a number,
it's impersonal, but it's nothing personal. This numerical system maintains
order in a stressful, time sensitive situation. So it's not
like you check in and they go, oh, okay, well
remember Diane when you're running. Make sure they're like, no,
fourteen and then they'll tell you whatever it is.
Speaker 2 (03:44):
I feel like the number thing would would actually like
you said, it is impersonal, but if you're assigned a number,
you feel like one step above those that aren't given numbers.
Speaker 1 (03:56):
Well, not only.
Speaker 8 (03:56):
Yeah, yes, but it also like what if what if
you don't know? Like if let's say, let's say Diane
wasn't given a number, is it stupid?
Speaker 1 (04:06):
Is it stupor like I avoid all that?
Speaker 2 (04:09):
You know?
Speaker 8 (04:09):
Thirteen go go and that's it?
Speaker 1 (04:14):
Did you teen? Did you talk?
Speaker 2 (04:16):
Thirteen?
Speaker 4 (04:18):
Thirteen fourteen?
Speaker 1 (04:25):
Line one?
Speaker 8 (04:26):
Hi Ellie in the morning?
Speaker 1 (04:30):
Yeah, yeah, Hi, who's this? Hey? What's going on?
Speaker 5 (04:34):
Dude?
Speaker 3 (04:37):
Look? Man?
Speaker 7 (04:38):
So I was in lane of forty nine. They were
filming a ball in the city. I was doing demolition
on the belly right back to it. We went out
from break, me and my brother and we started walking
back down the street and go, uh you go back
to work, and uh, there's a bunch of people looking up.
We walked over to five that was going on and
we got pushed into the crowd. We were told look
(05:00):
up and I like you act like something's happening, and
they were a hang camera hanging off the building, and uh,
so we did it, and uh they stopped us and
said we both had white shirt. So when they stopped
us and said, hey, you guys gotta split up your
big white blob in the film.
Speaker 8 (05:23):
That's pretty good. Hey, were you ever able to go
back and see yourself?
Speaker 7 (05:28):
Well, they they actually said they got our names and
everything afterwards, and he actually sent me a check for like,
uh like something like like thirty seven cents or something
like that, a timeline of the movie where I could
possibly see myself, but we never could. Really, you had
to zoom in, you had to stop it and zoom
in and and and really try to see who you are.
(05:51):
It's really can't You can't tell who who you are,
just a bunch of bunch of people in the crowd.
Speaker 1 (05:56):
Gotcha, gotcha. Hey, I appreciate them.
Speaker 8 (05:58):
I appreciate the phone call. Thank you, thank you, sir.
Going back to sitting around. One of the other rules
for being a background actor, don't make after work plans.
Speaker 2 (06:06):
Because it just takes their whole day.
Speaker 8 (06:08):
Yeah, you never know when your day's gonna end. Generally,
days run about twelve hours. Procedurals tend to have shorter days.
The more artsy the production. With healthy budgets, you can
end up with some very epic long days. Like somebody
that they talked to was a background actor on What's
(06:30):
the Incredible Missus Mazel or something.
Speaker 2 (06:33):
Like that Marvelous Missus Mazel.
Speaker 8 (06:34):
Same thing they said that that went on forever, So
like if they were filming an episode, like you just
you literally just sit there and wait and wait and
wait and wait, is the.
Speaker 2 (06:49):
Pay pretty standard? Or if you're in the union, do
you get more? Like how does that work?
Speaker 1 (06:55):
I don't know.
Speaker 8 (06:56):
I don't know about that. The only the only thing
that that address addresses. Hey, hold on, it's in here.
Here it is. When the camera rolls, don't speak. You're
not being paid to. Any conversation is pantomime. If you're
muttering something as part of a crowd, that's considered omni
(07:18):
and it will not earn you day player status and
a pay upgrade. Now, if you are selected to say something,
you get a raise, like you're elevated. Like now you're
oh I have a speaking part. Yes, now I'm a
background with a speaking part.
Speaker 2 (07:36):
Al toyto right here we go? All are true?
Speaker 1 (07:40):
Oh, all right, very good.
Speaker 2 (07:41):
So so far he's happy with what you've said.
Speaker 1 (07:43):
Does altyto know whether this is true?
Speaker 8 (07:47):
Never ever, there's a rule number one, speak to a
principal actor.
Speaker 1 (08:00):
We'll wait for him to comment unless they address you first.
Speaker 8 (08:04):
As far as talking to a fellow background actor, that's okay,
except when the cameras rolling, then you pantomime.
Speaker 2 (08:13):
So no more peace and carrots.
Speaker 8 (08:15):
The I mean maybe if you're muttering, but that's that's pantomime.
If you're oh, I'm sorry, that's omny, that's omni, that's omni.
Speaker 2 (08:23):
You've just heard these terms for the first I guess.
Speaker 8 (08:25):
And don't even remember what they are. Yes, that's omni.
So like if I were, if I were like Diana
and I right, like we're thirteen and sixty nine.
Speaker 1 (08:33):
Yeah, yeah, buddy here and when they say, Diane, we
have to we have to omni?
Speaker 8 (08:41):
Right, really, piece and carrots a piece and carts piece
and carrots, peace and carrots.
Speaker 1 (08:47):
And why aren't you why aren't you omny?
Speaker 2 (08:49):
Piece and absolutely don't know any conversations to the people
talk at the same time.
Speaker 4 (08:55):
Yeah, that would back and forth the like you talk.
And then when you stopped talking, then I'd say peas
and carrots, peas and carrots, peas, peas and carrots, peas, carrots.
Speaker 1 (09:05):
Okay, first of all, why do you keep getting louder.
Speaker 2 (09:08):
Because you don't if you're having a conversation.
Speaker 1 (09:10):
Oh my god, you're not. You're not being taped.
Speaker 2 (09:13):
I'm acting.
Speaker 4 (09:15):
And when you're having a conversation with someone, it's not
the same phrase uttered thousands of times.
Speaker 1 (09:21):
You know they're not picking you up with a mic.
Speaker 2 (09:23):
I'm trying to look natural.
Speaker 1 (09:30):
That would be me.
Speaker 8 (09:31):
I would never stop peas and carrotsing Dian never got
to say anything peas and carrots, peas and carrots, peas
and carrot, peas and carrots.
Speaker 1 (09:41):
Yeah, and I interrupt. You would be so obvious.
Speaker 2 (09:50):
Lower budget production, it would be so obvious that you
just kept saying peas and carrots in the background. You
You wouldn't be able because I answer you. You have to
mix it up a little bit.
Speaker 1 (10:00):
What are you gonna say?
Speaker 2 (10:01):
Oh, you still can say peace and carrots. But just
showed you the exact Yeah, but what.
Speaker 1 (10:06):
Like peas and carrots? Correct, But but nobody.
Speaker 2 (10:14):
Had said cute and carrots, and well no it goes
peas and carrots.
Speaker 5 (10:24):
Cut.
Speaker 1 (10:26):
They are on.
Speaker 2 (10:30):
Alt writes your number will be used a lot for
makeup and wardrobe.
Speaker 1 (10:35):
Oh no, that's a good that. Thank you, Thank you,
thank you?
Speaker 8 (10:39):
Has Altido actually thought of this? Oh, don't take restrooms
for granted? What mean you can't use them when you're
on location? Relieving oneself can be a chore.
Speaker 2 (10:50):
Oh they don't find any one?
Speaker 8 (10:52):
Yes, almost always. Some productions have honey wagons. But sometimes
you you just have to make it work. Somebody did
a was a background on True Detective and they were
in like what were supposed to be like subway cars,
and some people were peeing in between the subway cars.
Speaker 1 (11:12):
Yeah.
Speaker 8 (11:14):
Yeah, so some productions will give you a honeywagon.
Speaker 1 (11:18):
But other than that, I mean, don't take it for granted.
Speaker 2 (11:21):
I don't know what that is. Say again, I've never
heard that term before.
Speaker 4 (11:23):
Is that just like a like a fancy porta potty
where it's like sometimes like you'll see it at like
festivals and weddings, where it's actually like almost like a
mini trailer bathroom.
Speaker 1 (11:34):
Can we go back to Cereal?
Speaker 2 (11:37):
Oh, Dane is right. I've never heard it referred to
as such.
Speaker 1 (11:40):
Oh. I just was trying to avoid because I don't know.
I have no idea what it is.
Speaker 8 (11:44):
A honey wagon is. Oh so yeah, it's like when
they bring in a flatbed. Yeah, oh that's the honey wagon.
Oh excuse me, I need the honey wagon.
Speaker 2 (11:53):
You're asking what Altoyita said. Oh, yes, said he said, yes,
don't talk to me unless I talk to you. But
then he said numbers, uh for for makeup and wardrobe especially.
Speaker 1 (12:05):
Oh that's right.
Speaker 8 (12:06):
Oh, by the way, but go back to Cereal for
a second. Remember Diane listened to the entire season of Cereal.
Speaker 1 (12:13):
Nap at your own peril, Yeah, because.
Speaker 2 (12:16):
You don't want to be napping when they need you.
Speaker 8 (12:18):
If you want to sleep during some of the long
extended downtime, expected to be on the floor in holding.
Holding is where you wait or somewhere else uncomfortable, and
nobody's coming to wake you up.
Speaker 1 (12:33):
If they call.
Speaker 8 (12:34):
Uh, if they call thirteen and thirteen doesn't answer, we
move right on.
Speaker 2 (12:39):
Which is good because al Toyedo can clap completely silent.
Speaker 1 (12:46):
No, So what is that?
Speaker 2 (12:50):
What does it look like sign language? What are you doing?
Speaker 1 (12:52):
I'm clapping silently.
Speaker 2 (12:53):
No, it's like you're flapping your like you're going to
I'm clapping, Diane.
Speaker 1 (13:00):
No, that that that's like that's golf clap.
Speaker 2 (13:02):
No, but that's not clapping, realistic.
Speaker 1 (13:05):
But he's silent, Okay, but that's not clapping.
Speaker 8 (13:08):
So you're in the middle of you're in the that
Will Ferrell movie and everybody's going nuts, and you're clapping
like you're applauding like.
Speaker 1 (13:15):
A two year old made a sissy in her pants.
Speaker 2 (13:18):
Oh I clapped louder at the band and Chorus concert
on Monday night. What Elliott, you have to touch your
hands together?
Speaker 1 (13:28):
You can't tell them? And what are you doing in there?
I am clapping, Diane, Kristen, that's it. Yeah, Christian's like, oh,
just put the Okay, you're in.
Speaker 2 (13:45):
A soundproof room. All right, sixty nine's done. He's clapping
like an idiot. Somebody call a doctor for sixty nine.
That is clapping. You're having a seizure.
Speaker 1 (13:55):
How do you clap? No, Diane, you're you're golf clapping.
I'm celebrating a great moment.
Speaker 4 (14:02):
We just we we now do it without sound. Y Oh,
are you paying attention to the clapper in the background.
Speaker 2 (14:12):
No, No, I.
Speaker 1 (14:13):
Lost my job for not being able to do.
Speaker 2 (14:15):
It because you look weird. You know it's bad. When
Kristen's mocking it's clapping.
Speaker 1 (14:21):
He said, what is this? That's this?
Speaker 2 (14:26):
Now do the same thing. Stop making a sound. He said,
it is the most useless skill you will learn from
working background, the silent clap.
Speaker 1 (14:38):
I just perfected it.
Speaker 2 (14:40):
Okay, I kicked off the set.
Speaker 1 (14:43):
Oh wardrobe, wardrobe, um oh, it.
Speaker 8 (14:49):
Says some Some productions will style your hair to fit
the time makes sense. SAG members receive a small pay bump.
This Occasionally productions requests more than a haircut. I was
drafted to be a bald spot double for an actor.
(15:12):
I didn't want to get the bald spot, but I
also didn't want to mess things up.
Speaker 1 (15:19):
After casting made some promises, I.
Speaker 9 (15:22):
Reluctantly got the bald spot sixty nine, Can you stop coughing?
I wish so like, oh the actors, No, I'll have
covid al Toto sent a screenshot here of his.
Speaker 2 (15:38):
Role in Turn Washington Spies.
Speaker 1 (15:42):
A great movie.
Speaker 2 (15:44):
Did he have to get a haircut for this or
was he in some way receiving a pay bump because
they had to make them look like these soldiers in
the period in which No, but when he just put
the hat on, So are they wearing wigs? Then does
that not count if it's a wig.
Speaker 1 (16:02):
I don't even see anybody's hair. It just looks like
it's underneath the hat.
Speaker 2 (16:06):
No, you can see it come out the front, but
out of the back. There a lot of them happen.
Speaker 1 (16:10):
Yeah, well maybe they just found people with long hair
line seven. Hi Jellie in the morning.
Speaker 5 (16:17):
Hi there, yes, Hi? Who is this is CJ. Maxwell?
How are you?
Speaker 1 (16:21):
What were you in.
Speaker 5 (16:23):
Guardians of the Galaxy three Black Panther, two Black Black Adam,
and we Own the City on HBO.
Speaker 1 (16:31):
Dude, you've done a ton of acting work.
Speaker 5 (16:34):
Congratulations, Thank you very much, appreciate it.
Speaker 1 (16:38):
Are you are? Like do all of these rules sound right?
Speaker 8 (16:44):
Uh?
Speaker 5 (16:44):
Yeah, so far everything you're staying it's pretty sweat on
in my experience.
Speaker 8 (16:48):
Yeah, there were any of them really bad experiences.
Speaker 5 (16:53):
No, you know, I was pleasantly surprised by every most
of the aspects of it. You know, you always hear
stories for horror stories about you know, A list actors,
but everyone that I've met has been real, real nice,
and you know, just getting to be on some of
those sets was an experience in and of itself.
Speaker 1 (17:10):
Oh, I can imagine, like I think it would be cool.
Speaker 8 (17:13):
Remember, don't talk to any of the A listers, including
al toy Doo, unless they speak to you first. Hey,
maybe you can answer this, and this didn't give an
example or reasoning why, like for example, sleep at your
own like nap at your own risk, and they'll say,
listen some of these downtimes, but if you if you
sleep through it, they're not coming back to you. Like
(17:33):
another one that they say in here, prepare to know nothing.
Just about everything is on a need to know basis,
including sometimes the actual name of the show production.
Speaker 1 (17:46):
They said production.
Speaker 8 (17:47):
Sometimes they use a fake name so that you don't
know which movie you're actually filming.
Speaker 5 (17:53):
That's one hundred percent true. And a lot of times
they give you just the working title.
Speaker 1 (18:00):
Yeah so, but what does this mean? Where so?
Speaker 8 (18:03):
And they said, don't talk to the actors unless they
talk to you, and all that clap silently. It's a
great skill that we have, the oh no, no. But
the other thing that they say is don't talk to
stunt people.
Speaker 5 (18:20):
I mean, I've never found that to be the case.
You know, most stun people that I've run into have been,
you know, again, pretty pretty chill people, you know, and
a lot of the times they're kind of intermixed in
the background stuff anyway, because usually that action is happening
somewhere nearby, so you know, if you've got to coordinate
(18:41):
or whatever. You know, that is less of a hell
worthy sin than talking to a a list actor.
Speaker 1 (18:49):
In my experience, a list you would never even approach.
Speaker 5 (18:54):
Not unless approached first, and that's typically the rule. Typically
it'll either be written somewhere or the some member of
the crew will come out and tell you that. But again,
I've my experience has been a lot of them, you know,
come and talk to you, you know, and a lot
of them are very nice, you know, and in between
takes we'll start off conversations and uh yeah.
Speaker 8 (19:14):
I would to think, so, hey, I appreciate it, thank you,
because you could come across looking like a real dick.
Speaker 2 (19:22):
But both sides could.
Speaker 3 (19:23):
No.
Speaker 8 (19:23):
No, But I mean if they were like, I mean,
we're shooting a scene, right, whatever we're doing.
Speaker 1 (19:28):
I'm the a list actor and you guys are the background. Right.
Speaker 8 (19:32):
Well, if I just walk in to the scene and
everybody's there and I just walk.
Speaker 2 (19:37):
In, isn't that a lot of them?
Speaker 3 (19:41):
Yeah?
Speaker 8 (19:41):
No, you have to come in and go, oh hey, hey, everybody,
what's going on?
Speaker 1 (19:45):
Like we're good, we ready to go. All right, let's nail,
let's let's let's don't ask me the name of the productions.
It's on a need to know.
Speaker 2 (19:55):
Why is the lead trying to clap silently?
Speaker 8 (20:00):
I brought it with me from my days of being
a background has Little Blood Sugar. My friend, my friend
al Toyto and I we both know how to clap silently.
Speaker 2 (20:12):
Now you're now it's not silent.
Speaker 1 (20:14):
Well, now I was standing.
Speaker 2 (20:15):
I was standing like you're trying to fly.
Speaker 1 (20:17):
I got really into it.
Speaker 2 (20:20):
Do it silently, I got really into it.
Speaker 1 (20:22):
Okay, here we go and rolling.
Speaker 4 (20:28):
It can still sounds like your armpit farting it just
for that unnamed weird al video.
Speaker 2 (20:36):
By the way, because you asked altyto grew his hair
for turn, but at times did wear extensions. I worked
on that show for five years, so my hair changed
a bit.
Speaker 1 (20:49):
It took five years to make that show.
Speaker 2 (20:52):
They couldn't get the silent clapping scene. One thing I
tell new background, Oh god, he's so loving this conversation
is to never walk when you can stand. Never stand
when you can sit. It's a long day.
Speaker 1 (21:13):
Wait say that again. Never walk when you can stay.
Speaker 2 (21:18):
Conserve your energy.
Speaker 1 (21:19):
Essentially, never stand when you can sit.
Speaker 2 (21:24):
That's a tip for new background, right, I mean experience background.
We know that.
Speaker 1 (21:28):
Hell Diane listens to entire seasons of Cereal.
Speaker 2 (21:31):
And Elliott's already the A lister.
Speaker 8 (21:33):
Also, be punctual followed directions, and never look.
Speaker 1 (21:38):
At the camera camera unless you're directed to line one.
Hi Elliot in the morning.
Speaker 3 (21:46):
Hey Elliott, it's Jason, your main correspondent.
Speaker 1 (21:48):
How are you well, dude? How are you doing great?
Speaker 3 (21:51):
So I grew up in Lockhart, Texas, which is a
little town outside of Austin, Okay. And for some reason,
they filmed a ton of movies there. I was in
What's Eating Gilbert Grape? I was and waiting for Gusman.
And then there was a movie may have never heard of.
It's called Where the Heart Is. It was Natalie Portman
and Ashley Judd and she had a Natalie Portman was
deserted at the walmart.
Speaker 1 (22:10):
Natalie would never mind.
Speaker 3 (22:14):
Natalie Portman. But anyway, I got My house was near
where they were filming, and they couldn't find a restroom
trailer for one of the weeks, and so Natalie Portman
used the bathroom in our house.
Speaker 1 (22:25):
That's awesome. That's awesome.
Speaker 3 (22:28):
We weren't allowed to be there, we had to go,
but it was a photo with her.
Speaker 1 (22:32):
Fun Were you were you? Were you background? In Gilbert Grape?
Speaker 5 (22:37):
Yes?
Speaker 3 (22:38):
I was wow. And then Waiting for Gusman, which was
when Eugene Levy was not as famous as he is now,
but he was. He and Catherine O'Hara, they were so nice.
They came to our school like they came to a
little pep rally.
Speaker 8 (22:50):
So just waiting for one of those early Christopher Christopher
guest guest. I was gonna say cross, but wait when
you did, when you did, when you did. Gilbert Grape
was like Leonardo DiCaprio.
Speaker 3 (23:04):
There, yep he was. I mean he didn't talk to us,
but you got to see him. But you were not
allowed to use the bathroom. There was who was? There
was another big actor in that too. I forget what
it was. I was younger.
Speaker 2 (23:17):
Was Johnny Depp in that?
Speaker 3 (23:18):
Yes? Johnny Depp? Yeah, he was?
Speaker 1 (23:20):
Who was? Who was? Who was? Who was the big woman?
Speaker 2 (23:23):
Darley?
Speaker 1 (23:23):
And Kate's was that her name is?
Speaker 2 (23:26):
I don't think so.
Speaker 1 (23:26):
She was famous for that movie.
Speaker 3 (23:29):
Wow. The other movie, The Faculty was filmed at my
high school and a little small trivia. The Bush Twins
were extras in it as well. Oh really with Usher
or not Usher? Who was it?
Speaker 2 (23:40):
Oh?
Speaker 1 (23:42):
Boy, this is going to be an all.
Speaker 8 (23:43):
The Tristan faculty, the rapper, the rapper boy, I know
they didn't go to Mapleton High School.
Speaker 2 (23:50):
It was Usher.
Speaker 1 (23:51):
It was Usher.
Speaker 8 (23:51):
Good call, good call you all right, dude, I appreciated.
Speaker 1 (23:55):
Thank you, Yes, Al toy oh.
Speaker 2 (23:57):
He does want to say so that nobody is thrown
off at whereas he agrees with all your commandments, he
does think stunt people can be talked to, although they
occasionally come off as snobbish, and that's coming from Altito.
A background back.
Speaker 2 (00:01):
Yeah, you never did that.
Speaker 1 (00:03):
Nothing comes to mind.
Speaker 2 (00:04):
I did it once a year ago.
Speaker 1 (00:06):
Were you really? What were you in?
Speaker 3 (00:07):
Well?
Speaker 4 (00:08):
I was supposed to be but ended up on the
cutting room floor of Deep Impact, the with Taloni.
Speaker 1 (00:14):
Wasn't that the big killer wave?
Speaker 2 (00:17):
Yeah?
Speaker 1 (00:18):
I have that right right. Yeah, it was a big
like tsunami wave. If we weren't in it miserable? Why
was it miserable?
Speaker 2 (00:25):
It was about one.
Speaker 4 (00:26):
Hundred and two and we were outside and the scene
that I was in we had to keep running in
and out of a parking garage in Roslin, and I
was carrying like a very large cat carrier, right, like
a carrier, and we just had to look panicked, but
don't make any don't have any conversations, no, and just run.
Speaker 2 (00:48):
In and out of a parking garage. I ended up leaving.
Speaker 1 (00:50):
I was like screwing this.
Speaker 2 (00:51):
I was like, I don't need fifty bucks of this bag. Yeah?
Were you also because you had been type cast? He's
a cat lady line seven?
Speaker 1 (01:03):
Hi Ellie at the morning.
Speaker 3 (01:08):
Hello, Hello is this man?
Speaker 5 (01:11):
Yeah?
Speaker 4 (01:11):
Hi?
Speaker 1 (01:11):
Who's this?
Speaker 2 (01:12):
Hey?
Speaker 6 (01:13):
My name is Julia.
Speaker 1 (01:14):
Hey Julia? Were you Were you a background actor?
Speaker 7 (01:18):
Yeah?
Speaker 6 (01:18):
So I was an extra in a Will Ferrell movie
called Semi Prod. This was like two thousand five.
Speaker 1 (01:26):
Dude, that's awesome.
Speaker 6 (01:30):
Yeah, it was pretty fun.
Speaker 1 (01:32):
Now what did you Was it fun or did it suck?
Speaker 5 (01:35):
Well?
Speaker 6 (01:37):
I mean it's fun for the first maybe hour, because
you know, you get to see Will Ferrell and all
the actors. But it was like a whole day and
all we did we were in this it was a
basketball game obviously, and basically all we did was like
we had to stand up and cheer and then sit
back down again for like hours, I don't know, yeah hours.
Speaker 1 (01:57):
Yeah.
Speaker 8 (01:58):
Oh wait, so you so you were like bleachers for
the whole like for.
Speaker 1 (02:03):
Oh, I could tell you this.
Speaker 8 (02:06):
Bleachers hurt the tushy. That is not a comfortable seat.
Speaker 6 (02:13):
Yeah, it gets it gets old. I mean it's exciting.
And I was like, you know, I don't know, I
was like nineteen, you know, in LA So it was
it was a cool experience, but yeah it gets old.
Speaker 1 (02:25):
What number were you.
Speaker 3 (02:29):
Number?
Speaker 1 (02:30):
What number were you.
Speaker 8 (02:33):
For?
Speaker 1 (02:33):
What as the background?
Speaker 6 (02:38):
Oh I don't know.
Speaker 1 (02:40):
Oh don't I look stupid? All right? Very good, very good,
Thank you man, thank you, thank you.
Speaker 2 (02:46):
What does that mean?
Speaker 8 (02:48):
I was reading the thirteen rules of being a background actor.
Oh yes, and she's right, be patient because you're probably
gonna be waiting around for a long time.
Speaker 2 (02:59):
Does it so you can leave if you want?
Speaker 1 (03:00):
No, no, no, no no.
Speaker 2 (03:03):
Now we were told if you leave, don't come back.
Speaker 8 (03:04):
I'm like, yeah, this person said for the for Quantico's
pilot episode, I spent most of a Sunday in a
church where I listened to the entire first season of Cereal,
just sitting in there waiting.
Speaker 1 (03:22):
No.
Speaker 8 (03:22):
But it says, when you check in, you're assigned a number,
it's impersonal, but it's nothing personal. This numerical system maintains
order in a stressful, time sensitive situation. So it's not
like you check in and they go, oh, okay, well
remember Diane when you're running. Make sure they're like, no,
fourteen and then they'll tell you whatever it is.
Speaker 2 (03:44):
I feel like the number thing would would actually like
you said, it is impersonal, but if you're assigned a number,
you feel like one step above those that aren't given numbers.
Speaker 1 (03:56):
Well, not only.
Speaker 8 (03:56):
Yeah, yes, but it also like what if what if
you don't know? Like if let's say, let's say Diane
wasn't given a number, is it stupid?
Speaker 1 (04:06):
Is it stupor like I avoid all that?
Speaker 2 (04:09):
You know?
Speaker 8 (04:09):
Thirteen go go and that's it?
Speaker 1 (04:14):
Did you teen? Did you talk?
Speaker 2 (04:16):
Thirteen?
Speaker 4 (04:18):
Thirteen fourteen?
Speaker 1 (04:25):
Line one?
Speaker 8 (04:26):
Hi Ellie in the morning?
Speaker 1 (04:30):
Yeah, yeah, Hi, who's this? Hey? What's going on?
Speaker 5 (04:34):
Dude?
Speaker 3 (04:37):
Look? Man?
Speaker 7 (04:38):
So I was in lane of forty nine. They were
filming a ball in the city. I was doing demolition
on the belly right back to it. We went out
from break, me and my brother and we started walking
back down the street and go, uh you go back
to work, and uh, there's a bunch of people looking up.
We walked over to five that was going on and
we got pushed into the crowd. We were told look
(05:00):
up and I like you act like something's happening, and
they were a hang camera hanging off the building, and uh,
so we did it, and uh they stopped us and
said we both had white shirt. So when they stopped
us and said, hey, you guys gotta split up your
big white blob in the film.
Speaker 8 (05:23):
That's pretty good. Hey, were you ever able to go
back and see yourself?
Speaker 7 (05:28):
Well, they they actually said they got our names and
everything afterwards, and he actually sent me a check for like,
uh like something like like thirty seven cents or something
like that, a timeline of the movie where I could
possibly see myself, but we never could. Really, you had
to zoom in, you had to stop it and zoom
in and and and really try to see who you are.
(05:51):
It's really can't You can't tell who who you are,
just a bunch of bunch of people in the crowd.
Speaker 1 (05:56):
Gotcha, gotcha. Hey, I appreciate them.
Speaker 8 (05:58):
I appreciate the phone call. Thank you, thank you, sir.
Going back to sitting around. One of the other rules
for being a background actor, don't make after work plans.
Speaker 2 (06:06):
Because it just takes their whole day.
Speaker 8 (06:08):
Yeah, you never know when your day's gonna end. Generally,
days run about twelve hours. Procedurals tend to have shorter days.
The more artsy the production. With healthy budgets, you can
end up with some very epic long days. Like somebody
that they talked to was a background actor on What's
(06:30):
the Incredible Missus Mazel or something.
Speaker 2 (06:33):
Like that Marvelous Missus Mazel.
Speaker 8 (06:34):
Same thing they said that that went on forever, So
like if they were filming an episode, like you just
you literally just sit there and wait and wait and
wait and wait, is the.
Speaker 2 (06:49):
Pay pretty standard? Or if you're in the union, do
you get more? Like how does that work?
Speaker 1 (06:55):
I don't know.
Speaker 8 (06:56):
I don't know about that. The only the only thing
that that address addresses. Hey, hold on, it's in here.
Here it is. When the camera rolls, don't speak. You're
not being paid to. Any conversation is pantomime. If you're
muttering something as part of a crowd, that's considered omni
(07:18):
and it will not earn you day player status and
a pay upgrade. Now, if you are selected to say something,
you get a raise, like you're elevated. Like now you're
oh I have a speaking part. Yes, now I'm a
background with a speaking part.
Speaker 2 (07:36):
Al toyto right here we go? All are true?
Speaker 1 (07:40):
Oh, all right, very good.
Speaker 2 (07:41):
So so far he's happy with what you've said.
Speaker 1 (07:43):
Does altyto know whether this is true?
Speaker 8 (07:47):
Never ever, there's a rule number one, speak to a
principal actor.
Speaker 1 (08:00):
We'll wait for him to comment unless they address you first.
Speaker 8 (08:04):
As far as talking to a fellow background actor, that's okay,
except when the cameras rolling, then you pantomime.
Speaker 2 (08:13):
So no more peace and carrots.
Speaker 8 (08:15):
The I mean maybe if you're muttering, but that's that's pantomime.
If you're oh, I'm sorry, that's omny, that's omni, that's omni.
Speaker 2 (08:23):
You've just heard these terms for the first I guess.
Speaker 8 (08:25):
And don't even remember what they are. Yes, that's omni.
So like if I were, if I were like Diana
and I right, like we're thirteen and sixty nine.
Speaker 1 (08:33):
Yeah, yeah, buddy here and when they say, Diane, we
have to we have to omni?
Speaker 8 (08:41):
Right, really, piece and carrots a piece and carts piece
and carrots, peace and carrots.
Speaker 1 (08:47):
And why aren't you why aren't you omny?
Speaker 2 (08:49):
Piece and absolutely don't know any conversations to the people
talk at the same time.
Speaker 4 (08:55):
Yeah, that would back and forth the like you talk.
And then when you stopped talking, then I'd say peas
and carrots, peas and carrots, peas, peas and carrots, peas, carrots.
Speaker 1 (09:05):
Okay, first of all, why do you keep getting louder.
Speaker 2 (09:08):
Because you don't if you're having a conversation.
Speaker 1 (09:10):
Oh my god, you're not. You're not being taped.
Speaker 2 (09:13):
I'm acting.
Speaker 4 (09:15):
And when you're having a conversation with someone, it's not
the same phrase uttered thousands of times.
Speaker 1 (09:21):
You know they're not picking you up with a mic.
Speaker 2 (09:23):
I'm trying to look natural.
Speaker 1 (09:30):
That would be me.
Speaker 8 (09:31):
I would never stop peas and carrotsing Dian never got
to say anything peas and carrots, peas and carrots, peas
and carrot, peas and carrots.
Speaker 1 (09:41):
Yeah, and I interrupt. You would be so obvious.
Speaker 2 (09:50):
Lower budget production, it would be so obvious that you
just kept saying peas and carrots in the background. You
You wouldn't be able because I answer you. You have to
mix it up a little bit.
Speaker 1 (10:00):
What are you gonna say?
Speaker 2 (10:01):
Oh, you still can say peace and carrots. But just
showed you the exact Yeah, but what.
Speaker 1 (10:06):
Like peas and carrots? Correct, But but nobody.
Speaker 2 (10:14):
Had said cute and carrots, and well no it goes
peas and carrots.
Speaker 5 (10:24):
Cut.
Speaker 1 (10:26):
They are on.
Speaker 2 (10:30):
Alt writes your number will be used a lot for
makeup and wardrobe.
Speaker 1 (10:35):
Oh no, that's a good that. Thank you, Thank you,
thank you?
Speaker 8 (10:39):
Has Altido actually thought of this? Oh, don't take restrooms
for granted? What mean you can't use them when you're
on location? Relieving oneself can be a chore.
Speaker 2 (10:50):
Oh they don't find any one?
Speaker 8 (10:52):
Yes, almost always. Some productions have honey wagons. But sometimes
you you just have to make it work. Somebody did
a was a background on True Detective and they were
in like what were supposed to be like subway cars,
and some people were peeing in between the subway cars.
Speaker 1 (11:12):
Yeah.
Speaker 8 (11:14):
Yeah, so some productions will give you a honeywagon.
Speaker 1 (11:18):
But other than that, I mean, don't take it for granted.
Speaker 2 (11:21):
I don't know what that is. Say again, I've never
heard that term before.
Speaker 4 (11:23):
Is that just like a like a fancy porta potty
where it's like sometimes like you'll see it at like
festivals and weddings, where it's actually like almost like a
mini trailer bathroom.
Speaker 1 (11:34):
Can we go back to Cereal?
Speaker 2 (11:37):
Oh, Dane is right. I've never heard it referred to
as such.
Speaker 1 (11:40):
Oh. I just was trying to avoid because I don't know.
I have no idea what it is.
Speaker 8 (11:44):
A honey wagon is. Oh so yeah, it's like when
they bring in a flatbed. Yeah, oh that's the honey wagon.
Oh excuse me, I need the honey wagon.
Speaker 2 (11:53):
You're asking what Altoyita said. Oh, yes, said he said, yes,
don't talk to me unless I talk to you. But
then he said numbers, uh for for makeup and wardrobe especially.
Speaker 1 (12:05):
Oh that's right.
Speaker 8 (12:06):
Oh, by the way, but go back to Cereal for
a second. Remember Diane listened to the entire season of Cereal.
Speaker 1 (12:13):
Nap at your own peril, Yeah, because.
Speaker 2 (12:16):
You don't want to be napping when they need you.
Speaker 8 (12:18):
If you want to sleep during some of the long
extended downtime, expected to be on the floor in holding.
Holding is where you wait or somewhere else uncomfortable, and
nobody's coming to wake you up.
Speaker 1 (12:33):
If they call.
Speaker 8 (12:34):
Uh, if they call thirteen and thirteen doesn't answer, we
move right on.
Speaker 2 (12:39):
Which is good because al Toyedo can clap completely silent.
Speaker 1 (12:46):
No, So what is that?
Speaker 2 (12:50):
What does it look like sign language? What are you doing?
Speaker 1 (12:52):
I'm clapping silently.
Speaker 2 (12:53):
No, it's like you're flapping your like you're going to
I'm clapping, Diane.
Speaker 1 (13:00):
No, that that that's like that's golf clap.
Speaker 2 (13:02):
No, but that's not clapping, realistic.
Speaker 1 (13:05):
But he's silent, Okay, but that's not clapping.
Speaker 8 (13:08):
So you're in the middle of you're in the that
Will Ferrell movie and everybody's going nuts, and you're clapping
like you're applauding like.
Speaker 1 (13:15):
A two year old made a sissy in her pants.
Speaker 2 (13:18):
Oh I clapped louder at the band and Chorus concert
on Monday night. What Elliott, you have to touch your
hands together?
Speaker 1 (13:28):
You can't tell them? And what are you doing in there?
I am clapping, Diane, Kristen, that's it. Yeah, Christian's like, oh,
just put the Okay, you're in.
Speaker 2 (13:45):
A soundproof room. All right, sixty nine's done. He's clapping
like an idiot. Somebody call a doctor for sixty nine.
That is clapping. You're having a seizure.
Speaker 1 (13:55):
How do you clap? No, Diane, you're you're golf clapping.
I'm celebrating a great moment.
Speaker 4 (14:02):
We just we we now do it without sound. Y Oh,
are you paying attention to the clapper in the background.
Speaker 2 (14:12):
No, No, I.
Speaker 1 (14:13):
Lost my job for not being able to do.
Speaker 2 (14:15):
It because you look weird. You know it's bad. When
Kristen's mocking it's clapping.
Speaker 1 (14:21):
He said, what is this? That's this?
Speaker 2 (14:26):
Now do the same thing. Stop making a sound. He said,
it is the most useless skill you will learn from
working background, the silent clap.
Speaker 1 (14:38):
I just perfected it.
Speaker 2 (14:40):
Okay, I kicked off the set.
Speaker 1 (14:43):
Oh wardrobe, wardrobe, um oh, it.
Speaker 8 (14:49):
Says some Some productions will style your hair to fit
the time makes sense. SAG members receive a small pay bump.
This Occasionally productions requests more than a haircut. I was
drafted to be a bald spot double for an actor.
(15:12):
I didn't want to get the bald spot, but I
also didn't want to mess things up.
Speaker 1 (15:19):
After casting made some promises, I.
Speaker 9 (15:22):
Reluctantly got the bald spot sixty nine, Can you stop coughing?
I wish so like, oh the actors, No, I'll have
covid al Toto sent a screenshot here of his.
Speaker 2 (15:38):
Role in Turn Washington Spies.
Speaker 1 (15:42):
A great movie.
Speaker 2 (15:44):
Did he have to get a haircut for this or
was he in some way receiving a pay bump because
they had to make them look like these soldiers in
the period in which No, but when he just put
the hat on, So are they wearing wigs? Then does
that not count if it's a wig.
Speaker 1 (16:02):
I don't even see anybody's hair. It just looks like
it's underneath the hat.
Speaker 2 (16:06):
No, you can see it come out the front, but
out of the back. There a lot of them happen.
Speaker 1 (16:10):
Yeah, well maybe they just found people with long hair
line seven. Hi Jellie in the morning.
Speaker 5 (16:17):
Hi there, yes, Hi? Who is this is CJ. Maxwell?
How are you?
Speaker 1 (16:21):
What were you in.
Speaker 5 (16:23):
Guardians of the Galaxy three Black Panther, two Black Black Adam,
and we Own the City on HBO.
Speaker 1 (16:31):
Dude, you've done a ton of acting work.
Speaker 5 (16:34):
Congratulations, Thank you very much, appreciate it.
Speaker 1 (16:38):
Are you are? Like do all of these rules sound right?
Speaker 8 (16:44):
Uh?
Speaker 5 (16:44):
Yeah, so far everything you're staying it's pretty sweat on
in my experience.
Speaker 8 (16:48):
Yeah, there were any of them really bad experiences.
Speaker 5 (16:53):
No, you know, I was pleasantly surprised by every most
of the aspects of it. You know, you always hear
stories for horror stories about you know, A list actors,
but everyone that I've met has been real, real nice,
and you know, just getting to be on some of
those sets was an experience in and of itself.
Speaker 1 (17:10):
Oh, I can imagine, like I think it would be cool.
Speaker 8 (17:13):
Remember, don't talk to any of the A listers, including
al toy Doo, unless they speak to you first. Hey,
maybe you can answer this, and this didn't give an
example or reasoning why, like for example, sleep at your
own like nap at your own risk, and they'll say,
listen some of these downtimes, but if you if you
sleep through it, they're not coming back to you. Like
(17:33):
another one that they say in here, prepare to know nothing.
Just about everything is on a need to know basis,
including sometimes the actual name of the show production.
Speaker 1 (17:46):
They said production.
Speaker 8 (17:47):
Sometimes they use a fake name so that you don't
know which movie you're actually filming.
Speaker 5 (17:53):
That's one hundred percent true. And a lot of times
they give you just the working title.
Speaker 1 (18:00):
Yeah so, but what does this mean? Where so?
Speaker 8 (18:03):
And they said, don't talk to the actors unless they
talk to you, and all that clap silently. It's a
great skill that we have, the oh no, no. But
the other thing that they say is don't talk to
stunt people.
Speaker 5 (18:20):
I mean, I've never found that to be the case.
You know, most stun people that I've run into have been,
you know, again, pretty pretty chill people, you know, and
a lot of the times they're kind of intermixed in
the background stuff anyway, because usually that action is happening
somewhere nearby, so you know, if you've got to coordinate
(18:41):
or whatever. You know, that is less of a hell
worthy sin than talking to a a list actor.
Speaker 1 (18:49):
In my experience, a list you would never even approach.
Speaker 5 (18:54):
Not unless approached first, and that's typically the rule. Typically
it'll either be written somewhere or the some member of
the crew will come out and tell you that. But again,
I've my experience has been a lot of them, you know,
come and talk to you, you know, and a lot
of them are very nice, you know, and in between
takes we'll start off conversations and uh yeah.
Speaker 8 (19:14):
I would to think, so, hey, I appreciate it, thank you,
because you could come across looking like a real dick.
Speaker 2 (19:22):
But both sides could.
Speaker 3 (19:23):
No.
Speaker 8 (19:23):
No, But I mean if they were like, I mean,
we're shooting a scene, right, whatever we're doing.
Speaker 1 (19:28):
I'm the a list actor and you guys are the background. Right.
Speaker 8 (19:32):
Well, if I just walk in to the scene and
everybody's there and I just walk.
Speaker 2 (19:37):
In, isn't that a lot of them?
Speaker 3 (19:41):
Yeah?
Speaker 8 (19:41):
No, you have to come in and go, oh hey, hey, everybody,
what's going on?
Speaker 1 (19:45):
Like we're good, we ready to go. All right, let's nail,
let's let's let's don't ask me the name of the productions.
It's on a need to know.
Speaker 2 (19:55):
Why is the lead trying to clap silently?
Speaker 8 (20:00):
I brought it with me from my days of being
a background has Little Blood Sugar. My friend, my friend
al Toyto and I we both know how to clap silently.
Speaker 2 (20:12):
Now you're now it's not silent.
Speaker 1 (20:14):
Well, now I was standing.
Speaker 2 (20:15):
I was standing like you're trying to fly.
Speaker 1 (20:17):
I got really into it.
Speaker 2 (20:20):
Do it silently, I got really into it.
Speaker 1 (20:22):
Okay, here we go and rolling.
Speaker 4 (20:28):
It can still sounds like your armpit farting it just
for that unnamed weird al video.
Speaker 2 (20:36):
By the way, because you asked altyto grew his hair
for turn, but at times did wear extensions. I worked
on that show for five years, so my hair changed
a bit.
Speaker 1 (20:49):
It took five years to make that show.
Speaker 2 (20:52):
They couldn't get the silent clapping scene. One thing I
tell new background, Oh god, he's so loving this conversation
is to never walk when you can stand. Never stand
when you can sit. It's a long day.
Speaker 1 (21:13):
Wait say that again. Never walk when you can stay.
Speaker 2 (21:18):
Conserve your energy.
Speaker 1 (21:19):
Essentially, never stand when you can sit.
Speaker 2 (21:24):
That's a tip for new background, right, I mean experience background.
We know that.
Speaker 1 (21:28):
Hell Diane listens to entire seasons of Cereal.
Speaker 2 (21:31):
And Elliott's already the A lister.
Speaker 8 (21:33):
Also, be punctual followed directions, and never look.
Speaker 1 (21:38):
At the camera camera unless you're directed to line one.
Hi Elliot in the morning.
Speaker 3 (21:46):
Hey Elliott, it's Jason, your main correspondent.
Speaker 1 (21:48):
How are you well, dude? How are you doing great?
Speaker 3 (21:51):
So I grew up in Lockhart, Texas, which is a
little town outside of Austin, Okay. And for some reason,
they filmed a ton of movies there. I was in
What's Eating Gilbert Grape? I was and waiting for Gusman.
And then there was a movie may have never heard of.
It's called Where the Heart Is. It was Natalie Portman
and Ashley Judd and she had a Natalie Portman was
deserted at the walmart.
Speaker 1 (22:10):
Natalie would never mind.
Speaker 3 (22:14):
Natalie Portman. But anyway, I got My house was near
where they were filming, and they couldn't find a restroom
trailer for one of the weeks, and so Natalie Portman
used the bathroom in our house.
Speaker 1 (22:25):
That's awesome. That's awesome.
Speaker 3 (22:28):
We weren't allowed to be there, we had to go,
but it was a photo with her.
Speaker 1 (22:32):
Fun Were you were you? Were you background? In Gilbert Grape?
Speaker 5 (22:37):
Yes?
Speaker 3 (22:38):
I was wow. And then Waiting for Gusman, which was
when Eugene Levy was not as famous as he is now,
but he was. He and Catherine O'Hara, they were so nice.
They came to our school like they came to a
little pep rally.
Speaker 8 (22:50):
So just waiting for one of those early Christopher Christopher
guest guest. I was gonna say cross, but wait when
you did, when you did, when you did. Gilbert Grape
was like Leonardo DiCaprio.
Speaker 3 (23:04):
There, yep he was. I mean he didn't talk to us,
but you got to see him. But you were not
allowed to use the bathroom. There was who was? There
was another big actor in that too. I forget what
it was. I was younger.
Speaker 2 (23:17):
Was Johnny Depp in that?
Speaker 3 (23:18):
Yes? Johnny Depp? Yeah, he was?
Speaker 1 (23:20):
Who was? Who was? Who was? Who was the big woman?
Speaker 2 (23:23):
Darley?
Speaker 1 (23:23):
And Kate's was that her name is?
Speaker 2 (23:26):
I don't think so.
Speaker 1 (23:26):
She was famous for that movie.
Speaker 3 (23:29):
Wow. The other movie, The Faculty was filmed at my
high school and a little small trivia. The Bush Twins
were extras in it as well. Oh really with Usher
or not Usher? Who was it?
Speaker 2 (23:40):
Oh?
Speaker 1 (23:42):
Boy, this is going to be an all.
Speaker 8 (23:43):
The Tristan faculty, the rapper, the rapper boy, I know
they didn't go to Mapleton High School.
Speaker 2 (23:50):
It was Usher.
Speaker 1 (23:51):
It was Usher.
Speaker 8 (23:51):
Good call, good call you all right, dude, I appreciated.
Speaker 1 (23:55):
Thank you, Yes, Al toy oh.
Speaker 2 (23:57):
He does want to say so that nobody is thrown
off at whereas he agrees with all your commandments, he
does think stunt people can be talked to, although they
occasionally come off as snobbish, and that's coming from Altito.
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